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Dissertations / Theses on the topic 'Hannibal'

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Published: 4 June 2021
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1

Mohr, Deborah. "Das Bild Hannibals im 19. und 20. Jahrhundert : eine Analyse der deutschen Schulgeschichtsbücher und der historischen Jugendliteratur /." Marburg Tectum-Verl, 2006. http://deposit.d-nb.de/cgi-bin/dokserv?id=2859569&prov=M&dok_var=1&dok_ext=htm.

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2

Doiche, Eliana Pardo Pulz. "A lenda de Hannibal Lecter: um estudo da carnavalização nos filmes o silêncio dos inocentes, Hannibal e dragão vermelho." Universidade Presbiteriana Mackenzie, 2012. http://tede.mackenzie.br/jspui/handle/tede/2159.

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The goal of this dissertation is the study of the character Hannibal Lecter in filmic narratives The Silence of the Lambs, Hannibal and Red Dragon. To this end, we focus on the character in two ways: the first relates to its construction. We studied the movements of the camera, the camera angles and focus of the camera. Some other elements of film language, such as noise and music were cited when they were very relevant to the composition of the character. The second deals with the dialogue, the science of relations , as formulated by Bakhtin. We seek thus to seize the moments when the characters become aware of their identity. The narrative procedures common to the corpus show the conception of the film world stands on the carnavalization. Through the images carnivalized, we are faced with a topsy-turvy world where the truths and identities are relative.
O objetivo desta dissertação é o estudo da personagem Hannibal Lecter nas narrativas fílmicas O Silêncio dos Inocentes, Hannibal e Dragão Vermelho. Para tanto, focalizamos a personagem sob dois aspectos: o primeiro se relaciona com sua construção. Estudamos os movimentos de câmera e os ângulos de focalização da câmera. Alguns outros elementos da linguagem fílmica, como os ruídos e a música, foram citados quando os mesmos eram muito relevantes para a composição da personagem. O segundo trata do dialogismo, da ciência das relações , conforme formulada por Bakhtin. Buscamos, assim, apreender os momentos em que as personagens tomam consciência de sua identidade. Os procedimentos narrativos comuns ao corpus evidenciam que a concepção de mundo dos filmes se sustenta sobre a carnavalização. Por meio das imagens carnavalizadas, estamos diante de um mundo às avessas, onde as verdades e as identidades são relativas.
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3

Silva, Vanessa Ramos Furtado da. "Bon Appétit: Construção narrativa e visual da série hannibal." Universidade do Vale do Rio dos Sinos, 2018. http://www.repositorio.jesuita.org.br/handle/UNISINOS/7035.

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Este estudo tem por objetivo analisar a construção da narrativa seriada Hannibal, que traz a história do personagem já conhecido da literatura e do cinema ainda em ação – antes de ser preso. Partimos de conceitos tanto relacionados à construção de narrativa quanto à construção cinematográfica para entendermos a complexidade processual como um todo. Para tal, fomos passando por aspectos que vão desde o processo criativo com Brett Martin, questões narrativas com Mittell e de gêneros com Carroll, Wood e Todorov. Compreendendo, também, a forma do crime trocado utilizado por Hitchcock a partir de Chabrol e Rhomer e Truffaut, da qual a série se apropria, bem como pela forma sinestésica do cinema com Eisenstein, Deleuze e Aumont, até o estilo utilizado no período do expressionismo alemão, com Lotte Eisner e Kracauer, que deixou alguma herança nesse objeto. Somente após todo esse aporte pudemos dissecar e desmembrar Hannibal, identificando como se compuseram seus arcos e cenários, como funcionaram suas inspirações e propósitos. Para isso, dividimos a análise em três vias de dissecação: dos crimes aleatórios e suas construções estéticas visuais e cinematográficas; da narrativa e a análise dos arcos que culminam em um crime trocado; e a via da análise do Hannibal design, em que analisamos como a série constrói sua metodologia assassina durante os episódios, de forma desconexa e cuidadosa. Desse modo, fazendo uma analogia à própria série e sua temática investigativa, nós seguimos as evidências e pontas soltas da forma com que a obra se apresenta, de modo a descobrir quais foram os seus passos – esse é o nosso método.
This study aims to analyze the construction of the serial narrative Hannibal, which brings the story of the already known character of literature and movie still in action - before being arrested. We start from concepts related to narrative construction and to the cinematographic construction in order to understand procedural complexity as a whole. For that, we have gone through aspects ranging from the creative process with Brett Martin, narrative issues with Mittell and genres with Carroll, Wood and Todorov. Understanding also the form of the exchanged crime used by Hitchcock from Chabrol and Rhomer and Truffaut from which the series appropriates, as well as by the synesthetic form of cinema with Eisenstein, Deleuze and Aumont, to the style used in the period of German expressionism with Lotte Eisner and Kracauer that left some inheritance in this object. Only after all this contribution we were able to dissect and dismember Hannibal, identifying how his arcs and scenarios were composed, how his inspirations and purposes worked. For this, we divided the analysis into three dissecting avenues: random crimes and their aesthetic visual and cinematographic constructions; of the narrative and the analysis of the arcs that culminate in a changed crime; and the life of the analysis of Hannibal design, in which we analyze how the series constructs its killer methodology during the series, in a disconnected and careful way. In this way, by analogy with the series itself and its investigative theme, we follow the evidence and loose ends of the visceral way in which the series presents itself in order to discover its steps - this is our design.
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4

Stocks, Claire Alicia. "Reconstructing Hannibal : image and imperialism in Silius Italicus' Punica." Thesis, University of Cambridge, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.608441.

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5

Janse, van Rensburg Dené. "The Lamb's Wrath : Cannibalism, Divinity, and Apocalypse in Hannibal." Diss., University of Pretoria, 2019. http://hdl.handle.net/2263/81922.

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This study proposes that the television series Hannibal (Fuller 2013-2015), with its aesthetic and thematic emphasis on Christian motifs and imagery, is a contemporary apocalyptic fiction. Specifically, this study argues that Hannibal provides a new typology: the metamythic apocalypse narrative. To posit these arguments, I approach the analysis of the television text from four of the stronger concepts that surface in the reading of Hannibal, which are the relationship between cannibalism and divinity, the God-Devil opposition, the We(i)ndigo figure as a symbol of the Holy Trinity, and the Apocalyptic narrative. The first three concepts inform the typology of apocalyptic narrative that the series follows and are essential in establishing the criteria for this new typology. Insofar as existing television tropes and conventions go, the first two seasons of Hannibal remain in the vicinity of investigative police procedure, building and perfecting its mythos around the passive- aggressive relationship between Lecter and his prodigy, FBI profiling consultant Will Graham. The procedural formalities are set aside in season three, to focus on and amplify an already ambivalent relationship with religion, providing a wealth of apocalyptic symbolism that calls the rest of the series into the new framework of apocalyptic fiction. This study establishes that Hannibal provides a new apocalyptic narrative typology that challenges the two typologies identified by Conrad Ostwalt (2011:365-356) – the traditional apocalypse and the secular apocalypse. The traditional apocalypse allows for fictionalized events, but includes elements of supernatural (or divine) revelation. The secular apocalypse borrows symbols and themes from the traditional apocalypse, but contemporizes evil and does not adhere to the criterion of a divine agency, positing human heroism as the anthropocentric replacement for God and averting punishment and destruction. Hannibal’s (Fuller 2013-2015) particular symbolic visual vocabulary and the apocalyptic narrative typologies outlined by Ostwalt (2011) allows me to theorise the notion of the metamythic apocalypse narrative. In establishing this new form of apocalypse narrative, I interrogate the role of the We(i)ndigo figure as Hannibal’s reconstitution of the Christian Holy Trinity and demonstrate visually how these three characters constitute this trinity – Dr Hannibal Lecter (Holy Father), Will Graham (Holy Son), and Abigail Hobbs (Holy Spirit). This metamythic apocalypse narrative engages the current secular scientific concern for the end of the world, which remains haunted by religious prophecy. The metamythic apocalypse proposes a return to the symbolic and the archetypal in answering questions about the future amidst the anxieties about the end of the world, as well as the possibility of the post- apocalyptic. Keywords: Hannibal; cannibalism; We(i)ndigo; apocalypse narrative; metamythic apocalypse; symbolism; Holy Trinity
Dissertation (MA (Drama and Film Studies))--University of Pretoria, 2019.
Drama
MA (Drama and Film Studies)
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6

Grabbe, Christian Dietrich Inners Margaret. "C.D. Grabbe's Hannibal a new translation for the American stage /." Connect to this title, 2008. http://scholarworks.umass.edu/theses/131/.

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7

Gilson, Danielle. "Unpalatable fiction: An exploration of transgressive gender identity in Hannibal." Thesis, Gilson, Danielle (2013) Unpalatable fiction: An exploration of transgressive gender identity in Hannibal. Honours thesis, Murdoch University, 2013. https://researchrepository.murdoch.edu.au/id/eprint/19639/.

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Mainstream culture often renders gender identities that do not conform to heteronormative ideals as 'deviant' and inauthentic - a failure of the norm. This thesis offers a close reading of Thomas Harris's 1999 work of fiction, Hannibal, and analyses the ways in which, as a contemporary Gothic text, the narrative provides a space for the exploration of transgressive gender identity. Since its inception in the late eighteenth century, the gothic genre has been primarily concerned with exploring subjects considered taboo within mainstream consciousness. Through an analysis that situates Hannibal within a Gothic framework, the thesis argues that Harris re-conceptualises elements of the traditional Gothic and thus produces a subversive narrative that draws attention to gender identities excluded from the heteronormative matrix. Judith Butler's readings of gender help expand the reading of Hannibal as a reconceptualisation of generic gender roles in the Gothic, and facilitate an analysis of transgressive gender identity in the novel. Within the democratic space of the contemporary Gothic, Hannibal can thus be read as critiquing mainstream culture's treatment of those who inhabit a space outside the confinement of the naturalised heterosexual binary matrix. Focusing on selected characters identified as pivotal in the novel, the thesis demonstrates Butler's argument that heteronormative gender categories are illusory, formed as they are on the repudiation of those considered a disruption or failure of the norm. The concluding discussion reinforces this argument by examining the parochialism of mainstream culture and the continued marginalising of alternative gender identities in society.
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8

Casagrande, Miriam. "“I let you know me, see me.” HANNIBAL e l’incarnazione queer." Master's thesis, Alma Mater Studiorum - Università di Bologna, 2021. http://amslaurea.unibo.it/24506/.

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Il lavoro di tesi svolto ha come oggetto di studio la serie televisiva Hannibal, si è voluto dimostrare come lo studio delle dinamiche concettuali e fisiche possano fornire un ulteriore approccio nello studio di determinati aspetti della narrazione. L’analisi si è concentrata in particolar modo su precisi aspetti esposti nelle dinamiche che intercorrono tra i personaggi, oltre che nelle scelte stilistiche, le quali rendono esplicita una lettura queer della serie. In tale prospettiva sono stati presi in considerazione gli studi di Guerra e Gallese sulla rilevanza dei neuroni specchio nel coinvolgimento che i film esercitano sul corpo degli spettatori, insieme al riscontro di strutture metaforiche legate alla cognizione di concetti astratti come identificati da Lakoff e Johnson nella Teoria delle Metafore Concettuali. Come ulteriore supporto, sono state prese in esame le ricerche epistemologiche sul cinema, le quali si sono dimostrate una risorsa utile per la comprensione della relazione tra il corpo degli spettatori e i queer studies, oltre che per indagare la possibilità di un’“incarnazione queer” nei prodotti audiovisivi. Partendo dall’importanza data alla visione all’interno del racconto come elemento di conoscenza e di costruzione dell’identità, l’analisi si è concentrata sulle scelte stilistiche messe in atto per far intendere allo spettatore dei sottotesti queer. Lo studio si è poi spostato verso elementi ricorrenti nelle rappresentazioni queer mediali come il ricorso di tropi del genere gotico e l’estetizzazione della violenza, ultimando il discorso prendendo in esame elementi di vicinanza e sovversione di alcune delle teorie antisociali proposte nei queer studies.
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9

Weeks, Zebulun Q. "Hannibal in the Andes : Calvete's De rebus indicis and its sources /." Citation, abstract and full text online, 2007. http://proquest.umi.com/pqdweb?did=1257804411&sid=1&Fmt=2&clientId=374&RQT=309&VName=PQD.

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10

Wilson, Alison E. "Hannibal Lecter v. Immanuel Kant : an application of Kantianism to graphic horror film /." Connect to online version, 2007. http://ada.mtholyoke.edu/setr/websrc/pdfs/www/2007/221.pdf.

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11

Pirke, Klaus. "Zechenlandschaft Hannover-Hannibal-Königsgrube industriekulturelle Potentiale der kruppschen Bergbaulandschaft in Bochum und Herne." [Essen] Klartext, 2007. http://d-nb.info/987354604/04.

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12

Haverkamp, Niklas Verfasser], Peter [Akademischer Betreuer] [Eilts, and Wilhelm [Akademischer Betreuer] Hannibal. "Patentanalyse zur Abschätzung von Konzepten zukünftiger Fahrzeughybridantriebe / Niklas Haverkamp ; Peter Eilts, Wilhelm Hannibal." Düren : Shaker, 2020. http://d-nb.info/1220027189/34.

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Haverkamp, Niklas [Verfasser], Peter [Akademischer Betreuer] Eilts, and Wilhelm [Akademischer Betreuer] Hannibal. "Patentanalyse zur Abschätzung von Konzepten zukünftiger Fahrzeughybridantriebe / Niklas Haverkamp ; Peter Eilts, Wilhelm Hannibal." Düren : Shaker, 2020. http://nbn-resolving.de/urn:nbn:de:gbv:084-2020101911467.

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14

Radford, Kathryn. "Picking brains : Hannibal lecter and the cannibal myth in twentieth-century western literature." Thèse, [Montréal] : Université de Montréal, 2003. http://wwwlib.umi.com/cr/umontreal/fullcit?pNQ92723.

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Thèse (Ph.D.) -- Université de Montréal, 2004.
"Thèse présentée à la Faculté des études supérieures En vue de l'obtention du grade de Philosophiae Doctor (Ph.D.) En littérature comparée et générale" Version électronique également disponible sur Internet.
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15

Bellomo, Alessandra <1992&gt. "Hannibal Lecter nell'era della convergenza: da fenomeno di genere a narrazione high concept." Master's Degree Thesis, Università Ca' Foscari Venezia, 2016. http://hdl.handle.net/10579/8728.

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Il personaggio di Hannibal Lecter nasce nell'ambito di un romanzo di genere. Nel tempo, si è evoluto attraverso le successive trasposizioni cinematografiche e,recentemente, con la produzione di una serie tv, nell'elemento centrale di un franchise. Da fenomeno singolo, si è arrivati alla creazione di un universo diegetico e multimediale.
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16

Medin, John T. IV. "The Grand Strategy: A Study on Hannibal’s Stratagem During the Second Punic War." Scholarship @ Claremont, 2014. http://scholarship.claremont.edu/cmc_theses/935.

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In this paper I sought to determine whether or not Hannibal Barca had a grand strategy to deal with the Romans during the Second Punic War. If Hannibal did have a strategy, I would try to determine what his strategy was and if it was actually feasible. I approached this question by looking into the background leading up to the Second Punic War, the primary sources explanation of Hannibal’s strategy during the Second Punic War, the logistical feasibility of the plan, and Hannibal’s movements throughout Italy during the war. In conclusion I decided that Hannibal did have a Grand strategy and that it was to alienate the Italian allied city-states from Rome in order to gain the logistical supplies and manpower to bring down Rome. In the end the reason that Hannibal lost the second Punic War is because he misunderstood the relationship that existed between the allied Italian states and Rome. This question is important because it sheds new light on the relations between Rome and its allied states. It also brings new questions to the foreground to try and explain what exactly was the relationship between Rome and its allies during this period.
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Prinsloo, Oleta. "The case of "The dyed-in-the-wool abolitionists" in Mark Twain country, Marion County, Missouri : an examination of a slaveholding community's response to radical abolitionism in the 1830s and 1840s /." free to MU campus, to others for purchase, 2003. http://wwwlib.umi.com/cr/mo/fullcit?p3115582.

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18

Ronet, Pauline. "La poésie historique sous le regard de l’histoire : Hannibal chez Silius Italicus et Tite-Live." Paris 4, 2008. http://www.theses.fr/2008PA040020.

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Notre travail c'est attaché à montrer les liens profonds qui unissent les auteurs antiques, au delà des frontières génériques instaurées. Pour les mettre en valeur, nous avons considéré le traitement réservé à un même personnage (Hannibal) et ce par deux genres littéraires différents (historiographie et poésie épique). Cela nous a permis d'établir des constantes transgénériques articulées autour d’axes majeurs, thématiques (univers guerrier ou non) et grammaticaux (longueur ; pronoms…) considérés stylistiquement. C’est ainsi que Tite-Live se fait poète dans son portrait d’Hannibal cédant aux topoi de l’étranger. Loin de stigmatiser des procédés particuliers et exclusifs, nos résultats montrent l'interdépendance des genres, leur complémentarité et leur enrichissement mutuel. Les écrivains, tels des orfèvres, cisèlent leur matière première pour susciter admiration et adhésion
Our aim was to show deep relations between antic writers, above generic frontiers. In order to highlight them, we have observed how a same figure had been treated (Hannibal), and this by two different litterary genres (historiography and epic poetry). It allowed us to state transgeneric features, with two main parts : thematic (warrior world or not) and grammatical (narration, speech) stylistically developed. So, Livy becomes a poetry with his Hanniba's figure with his topoi of stranger. Our results point out, not particulars and exclusive ways, but generic interdependance, their complementarity and their mutual enrichment. Writers, such as expert, chase the raw material to induce admiration and support
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Ben, Ali Ghrandi Nadia. "La perception de la religion punique dans la littérature latine." Thesis, Paris, EPHE, 2015. http://www.theses.fr/2015EPHE4074/document.

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Les guerres puniques ont longtemps été présentées comme la victoire de la civilisation contre la barbarie étant donné que les seules sources à en parler étaient romaines. En ce qui concerne la religion des Carthaginois, les Romains et les Grecs avant eux s'en sont fait une image plutôt négative. Les principaux traits retenus à propos de la religion des Puniques sont leur dévouement acharné à des rites sanguinaires (immolation massive d'enfants en bas âge) et à l'impudique Astarté, pratiques religieuses jugées barbares et scandaleuses. S'ajoutent aux manifestations lugubres de la piété punique un total manquement à la parole donnée et un irrespect sans précédent des serments et traités de guerre, connus communément à Rome sous l'appellation passée en proverbe : punica fides qui s'oppose à la fides, notion éminemment romaine. Toutefois les Grecs et les Romains ont bien dû, à maintes reprises, reconnaître que les Carthaginois pouvaient avoir des pratiques cultuelles tout à fait comparables aux leurs (prières, sacrifices, présents, fondation de sanctuaires dans les pays conquis...) et faire preuve d'une piété exemplaire. Ils ont constaté, en outre, que le panthéon punique était semblable aux leurs et que les Carthaginois étaient même capables de rendre hommage aux divinités étrangères. Il s'ensuit que la perception de la religion punique dans la tradition classique est contrastée et souvent contradictoire
For a long time, Romans and Carthaginians lived side by side, and especially, in mutual conflict. The conflicting relationships that had been knitted, in the Mediterranean, between these two outstandingly powerful nations, this dense network with shady alliances, oppositions and hostilities, shaped the image of the Punics. We will endeavour to make out the way the Romans perceived the Carthaginians as it is not possible to know how the Carthaginians regarded themselves: The latter attempt is doomed to failure regarding the lack of Punic literary sources. It is mainly the Carthaginian religion that had marked the Romains: these people were considered as thoroughly irreligious. They were, on the whole, negatively pointed at. In fact, the Punic wars were, for long time, presented as the victory of civilization over barbarity since the only sources on the matter were Roman. Regarding the Carthaginians’ religion, the Romans, and the Greeks ever before them, had conceived it in a rather negative way
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Lefort, Anne-Laure. "La revalorisation du personnage d’Hannibal dans les Punica de Silius Italicus." Thesis, Paris 4, 2012. http://www.theses.fr/2012PA040195.

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Ce travail vise à préciser l’importance que Silius Italicus donne dans ses Punica au personnage d’Hannibal. Il repose sur une étude comparée entre le poème et les différents textes latins et grecs à notre disposition sur le chef carthaginois. Les intertextes avec les épopées antérieures sont aussi sollicités, car Silius s’en inspire pour créer un Hannibal épique, propre aux Punica.L’Hannibal de Silius se distingue d’abord par son portrait dans l’ensemble de l’épopée : le poète nuance voire efface les défauts que la tradition historiographique attribue au Carthaginois, tandis qu’il en souligne les qualités en recourant en particulier aux topoi épiques. Silius fait également du chef le porteur de motivations et d’enjeux multiples qui le présentent comme le personnage majeur des Punica.Hannibal joue par ailleurs un rôle décisif dans la révélation progressive de la grandeur de Rome. Il constitue un véritable faire-valoir pour les Romains et se révèle le premier témoin du renouveau de Rome : c’est par rapport à lui, mais aussi à travers ses prises de conscience, que le redressement romain s’exprime au cours du poème. Enfin, Silius grandit le personnage d’Hannibal en lui faisant mener bien plus que la deuxième guerre punique : le chef entreprend une guerre titanesque contre les dieux ; il appelle en outre à une continuation du conflit au-delà de l’épopée. Entre réhabilitation et revalorisation, la vision d’Hannibal dans les Punica témoigne donc d’une innovation certaine de la part de Silius Italicus au sein de la tradition ancienne sur le personnage : le Carthaginois, qui fut pourtant l’un des plus féroces ennemis de Rome, y devient véritablement un héros épique
The aim of the author is to clarify the importance that Silius gives in his Punica to the character Hannibal. This work is based on a comparative study between the poem and the different latin and greek texts that we have about the Carthaginian chief. The intertexts with the former epics are also questioned, since Silius draws his inspiration from them to create an epic Hannibal, specific to the Punica.The Silius’ Hannibal can first be distinguished by his portrait in the whole epic : the poet nuances, indeed erases the defects that the historiographical tradition imputes to the Carthaginian, whereas he emphasizes his qualities, in particular by using epic topoi. Silius also portrays the chief as the one who stands for numerous motivations and stakes, which present him as the main character of the Punica.Moreover Hannibal plays a decisive part in the progressive revelation of Rome’s greatness. He serves as a real foil to the Romans and shows himself as the first witness of Rome’s renewal : the Roman recovery expresses itself, during the epic, in comparison to him, but also through his realization of it.Lastly, Silius increases Hannibal’s stature, by making him rule more than the second Punic war : the Carthaginian starts a titanic war against the gods ; he also calls for a continuation of the conflict, beyond the epic.Between rehabilitation and enhancement, the presentation of Hannibal in the Punica shows an undeniable innovation from Silius Italicus within the ancient tradition about the Carthaginian : Hannibal, who was yet one of Rome’s most fierce enemies, truly becomes an epic hero
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Renaud, Jean-Pierre. "L'itinéraire transalpin d'Hannibal : l'énigme et sa résolution géographique." Thesis, Montpellier 3, 2010. http://www.theses.fr/2010MON30071.

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Le cadre spatial et temporel de l’étude est restreint : il s’agit de l’itinéraire suivi entrele Rhône et la plaine du Pô par l’armée carthaginoise sous les ordres d’Hannibal Barca aucours du second semestre de l’année 218 avant J.-C. L’événement auquel cet itinéraire serapporte fait très largement déborder le sujet du cadre énoncé ; le parcours de la traverséealpine, qui n’est pas précisément défini par les textes antiques, est perçu comme une desénigmes les plus attrayantes de l’Histoire ancienne. Les historiens modernes qui ont essayéde la résoudre en établissant des concordances entre la réalité géographique et les indicationsdu livre III des Histoires de Polybe (205 ? - 123) et du livre XXI de l’Histoire romaine deTite-Live (64 ? av. J.-C. - 17 après J.-C.) ont émis diverses hypothèses contradictoires parceque systématiquement basées sur une opposition entre les données polybiennes et les donnéesliviennes. Les objectifs de la thèse sont de définir le problème que pose cette énigme à partirdes différentes façons de la traiter depuis son apparition jusqu’à aujourd’hui, et d’en tenterune approche nouvelle, selon une démarche issue de la démarche scientifique classique, enémettant deux hypothèses qui laissent délibérément de côté les itinéraires basés sur uneremontée de la rive gauche du Rhône. L’étude détaillée des deux textes de référence révèleleur complémentarité et permet de percevoir l’origine de l’énigme. La reconnaissance d’unparcours le long de la Durance et à travers le Queyras débouche sur la découverte, au pied dela Crosennetta, dans la vallée du haut Pellice, d’un site unique qui confirme ces hypothèses
When one examines the whole story, definite limits in time and space are set: in thecourse of the second half of the year 218 B.C., Hannibal Barca led the Carthaginian armyfrom the Rhone to the plain of the river Po. The event related to this itinerary shows that theabove indications are not that certain: the precise route followed to cross the Alps, which theantique texts do not describe in detail, is considered to be one of the most fascinatingenigmas of ancient History. Modern historians have tried to solve it by comparing thegeography of the area and the indications in “Histories”, Book III, of Polybe (205?-123) andin “Roman History”, Book XXI, of Livius (64? B.C.-17 A.D.). They have suggested severalcontradictory theories because these are systematically based on the differences betweenPolybien and Livien data. The aim of the thesis is to clearly state the problems arising fromthis enigma, because of the way it has been examined, from the very beginning right up tillnow, and to try a new approach: a suggestion (using classical scientific methods) whichtemporally abandons the idea of an itinerary on the left bank of the Rhone. The origin of thepuzzle is obvious after careful reading of the two texts referred to and which shows theircomplementary nature. A survey of the route that runs along the side of the river Duranceand crosses the Queyras region led to the discovery, at the foot of the Crosennetta Mountain,at the top of the Pellice valley, of a unique site which confirms these assumptions
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Messer, Rick Jay. "The influence of Hannibal of Carthage on the art of war and how his legacy has been interpreted." Thesis, Manhattan, Kan. : Kansas State University, 2009. http://hdl.handle.net/2097/1503.

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Kersten, Holger. "Von Hannibal nach Heidelberg : Mark Twain und die Deutschen : eine Studie zu literarischen und soziokulturellen Quellen eines Deutschlandbildes /." Würzburg : Königshausen & Neumann, 1993. http://catalogue.bnf.fr/ark:/12148/cb391475449.

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Schmitt, Tassilo. "Hannibals Siegeszug : historiographische und historische Studien vor allem zu Polybios und Livius /." München : tuduv-Verl.-Ges, 1991. http://catalogue.bnf.fr/ark:/12148/cb35602084f.

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Texte remanié de: Diss.--Fakultät für Orientalistik und Altertumswissenschaft--Heidelberg--Universität Heidelberg, 1989. Titre de soutenance : Von der Rhône nach Cannae. Quellenkundliche Untersuchungen zu den beiden ersten Jahren des Zweiten Punischen Krieges vornehmlich bei Polybios und Livius.
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Woodall, Ian R. "Dr. Hannibal Lecter and friends : a consideration of the issue of confinement ; "it's so rare to get one alive" /." Title page and introduction only, 2001. http://web4.library.adelaide.edu.au/theses/09AR/09arw873.pdf.

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Hannibal, Iris Christine [Verfasser]. "Prävalenz, Prädiktoren und Folgen einer Infektion mit Plasmodium falciparum bei Säuglingen in einem holoendemischen Malariagebiet in Ghana / Iris Christine Hannibal." Berlin : Medizinische Fakultät Charité - Universitätsmedizin Berlin, 2009. http://d-nb.info/1027497985/34.

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Tremblay, Edouard. "Le serment d'Hannibal : analyse des enjeux et des implications de l'alliance militaire entre Hannibal et Philippe V de Macédoine (215 a.C.)." Master's thesis, Université Laval, 2004. http://hdl.handle.net/20.500.11794/17842.

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White, Amy Victoria. "Hannibal's night time antics: Livy's use of 'The Night' in the third decade to present military operations, develop moral exampla, and examine Rome's past." Thesis, University of Canterbury. Language, Social and Political Sciences, 2014. http://hdl.handle.net/10092/9056.

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It has generally been thought that Hannibal was a hostile individual and despised in Roman society because of his non-Roman status and his apparent tendency to be deceptive, cruel and savage. Yet, our understanding of Hannibal as a character is limited. This thesis attempts to address his characterisation through an examination of his night-time military exploits, and argue that our knowledge of Hannibal can be expanded upon by examining how Livy characterised Hannibal in his account of the Second Punic War. Furthermore, this thesis takes a fresh approach to Hannibal’s characterisation, considering Livy’s use of ‘the night’ in association with military activity, and revealing that Hannibal displayed traits that the Romans themselves valued. Thus, Hannibal’s character is developed through a nocturnal military setting, and he becomes comparable to Rome’s finest generals, including Fabius Maximus, Marcellus and Scipio Africanus. Similarly, it is also shown that he exhibited Roman military virtus in place of the traits traditionally thought to be synonymous with the non-Roman. By analysing the character of Hannibal in this manner, we reveal that in Roman thought he was an ambiguous character, whilst simultaneously highlighting how the Romans both perceived and used the night within the context of the army.
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Fronda, Michael P. "The Italians in the Second Punic War." Columbus, OH : Ohio State University, 2003. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1046890420.

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Thesis (Ph. D.)--Ohio State University, 2003.
Title from first page of PDF file. Document formatted into pages; contains xi, 422 p.: ill., maps. Includes abstract and vita. Advisor: Nathan Rosenstein, Dept. of History. Includes bibliographical references (p. 408-422).
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Gravel, Anne-Sophie. "Figures de meurtriers célèbres dans les séries télévisées Bates Motel (2013-2017), et Hannibal (2013-2015) ainsi que dans le film Seven (1995) ; : suivi de : Les leçons de Gillian (Scénario)." Master's thesis, Université Laval, 2019. http://hdl.handle.net/20.500.11794/40300.

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Cette recherche-création effectuée dans le cadre d’études de deuxième cycle présente une analyse de l’adaptation télévisuelle récente de meurtriers fictifs notoires. Dans la première partie, un essai retrace la façon dont ont été transposés pour la télévision les personnages de Norman Bates (Psycho, 1960) et d’Hannibal Lecter (The Silence of the Lambs, 1991) ainsi que les mécanismes qui ont été déployés afin d’étoffer ces protagonistes et leurs forces d’action. Dans la deuxième partie, on présente la création d’une série télévisée librement inspirée du personnage de John Doe (Seven, 1995). Cette section décrit les différentes étapes du processus d’élaboration d’une œuvre télévisuelle, incluant la démarche d’adaptation, le sujet de la saison, la description des personnages, la structure narrative et les milieux de l’action, les résumés et synopsis des épisodes. Par la suite, un des épisodes a été scénarisé.
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Hannibal, Paul. "Compressibility Measurement and Modeling to Optimize Flow Simulation of Vacuum Infusion Processing for Composite Materials." BYU ScholarsArchive, 2015. https://scholarsarchive.byu.edu/etd/4433.

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Out-of-autoclave manufacturing processes for composite materials are increasing in importance for aerospace and automotive industries. Vacuum Infusion processes are leading the push to move out of the autoclave. An understanding of the various process parameters associated with resin infusion is necessary to produce quality product. Variance in compaction, resin, and vacuum pressures are studied, concentrating on developing a compaction pressure profile as it relates to fiber volume fraction. The purpose of this research is twofold: (1) to show and quantify the existence of a resin pressure gradient in compression testing using rigid tooling, and (2) to use measured test data to validate and improve resin flow simulation models. One-dimensional compression tests revealed a pressure gradient across the diameter of the compression tool. The pressure gradient follows trends consistent with Darcy's Law. Compression tests revealed fabric hysteresis during compaction as shown in previous studies. Fiber compaction pressure was found to not be directly equal to compressive forces of the Instron when resin is present in the system. The relationship between Instron, resin and compaction pressures is defined. The compression study was used to validate previously developed flow simulation models. Resin pressures are critical to developing an accurate two-dimensional radial flow simulation for low permeability fabrics. It is feasible to determine final fiber volume fraction at a given compaction pressure.
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Matusiak, Patrycja. "Obraz Hannibala w literaturze antycznej." Doctoral thesis, Katowice : Uniwersytet Śląski, 2009. http://hdl.handle.net/20.500.12128/5219.

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Obraz Hannibala jest skomplikowaną mozaiką, na dodatek – co zauważyli już antyczni – zbudowaną ze sprzecznych elementów. Pokazuje ona Kartagińczyka w różnym świetle – zarazem pozytywnym i negatywnym – ale sprzeczność moim zdaniem jest pozorna. I nie jest ona spowodowana ani schizofreniczną wizją antycznych, ani nie jest pozostałością po propagandzie anty- i probarkidzkiej. Nie jest także dowodem zróżnicowania źródeł, mającym potwierdzać obiektywizm jej autorów. Praca niniejsza ma na celu ustalenie, za pomocą jakich słów, wyrażeń, gniazd znaczeniowych został zbudowany obraz Hannibala w antycznej literaturze historiograficznej. Dokonać tego można jedynie poprzez rozbicie homogenicznej masy, jaką znajdziemy w literaturze, na mniejsze, ściśle określone cząstki, będące podobrazami, charakteryzującymi się ustalonym użyciem słownictwa. Literatura historiograficzna stanowi podstawę – z racji długości tekstów oraz możliwości ustalenia szczegółów nieuchwytnych w szczuplejszych źródłach, takich np. jak intencja autora, nacechowanie, tendencja etc. – uzupełnianą w miarę możliwości tekstami retorycznymi czy też poetyckimi. Wyodrębniając poszczególne podobrazy, starałam się tam, gdzie było to ważne, zasygnalizować sposób charakterystyki Hannibala. W literaturze istnieją dwa sposoby charakteryzacji: pośredni – poprzez komentarze autorskie oraz bezpośredni – poprzez facta i dicta postaci charakteryzowanej. Ponieważ jednak sposób werbalizacji charakterystyki zależał od autora, bądź jego źródeł, szczegółowe rozróżnienie owych modeli w tym przypadku wydaje się sprawą drugorzędną.
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Ryan, Christopher James. "Hunks of Meat: Homicidal Homosociality and Hyperheteronormativity in Cannibal Horror." Bowling Green State University / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1343086134.

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Lafferty, Sarah. "Holding Out For A Female Hero: The Visual And Narrative Representation Of The Female FBI Agent In Hollywood Psychological Thrillers From 1991-2008." Bowling Green, Ohio : Bowling Green State University, 2009. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=bgsu1237405595.

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Gentry, Sean Alexander. "Hannibal's strategies during the second Carthaginian War with Rome & his ultimate goal of Roman subjugation." Thesis, University of Newcastle Upon Tyne, 2002. http://hdl.handle.net/10443/854.

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After the battle of Cannae, Hannibal retired to the confines of his camp to celebrate the greatest defeat the Romans had ever suffered, and as the future would hold, anyone would suffer. "Hannibal's officers crowded round him with congratulations on his victory. The others all advised him, now that he had brought so great a war to a conclusion, to repose and allow his weary soldiers to rest for the remainder of that day and the following night. But Maharbal, the commander of the cavalry, held that no time should be lost. 'Nay, ' he cried, 'that you may realize what has been accomplished by this battle, in five days you shall banquet in the Capitol! Follow after, I Will precede you with the cavalry, that the Romans may know that you are there before they know that you are coming! - To Hannibal the idea was too joyous and vast for his mind at once to grasp it. And so, while praising Maharbal's goodwill, 'he declared that he must have time to deliberate regarding his advice. Then said Maharbal, 'In very truth the gods bestow not on the same man all their gifts; you know how to gain a victory, Hannibal;, you know not how to use one. ' That day's delay is generally believed to have saved the City and the empire. "'
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Barber, Cary Michael. "The Lost Generation of the Roman Republic: Elite Losses and the Senate of the Hannibalic War." The Ohio State University, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=osu1479904087252208.

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Moser, Heather S. "Silencing the Revelry: An Examination of the Moral Panic in 186 BCE and the Political Implications Accompanying the Persecution of the Bacchic Cult in the Roman Republic." Kent State University / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=kent1398073604.

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Appelgren, Karl. "The last coin of Taras? : A study of a late Tarentine coin in the collections of the Uppsala University Coin Cabinet." Thesis, Uppsala universitet, Institutionen för arkeologi och antik historia, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-446582.

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In this thesis, a coin from the Hannibalic occupation of Taras is analysed and discussed. The method applied in the analysis is Panofsky’s iconological method, and the theoretical framework has been derived from the research questions themselves in dialogue with modern numismatic research.  The focus of the discussion is on the relationship between the coin and its historical context. In the thesis, it is argued that the coin is a didrachm with heavily reduced weight, and that the weight reduction is a result of the financial difficulties caused by the Second Punic War.
Denna uppsats är en analys av ett mynt from Hannibals ockupation av Taras. Den metod som tillämpas i analysdelen är Panofskys ikonologiska metod. Det teoretiska ramverket har sin utgångspunkt i uppsatsens frågeställning, och har utarbetats i dialog med modern numismatisk forskning. Diskussionsdelen fokuserar på förhållandet mellan myntet och dess historiska kontext. I uppsatsen framförs argument för att myntet är en didrachm med kraftigt reducerad vikt, och att viktreduktionen är en följd av de finansiella svårigheter som orsakades av Andra puniska kriget.
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Bridg, Hannia [Verfasser], F. [Gutachter] Lenz, F. [Gutachter] Pohlheim, and G. [Gutachter] Ebert. "Micropropagation and determination of the in vitro stability of Annona cherimola Mill. and Annona muricata L. / Hannia Bridg ; Gutachter: F. Lenz, F. Pohlheim, G. Ebert." Berlin : Humboldt-Universität zu Berlin, 2000. http://d-nb.info/1207631078/34.

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Brazil, Matthew. "The Darkest Red Corner: Chinese Communist Intelligence and Its Place in the Party 1926-1945." Thesis, The University of Sydney, 2012. http://hdl.handle.net/2123/8854.

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Chinese Communist Party (CCP) intelligence organs played a crucial role in their revolution and the 1949 victory. However, their activities have been obscured to benefit secrecy, or distorted to advance propaganda goals. An examination of original sources on both sides of that conflict show how intelligence operations contributed to decision making, and how mistakes by CCP operatives caused major setbacks. This examination also sheds light on the nature of the Party's most secret and sensitive decisions.
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Billot, Frances. "Representations of Hannibal: a comparison of iconic themes and events from the life and times of Hannibal." 2009. http://hdl.handle.net/2292/5867.

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There are many stories about Hannibal found across a variety of texts and genres. No other external enemy of Rome had the same impact on Roman literature over time as the Carthaginians and their extraordinary general, Hannibal. This thesis compares the presentations of some iconic themes and events associated with Hannibal, as well as some less well known features about him in order to examine how his significance changed over time in Roman culture. The comparisons made in this thesis focus primarily, but not exclusively, on literary features utilised by authors to promote (or downplay) particular events or people, such as the location of an event within the structure of a given text, the utilisation of omens or divine intervention, the patterning and content of speeches, the inclusion or exclusion of certain figures. The thesis aims to trace and compare ancient attitudes and responses to Hannibal, not to reinterpret the history of the Second Punic War or Hannibal‟s career. Roman attitudes toward Hannibal changed over time and ultimately became remarkably positive. Hannibal was, undoubtedly, a terrifying figure to Romans in the third century BC and a serious threat to Rome‟s suzerainty over Italy. Consequently, for many Romans, from at least the first century BC and possibly earlier, Hannibal embodied the archetype for a worthy enemy. His metamorphosis into the epitome of an eternal enemy is a representation which may, as this thesis suggests, have been in part self-promulgated. By the time of the late republic, it suited Roman writers such as Cornelius Nepos to write an astonishingly positive biography of Hannibal, acknowledging his skills as a commander and attributing to him a number of Roman virtues (Nepos, Hannibal, 1-13). Comparing the treatments of a historical subject between genres and over time is of historiographic interest for examining how ancient Roman and Greek authors adapted tradition to suit their particular reading of events. This thesis also argues for some interesting correspondences between what might be considered two quite different modes of presentation of the Second Punic War: Polybius‟ narrative history and the Flavian epic of Silius Italicus. Comparison of these texts with Livy, Cornelius Nepos and other works highlights both the dramatised nature of certain sections of Polybius‟ Histories, and the frequency with the Punica conveys in its narrative some well-informed interpretation and comment.
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Rato, Rui Pedro Santos. "Becoming: Metamorphosis in the Hannibal Lecter Trilogy." Master's thesis, 2015. https://repositorio-aberto.up.pt/handle/10216/81572.

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Rato, Rui Pedro Santos. "Becoming: Metamorphosis in the Hannibal Lecter Trilogy." Dissertação, 2015. https://repositorio-aberto.up.pt/handle/10216/81572.

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Chen, Min-Chi, and 陳旻頎. "Madness for Two: A Lacanian Reading of NBC’s Hannibal." Thesis, 2015. http://ndltd.ncl.edu.tw/handle/j8x89k.

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碩士
國立交通大學
外國語文學系外國文學與語言學碩士班
104
This thesis examines how folie à deux, the madness for two, is constructed and instilled in a subject in NBC’s Hannibal (2013). Focusing on the relationship the serial killer Hannibal Lecter and the profiler Will Graham, the thesis discusses how the newest television adaptation is different from its forerunners and how the show builds the disorder through the interaction between those two characters around the serial killings committed and investigated. This thesis consists of three chapters. Chapter one, “Transformation from Red Dragon to Hannibal” considers the differences among the novels, the earlier film adaptations, and the television series, focusing in particular on the novel Red Dragon (1981) as a point of reference. Chapter Two, “The Transformation of Will Graham” argues that Lecter’s obsession with Graham stems from Lecter’s narcissism and maps how he influenced Graham’s identifications. Chapter Three, “The Madness for Two”, examines the features of folie à deux between Graham and Lecter dramatized in the series. Since the requisites for developing the syndrome are consciously induced by Lecter, the madness shared by two of them is fact the madness of Lecter. From Graham’s relationship with other serial killers, I analyze how Lecter dominates Graham’s identifications and guides Graham ultimately to identify with Lecter.
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Inners, Margaret L. "C.D. Grabbe's Hannibal: A New Translation for the American Stage." 2008. https://scholarworks.umass.edu/theses/131.

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Andrzejewski, Adam. "Ontologia artefaktów w estetycznym doświadczeniu codzienności." Doctoral thesis, 2016.

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Streszczenie Celem rozprawy jest zbadanie możliwości aplikacji metod i narzędzi wypracowanych na gruncie analitycznej estetyki codzienności do analizy i interpretacji przedmiotów estetycznych. Głównym aspektem metodologicznym, na jaki zwraca się uwagę w rozprawie, jest estetyczna i epistemologiczna rehabilitacja tzw. zmysłów niższych, tj. smaku, zapachu i dotyku. W rozprawie zostały wybrane dwa pola egzemplifikacji, na jakich testowana jest estetyka codzienności. Głównym polem egzemplifikacji są dania kulinarne ( w wydaniu nowej gastronomii), natomiast egzemplifikacją poboczną jest serial telewizyjny Hannibal. Rozprawa składa się z czterech zasadniczych rozdziałów. Pierwsze dwa mają charakter ogólny i są poświęcone analizie metod estetyki codzienności, następne dwa dostarczają szczegółowych analizy wybranych pól egzemplifikacji. W rozdziale „Tezy estetyki codzienności” zostają sformułowane i zanalizowane podstawowe metody i pojęcia estetyki codzienności, to jakich należą m. in. pojęcie codzienności, relacja estetyki codzienności do filozofii sztuki, własności estetycznego doświadczenia codzienności czy zasada indywidualizacji tegoż doświadczenia. Rozdział „Nowa teoria artyfikacji” poświęcony jest autorskiej teorii artyfikacji, tj. teorii przedmiotów sztuko-podobnych. W opozycji do najbardziej rozpowszechnionej teorii artyfikacji, autorstwa Ossiʼego Naukkarinena i Yuriko Saito, formułowana jest alternatywne teoria ujmująca naturę przedmiotów artyfikowanych, sposób ich trwania i indywidualizacji, a także warunki odkreślające to, co może (bądź nie może) być przedmiotem artyfikowanym. W następnym rozdziale zatytułowanym „Nowa gastronomia jako sztuka-jedzenia” przedstawiona została argumentacja na rzeczy uznania jednego z fenomenów współczesnej kuchni profesjonalnej, tj. nowej gastronomii, jako rodzącej się formy sztuki. W toku analizy zostaje wyłuszczona rola zmysłów niższych w estetycznej i artystycznej konstytucji dań nowej gastronomii, jako dzieł sztuki. Rozdział zawiera także analizy odnośnie do pojęcia formy sztuki oraz formułuje i obala możliwe zarzuty wymierzone przeciw głównej tezie rozdziału. Ostatni rozdział, jakim jest „Teatralizacja życia a estetyka codzienności”, poświęcony jest zbadaniu relacji zachodzącej pomiędzy dwoma trwałymi zjawiskami estetycznymi. W wyniku przeprowadzonych analiz zostaje wykazane, iż estetyzacja życia przez teatralizację codzienności nie może być formą estetyki codzienności. Teza ta, oprócz stosownej analizy pojęciowej, została podparta materiałem wizualnym zaczerpniętym z serialu Hannibal. W końcowych partiach rozprawy zostało ukazane w jaki sposób aplikacja zmysłów niższych pozwala na zrozumienie wielu, newralgicznych dla zrozumienia intrygi, wątków fabularnych rozgrywających się w świecie przedstawionym omawianego serialu.
The purpose of this thesis is to examine possible applicability of methods and tools developed in the light of analytical everyday aesthetics with regard to analysis and interpretation of aesthetic objects. The main methodological aspect attracting attention of the reader is aesthetic and epistemological rehabilitation of so-called lower senses, that is the senses of taste, smell and touch. The author selected two areas of exemplification as testing field for everyday aesthetics. The main area of exemplification focuses on culinary dishes (as offered by new gastronomy), whereas secondary exemplification involves TV series entitled „Hannibal”. The thesis consists of four chapters. The first two chapters deal with general characteristics and focus on analysis of methods used to examine the aesthetics of the everyday, whereas the other two provide a detailed analysis of selected areas of exemplification. The chapter entitled „The theses of everyday aesthetics” includes formulation and analysis of basic methods and concepts of everyday aesthetics, which include among others the concept of the everyday, relation of aesthetics of the everyday to the philosophy of art, characteristics of aesthetic experiencing of the everyday or the principle of individualization of such experience. The chapter entitled „New theory of artification” is dedicated to a proposal of original theory of artification, that is the theory of art-like objects. In contrast to the most popular theory of artification by Ossi Naukkarinen and Yuriko Saito, an alternative theory is formulated, which defines the nature of artified objects, the manner of their lasting and individualization as well as conditions defining what can (or cannot) be called an artified object. The next chapter entitled „New gastronomy as edible art” presents arguments in support of acknowledgement of one of the phenomena of contemporary professional cuisine, that is new gastronomy, as an emerging form of art. It expounds the importance of lower senses in aesthetic and artistic constitution of new gastronomy dishes as the works of art. This chapter also includes analyses of the concept of form of art as well as formulates and invalidates possible charges aimed at the main thesis presented in the chapter. The last chapter, „Dramatization of life vs. aesthetics of the everyday” focuses on examination of the relationship between two permanent aesthetic phenomena. The results of the analyses show that aestheticization of life by dramatization of the everyday cannot be a form of everyday aesthetics. In addition to proper notional analysis, the thesis is supported with visual material from the series entitled „Hannibal”. The chapter also shows how application of the lower senses can support understanding of many themes emerging in the reality of the series, which are crucial for the understanding of the plot.
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Pirke, Klaus [Verfasser]. "Zeugnisse zur Entstehung der industriellen Kulturlandschaft Ruhrgebiet : die Zechenlandschaft Hannover-Hannibal-Königsgrube in Bochum und Herne und ihre industriekulturellen Potentiale / vorgelegt von Klaus Pirke." 2007. http://d-nb.info/984482237/34.

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48

Mathis, Sean. "Visions of grandeur Hannibal's gaze and ekphrasis in the Punica of Silius Italicus /." 2004. http://purl.galileo.usg.edu/uga%5Fetd/mathis%5Fsean%5Fc%5F200405%5Fma.

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49

Lin, Wei-jie, and 林威杰. "A Study on Pan Hannian and the Relation between the Kuomintang and the Chinese Communist Party (1925-1949)." Thesis, 2012. http://ndltd.ncl.edu.tw/handle/68860791933549127534.

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Abstract:
碩士
國立中央大學
歷史研究所
101
Pan Hannian was risen conspicuously by trenchant writing and has concatenated the Activities of Left-wing literature amount 30 years with the directive of the Chinese Communist Party (CCP) Central Committee since 1925 when he joined the Chinese Communist Party. Among to those activities, to establish the League of Left-Wing Writers was the most important thing and led by Lu Xun ; meanwhile, it conspired the Left-wing literature. In 1931, he turned to hidden front as a leader of intelligence because his life was in a danger due to the rebel, Gu Shunzhang, was under arrest. During he worked on behind the scenes and was full of strong mystery, he also refuted rumors about the defection of Wu Hao for Zhou Enlai. In 1933, he was ordered to represent the Red Army to negotiate and reach an agreement with Chen Jitang and took a big step beneficially for the Long March after he has signed an agreement with the 19th Route Army as the identity of Provisional Central Government of Chinese Soviet Republic and on behalf of the Red Army. The harbinger of the second KMT-CCP Cooperation turned on he had a meeting with Deng Wenyi who worked as a Military attache of Nationalist Government. He was designated by Wang Ming, the leader of the Communist International, to negotiated with the Administration of Nanjing, and in the meantime he negotiated with Chen Lifu and Zhang Chong repeatedly in February 1936. After the Xian Incident, he acted as a peacemaker even more. Following the War in 1937, he founded the rigorous network of intelligence through the Shanghai and HongKong and also collected lots of valuable intelligences for the CCP. After the victory anti-war in 1935, he became positive on the United Front and work for the hidden front and fought for public opinions which support the CCP. Otherwise, he also created nice conditions to help the CCP establishes another regime.
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Bridg, Hannia [Verfasser]. "Micropropagation and determination of the in vitro stability of Annona cherimola Mill. and Annona muricata L. / von Hannia Bridg." 2000. http://d-nb.info/959694714/34.

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