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Relevant bibliographies by topics / Hanoi Rocks (Musical group)

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Academic literature on the topic 'Hanoi Rocks (Musical group)'

Author: Grafiati

Published: 25 July 2024

Last updated: 31 July 2025

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Journal articles on the topic "Hanoi Rocks (Musical group)"

1

Huong, Tran Thi, and Nguyen Hoang. "Petrology, geochemistry, and Sr, Nd isotopes of mantle xenolith in Nghia Dan alkaline basalt (West Nghe An): implications for lithospheric mantle characteristics beneath the region." VIETNAM JOURNAL OF EARTH SCIENCES 40, no. 3 (2018): 207–27. http://dx.doi.org/10.15625/0866-7187/40/3/12614.

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Study of petrological and geochemical characteristics of mantle peridotite xenoliths in Pliocene alkaline basalt in Nghia Dan (West Nghe An) was carried out. Rock-forming clinopyroxenes, the major trace element containers, were separated from the xenoliths to analyze for major, trace element and Sr-Nd isotopic compositions. The data were interpreted for source geochemical characteristics and geodynamic processes of the lithospheric mantle beneath the region. The peridotite xenoliths being mostly spinel-lherzolites in composition, are residual entities having been produced following partial mel

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Dos Santos, Andeline, and Giorgos Tsiris. "Playing marbles, playing music." Approaches: An Interdisciplinary Journal of Music Therapy 13, no. 1 (2021). http://dx.doi.org/10.56883/aijmt.2021.153.

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While keeping an eye on their family’s sheep and alpacas, Aymara boys in the Peruvian Andes play marbles. In their game they need to shoot the marbles over rocks and twigs and through clumps of grass as they aim for a row of small holes they have dug into the ground. The appeal of the game lies in how these rocks, twigs, clumps and holes acts as agents, and in where the marbles will be diverted to. Through this example, Smith (2017) highlights how it is not simply the case that children play with material toys. Toys – including the surface of the ground – also play with children. The cur

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Ryan, Robin Ann. "Forest as Place in the Album "Canopy": Culturalising Nature or Naturalising Culture?" M/C Journal 19, no. 3 (2016). http://dx.doi.org/10.5204/mcj.1096.

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Every act of art is able to reveal, balance and revive the relations between a territory and its inhabitants (François Davin, Southern Forest Sculpture Walk Catalogue)Introducing the Understory Art in Nature TrailIn February 2015, a colossal wildfire destroyed 98,300 hectares of farm and bushland surrounding the town of Northcliffe, located 365 km south of Perth, Western Australia (WA). As the largest fire in the recorded history of the southwest region (Southern Forest Arts, After the Burn 8), the disaster attracted national attention however the extraordinary contribution of local knowledge

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Masson, Sophie Veronique. "Fairy Tale Transformation: The Pied Piper Theme in Australian Fiction." M/C Journal 19, no. 4 (2016). http://dx.doi.org/10.5204/mcj.1116.

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The traditional German tale of the Pied Piper of Hamelin inhabits an ambiguous narrative borderland, a liminal space between fact and fiction, fantasy and horror, concrete details and elusive mystery. In his study of the Pied Piper in Tradition and Innovation in Folk Literature, Wolfgang Mieder describes how manuscripts and other evidence appear to confirm the historical base of the story. Precise details from a fifteenth-century manuscript, based on earlier sources, specify that in 1284 on the 26th of June, the feast-day of Saints John and Paul, 130 children from Hamelin were led away by a pi

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Books on the topic "Hanoi Rocks (Musical group)"

1

Väntänen, Ari. Michael Monroe. 3rd ed. Like, 2011.

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2

Huxley, Martin. Aerosmith: The fall and rise of rocks greatest band. Sidgwick & Jackson, 1995.

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Sheriff McCoy: Outlaw legend of Hanoi Rocks. Bazillion Points, 2009.

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Perry, Joe, and David Ritz. Rocks: My Life in and Out of Aerosmith. Simon & Schuster, 2015.

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Book chapters on the topic "Hanoi Rocks (Musical group)"

1

Ó Briain, Lonán. "Studio Production in Contemporary Vietnam." In Voices of Vietnam. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780197558232.003.0006.

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Chapter 5 examines how and why the VOV music ensembles are keeping their red music relevant in contemporary Vietnam. In the reform era, the ensembles were separated into two groups: the national or ethnic music ensemble (nhóm nhạc dân tộc), comprised of traditional instrumentalists and folk singers, and the new music ensemble (nhóm nhạc mới), which performs Vietnamese songs and instrumental music composed for choir and chamber orchestra. Drawing on fieldwork at the radio studios in Hanoi, this research provides an ethnographic account of contemporary music production processes at the station.

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