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Journal articles on the topic 'Hans Blumenberg Blumenberg'

Author: Grafiati

Published: 4 June 2021

Last updated: 15 February 2022

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1

Otte, Georg. "A metáfora como metamorfose: Luiz Costa Lima lendo Blumenberg / The Metaphor as Metamorphosis: Luiz Costa Lima reading Blumenberg." O Eixo e a Roda: Revista de Literatura Brasileira 29, no. 4 (December 23, 2020): 151. http://dx.doi.org/10.17851/2358-9787.29.4.151-169.

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Resumo: Partindo da tradução de Teoria da não conceitualidade, de Hans Blumenberg, Luiz Costa Lima dedica seu livro Os eixos da linguagem a uma análise do pensamento do filósofo alemão, destacando seu papel como fundador da chamada “metaforologia”. Opondo a metáfora ao conceito, Blumenberg não apenas estabelece uma distinção fundamental entre esses “dois eixos”, mas oferece a Costa Lima elementos fundamentais para a sua distinção entre a mimesis da representação e a mimesis da produção.Palavras-chave: Hans Blumenberg; Luiz Costa Lima; metáfora.Abstract: Starting from Hans Blumenberg’s translation of Theory of Non-conceptuality, Luiz Costa Lima dedicates his book Os eixos da linguagem [The Axes of Language] to an analysis of the german philosopher’s thought, highlighting his role as the founder of the so-called “metaphorology”. Opposing the metaphor to the concept, Blumenberg not only establishes a fundamental distinction between these “two axes”, but offers to Costa Lima fundamental elements for his distinction between the mimesis of representation and the mimesis of production.Keywords: Hans Blumenberg; Luiz Costa Lima; metaphor.

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2

Hawkins, Spencer. "Theory of a practice: A foundation for Blumenberg’s metaphorology in Ricoeur’s theory of metaphor." Thesis Eleven 155, no. 1 (November 21, 2019): 91–108. http://dx.doi.org/10.1177/0725513619888665.

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Hans Blumenberg is celebrated for demonstrating that metaphors have had a more foundational influence than concepts on European intellectual history. Many acknowledge that his insights might have achieved even greater impact if he had articulated a more explicit theory of metaphor. In 1960 Blumenberg discusses the historical formation of metaphors that have given rise to meaningful discourses on metaphysical abstractions, like God, existence, or Being, but he does not develop a general model of metaphoric language, and his work rarely engages with other contemporary theories of metaphor. During Blumenberg’s lifetime, French and German postwar philosophers rarely cited one another. Yet French hermeneutics, and the work of philosopher Paul Ricoeur in particular, may have strongly influenced Blumenberg’s research group, Poetik und Hermeneutik. This paper is an attempt to recuperate intellectual affinities between Blumenberg and Ricoeur, in order to demonstrate that Ricoeur’s claims about metaphor provide the theoretical background for a fuller appreciation of Blumenberg’s metaphor analyses.

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3

Arnason, Johann P. "Hans Blumenberg." Social Imaginaries 3, no. 1 (2017): 13–39. http://dx.doi.org/10.5840/si2017312.

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4

Turner, Aaron. "Ataraxia as “Worldliness”." Symposium 24, no. 2 (2020): 30–52. http://dx.doi.org/10.5840/symposium202024211.

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The fundamental principle of Hans Blumenberg’s concept of Modernity is “immanent self-assertion,” through which the modern human being identifies within itself the possibilities of transforming or re-constructing the world according to a human order. “Immanent self-assertion” is a product of human progress and is conditioned by the historical development of theoretical curiosity. In this article, it is argued that Blumenberg’s concept of Modernity is founded on a misinterpretation of Epicurean ataraxia, which is traditionally defined as “freedom from anxiety” and which Blumenberg himself characterizes as “dispassionate ease.” For Blumenberg, ataraxia epitomizes the limitations of theoretical curiosity before the modern era. Where Blumenberg identifies “immanent self-assertion” as the means of extending absolute influence over the world through the subjugation of nature, it is argued that Epicurean worldliness resides within a sense of self-mastery against the radical contingency of tuchē (for-tune) that defines the world order.Le principe fondamental du concept de modernité de Hans Blumen-berg est « l’affirmation de soi immanente», par laquelle l’être humain moderne identifie en lui-même les possibilités de transformer ou de reconstruire le monde selon l’ordre humain. « L’affirmation de soi immanente » est un produit du progrès humain, conditionnée par le développement historique de la curiosité théorique. Dans cet article, on avance que le concept de modernité de Blumenberg est fondé sur une interprétation erronée du ataraxia épicurien, défini traditionnellement comme « l’absence d’anxiété » et que Blumenberg lui-même qualifie de « facilité impartiale ». Pour Blumenberg, ataraxia incarne les limites de la curiosité théorique avant l'ère moderne. Là où Blumenberg identifie « l’affirmation de soi immanente » comme le moyen d'étendre une influence absolue sur le monde par la subjugation de la nature, il est soutenu que la mondanité épicurienne réside dans un sentiment de maîtrise de soi contre la contingence radicale de tuchē qui définit l'ordre mondial.

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5

Detlaf, Tomasz. "Teza o sekularyzacji Karla Löwitha w świetle krytyki Hansa Blumenberga." Przegląd Humanistyczny, no. 65/2 (September 17, 2021): 20–35. http://dx.doi.org/10.31338/2657-599x.ph.2021-2.2.

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The article aims to defend Karl Löwith’s secularization thesis from the criticism made by Hans Blumenberg. Löwith’s thesis claims that modern philosophy of history is a secularized Christian eschatology. Blumenberg accuses Löwith’s thesis of substantialism. Following Sjoerd Griffioen, the article shows that this criticism fails. The article presents Blumenberg’s arguments that the idea of progress cannot be derived from eschatology. These arguments are refuted by the analysis of the work of Joachim of Fiore and providing a distinction between two kinds of progress. The article is written from the perspective of intellectual history, detaching from the dispute over the judgement of modernity.

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6

Krauthausen, Karin. "Hans Blumenbergs möglicher Valéry." Zeitschrift für Kulturphilosophie 2012/1: Valéry 2012, no. 1 (2012): 39–64. http://dx.doi.org/10.28937/1000106604.

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In der deutschsprachigen Geisteswissenschaft der 1960er Jahre spielen Paul Valérys Schriften eine wichtige Rolle bei der Ausbildung einer neuen interdisziplinären Forschung, für die insbesondere die Gruppe »Poetik und Hermeneutik« einstand. Vor diesem Hintergrund entwickelt Hans Blumenberg über die Auseinandersetzung mit Valérys Essays zu Leonardo da Vinci sein eigenes Projekt einer Phänomenologie der Geschichte. Dieses Nachleben des französischen Autors ermöglicht erhellende Rückschlüsse auf Blumenbergs eigene historische Praxis, vor allem in der berühmt gewordenen »Genesis der kopernikanischen Welt«.

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7

Cohen-Halimi, Michèle. "Hans Blumenberg révélateur." Cahiers philosophiques 123, no. 3 (2010): 5. http://dx.doi.org/10.3917/caph.123.0005.

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8

Möller, Melanie. "Arbeit am Abstand. 100 Jahre Blumenberg." Zeitschrift für Ideengeschichte 14, no. 3 (2020): 122–26. http://dx.doi.org/10.17104/1863-8937-2020-3-122.

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Quarantäne hätte Hans Blumenberg nicht geschreckt, war er doch für seinen freiwilligen Rückzug aus der Öffentlichkeit geradezu berüchtigt, zumal in seinen letzten Jahren. Dem Tod selbst sah er offenbar unerschrocken ins Auge: «Wir müssen alle sterben, aber daran geht doch keiner zugrunde». Mögen die Überschneidungen zwischen Leben und Theorie auch nur gering zu veranschlagen sein, so markiert Abstand oder das Aushalten von Distanz zum «Absolutismus der Wirklichkeit» immerhin doch auch eine wesentliche Komponente in Blumenbergs Philosophie.

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Krüger, Michael. "Blumenberg, Picasso, Kertész." Zeitschrift für Ideengeschichte 13, no. 4 (2019): 19–26. http://dx.doi.org/10.17104/1863-8937-2019-4-19.

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Es gehörte zu den exzentrischen Gepflogenheiten des in Altenberge lebenden Philosophen Hans Blumenberg, einige seiner Gesprächspartner immer dann anruzrufen, wenn sie sich gerade fur den Bettgang entscheieden hatten. Für Ihn war das allerdings normal, da er den Tag über schlief und erst am Abend zu seinem intellektuellen und literarischen Hochtouren aufberechen konnte. Zu der Zeit, als das Telefon noch aus schwarzem Kunststoff geformt wurde und seinen Strom mittels einer sogenannten Schnur mit begrenzter Reichweite aus der Steckdose bezog, vor allem aber zu der Zeit, da Telefongespräche noch Geld kosteten, wurde ich manche Nacht kurz vor der Geisterstunde und schon im Begriff, aus den Hosen zu steigen, von einem Anruf Blumenbergs überrascht, der mir mit aufgeräumter Stimme die neuesten Entdeckungen seiner Abenteuerlektüren mitteilte.

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10

Bell, Thomas. "Lewitscharoff’s Blumenberg – the Metaphorical Lion as an Image of Transcendent Possibility." Literatur für Leser 40, no. 1 (January 1, 2017): 1–14. http://dx.doi.org/10.3726/lfl012017k_1.

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In Blumenberg (2011), Sibylle Lewitscharoff – winner, in 2013, of the Georg-Büchner-Preis – presents a philosophy professor who regularly perceives a lion’s presence. For example, while delivering one of his lectures, “als er von seinen Karten hochblickte, sah er ihn [the lion]”.1 This arresting statement raises many questions. What exactly does the professor see? Do his students, likewise, observe this magnanimous animal sitting awkwardly in the lecture hall? No, they do not. Where then is this animal; what is its origin? This puzzles us, the readers, as much as it does the rationally minded philosopher. As we read the text, we, along with the professor, ask ourselves why we are taking this seriously; we are reading about an “absurd” occurrence in a fictional text. What does this have to do with reality? Lewitscharoff’s novel, I would suggest, uniquely complicates reality. Her text plays with the sentiment that twenty-first century readers and thinkers are still mystified about the irrational and the religious within the real. This persistent interest in understanding the presence (or absence) of the illogical – the unexplainable – in the modern world receives form in and through the picture Lewitscharoff’s novel projects. Lying between fiction and reality, the lion – the dominant picture textually engendered – demands, therefore, interpretation. This lion, I assert, is a linguistically constructed image stemming from the mind of the fictional Blumenberg who lives and teaches philosophy in the provincial German city of Münster. Lewitscharoff bases the fictional Blumenberg off the historical Hans Blumenberg, in whom she showed initial interest in her fictional autobiography Apostoloff (2009), where she referred to him as a “Löwenphilosoph.”2 This philosopher, fascinated with lions, propagated, in one of his seminal works, various paradigms for understanding metaphors, Paradigmen zu einer Metaphorologie (1997).3 Employing this philosopher, whose inquiries concerned investigations into the nature of a metaphor, Lewitscharoff’s narrator explores how her protagonist creates an image that actualizes one of Hans Blumenberg’s unique paradigms, namely an “absolute metaphor,” indicative, in this novel, of transcendent possibility. To provide clarity at the outset of this article, I will use “Hans Blumenberg” when referring to the historical philosopher, who lived from 1920 to 1996, and “Blumenberg” when discussing the fictional character.

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11

Ros, Josefa. "Hans Blumenberg y el feminismo." Anales del Seminario de Historia de la Filosofía 33, no. 1 (April 8, 2016): 285–303. http://dx.doi.org/10.5209/rev_ashf.2016.v33.n1.52298.

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el filósofo alemán Hans Blumenberg [1920-1996] se interesó por las cuestiones feministas durante las últimas dos décadas de su vida como muestran su dedicación y esfuerzo en la compilación de recortes seleccionados en los medios de comunicación relacionados con la temática de la mujer y su elaboración de múltiples ensayos cortos inspirados en estos últimos y en un sinfín de curiosas anécdotas. Hans Blumenberg y el feminismo pretende poner al lector en conocimiento sobre la existencia de una línea de investigación del pensamiento blumenberguiano totalmente inexplorada hasta el momento. la misma únicamente puede ser revelada a través del estudio del ‘Nachlaβ’ del filósofo que se encuentra en el Deutsches literaturarchiv de Marbach (Stuttgart) y que personalmente he tenido oportunidad de indagar gracias a la concesión de una beca de investigación del DAAD (Deutscher Akademischer Austage Dienst).

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12

Monod, Jean-Claude. "Les mondes de Hans Blumenberg." Archives de Philosophie 67, no. 2 (2004): 203. http://dx.doi.org/10.3917/aphi.672.0203.

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13

Paprotny, Thorsten. "Hans Blumenberg: Realität und Realismus." Philosophischer Literaturanzeiger 73, no. 4 (December 15, 2020): 353–56. http://dx.doi.org/10.3196/219458451973498.

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14

Feron, Olivier. "Apresentação do dossiê Hans Blumenberg." Revista de Filosofia Aurora 27, no. 41 (April 26, 2015): 423. http://dx.doi.org/10.7213/aurora.27.041.ap01.

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15

Taussig, Sylvie. "Le roman selon Hans Blumenberg." Raison publique N�21, no. 1 (2017): 185. http://dx.doi.org/10.3917/rpub.021.0185.

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16

Larrión Rández, Benjamin. "GARCÍA-DURÁN, P. (2017): El camino filosófico de Hans Blumenberg. Fenomenología, historia y ser humano, Institució Alfons el Magnànim, València." Daímon, no. 76 (January 17, 2019): 231–32. http://dx.doi.org/10.6018/daimon/344911.

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El libro El camino filosófico de Hans Blumenberg, del Dr Pedro García-Durán (Universidad Jaime I), ostenta el honor de ser la primera gran síntesis en español del pensamiento del filósofo alemán Hans Blumenberg (1920-1996). El objetivo de la obra es presentar una panorama completo, actualizado y profundo del pensamiento del filósofo moravo. Para ello, realiza un recorrido cronológico a través del pensamiento filosófico de Blumenberg a lo largo de cinco capítulos, cuyos ejes temáticos más importantes son la raíz fenomenológica de su obra, la historicidad del pensamiento y la antropología filosófica.

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17

De los Ríos Gutiérrez, Iván. "La mosca en el cristal: metáforas para el animal hambriento en Hans Blumenberg." Tropelías: Revista de Teoría de la Literatura y Literatura Comparada, no. 6 (June 2, 2020): 138–51. http://dx.doi.org/10.26754/ojs_tropelias/tropelias.202064383.

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De acuerdo con Hans Blumenberg, la historia del pensamiento occidental es la historia de los múltiples esfuerzos del hombre por ponerse a salvo del “absolutismo de la realidad”. El presente trabajo tiene por objetivo ubicar la propuesta metaforológica de Blumenberg en el marco del filosofar histórico reivindicado por Nietzsche al comienzo de Humano, demasiado humano y el naturalismo filosófico no reduccionista de J.M. Schaeffer en El fin de la excepción humana. La metáfora absoluta de Blumenberg es interpretada, entonces, desde historia natural de un animal inteligente y perplejo caracterizado por lógica de la fantasía, la potencia fabuladora del lenguaje y el pensamiento abstracto.

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18

Harries, Karsten. "Lebenszeit und Weltzeit by Hans Blumenberg." Journal of Philosophy 84, no. 9 (1987): 516–19. http://dx.doi.org/10.5840/jphil198784940.

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Söhnel, Marion. "Blumenberg, Hans: Matthäuspassion. Frankfurt/M. 1988." Bach-Jahrbuch 78 (February 8, 2018): 131–32. http://dx.doi.org/10.13141/bjb.v19921130.

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20

Wuillème, Tanguy. "Hans Blumenberg, L’imitation de la nature et autres essais esthétiques │ Denis Trierweiler, dir., Hans Blumenberg. Anthropologie philosophique." Questions de communication, no. 19 (June 30, 2011): 314–17. http://dx.doi.org/10.4000/questionsdecommunication.2783.

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21

Fleming, Paul. "Verfehlungen : Hans Blumenberg and the United States." New German Critique 44, no. 3 132 (October 25, 2017): 105–21. http://dx.doi.org/10.1215/0094033x-4162262.

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22

Fraser, Jake. "History, Metaphors, Fables: A Hans Blumenberg Reader." Germanic Review: Literature, Culture, Theory 96, no. 2 (April 3, 2021): 215–19. http://dx.doi.org/10.1080/00168890.2021.1924444.

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23

Heidenreich, Felix. "Political aspects in Hans Blumenberg’s philosophy." Revista de Filosofia Aurora 27, no. 41 (April 26, 2015): 523. http://dx.doi.org/10.7213/aurora.27.041.ds06.

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The scientific community in the humanities agrees that the work of the German post-war philosopher Hans Blumenberg is fascinating, compelling and inspiring, although the texts remain to some extent hard to understand. His extensive exchange with authors like Carl Schmitt, Jacob Taubes or Hannah Arendt show the often forgotten and sometimes systematically hidden political aspects of his philosophy. The theory of modernity, the theory of myth and of course his metaphorology are the main areas of debate which can be checked for their political implications and ramifications. However, the a priori exclusion of republican arguments and ideas points to a systematic problem in Blumenberg’s thought. All his thinking remains in the framework of what has been called “subject-philosophy”, it seems. While his early publications allowed a certain critique of ideology (from the perspective of metaphorology), this gesture almost disappears in his later writings. It is basically the single subject which works on myth, which seems to project “significance” (Bedeutsamkeit) into the world, which makes sense of his life in anecdotes. However, human self-assertion is always a common project, an inherited technique which creates not only myths but also institutions and law. The political aspects in Blumenberg’s work therefore also make transparent the limitations of his thought.

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Villacañas Berlanga, José Luis. "Animal/Humano: Plessner, Blumenberg, Derrida." Revista de Filosofia Aurora 27, no. 41 (April 26, 2015): 503. http://dx.doi.org/10.7213/aurora.27.041.ds05.

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Este trabajo explora el último pensamiento de Jacques Derrida alrededor de la diferencia antropológica y la cuestión del animal en convergencia con el despliegue de la misma cuestión en el pensamiento de Hans Blumenberg, desplegado también en su último libro Beschreibung des Menschen. La finalidad última del ensayo es la de recoger la crítica inicial que ambos pensadores (junto con Helmut Plessner, muy interesado en los mismos problemas) pueden dirigir al pensamiento de Heidegger sobre la diferencia ontológica, dominante en todo el pensamiento contemporáneo.

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Konersmann, Ralf. "Leitgedanken und Grundsätze des Handbuchs Kulturphilosophie." Zeitschrift für Kulturphilosophie 2012/1: Valéry 2012, no. 1 (2012): 117–36. http://dx.doi.org/10.28937/1000106608.

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In diesem Artikel geht es um das Verständnis des Schönen und der (modernen) Kunst bei Paul Valéry und Hans Blumenberg. Im Ausgang von Überlegungen zum »objet ambigu« wird mit Blick auf das Kunstwerk »die Unbestimmtheit, Unbestimmbarkeit zum wesentlichen Merkmal des Schönen« erklärt. Der Artikel versucht mit den von Valéry und Blumenberg gegebenen Stichworten wie »Sehenlernen«, »Überraschung durch das Erwartete«, »Wahrscheinlichkeit des Unwahrscheinlichen« usf. jene Auffassung zu erläutern und stark zu machen, ohne ihre Grenzen zu verheimlichen.

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Alves, Luiz Filipe Araújo. "Metaforologia entre História dos Conceitos e Não-Conceitualidade: uma recepção intempestiva de Hans Blumenberg." Cadernos de Filosofia Alemã: Crítica e Modernidade 25, no. 4 (December 26, 2020): 13–30. http://dx.doi.org/10.11606/issn.2318-9800.v25i4p13-30.

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O presente artigo discute as transições que ocorreram quanto à metaforologia no pensamento de Hans Blumenberg (1920-1996), especialmente demarcando as possibilidades de sua recepção no Brasil. A metaforologia enquanto um dos projetos filosóficos de Blumenberg foi gestada nas discussões que envolveram a história dos conceitos nos anos de 1950 e sofreu significativas alterações a partir da década de 1970, em particular através dos influxos cada vez maiores da fenomenologia. Tais discussões levaram a uma revisão da própria metaforologia a partir de uma teoria da não-conceitualidade, a qual - quanto aos seus fins - não estaria em sintonia com uma história dos conceitos.

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27

Zill, Rüdiger. "Der Fallensteller. Hans Blumenberg als Historiograph der Wahrheit." Zeitschrift für Ideengeschichte 1, no. 3 (2007): 21–38. http://dx.doi.org/10.17104/1863-8937-2007-3-21.

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28

Krajewski, Bruce. "Schriften zur Literatur, 1945 – 1958 by Hans Blumenberg." Common Knowledge 24, no. 2 (April 1, 2018): 328–29. http://dx.doi.org/10.1215/0961754x-4362727.

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29

Marx, Peter W. "Welt-Suche: Auf den Spuren von Hans Blumenberg." Forum Modernes Theater 25, no. 1 (2010): 93–102. http://dx.doi.org/10.1353/fmt.2010.0008.

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30

Jay, Martin. "Against Rigor: Hans Blumenberg on Freud and Arendt." New German Critique 44, no. 3 132 (October 25, 2017): 123–44. http://dx.doi.org/10.1215/0094033x-4162274.

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Zavala Medina, Pável Ernesto. "Gilgamesh y las metáforas de la resignación." Euphyía - Revista de Filosofía 7, no. 13 (February 27, 2018): 89. http://dx.doi.org/10.33064/13euph182.

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32

Feron, Oliver. "Ethos kantiano e funcionalização da história em Hans Blumenberg." Revista de Filosofia Aurora 27, no. 41 (April 26, 2015): 471. http://dx.doi.org/10.7213/aurora.27.041.ds03.

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O historicismo assumido por Hans Blumenberg foi, muitas vezes, interpretado como método aplicado à história da filosofia, sobretudo sua análise dos tempos modernos. O presente artigo propõe uma leitura complementar que faz dessa fenomenologia histórica a expressão de uma prática ética da filosofia que, apesar da desconstrução do conceito de teleologia, encontra em Kant sua inspiração prática.

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33

Haverkamp, Anselm. "Latenzzeit Mittelalter: Kurt Flasch und der junge Hans Blumenberg." Philosophische Rundschau 67, no. 1 (2020): 4. http://dx.doi.org/10.1628/phr-2020-0003.

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34

Goldstein, Jürgen. "Work on significance: Human self-affirmations in Hans Blumenberg." Thesis Eleven 104, no. 1 (February 2011): 5–19. http://dx.doi.org/10.1177/0725513610386098.

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35

Palti, Elias Jose. "In Memoriam: Hans Blumenberg (1920-1996), An Unended Quest." Journal of the History of Ideas 58, no. 3 (1997): 503–24. http://dx.doi.org/10.1353/jhi.1997.0029.

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36

Wertz, Anna. "On the Possibility of Creative Being: Introducing Hans Blumenberg." Qui Parle 12, no. 1 (2000): 3–15. http://dx.doi.org/10.1215/quiparle.12.1.3.

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37

Muller-Sievers, H. "Kyklophorology: Hans Blumenberg and the Intellectual History of Technics." Telos 2012, no. 158 (March 1, 2012): 155–70. http://dx.doi.org/10.3817/0312158155.

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38

Villacañas, José Luis. "Ein altes menschliches Bedürfnis. Temporalidad y mundo de vida, o por qué a Koselleck le viene bien Blumenberg." REVISTA DE HISTORIOGRAFÍA (RevHisto), no. 34 (December 18, 2020): 101. http://dx.doi.org/10.20318/revhisto.2020.5827.

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En este ensayo me propongo, por un lado, mostrar la necesidad de una ulterior elaboración del pensamiento de Reinhart Koselleck a la luz de los trabajos de Sigmund Freud y de Hans Blumenberg, de este último especialmente aquellos en los que se aborda la noción de Lebenswelt. El objetivo sería hacerse cargo de buena parte de los elementos de Blumenberg para generar una suerte de geología histórica que estuviese en condiciones de estratificar de manera efectiva los tiempos históricos. Por otro lado, me ocupo de la antigua necesidad humana estrechamente vinculada con una estructura del mundo de la vida, esto es, la necesidad de ir más allá de la temporalidad de ese mundo.

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Lovasz, Adam. "Icebound Modernity: The Shipwreck as Metaphor in Dan Simmons’ The Terror." American, British and Canadian Studies 33, no. 1 (December 1, 2019): 151–70. http://dx.doi.org/10.2478/abcsj-2019-0020.

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AbstractIn this article, I seek to present a “metaphorology” of the shipwreck through a literary example. As Hans Blumenberg has noted, the shipwreck has served as a metaphor for the contingency of human existence in Western culture. Building on Blumenberg’s ideas, I argue that modernity heightens contingency and destroys the possibility of a coherent, anthropocentric discourse. For Quentin Meillassoux, the modern outlook exposes the contingency and inhumanity of reality. Building on Meillassoux and Blumenberg’s work, I address ideas pertaining to contingency and the metaphor of modernity-as-shipwreck by engaging with Dan Simmons’ historical novel, The Terror (2007), based on events surrounding the failed Franklin Expedition of 1845-48. The sinister, frozen wastelands of the Arctic figure as the limit of both European humanity and rationality. In Simmons’ novel, the traumatic encounter with cultural otherness conjures up visions of an implosion of colonial ambitions, as the crew members are gradually consumed by both the harsh environment and the ancient Inuit ice demon Tuunbaq and must confront the indifferent frozen wastes of a mythological, gothic North. Simmons’ gothic North Pole constitutes an example of “extro-science fiction,” situated beyond the limits of all knowledge.

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Seidengart, Jean. "Hans Blumenberg, lecteur et interprète de l'?uvre de Copernic." Revue de métaphysique et de morale 73, no. 1 (2012): 15. http://dx.doi.org/10.3917/rmm.121.0015.

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Faber, R. "The Rejection of Political Theology: A Critique of Hans Blumenberg." Telos 1987, no. 72 (July 1, 1987): 173–86. http://dx.doi.org/10.3817/0687072173.

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Bajohr, Hannes. "Xander Kirke. Hans Blumenberg: Myth and Significance in Modern Politics." Germanic Review: Literature, Culture, Theory 95, no. 2 (April 2, 2020): 143–45. http://dx.doi.org/10.1080/00168890.2020.1766264.

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Krajewski, Bruce. "Paradigms for a Metaphorology, trans. Robert Savage by Hans Blumenberg." Common Knowledge 25, no. 1-3 (April 1, 2019): 423–24. http://dx.doi.org/10.1215/0961754x-7312333.

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Zill, Rüdiger. "Hans Blumenberg-Jacob Taubes,Briefwechsel 1961-1981 und weitere Materialien." Berichte zur Wissenschaftsgeschichte 37, no. 2 (June 2014): 180–83. http://dx.doi.org/10.1002/bewi.201401689.

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박근갑. "The Semantics of the ‘Neuzeit’ ― Reinhart Koselleck and Hans Blumenberg―." CONCEPT AND COMMUNICATION ll, no. 9 (June 2012): 117–47. http://dx.doi.org/10.15797/concom.2012..9.004.

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Buch, Robert. "Umbuchung: Säkularisierung als Schuld und als Hypothek bei Hans Blumenberg." Zeitschrift für Religions- und Geistesgeschichte 64, no. 4 (2012): 338–58. http://dx.doi.org/10.1163/15700739-90000025.

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Paprotny, Thorsten. "Rüdiger Zill: Der absolute Leser. Hans Blumenberg – Eine intellektuelle Biographie." Philosophischer Literaturanzeiger 74, no. 2 (June 15, 2021): 150–54. http://dx.doi.org/10.3196/219458451974284.

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Sales Sanahuja, Juan Carlos. "El tiempo de la vida: antropología, técnica y modernidad. Reflexión sobre la pérdida de sentido en el mundo actual." Resonancias. Revista de Filosofía, no. 3 (August 29, 2017): 43. http://dx.doi.org/10.5354/0719-790x.2017.47164.

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El siguiente ensayo quiere mostrar cómo algunas de las teorías filosóficas y sociológicas más actuales mantienen una relación con aquello que teóricos de la historia conceptual, en su reflexión sobre la Modernidad, habían dispuesto en diferentes categorías y conceptos. Se hablará, en un primer momento, de las nociones esenciales del filósofo alemán Hans Blumenberg, en relación con las premisas antropológicas que dan respuesta al acontecer científico-técnico moderno. Esto servirá para adentrarse en el terreno de la Lebenswelt husserliana y producir así un rico diálogo entre Blumenberg y Husserl, destacando tanto puntos de encuentro como de divergencia sobre el papel de la ciencia. La última parte estará dedicada a detectar la confluencia de estas reflexiones con algunos de los paradigmas sociológicos actuales de la mano de Zygmunt Bauman y Hartmut Rosa.

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Trierweiler, Denis. "Les entrées de Wittgenstein dans les Sorties des cavernes." Revista de Filosofia Aurora 27, no. 41 (April 26, 2015): 489. http://dx.doi.org/10.7213/aurora.27.041.ds04.

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L’investigation porte sur la relation spécifique qu’entretient Hans Blumenberg avec la philosophie de Ludwig Wittgenstein. La notion du commencement prise dans sa généralité assure la transition vers les concepts de temps, de conscience et de souvenir. Le commencement dans La recherche du temps perdu de Proust permet d’appréhender l’importance philosophique du souvenir dans la pensée de Wittgenstein. Dès lors apparaissent plus clairement les similitudes profondes et le point de divergence entre les deux auteurs ; si Blumenberg est celui qui, comme en une symphonie classique, joue de toutes les tonalités de l’histoire de la pensée, Wittgenstein est, à l’instar de Husserl, celui qui n’aura pas pu faire grand chose de tout ce qui l’a précédé. Mais à la fin, deux parcours existentiels totalement voués à la philosophie se rejoignent et s’harmonisent en total accord.

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Lazier, Benjamin. "Overcoming Gnosticism: Hans Jonas, Hans Blumenberg, and the Legitimacy of the Natural World." Journal of the History of Ideas 64, no. 4 (2003): 619–37. http://dx.doi.org/10.1353/jhi.2004.0006.

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