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Books on the topic 'Hans Geiger'

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Author: Grafiati

Published: 4 June 2021

Last updated: 15 February 2022

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1

Rheingans, Friedrich G. Hans Geiger und die elektrischen Zählmethoden, 1908-1928. Berlin: D.A.V.I.D. Verlagsgesellschaft, 1988.

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2

Swinne, Edgar. Hans Geiger: Spuren aus einem Leben für die Physik. Berlin: D.A.V.I.D. Verlagsgesellschaft, 1988.

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3

Swinne, Edgar. Hans Geiger: Spuren aus einem Leben für die Physik. 2nd ed. Berlin: Sigma, 1990.

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4

Bjereld, Ulf. Och jag är fri: Lennart Geijer och hans tid. Stockholm]: Atlas, 2015.

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5

Spangenberg, Brigitte. Hans vertreibt die Geister: Therapeutische Geschichten für Kindernöte. Zürich: Kreuz, 1999.

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6

Köhler, Wolfgang. Briefe von Wolfgang Köhler an Hans Geitel 1907-1920. Passau: Passavia Universitätsverlag, 1988.

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7

Morgenthaler, Jan. Der Mann mit der Hand im Auge: Die Lebensgeschichte von Karl Geiser, Bildhauer, Zeichner und Photograph. Zürich: Limmat Verlag, 1988.

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8

Hans-Michael Geiger- Informational Efficiency in Speculative Markets- A Theoretical Investigation. Peter Lang D, 1989. http://dx.doi.org/10.3726/b14075.

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9

Hans-Michael Geiger- Informational Efficiency in Speculative Markets- A Theoretical Investigation: Informational Efficiency in Speculative Markets. Bern: Peter Lang International Academic Publishers, 2018.

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10

Ferrier, Esther. Deutsche Ubertragungen Der Divina Commedia Dante Alighieris 1960-1983: Ida Und Walther Von Wartburg, Benno Geiger, Christa Renate Kohler, Hans Werne (Quellen ... Der Germanischen Volker, Nf). Walter De Gruyter Inc, 1994.

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11

Duschek, Karl. Hans Geipel [designer]. 1988.

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12

Friedrich, Geisser Hans, and Lickert Horst, eds. Grenzgänge: Festgabe für Hans Geisser. Zürich: Pano, 2003.

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13

Friedrich, Geisser Hans, Baumgartner Markus, and Luibl Hans Jürgen, eds. Theologische Kaprizen: Festschrift für Hans Friedrich Geisser zum 60. Geburtstag. Zürich: [s.n.], 1988.

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14

Astleitner, Hermann, Ines Deibl, Otto Lagodny, Patrick Warto, and Jörg Zumbach, eds. Rechtsdidaktik zwischen Theorie und Praxis. Nomos Verlagsgesellschaft mbH & Co. KG, 2019. http://dx.doi.org/10.5771/9783845294681.

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Abstract:

This edited volume presents several contributions from the second conference on the interrelationship between educational science and law, which took place in Austria in autumn 2016. The conference focused on the tension that arises when changes in the teaching and training of law are addressed. A perennial major concern within law education is the question of how it has to be applied in order to meet contemporary challenges, but so are other topics that address issues relating to the improvement of legal education. These considerations clearly show that the field of law education connects theory and practice and can improve the teaching of law significantly. With contributions by Rudolf Mosler, Michael Frey, Raimund Pittl, Lina Rosa Gradl, Ines Deibl, Jörg Zumbach, Viola Geiger, Christine Neuner, Natalia Hartmann, Christoph Görisch, Pamela Hölbling, Marcus Schladebach, Stephanie Moser, Tanja Thurner, Doris Lewalter, Kai von Lewinski, Raphael de Barros Fritz, Dana-Sophia Valentiner, Barbara Paesold, Karin Sonnleitner, Evelyne Schmid, Hermann Astleitner, Lutz Lammers, Patrick Warto, Jan-Gero Alexander Hannemann and Otto Lagodny.

15

Richard, Hentschke, Pommerening Ingo, and Notgemeinschaft für eine Freie Universität (Berlin, Germany), eds. 15 Jahre Notgemeinschaft 1970 bis 1985. Berlin: Notgemeinschaft für eine Freie Universität, 1986.

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16

Endreß, Alexander, and Hubert Wandjo, eds. Musikwirtschaft im Zeitalter der Digitalisierung. Nomos Verlagsgesellschaft mbH & Co. KG, 2021. http://dx.doi.org/10.5771/9783845276939.

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Abstract:

How does one deal with the digitalisation of an industry when practice is overtaking itself so quickly, as the music industry has experienced in the past twenty years? On the one hand, by questioning the causes of change and, on the other hand, by describing and reflecting on practice. Both are done in this book. The music industry is understood as a complex system based on the division of labour, in which artist development, content production, content marketing and rights management go hand in hand. Special attention is therefore paid to these operative fields of action. The practice-oriented explanations are complemented by a description of the normative and cultural framework conditions to which the music production, distribution and reception system is subject. The articles are written by music industry experts from academia and practice and focus in particular on digital competencies and industry structures. In this respect, this book is not only interesting for (future) professionals in the music and creative industries. Academics can also benefit from these practical reports and future theses on the digital transformation of the music industry. With contributions by Christian Baierle, Sophie Brüggemann, Florian Drücke, Alexander Endreß, Frank Fenslau, Hanno Fierdag, Jörg Fukking, Dirk Geibel, Steffen Geldner, René Houareau, Lucas Holczinger, Ralf Kitzberger, Peter Knees, David Maier, Armin Oldendorf, Matthias Rauch, Ryan Rauscher, Tim Renner, Markus Rennhack, Julien Schaffhauser, Nina Schneider, Stefan Schulte-Holthaus, Jeong-Won Sin, Kolja Spohn, Nina Christin Stehr, Peter Tschmuck, Hubert Wandjo, Heiko Wandler, Stefan Weinacht, Asterix David Westphal, Peter Wicke and David-Emil Wickström.