Dissertations / Theses on the topic 'Hans Magnus Enzensberger Enzensberger Enzensberger Enzensberger'

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1

Barbey, Rainer. "Unheimliche Fortschritte : Natur, Technik und Mechanisierung im Werk von Hans Magnus Enzensberger /." Göttingen V und R Unipress, 2007. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=015407609&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA.

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2

Rim, Byung-Hee. "Hans Magnus Enzensberger : ein Paradigma der deutschen Lyrik seit Mitte der 1950er Jahre /." Frankfurt am Main : P. Lang, 2000. http://catalogue.bnf.fr/ark:/12148/cb37646138m.

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3

Park, Hyun Jeong. ""Das Ende der Welt ist vielleicht nur ein Provisorium" ökologisch-postapokalyptisches Denken im lyrischen und essayistischen Werk Hans Magnus Enzensbergers." Bielefeld Aisthesis-Verl, 2010. http://d-nb.info/999599445/04.

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4

King, Alasdair James. "The plebiscite of the consumers : Hans Magnus Enzensberger and cultural populism." Thesis, University of Southampton, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.302028.

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5

Kang, T'ae-ho. "Poesie als Kritik und Selbstkritik Hans Magnus Enzensbergers negative Poetik /." [S.l. : s.n.], 2002. http://deposit.ddb.de/cgi-bin/dokserv?idn=969224575.

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6

Telge, Claus. ""BRÜDERLICHE EGOISTEN". DIE GEDICHTÜBERSETZUNGEN AUS DEM SPANISCHEN VON ERICH ARENDT UND HANS MAGNUS ENZENSBERGER." Diss., The University of Arizona, 2015. http://hdl.handle.net/10150/577156.

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The authors and translators Erich Arendt and Hans Magnus Enzensberger are two key figures in German literature after 1945, known especially for their appropriation of foreign literatures. They both contributed extensively to the reception of Modern Latin American and Spanish Poetry in East and West Germany by translating poets such as Pablo Neruda, César Vallejo and Rafael Alberti. This is the first study to explore the asymmetrically intertwined literary conditions of the two author-translator figures with regard to the ways in which engaging with a foreign text opens up a perspective on the
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7

Delisle, Manon. "Weltuntergang ohne Ende : Ikonographie und Inszenierung der Katastrophe bei Christa Wolf, Peter Weiss und Hans Magnus Enzensberger /." Würzburg : Königshausen & Neumann, 2001. http://catalogue.bnf.fr/ark:/12148/cb40119657n.

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Dissertation--Université de Lausanne, 2001. Titre de soutenance : Ästhetik der Katastrophe : Katastrophendarstellungen in der deutschen Literatur der siebziger und achtziger Jahre.<br>Bibliogr. p. 265-281.
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8

Joch, Markus. "Bruderkämpfe : zum Streit um den intellektuellen Habitus in den Fällen Heinrich Heine, Heinrich Mann und Hans Magnus Enzensberger /." Heidelberg : C. Winter, 2000. http://catalogue.bnf.fr/ark:/12148/cb37686703f.

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9

Koschnick, Holger [Verfasser]. "Meine Weisheit ist eine Binse : Eine literaturwissenschaftliche Rekonstruktion der Konzeption des Literaturbegriffs von Hans Magnus Enzensberger / Holger Koschnick." Berlin : Freie Universität Berlin, 2009. http://d-nb.info/1023497808/34.

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10

CLAUDE, FERRANDON MICHELINE. "L'ecrivain et son temps en republique federale d'allemagne (1960-1972) a travers l'etude d'essais, de commentaires, d'articles et de discours de heinrich boell, de hans magnus enzensberger et de gunter grass." Paris 3, 1989. http://www.theses.fr/1990PA030080.

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L'etude thematique comparee d'ecrits non fictionnels de boell, de grass et d'enzensberger revele la complexite d'individus souvent tributaires d'une image reductrice. Conditionnes par le traumatisme d'un passe inexpicable et d'ne nation dechiree, ils entendent ne pas se derober a leur responsabilite d'hommes, temoins de leur temps, en citoyens desireux de contribuer a la democratisation durable de la societe ouest-allemande. Confrontation significative car, outre la specificite de chacun, elle cerne convergences et divergences, continuites et ruptures, fluctuations d'etres en perpetuelle mutat
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11

Matrau, Alice. "Peuples allemand et américain des années 1945-1960 : regards croisés entre poésie et photographie. Comment toucher le nerf d’une époque ? René Burri, Les Allemands ; Hans Magnus Enzensberger, Landessprache ; Robert Frank, Les Américains ; Allen Ginsberg, Howl and other poems." Thesis, Paris 3, 2014. http://www.theses.fr/2014PA030063.

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Dans une Allemagne détruite et divisée qui tente de faire face à son passé nazi, et dans une Amérique aux prises avec le maccarthysme et la guerre froide, quatre jeunes poètes et photographes scrutent les soubresauts de l’histoire. René Burri dans Les Allemands, Hans Magnus Enzensberger dans Landessprache, Robert Frank dans Les Américains, et Allen Ginsberg dans Howl and other poems se font les consciences de leur époque. Ils conçoivent leur pratique artistique comme l’exercice d’une essentielle critique face à un ordre social établi qui ne l’autorise guère. A travers mots et images, ils passe
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12

Payk-Heitmann, Andrea. "Fortschreiben, Vermeiden, Erneuern der Amerikadiskurs deutscher Schriftsteller nach dem 11. September 2001 /." Columbus, Ohio : Ohio State University, 2007. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1180348118.

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13

Kruger, Thomas J. A. "From the "death of literature" to the "new subjectivity": examining the interaction of utopia and nostalgia in Peter Schneider's «Lenz», Hans Magnus Enzensberger's «Der Kurze Sommer Der Anarchie», and Bernward Vesper's «Die Reise»." Thesis, McGill University, 2009. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=32407.

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ABSTRACT This project seeks to clarify the complex interrelation of utopia and nostalgia in post World War II German literature, as the nineteen sixties student protest movement develops into what has become known as the 'New Subjectivity' of the nineteen seventies. The introductory chapter frames the historical context of this development, problematizing the idea of '1968' as its climax or turning point, while establishing the interrelationship of the concepts of utopia and nostalgia as the principal met
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14

Catarino, Maria Helena Horta Simões. "Mausoleum de Hans Magnus Enzensberger : a balada moderna e o mito do progresso." Doctoral thesis, 1989. http://hdl.handle.net/10316/729.

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Tese de doutoramento em Letras (Literatura Alemã) apresentada à Fac. de Letras da Univ. de Coimbra<br>Centrada em Mausoleum. Siebenunddreißig Balladen aus der Geschichte des Fortschritts, um controverso volume de lírica de Hans Magnus Enzensberger publicado em 1975, a dissertação tem como tema o estudo desta obra como análise literária do mito do progresso. Nela se enunciam as seguintes teses principais: 1. Mausoleum não inicia nenhuma etapa nova na produção de Enzensberger, indiciadora, como se afirmou, de uma revisão de posições políticas. A partir da contextualização exaustiva desta obra n
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15

Wei, Ke Xuan, and 魏可軒. "Study on the Practicability of Nord’s Translation Theory in Literary Translation — A Case Study of Wo warst du, Robert? by Hans Magnus Enzensberger." Thesis, 2018. http://ndltd.ncl.edu.tw/handle/5vfffa.

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碩士<br>文藻外語大學<br>多國語複譯研究所<br>106<br>ABSTRACT This thesis aims to provide a guided and systematic step of translation for literary translation from a theoretical perspective. One of Germany’s Functionalist representatives Christiane Nord put forward the Model for Translation-oriented Text Analysis of functional theory, which developed from practical experience. This model establishes a step-by-step procedure for translation activities from accepting translation tasks to completed translation. It teaches or literally can guide anyone who engages in translation activities how to accomplish transl
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16

Kang, T'ae-ho [Verfasser]. "Poesie als Kritik und Selbstkritik : Hans Magnus Enzensbergers negative Poetik / vorgelegt von Tae-Ho Kang." 2002. http://d-nb.info/969224575/34.

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17

Weidauer, Friedemann J. "Widerstand und konformismus positionen des subjekts im faschismus in romanen Alfred Anderschs, Alexander Kluges, Hans Magnus Enzensbergers und Peter Weiss' /." 1992. http://catalog.hathitrust.org/api/volumes/oclc/27666723.html.

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