To see the other types of publications on this topic, follow the link: Hans Werner Henze.

Journal articles on the topic 'Hans Werner Henze'

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the top 49 journal articles for your research on the topic 'Hans Werner Henze.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Browse journal articles on a wide variety of disciplines and organise your bibliography correctly.

1

Anderson, David E. "Boulevard. Solitude. Hans Werner Henze." Opera Quarterly 9, no. 1 (1992): 174–76. http://dx.doi.org/10.1093/oq/9.1.174.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Anderson, David E. "Die Bassariden. Hans Werner Henze." Opera Quarterly 9, no. 3 (1993): 186–88. http://dx.doi.org/10.1093/oq/9.3.186.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

MALANGA, GERARD. "HANS WERNER HENZE, 1926-2012." Yale Review 103, no. 1 (2014): 48. http://dx.doi.org/10.1111/yrev.12223.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

MALANGA, GERARD. "HANS WERNER HENZE, 1926–2012." Yale Review 103, no. 1 (2015): 48. http://dx.doi.org/10.1353/tyr.2015.0109.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Lachenmann, Helmut, and Jeffrey Stadelman. "Open Letter to Hans Werner Henze." Perspectives of New Music 35, no. 2 (1997): 189. http://dx.doi.org/10.2307/833650.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Bokina, John. "Hans Werner Henze, Bohemian Fifths: An Autobiography." New Political Science 22, no. 3 (2000): 429–31. http://dx.doi.org/10.1080/713687942.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Berry, M. "Hans Werner Henze: Tristan (1973). By Stephen Downes." Music and Letters 94, no. 3 (2013): 541–43. http://dx.doi.org/10.1093/ml/gct075.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Ryzhinsky, Alexander S. "Choral Music in the Works of Hans Werner Henze." Music Scholarship / Problemy Muzykal'noj Nauki, no. 1 (2021): 46–60. http://dx.doi.org/10.33779/2587-6341.2021.1.046-060.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

DOWNES, STEPHEN. "Hans Werner Henze as Post-Mahlerian: Anachronism, Freedom, and the Erotics of Intertextuality." Twentieth-Century Music 1, no. 2 (2004): 179–207. http://dx.doi.org/10.1017/s1478572205000113.

Full text
Abstract:
In the early 1960s Mahler’s music became a vital stimulus for Henze’s compositional technique and aesthetics. Particularly important were its exploration of formal crises, the incorporation of ‘old’ musical materials, and its apparently direct expression of love and beauty. These aspects confirmed Henze’s desire to break out of the restrictions of Darmstadt dogma, into an apparently anachronistic expressive and technical freedom. This article explores structural and hermeneutic relationships between two of Henze’s works of the period – Being Beauteous and The Bassarids– and Mahler’s Fifth Symp
APA, Harvard, Vancouver, ISO, and other styles
10

Kornatowska, Beata. "Hans Werner Henze, Ingeborg Bachmann: „Der Prinz von Homburg”. Operowa adaptacja dzieła Kleista." Przestrzenie Teorii, no. 18 (January 1, 2012): 41. http://dx.doi.org/10.14746/pt.2012.18.3.

Full text
APA, Harvard, Vancouver, ISO, and other styles
11

Bielefeldt, Christian. "“Unusual, Gentle Sensory Stimuli”: A Psychoanalytical Path to the Early Aesthesis of Hans Werner Henze." Musicological Annual 43, no. 2 (2007): 251–63. http://dx.doi.org/10.4312/mz.43.2.251-263.

Full text
Abstract:
Musicology and psychoanalysis still face each other strangely. Yet, there are quite fruitful initiatives for dealing with musical phenomena from a psychoanalytical perspective, as this article tries to show with the example of the early music aesthetics of Hans Werner Henze. Led by the Lacanian model of imaginary-symbolic-real, Henzes texts from from the 1950s are read in a way in which the aesthetics “of a free, wild sound” is linked to the requirement of music being communicative. Musical communication is understood thereby differently as in the later, politically engaged phase of Henze. It
APA, Harvard, Vancouver, ISO, and other styles
12

KOGLER, SUSANNE. "Gegenwartsliteratur und zeitgenössische Musik: Der junge Lord von Ingeborg Bachmann und Hans Werner Henze." Seminar: A Journal of Germanic Studies 38, no. 3 (2002): 261–76. http://dx.doi.org/10.3138/sem.v38.3.261.

Full text
APA, Harvard, Vancouver, ISO, and other styles
13

SALETTA, ESTER. "Gegen die lautlose Welt: Musik und Sprache bei Ingeborg Bachmann und Hans Werner Henze." Seminar: A Journal of Germanic Studies 41, no. 4 (2005): 442–56. http://dx.doi.org/10.3138/sem.v41.4.442.

Full text
APA, Harvard, Vancouver, ISO, and other styles
14

Gier, Albert. "Hans Werner Henze,L'Upupa und der Triumph der Sohnesliebe. Probleme der Märchenoper im 21. Jahrhundert." Fabula 50, no. 3-4 (2009): 261–72. http://dx.doi.org/10.1515/fabl.2009.021.

Full text
APA, Harvard, Vancouver, ISO, and other styles
15

Bartsch, Kurt. "Sammel-Rez. Ingeborg Bachmann/Hans Werner Henze, Briefe einer Freundschaft, hrsg. von Hans Höller. Mit einem Vorwort von Hans Werner Henze. – Monika Albrecht und Dirk Göttsche, „Über die Zeit schreiben“3. Literatur- und kulturwissenschaftliche Essays zum Werk Ingeborg Bachmanns." Sprachkunst, Beiträge zur Literaturwissenschaft 1, no. 35/2 (2005): 408–15. http://dx.doi.org/10.1553/spk35s408.

Full text
APA, Harvard, Vancouver, ISO, and other styles
16

Jungheinrich, Hans-Klaus. "A world of “freely invented orders of magnitude”: Hans Werner Henze and the problem of the symphony." Contemporary Music Review 12, no. 1 (1995): 125–43. http://dx.doi.org/10.1080/07494469500640101.

Full text
APA, Harvard, Vancouver, ISO, and other styles
17

Heile, Björn. "Review: Dichtung und Musik bei Ingeborg Bachmann und Hans Werner Henze: Der Augenblick der Wahrheit am Beispiel ihres Opernschaffens." Music and Letters 84, no. 1 (2003): 147–49. http://dx.doi.org/10.1093/ml/84.1.147.

Full text
APA, Harvard, Vancouver, ISO, and other styles
18

Gardner, James. "EVEN ORPHEUS NEEDS A SYNTHI." Tempo 70, no. 276 (2016): 56–70. http://dx.doi.org/10.1017/s0040298215000984.

Full text
Abstract:
AbstractIn recent years there has been an increase in the quantity, if not necessarily the quality, of scholarly and popular writing on the histories of electronic music in Britain. In this literature, the contributions of Peter Zinovieff (b. 1933) and his computer-equipped electronic music studio to those histories have been variously exaggerated, underestimated and misreported. This article attempts to correct this misinformation, investigating Zinovieff's solo work and his collaborations with Harrison Birtwistle, Hans Werner Henze and others, through a critical discussion of two recent cont
APA, Harvard, Vancouver, ISO, and other styles
19

Miller, Malcolm. "Munich, Bayerische Staatsoper: Jörg Widmann's Babylon." Tempo 67, no. 264 (2013): 71–72. http://dx.doi.org/10.1017/s0040298213000119.

Full text
Abstract:
The world première of Jörg Widmann's new opera Babylon, conducted by Kent Nagano at the Bayerische Staatsoper, on 27 October 2012, was an evening to remember, for both the spectacular production and the musical performances. It began with a poignant announcement from the stage that Widmann had dedicated the performance in gratitude to the memory of his teacher, Hans Werner Henze, who had died that very morning in Dresden at the age of 86. One's thoughts turned to Henze's own wonderful operatic oeuvre, especially The Bassarids, which shared with Babylon an interest in ancient myth and pastiche.
APA, Harvard, Vancouver, ISO, and other styles
20

Han, Sang Myung. "A Study (II) on Musical Dramatization Manifested in Concert During the Latter Half of 20th Century - Focusing on Le Miracle de la rose of Hans Werner Henze -." Music Theory Forum 23, no. 1 (2016): 69–94. http://dx.doi.org/10.15571/mtf.2016.23.1.69.

Full text
APA, Harvard, Vancouver, ISO, and other styles
21

Nonnenmann, Rainer. "Geliehenes Pathos." Die Musikforschung 57, no. 3 (2021): 215–33. http://dx.doi.org/10.52412/mf.2004.h3.675.

Full text
Abstract:
Seit Mitte der 1970er Jahre hat sich für die Musik von Manfred Trojahn, Wolfgang Rihm, Reinhard Febel, Hans-Jürgen von Bose, Wolfgang von Schweinitz und Detlev Müller-Siemens die Bezeichnung "Neue Einfachheit" als typologischer und historiographischer Terminus durchgesetzt. Durch die gemeinsamen Lehrer György Ligeti und Klaus Huber entwickelten die untereinander vielfach befreundeten Komponisten eine Art Gegenschule zur Darmstädter Schule. Im engeren Sinne schulbildend wirkten sie jedoch erst seit den 1980er Jahren als Lehrer der heute dreißig- bis vierzigjährigen Komponisten. Anhand der Musik
APA, Harvard, Vancouver, ISO, and other styles
22

Bauer, Markus. "Der Untergang der Méduse." Zeitschrift für Ideengeschichte 14, no. 3 (2020): 45–52. http://dx.doi.org/10.17104/1863-8937-2020-3-45.

Full text
Abstract:
Rosa-Luxemburg-Konferenz 2020 in Berlin: Vor den schwarzweißen Porträts von Marx, Engels, Lenin, Zetkin, Che Guevara und Ho Chi Minh liest der 85-jährige Schauspieler Rolf Becker begleitet von vier Jazz-MusikerInnen aus einem Libretto, das Ernst Schnabel im Epochenjahr 1968 für das Oratorium Das Floß der Medusa von Hans Werner Henze geschrieben hatte. Vor einem weitgehend ergrauten Publikum wird «der Mulatte Jean- Charles» zur Zentralfigur der Lesung, der einen «roten Fetzen» schwenkte, als er am Horizont das rettende Schiff zu sehen vermeint. Zu der musikalischen Akzentuierung von Beckers Les
APA, Harvard, Vancouver, ISO, and other styles
23

Thomas, Helen. "Amy Bauer, Ligeti's Laments: Nostalgia, Exoticism and the Absolute (Farnham: Ashgate Publishing, 2011). xvii + 234 pp. $99.95/£55.00. ISBN 978-1-4094-0041-7 (hb). Stephen Downes, Hans Werner Henze: ‘Tristan’ (1973) (Farnham: Ashgate Publishing, 2011). xiv." Music Analysis 33, no. 1 (2013): 121–27. http://dx.doi.org/10.1111/musa.12024.

Full text
APA, Harvard, Vancouver, ISO, and other styles
24

Salvatore, Gaston. "From ‘Büchner's Death’ —to Stalin's." New Theatre Quarterly 6, no. 24 (1990): 343–48. http://dx.doi.org/10.1017/s0266464x00004905.

Full text
Abstract:
Gaston Salvatore was born in Valparaiso, Chile, in 1941, of an upper middle class Chilean mother and an Italian father. After completing a degree in law, he went to Berlin in 1965, where he studied sociology, and together with Rudi Dutschke became one of the leaders of the student protest movement. He was arrested and obliged to leave Germany in 1969, returning briefly to Chile. In the early ‘seventies he went to Rome, where he worked with Michelangelo Antonioni. One of the results of that collaboration was his novel. Der Kaiser von China, published in 1979. He began his work in German with a
APA, Harvard, Vancouver, ISO, and other styles
25

Schepker, K., S. Topp, and H. Fangerau. "Wirren um Paul Schröder, Werner Villinger und Hans Heinze." Der Nervenarzt 88, no. 3 (2016): 282–90. http://dx.doi.org/10.1007/s00115-016-0104-2.

Full text
APA, Harvard, Vancouver, ISO, and other styles
26

Kalisch, Volker. "Hans Werner Henzes und Ingeborg Bachmanns künstlerische Reaktion auf die atomare Bedrohung." KulturPoetik 15, no. 2 (2015): 243–68. http://dx.doi.org/10.13109/kult.2015.15.2.243.

Full text
APA, Harvard, Vancouver, ISO, and other styles
27

Heile, B. "Die Sinfonien Hans Werner Henzes: Entstehungsgeschichtliche und werkanalytische Untersuchungen zu einer Sinfonie-Asthetik Henzes. By Benedikt Vennefrohne." Music and Letters 88, no. 3 (2007): 545–47. http://dx.doi.org/10.1093/ml/gcl145.

Full text
APA, Harvard, Vancouver, ISO, and other styles
28

Kirchert, Kay-Uwe. "Das Floss der Medusa. Reale und bildnerische Hintergrunde in Hans Werner Henzes Oratorium." Archiv für Musikwissenschaft 57, no. 3 (2000): 264. http://dx.doi.org/10.2307/931007.

Full text
APA, Harvard, Vancouver, ISO, and other styles
29

Eickmeyer, Jost. ",,…, als habe dort niemals eine Insel gestanden.“ Wolfgang Hildesheimers und Hans Werner Henzes Das Ende einer Welt als Erzählung und Rundfunkoper." Literatur für Leser 38, no. 3 (2015): 169–86. http://dx.doi.org/10.3726/90073_169.

Full text
Abstract:
An den Schluss seiner ersten unter dem programmatisch-spöttischen Titel Lieblose Legenden veröffentlichten Prosa-Sammlung setzt Wolfgang Hildesheimer effektvoll Das Ende einer Welt.1 Dem eschatologischen Beiklang der Rede vom Ende wird schon im Titel lakonisch Paroli geboten: Es handelt sich nur um das Ende ,,einer“ Welt, jedoch einer, die in aller hyperbolischen Absurdität2 mit europäischer Kunst und Kultur assoziiert werden kann, deren gewaltsamer Untergang in Diktatur und Krieg den Lesern sowohl 1952 als auch nach der letzten revidierten Publikation 1962 noch deutlich vor Augen gestanden ha
APA, Harvard, Vancouver, ISO, and other styles
30

Stowell, Robin. "Ludwig Van Beethoven, Piano Concerto in D major op. 61a, edited by Hans-Werner Küthen (Munich: Henle, 2005). €24 - Ludwig Van Beethoven, Piano Concerto in D Major op. 61a, edited by Hans-Werner Küthen; piano reduction by Jürgen Sommer; fingering by Klaus Schilde (Munich: Henle, 2005). €12." Nineteenth-Century Music Review 5, no. 1 (2008): 168–69. http://dx.doi.org/10.1017/s1479409800002780.

Full text
APA, Harvard, Vancouver, ISO, and other styles
31

Hofmann, Klaus. "Anmerkungen zu Bachs Kantate "Mein Herze schwimmt im Blut" (BWV 199)." Bach-Jahrbuch 99 (October 22, 2018): 205–21. http://dx.doi.org/10.13141/bjb.v20132982.

Full text
Abstract:
Im Zentrum des Artikels steht die Auseinandersetzung mit Datierungsfragen des Werks ebenso wie mit einer 2004 von Tatjana Schabalina im Bach-Jahrbuch erstmals vorgestellten, bis dato unbekannten Violinstimme und den damit verbundenen Problemen. Die Erörterung der Datierungsfrage antwortet dabei besonders auf Yoshitake Kobayashis Rostocker Referat Quellenkundliche Überlegungen zur Chronologie der Weimarer Vokalwerke Bachs, in dem dieser 1990 die traditionelle Datierung der Kantate in Frage stellte. Die Violinstimme wird besonders auf ihre Implikationen zur Aufführungs- und Fassungsgeschichte hi
APA, Harvard, Vancouver, ISO, and other styles
32

Wollny, Peter. "Eine unbekannte Wiederaufführung der Kantate "Mein Herze schwimmt im Blut" BWV 199/BC A 120." Bach-Jahrbuch 99 (October 22, 2018): 297–308. http://dx.doi.org/10.13141/bjb.v20132987.

Full text
Abstract:
Angesichts der großen Zahl von Aufführungsbelegen für BWV 199 in Bachs Weimarer, Köthener und frühen Leipziger Zeit nimmt es Wunder, dass ähnliche Hinweise zur Geschichte des Werkes in den späteren Leipziger Jahren und auch nach 1750 rar gesät sind. Dazu finden sich Hinweise auf einen bislang nicht näher nachvollziehbaren Überlieferungsweg der Originalquellen zu BWV 199, die der Beitrag nachzuzeichnen versucht. Dazu dient besonders ein bis dato unbeachtet gebliebener Textdruck zu einer am 5. 2. 1747 in Halle aufgeführten Trauerkantate für Johann Georg Francke, der im Wesentlichen das Libretto
APA, Harvard, Vancouver, ISO, and other styles
33

Jahnke, Carsten, Michael Fröhlich, Stefan Breuer, et al. "Geistes- und Mentalitätsgeschichte." Das Historisch-Politische Buch (HPB) 65, no. 4-6 (2017): 521–29. http://dx.doi.org/10.3790/hpb.65.4-6.521.

Full text
Abstract:
André Muceniecks: Saxo Grammaticus. Hierocratical Conceptions and Danish Hegemony in the Thirteenth Century (Carsten Jahnke) Matthias Asche, Ulrich Niggemann (Hg.): Das leere Land. Historische Narrative von Einwanderergesellschaften (Michael Fröhlich) Richard Pohle: Platon als Erzieher. Platonrenaissance und Antimodernismus in Deutschland (1890-1933) (Stefan Breuer) Hinnerk Bruhns: Max Weber und der Erste Weltkrieg (Hans-Christof Kraus) Anja Meyerrose: Herren im Anzug. Eine transatlantische Geschichte von Klassengesellschaften im langen 19. Jahrhundert (Michaela Heinze) Michael Gamper: Der gro
APA, Harvard, Vancouver, ISO, and other styles
34

Boyde, Guy. "Bounding size of homotopy groups of Spheres." Proceedings of the Edinburgh Mathematical Society 63, no. 4 (2020): 1100–1105. http://dx.doi.org/10.1017/s001309152000036x.

Full text
Abstract:
AbstractLet p be prime. We prove that, for n odd, the p-torsion part of πq(Sn) has cardinality at most $p^{2^{{1}/({p-1})(q-n+3-2p)}}$ and hence has rank at most 21/(p−1)(q−n+3−2p). for p = 2, these results also hold for n even. The best bounds proven in the existing literature are $p^{2^{q-n+1}}$ and 2q−n+1, respectively, both due to Hans–Werner Henn. The main point of our result is therefore that the bound grows more slowly for larger primes. As a corollary of work of Henn, we obtain a similar result for the homotopy groups of a broader class of spaces.
APA, Harvard, Vancouver, ISO, and other styles
35

Wollny, Peter. "Carl August Hartung als Kopist und Sammler Bachscher Werke." Bach-Jahrbuch 97 (February 9, 2018): 81–101. http://dx.doi.org/10.13141/bjb.v20111229.

Full text
Abstract:
Unter Bezugnahme auf den voranstehenden Artikel von Andrew Talle "'Die kleine Wirthschafft Rechnung' von Carl August Harthung" wird die Bedeutung Harthungs für den Musikalienhandel seienr Zeit beleuchtet. Zunächst wird Harthung auf Grundlage der von Talle ausgewerteten Quelle als Schreiber zweier thematischer Verzeichnisse von Werken Bachs identifiziert. Daran knüpfen weiterführende Überlegungen zur Verbreitung bestimmter Bachscher Werke im 18. Jh. an. Weiterhin wird aufgrund der Notenschrift Harthungs ein bisher anonymer Bach-Kopist mit ihm Gleichgesetzt. Ein Anhang bietet einen Katalog aller
APA, Harvard, Vancouver, ISO, and other styles
36

Jeep, John M. "Stabreimende Wortpaare in den späteren Werken Hartmanns von Aue: Iwein, Gregorius, Der arme Heinrich." Yearbook of Phraseology 9, no. 1 (2018): 51–84. http://dx.doi.org/10.1515/phras-2018-0005.

Full text
Abstract:
AbstractBuilding upon recent phraseological studies of Old High and Middle High German texts, the alliterating word pairs in the later works of Hartmann von Aue are catalogued and analyzed philologically, thus contributing to an emerging complete listing of the paired rhetorical expressions through the Early Middle High German period, here Hartmann’s major courtly Arthurian romance, Iwein, his religious tale Gregorius, and Der arme Heinrich. Each pair is listed, described in the context in which it appears, and compared with any extant pairs from earlier German works. Previous research on the
APA, Harvard, Vancouver, ISO, and other styles
37

Dawud, Mohammed Abate, and Firew Mekbib Alemu. "Phenotypic Stability Analysis of Oil Yield in Sesame (Sesamum indicum L.) Verities across the Awash Valleys in Ethiopia." JOURNAL OF ADVANCES IN AGRICULTURE 5, no. 2 (2015): 650–57. http://dx.doi.org/10.24297/jaa.v5i2.5077.

Full text
Abstract:
A study was conducted to estimate the nature and magnitude of G x E Interaction (GEI) for oil yield in sesame varieties and to identify stable and promising varieties for general and specific adaptations. The experiment was carried out at three locations across the areas of the Awash Valley in Ethiopia; namely Assaita, Melkassa and Werer over two seasons during the 2011 cropping and 2012 off seasons. Ten improved sesame varieties were planted in a randomized complete block design (RCBD) replicated trice in each location and year. Analysis of variance using AMMI model revealed significant diffe
APA, Harvard, Vancouver, ISO, and other styles
38

Eulig, N., A. Enders, H. G. Krauthäuser, and J. Nitsch. "Achievable field strength in reverberation chambers." Advances in Radio Science 1 (May 5, 2003): 53–56. http://dx.doi.org/10.5194/ars-1-53-2003.

Full text
Abstract:
Abstract. Feldvariable Kammern (FVK, engl.: modestirred- chamber) werden unter anderem für EMV-Störfestigkeitsprüfungen verwendet. Ein häufig genanntes Argument, das die Einführung dieser Kammern als normgerechte Prüfumgebung vorantreiben soll, ist eine hohe Feldstärke, die im Vergleich zu anderen Testumgebungen mit relativ moderaten HF-Leistungen erreicht werden kann. Besonders für sicherheitskritische Geräte, wie Komponenten aus der Avionik- oder KFZ-Industrie, sind heutzutage Testfeldstärken von mehreren 100 V/m notwendig. Derart hohe Feldstärken können in Umgebungen, die ein ebenes Wellenf
APA, Harvard, Vancouver, ISO, and other styles
39

Gleißner, Werner, and Kay H. Hofmann. "Unerwartete Unternehmensinsolvenz trotz testiertem Risikomanagement? – Lessons Learned aus der Insolvenz der Gerry Weber International AG." Der Betriebswirt: Volume 61, Issue 3 61, no. 3 (2020): 139–54. http://dx.doi.org/10.3790/dbw.61.3.139.

Full text
Abstract:
Summary Studies show that the implemented and certified early risk detection systems in practice are often unable to identify developments that could jeopardize a company’s existence. This is due to methodological weaknesses, e.g. insufficient consideration of the liquidity effect of risks, the lack of analysis of extreme risks and, in particular, the absence of adequate risk aggregation that considers interdependencies and hence combination effects of risks. In many recent insolvencies, among them the here investigated case of Gerry Weber International AG, it is easy to see that the early ris
APA, Harvard, Vancouver, ISO, and other styles
40

Heaton, Alexa, Tiffany Heaster, Anna Hoefges, et al. "42 Intravital multiphoton microscopy of infiltrating T cell and tumor cell metabolism in a murine melanoma model." Journal for ImmunoTherapy of Cancer 8, Suppl 3 (2020): A43. http://dx.doi.org/10.1136/jitc-2020-sitc2020.0042.

Full text
Abstract:
BackgroundIntravital multiphoton microscopy (IMM) provides single-cell imaging within intact living systems. IMM of the autofluorescent metabolic co-enzymes NAD(P)H and FAD, or optical metabolic imaging (OMI), provides in vivo label-free imaging of metabolic changes. The metabolism of tumor cells and immune cells is closely associated with cancer progression,1–3 so we aim to study metabolic trends before and after administration of an established, effective, triple-combination immunotherapy within murine melanoma tumors.4 This therapy includes 12 Gy external beam radiation, intratumoral admini
APA, Harvard, Vancouver, ISO, and other styles
41

Curran, Eleanor, Kali Godbee, Terence W. H. Chong, Charles Abraham, Nicola T. Lautenschlager, and Victoria J. Palmer. "435 - Perspectives of the general public on dementia risk reduction (DRR) and implications for implementation: a qualitative evidence synthesis." International Psychogeriatrics 32, S1 (2020): 152–53. http://dx.doi.org/10.1017/s1041610220002884.

Full text
Abstract:
There is limited understanding of which factors most influence take-up of DRR behaviour in the general population. This evidence gap may limit the effectiveness of DRR implementation and, hence, impede translation of increasing evidence for DRR1 into real-world public health benefits.Reviews of quantitative studies have identified poor knowledge and persistence of myths about ageing2,3 as important. However, these findings are limited by the scope of included questionnaires.Qualitative literature reporting the perspectives of the general public offers an opportunity to increase this understand
APA, Harvard, Vancouver, ISO, and other styles
42

Van Velthoven, Harry. "'Amis ennemis'? 2 Communautaire spanningen in de socialistische partij 1919-1940. Verdeeldheid. Compromis. Crisis. Tweede deel: 1935-1940." WT. Tijdschrift over de geschiedenis van de Vlaamse beweging 77, no. 2 (2019): 101–48. http://dx.doi.org/10.21825/wt.v77i2.15682.

Full text
Abstract:
Rond 1910 werd in de BWP de Vlaamse kwestie een vrije kwestie. De ‘versmelting’ van twee volken in een ‘âme belge’, via tweetaligheid, werd afgewezen. Onder impuls van Huysmans beriep het Vlaamse socialisme zich op de idee van culturele autonomie: het recht op onderwijs in de moedertaal van de lagere school tot de universiteit en dus de vernederlandsing van de Gentse Rijksuniversiteit. Daarmee behoorde het Vlaamse socialisme tot de voorhoede van de Vlaamse beweging. Het Waalse socialisme daarentegen verdedigde nog de superioriteit van het Frans en de mythe van een tweetalig Vlaanderen, en kant
APA, Harvard, Vancouver, ISO, and other styles
43

Lück, Hartmut. "Hans Werner Henze in Berlin (und Wien)." Österreichische Musikzeitschrift 52, no. 12 (1997). http://dx.doi.org/10.7767/omz.1997.52.12.70.

Full text
APA, Harvard, Vancouver, ISO, and other styles
44

Kager, Reinhard. "Hans Werner Henze „Venus und Adonis“ in München und Lachenmann „Das Mädchen mit den Schwefelhölzern“ in Hamburg." Österreichische Musikzeitschrift 52, no. 3 (1997). http://dx.doi.org/10.7767/omz.1997.52.3.52.

Full text
APA, Harvard, Vancouver, ISO, and other styles
45

Alireti, Cinthia Pinheiro. "Towards the 'secondary worlds' in Henze's opera Elegy for Young Lovers." Orfeu 5, no. 1 (2020). http://dx.doi.org/10.5965/2525530405012020209.

Full text
Abstract:
Este artigo tem por objetivo traçar as orígens dramático-musicais da ópera em três atos Elegy for Young Lovers (1961), com música do compositor alemão Hans Werner Henze e libretto de Audren e Kallman. Através da pesquisa de fontes literárias e teóricas sobre esta obra, com ênfase nos escritos dos próprios autores, foi examinada a existência de recursos extrínsecos que contribuíram para a constituição da estrutura dramática interna. Estes recursos se tratam, por um lado, de influências culturais que interagiram na construção da identidade artística da obra e, por outro lado, de convenções empre
APA, Harvard, Vancouver, ISO, and other styles
46

Petersen, Peter. "Hans Werner Henzes jüngstes Alterswerk, die neue Oper „Phaedra“." Österreichische Musikzeitschrift 63, no. 5 (2008). http://dx.doi.org/10.7767/omz.2008.63.5.4.

Full text
APA, Harvard, Vancouver, ISO, and other styles
47

Foith, Michael. "Virtually Witness Augmentation Now: Video Games and the Future of Human Enhancement." M/C Journal 16, no. 6 (2013). http://dx.doi.org/10.5204/mcj.729.

Full text
Abstract:
Introduction Ever-enduring advancements in science and technology promise to offer solutions to problems or simply to make life a bit easier. However, not every advancement has only positive effects, but can also have undesired, negative ramifications. This article will take a closer look at Deus Ex: Human Revolution (DXHR), a dystopian video game which promises to put players in the position of deciding whether the science of human enhancement is a way to try to play God, or whether it enables us “to become the Gods we’ve always been striving to be” (Eidos Montreal, “Deus Ex: Human Revolution
APA, Harvard, Vancouver, ISO, and other styles
48

Harrison, Karey. "Building Resilient Communities." M/C Journal 16, no. 5 (2013). http://dx.doi.org/10.5204/mcj.716.

Full text
Abstract:
This paper will compare the metaphoric structuring of the ecological concept of resilience—with its roots in Holling's 1973 paper; with psychological concepts of resilience which followed from research—such as Werner, Bierman, and French and Garmezy and Streitman) published in the early 1970s. This metaphoric analysis will expose the difference between complex adaptive systems models of resilience in ecology and studies related to resilience in relation to climate change; compared with the individualism of linear equilibrium models of resilience which have dominated discussions of resilience i
APA, Harvard, Vancouver, ISO, and other styles
49

Dang-Anh, Mark. "Excluding Agency." M/C Journal 23, no. 6 (2020). http://dx.doi.org/10.5204/mcj.2725.

Full text
Abstract:
Introduction Nun habe ich Euch genug geschrieben, diesen Brief wenn sei [sic] lesen würden, dann würde ich den Genickschuß bekommen.Now I have written you enough, this letter if they would read it, I would get the neck shot. (M., all translations from German sources and quotations by the author) When the German soldier Otto M. wrote these lines from Russia to his family on 3 September 1943 during the Second World War, he knew that his war letter would not be subject to the National Socialist censorship apparatus. The letter contains, inter alia, detailed information about the course of the war
APA, Harvard, Vancouver, ISO, and other styles
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!