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Books on the topic 'Hanya Holm'

Author: Grafiati
Published: 9 March 2023
Last updated: 31 July 2025

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1

Marilyn, Cristofori, ed. Hanya Holm: A pioneer in American dance. Harwood Academic, 1992.

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2

Underwood, Sharry Traver. Broadway and concert dance in the 1940s: A memoir of dancing with Ted Shawn, Agnes De Mille, Martha Graham, Charles Weidman, Hanya Holm, and others. E. Mellen Press, 2011.

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3

Tang, Bridget-Tao. Hold on tight: A novel. China Bridge Books, 2000.

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4

Hanya Holm. Wesleyan University Press, 2018. http://dx.doi.org/10.1353/book.77793.

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5

Liebe Hanya: Mary Wigman's letters to Hanya Holm. University of Wisconsin Press, 2003.

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6

Randall, Tresa. Hanya Holm and an American Tanzgemeinschaft. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252036767.003.0006.

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Hanya Holm arrived in the United States in September 1931 to open the New York Wigman School, created under the patronage of impresario Sol Hurok. On the heels of Mary Wigman's first, highly acclaimed U.S. tour from 1930 to 1931, interest in the Wigman method was high among American dancers, and a small staff from the Wigman Central Institute in Dresden, led by Holm, were sent to New York to capitalize on it. This chapter counters the standard narrative of Holm's assimilation and Americanization. Focusing on Holm's writings during her early years in the United States, it demonstrates how she s
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7

Gitelman, Claudia. Liebe Hanya: Mary Wigman's Letters to Hanya Holm (Studies in Dance History). University of Wisconsin Press, 2003.

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8

Cristofori, M. Hanya Holm: A Pioneer in American Dance (Choreography and Dance). Routledge, 1992.

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9

Dancing With Principle: Hanya Holm in Colorado, 1941-1983. University Press of Colorado, 2001.

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10

Gitelman, Claudia. Dancing with Principle: Hanya Holm in Colorado, 1941-1983. University Press of Colorado, 2001.

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11

Dancing With Principle: Hanya Holm in Colorado, 1941-1983. University Press of Colorado, 2002.

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12

Pollack, Howard. Ballet Ballads. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190458294.003.0016.

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One of Latouche’s most significant achievements, Ballet Ballads premiered off-Broadway in 1948, and then moved to Broadway. The work, at least in its entirety, consisted of four dance-operas, with librettos by Latouche and music by Jerome Moross, and choreography by three dancers, including Hanya Holm. The show’s only semistar was Sono Osato. One reviewer deemed it, in its fusion of the arts, “a crystallization of something in the making for almost a quarter of a century—a new art form American in creation.” Historians regard the work as a precursor of the so-called concept musical.
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13

Pollack, Howard. The Golden Apple. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190458294.003.0018.

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One of Latouche’s masterpieces, the opera The Golden Apple, with composer Jerome Moross, reimagines the Judgment of Paris story and the Homeric epics through the prism of early-twentieth-century America. Hanya Holm directed, and William and Jean Eckart did the memorable designs. First premiering at the Phoenix Theatre off-Broadway, it moved to Broadway for a short run there. Although more a critical than a popular sucess—it won the Donaldson Award, the Page One Award, and the New York Critics’ Circle Award for the season’s best musical—it remains a favorite among connoisseurs of American music
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14

Kraut, Anthea. Fixing Improvisation. Edited by George E. Lewis and Benjamin Piekut. Oxford University Press, 2014. http://dx.doi.org/10.1093/oxfordhb/9780195370935.013.015.

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This chapter juxtaposes brief case studies of African American vernacular dancers from the first half of the twentieth century in order to reexamine the relationship between the ideology of intellectual property law and the traditions of jazz and tap dance, which rely heavily on improvisation. The examples of the blackface performer Johnny Hudgins, who claimed a copyright in his pantomime routine in the 1920s, and of Fred and Sledge, the class-act dance duo featured in the hit 1948 musical Kiss Me, Kate, whose choreography was copyrighted by the white modern dancer Hanya Holm, prompt a rethink
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15

Zand, Gertraude, and Hanna Vintr. Tschechische Literatur 1945-2000 Tendenzen, Autoren, Materialien: Ein Handbuch Herausgegeben Von Gertraude Zand Aus Dem Tschechischen Ubersetzt Von Hanna Vintr und Gertraude Zand y Jiri Holy, Edited by Gertraude Zand and Translated by Gertraude Zand and Hanna Vintr. Harrassowitz Verlag, 2011.

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16

Gierke, Lioba A., and Fabiola H. Gerpott, eds. Statussymbole im Wandel. Nomos Verlagsgesellschaft mbH & Co. KG, 2022. http://dx.doi.org/10.5771/9783957103932.

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Status symbols undergo constant changes depending on the ‘zeitgeist’ and the social reference group. For something to be considered a status symbol, access to it must be limited—it's all a question of having what others can't have. But what can one exclusively own in an affluent society? And what impact do technological advancements have on status symbols? In twelve chapters, 16 authors discuss old, changed or unprecedented status symbols. They examine tangible status symbols such as high-tech devices and mobility as well as intangible status symbols that can be found in corporations, art, soc
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17

Scooby-Doo! Bones Mystery: Sight Words Book 7. Scholastic Inc., 2011.

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