Journal articles: 'Happy ending'

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Yglesias, Helen, and Doris Grumbach. "Happy Ending." Women's Review of Books 9, no. 3 (1991): 15. http://dx.doi.org/10.2307/4021095.

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Gee, Henry. "Happy ending?" Nature 348, no. 6299 (1990): 273. http://dx.doi.org/10.1038/348273d0.

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van Pelt, Hans. "Happy ending?" Tandartspraktijk 34, no. 12 (2013): 1. http://dx.doi.org/10.1007/s12496-013-0142-x.

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Kitcher, Philip. "Putnam’s Happy Ending?" Graduate Faculty Philosophy Journal 38, no. 2 (2017): 431–42. http://dx.doi.org/10.5840/gfpj201738222.

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Fickling, David. "A happy ending?" Lancet 364, no. 9437 (2004): 831–32. http://dx.doi.org/10.1016/s0140-6736(04)17001-3.

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Sumpter, Karen. "A happy ending." Primary Health Care 27, no. 8 (2017): 18–19. http://dx.doi.org/10.7748/phc.27.8.18.s23.

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Holme, Jessica. "A happy ending?" Nursery World 2020, no. 8 (2020): 44–45. http://dx.doi.org/10.12968/nuwa.2020.8.44.

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Whissell, Cynthia. "According to Their Plots, Jane Austen’s Novels Are Not Comic Romances with Happy Endings." English Language and Literature Studies 8, no. 2 (2018): 10. http://dx.doi.org/10.5539/ells.v8n2p10.

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In order to answer two specific questions (“Do the plots of Jane Austen’s novels match the plot of Cinderella?” and “Do Austen’s novels include a comic or happy ending, defined as one where the author employs more pleasant language at the end of the novel than she did at the beginning?”), Jane Austen’s six major novels and Cinderella were scored for the pleasantness of their language with the Dictionary of Affect (Whissell, 2009). The answer to both questions, based on results of regression analyses and means comparisons, is negative. Austen’s novels are not variants of the Cinderella story, nor do they have the type of endings that characterize comic romances. Cinderella is very pleasant and has a distinct happy ending. In contrast, Emma, Pride and Prejudice, and Northanger Abbey are less pleasant and have equivocal endings, while Mansfield Park and Sense and Sensibility have tragic (relatively unpleasant) endings. Persuasion employs the least pleasant language overall but has a happy ending.

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Guillou, Louis Le, and Erec Koch. "Lamennais: A Happy Ending." Yale French Studies, no. 71 (1986): 169. http://dx.doi.org/10.2307/2930028.

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Levy Drucker, Olga. "Kindertransport: A Happy Ending?" Judaica Librarianship 8, no. 1 (1994): 95–96. http://dx.doi.org/10.14263/2330-2976.1238.

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In early 1939, at age eleven, the author was sent from her native Stuttgart, Germany, on a Children's Transport to England, where she remained for the next six years, living with strangers. Kindertransport, her autobiography, was conceived as a book for young adults at the 50th reunion in London in June 1989. This paper deals with historical as well as emotional aspects of this part of the Holocaust. It points out the existence of intolerance in today's world, and asks whether a repetition of the atrocities of the thirties and forties can be prevented, both in our time and in the future.

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Prashad, Vijay. "Towards a Happy Ending." Socialism and Democracy 28, no. 3 (2014): 24–34. http://dx.doi.org/10.1080/08854300.2014.957008.

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Bartkowski, Stanislaw B. "HAPPY ENDING TO SUFFERING." Plastic and Reconstructive Surgery 83, no. 3 (1989): 575. http://dx.doi.org/10.1097/00006534-198903000-00059.

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Webster, Rosemary. "Research for a happy ending." Nursing Management 1, no. 10 (1995): 23. http://dx.doi.org/10.7748/nm.1.10.23.s21.

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Seaton, Daniel B. "A happy ending for SADs." Nature Astronomy 6, no. 3 (2022): 299–301. http://dx.doi.org/10.1038/s41550-022-01607-0.

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Muller, Olivier, Amir Lerman, and Eric Eeckhout. "Complications with a happy ending." EuroIntervention 7, no. 8 (2011): 897–99. http://dx.doi.org/10.4244/eijv7i8a141.

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Oxley, Julian. "Tail with a happy ending." British Journal of Visual Impairment 13, no. 2 (1995): 77–79. http://dx.doi.org/10.1177/026461969501300205.

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Coburn, Cassandra, and Stephanie Clague. "Terminal cancer: a happy ending?" Lancet Oncology 16, no. 5 (2015): 498. http://dx.doi.org/10.1016/s1470-2045(15)70215-9.

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Mulgund, Aditi A., Meagan Gray, Sampath Poreddy, Milton Smith, and Ralph Giannella. "Painless Jaundice: A Happy Ending." American Journal of Gastroenterology 112 (October 2017): S1520—S1521. http://dx.doi.org/10.14309/00000434-201710001-02832.

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Mortimer, P. "A memorable patient: Happy ending." BMJ 317, no. 7154 (1998): 342. http://dx.doi.org/10.1136/bmj.317.7154.342.

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Samaan, M., C. Kaur, and D. Suri. "A happy ending in hepatomegaly." Case Reports 2010, sep10 1 (2010): bcr1220092545. http://dx.doi.org/10.1136/bcr.12.2009.2545.

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Daniels, Roger, Thomas James, P. Scott Corbett, Mike Masaoka, and Bill Hosokawa. "A Tragedy with a Happy Ending?" Reviews in American History 17, no. 1 (1989): 131. http://dx.doi.org/10.2307/2703139.

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Sansal, Boualem. "A nightmare with a happy ending." Index on Censorship 42, no. 1 (2013): 94–97. http://dx.doi.org/10.1177/0306422013478058.

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Fuller, Steve. "Can knowledge have a happy ending?" Social Epistemology 12, no. 1 (1998): 89–94. http://dx.doi.org/10.1080/02691729808578866.

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Prin, Jeanne. "Letʼs Hope for a Happy Ending". Plastic Surgical Nursing 16, № 3 (1996): 127. http://dx.doi.org/10.1097/00006527-199601630-00001.

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Prin, Jeanne. "Letʼs Hope for a Happy Ending". Plastic Surgical Nursing 16, № 3 (1996): 127. http://dx.doi.org/10.1097/00006527-199623000-00001.

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Mittal, Lipi, and Mayank Sharma. "Petaloid Cataract with a Happy Ending." Delhi Journal of Ophthalmology 34, no. 4 (2024): 333. https://doi.org/10.4103/dljo.dljo_149_24.

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Cataracts can develop in an individual as a consequence of both blunt and penetrating injuries. The majority of the traumatic cataracts are visually significant and require intervention in terms of ocular surgery. We describe a case of a young individual presenting to us with the unilateral diminution of vision post blunt trauma 5 years back with the classical petaloid or flowershaped cataract who underwent a phacoemulsification surgery and posterior intraocular lens implantation. Proper history and diagnosis with timely management play a key role in deciding the prognosis.

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HANNIGAN, TERENCE P. "Culture Shock with a Happy Ending." Journal of Counseling & Development 67, no. 2 (1988): 91. http://dx.doi.org/10.1002/j.1556-6676.1988.tb02035.x.

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Pauletto, Giada, Annacarmen Nilo, Sara Pez, et al. "Meningioma-Related Epilepsy: A Happy Ending?" Journal of Personalized Medicine 13, no. 7 (2023): 1124. http://dx.doi.org/10.3390/jpm13071124.

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(1) Background: More than one-third of patients with meningiomas experience at least one seizure during the course of their disease, and in the 20–50% of cases, seizure represents the onset symptom. After surgery, up to 30% of patients continue to have seizures, while others may experience them later; (2) Methods: The study analyzed retrospectively the risk factors for pre-operative seizures in a large cohort of 358 patients who underwent surgery for newly diagnosed brain meningioma; (3) Results: We identified age, peritumor edema, and location as risk factors for seizure at the onset. Patients with seizures differed from patients without seizures for the following characteristics: younger average age, lower pre-operative Karnofsky Performance Status (KPS), location on the convexity, lower Simpson Grade, lower incidence of pre-operative neurological deficits, and higher incidence of pre-operative peritumor edema. After 24 months, 88.2% of patients were classified as Engel class Ia, and no correlation with disease progression was observed; (4) Conclusions: Meningioma-related epilepsy has generally a positive outcome following surgery and it seems not to be linked to disease progression, even if further studies are needed.

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29

Purnell, David, and Jim Bowman. "“Happily ever after”." Narrative Inquiry 24, no. 1 (2014): 175–80. http://dx.doi.org/10.1075/ni.24.1.09pur.

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The domination of a happy narrative frame has gradually broadened to include different kinds of endings, but a positive resolution is still often expected. Do narratives need an optimistic ending? Do hopeful endings begin to loose their credibility? Should we buy into the Hollywood scripts presenting an ending that solves or completes the plot by the end of its telling? Endings point to a potential future, and culturally we have been conditioned to write this future optimistically. Not everything ends well, however. Sometimes, things just end. Narrative conclusions can be optimistic and have catharsis, but not end with a “happily ever after” (Purnell, 2013).

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Li, Huming. "An Elusive Happy Ending: The Complexities of Indian Courtesan Films." Asia Social Science Academy 8, no. 3 (2022): 39–52. http://dx.doi.org/10.51600/jass.2022.8.3.39.

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This paper examines the complexities of characters, narratives and aesthetics in the Indian courtesan film genre by analyzing three classic courtesan films: Pakeezah (dir. Kamal Amrohi, 1972), Umrao Jaan (dir. Muzaffar Ali, 1981), and its more recent remake Umrao Jaan (dir. J.P. Dutta, 2006). First, from the perspective of screen characters, the paper summarizes the necessary condition for a courtesan character to achieve a happy ending—the marriage between the heroine and the hero, and then illustrates the decisive factors and difficult process to fulfill this condition. Then, from the perspective of audiences, this paper explains the elusiveness of happy endings in courtesan films by analyzing the multiple relationships between audiences and screen characters and the differences within audiences. The paper also attempts to provide a glimpse of the Muslim nawabi culture, in which courtesan films are rooted, in order to help the readers to appreciate the cultural significance and myriad appeals of this distinctive subgenre of Indian cinema and Indian film art in general.

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31

Celestino Deleyto Alcalá. "'They Lived Happily Ever After': Ending Contemporary Romantic Comedy." Miscelánea: A Journal of English and American Studies 19 (December 31, 1998): 39–56. https://doi.org/10.26754/ojs_misc/mj.199811012.

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The ideology of romantic comedies has often been located in their attitude to the traditional happy ending: an unproblematic happy ending makes for a film that supports dominant discourses; a problematised one suggests attempts to transgress narrative and cultural conventions. In this essay, I attempt to escape from this inflexible binary logic and propose an analysis of the endings of contemporary romantic comedy which explores the texts' incorporation of cultural transformations and, more specifically, how the strategies of containment and closure negotiate new attitudes in the realm of romantic and sexual relationships in contemporary US American society. As part of a broader research on contemporary developments in romantic comedy, I sketch here five aspects of romantic relationships in which the endings of recent examples of the genre show awareness of social developments: the lonely romantic hero/-ine, the uneasiness about the durability of the couple, the nostalgia for a more innocent past, the impact of changing gender roles both socially and sexually, and the visibility of different gender permutations in intimate relationships.

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32

Pretnar, Mojca. "Decoding the causation of a happy ending." Tabula, no. 16 (November 29, 2019): 23–44. http://dx.doi.org/10.32728/tab.16.2019.2.

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This study addresses the question of causation in common human efforts to achieve and maintain happiness by attempting to gain insights into the causation of a happy ending in narratives, doing so through the investigation of an example of the metaphorical pursuit of happiness, as presented in the theme of pursuing immortality. It compares two versions of the same story that ends with the agent’s failure to achieve immortality, but the two stories have different outcome emotions: the Chinese legend “Du Zichun” 杜子春 ends with a tragic tone, while “Toshishun” 杜子春, as retold by Akutagawa, ends with a happy state of mind. A closer look into the information encoded in the three main elements of the narrative structure (the goal, the causal sequence and the agent of both stories) reveals some significant differences. The process of decoding the final causation is carried out first by a comparison of the image schemas underlying the goal; second, the numeric symbolism behind the causal sequences is examined; and third, the use of positive junctural and outcome emotions. The investigation reveals that the new story with a happy ending is a product of a shift in perspective.

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33

Haddon, Anthony. "A long story with a happy ending." Research in Drama Education: The Journal of Applied Theatre and Performance 11, no. 2 (2006): 185–99. http://dx.doi.org/10.1080/13569780600671062.

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34

Nair, Sashi. "Loss, Motherhood and the Queer ‘Happy Ending’." Journal of Language, Literature and Culture 66, no. 1 (2019): 46–58. http://dx.doi.org/10.1080/20512856.2019.1595476.

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35

Braden, Gordon. "Pride, Humility, and the Petrarchan Happy Ending." Spenser Studies 18, no. 1 (2003): 123–42. http://dx.doi.org/10.1086/spsv18p123.

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Avitzur, Orly. "A Tale from Katrina — A Happy Ending." Neurology Today 7, no. 12 (2007): 13. http://dx.doi.org/10.1097/01.nt.0000280843.55814.c7.

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Hoffman, Ginger A. "How Hyponarrativity May Hinder Antidepressants’ “Happy Ending”." Philosophy, Psychiatry, & Psychology 22, no. 4 (2015): 317–21. http://dx.doi.org/10.1353/ppp.2015.0050.

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Schwirck, Samantha. "Risky Business." Lighting Design + Application 47, no. 7 (2017): 37–41. https://doi.org/10.1177/036063251704700713.

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39

Akici, Murat, and Murat Cilekar. "Challenging treatment of hidradenitis suppurativa with happy ending." International Surgery Journal 6, no. 5 (2019): 1467. http://dx.doi.org/10.18203/2349-2902.isj20191868.

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Background: Hydradenitis supurativa (HS) is a chronic, recurrent and inflammatory disease which involves skin and subcutaneous fatty tissue. The aim of this study was to retrospectively evaluate the treatment results of 12 patients who were diagnosed as hidradenitis suppurativa with local or multiple site involvements in our clinic.Methods: Data of 12 patients with local or multiple site involvement, who had hidradenitis suppurativa surgery between January 2013 and January 2018 were evaluated retrospectively.Results: Twelve patients, who were male, were included in the study. The average age was 39.4 (25-56) years old. A total of 5 patients were with local and 7 patients were with multiple region involvements. 8 patients had axillary, 3 patients had genitalia, 4 patients had perianal and 7 patients had sacral region involvements. Two of 4 patients with perianal region had protective stomas. In total, 16 surgical procedures were performed to the patients. In 6 patients, some parts of wounds were primary closed and followed-up with secondary healing. Skin grafting was performed for the four of these patients in late period. In 4 patients, defects were closed with primary closure and with rotation flaps in 2 patients. No recurrence was observed among the patients. The average duration of follow-up was 32.5 months.Conclusions: The surgical treatment process of hidradenitis suppurativa, which is a chronic disease, is not more difficult and longer than its natural course. In recent years, complete recovery can be achieved with current surgical methods.

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McKeown, Sal. "Found! A happy ending to the tablet dilemma." Primary Teacher Update 2014, no. 33 (2014): 52–53. http://dx.doi.org/10.12968/prtu.2014.1.33.52.

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Rasberry, Vaughn. "History's Happy Ending: Bare Theory and the Novel." Novel 51, no. 2 (2018): 362–73. http://dx.doi.org/10.1215/00295132-6846210.

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42

Ferrari, Lucia, and Juan José Segura Fonseca. "Schwannoma of the Tongue With a Happy Ending." International Journal of Surgical Pathology 19, no. 4 (2011): 497–98. http://dx.doi.org/10.1177/1066896911413096.

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43

Ikle, Fred Charles. "Nuclear strategy: Can there be a happy ending?" Journal of Strategic Studies 9, no. 4 (1986): 43–55. http://dx.doi.org/10.1080/01402398608437277.

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Iklé, Fred Charles. "Nuclear Strategy: Can There Be a Happy Ending?" Foreign Affairs 63, no. 4 (1985): 810. http://dx.doi.org/10.2307/20042287.

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Amato, I. "HTS Film-Makers Look for a Happy Ending." Science 259, no. 5093 (1993): 307. http://dx.doi.org/10.1126/science.259.5093.307.

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Cotto, Cándida. "A Rare Happy Ending: Piñones Versus the Developers." NACLA Report on the Americas 40, no. 6 (2007): 32–34. http://dx.doi.org/10.1080/10714839.2007.11725386.

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47

Islam, Q. T., M. R. Siddiqui, M. A. Rahman, and S. S. Ahmed. "Happy ending of life-threatening upper GI bleeding." Case Reports 2011, no. 01 1 (2011): bcr0720114435. http://dx.doi.org/10.1136/bcr.07.2011.4435.

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48

Hofer, Matthias, and Werner Wirth. "It’s Right to Be Sad." Journal of Media Psychology 24, no. 2 (2012): 43–54. http://dx.doi.org/10.1027/1864-1105/a000061.

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Although sad films elicit states of sadness and cause onlookers to mourn beloved characters, these media offerings also lead to enjoyment. This paradoxical situation challenges both theoretical approaches and empirical studies in entertainment research. Based on an appraisal-theoretical framework, the present study examined the role of multiple appraisals of recipients’ sadness. It is argued that these so-called meta-appraisals are able to transform one’s sadness into a positive meta-emotion (i.e., enjoyment); this process is called valence transformation. Results of an experimental study (N = 149) showed that in cases of a sad film ending, participants experienced higher levels of sadness than they did in cases of a happy ending. Furthermore, given a sad ending, meta-appraisal processes were activated that mediated the relationship between sadness and enjoyment. If the film had a happy ending, however, there were no indirect effects. Results are discussed in the light of theoretical considerations.

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Brown, Steven, and Carmen Tu. "The shapes of stories: A “resonator” model of plot structure." Frontiers of Narrative Studies 6, no. 2 (2020): 259–88. http://dx.doi.org/10.1515/fns-2020-0016.

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Abstract Plots have been described as having shapes based on the changes in tension that occur across a story. We present here a model of plot shape that is predicated on the alternating rises and falls in the protagonist’s emotional state. The basic tenet of the model is that, once the emotional valence of the beginning and ending of a story has been specified, then the internal phases of the story are constrained to connect these endpoints by oscillating between emotional rises and falls in a wavelike manner. This makes plot structure akin to a musical resonator – such as a flute – which can only conduct sound waves of certain discrete shapes depending on the structure of the tube’s endpoints. Using this metaphor, we describe four fundamental plot-shapes based on a 2 x 2 crossing of the emotional valence of a story’s beginning (happy beginning vs. sad beginning) and ending (happy ending vs. sad ending).

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원영선. "The Ending Taken for “Wonder”: Providence, Comedy, and the Happy Ending in Twelfth Night." Shakespeare Review 45, no. 3 (2009): 449–70. http://dx.doi.org/10.17009/shakes.2009.45.3.006.

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Journal articles on the topic 'Happy ending'

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