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1

Haenfler, Ross. Straight edge: Clean-living youth, hardcore punk, and social change. Rutgers University Press, 2006.

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2

Straight edge: Clean-living youth, hardcore punk, and social change. Rutgers University Press, 2005.

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3

Hitchcock, H. Wiley. Music in the United States. Prentice-Hall, 1988.

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4

Büsser, Martin. If the kids are united--: On Punk zu Hardcore und zurück. 2nd ed. Dreieck-Verlag, 1995.

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5

Büsser, Martin. --if the kids are united--: Von Punk zu Hardcore und zurück. 3rd ed. [symbol for triangle]-Verlag Jens Neumann, 1996.

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6

Büsser, Martin. If the kids are united--: Von Punk zu Hardcore und zurück : update! Dreieck-Verlag, 1995.

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7

Kraaz, Sarah Mahler, ed. Music and War in the United States. Routledge, 2018. http://dx.doi.org/10.4324/9781315194981.

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8

Hitchcock, H. Wiley. Music in the United States: A historical introduction. 3rd ed. Prentice-Hall, 1988.

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9

Church music in the United States: 1760-1901. MorningStar Music Publishers, 2014.

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10

Negro slave songs in the United States. Carol Publishing Grpoup, 1990.

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11

Borroff, Edith. Music melting round: A history of music in the United States. Ardsley House, 1995.

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12

Borroff, Edith. Music melting round: A history of music in the United States. Ardsley House, 1995.

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13

Borroff, Edith. Music in Europe and the United States: A history. [s.n.], 1990.

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14

Borroff, Edith. Music in Europe and the United States: A history. 2nd ed. Ardsley House, 1990.

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15

White, Bozy. AFRS basic music library series. Joyce Record Club Publication, 1988.

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16

History of public school music in the United States. Music Educators National Conference, 1988.

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17

A, Keene James. A history of music education in the United States. 2nd ed. Glenbridge Pub., 2010.

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18

Shabazz, Julian L. D. The United States of America vs. hip-hop. United Bros. Pub. Co., 1992.

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19

Kay, Norton, ed. Normand Lockwood: His life and music. Scarecrow Press, 1993.

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20

Trunk music. Orion, 2009.

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21

Trunk music. Orion, 1997.

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22

United States. Farm Security Administration. Historical Section., ed. Hard luck blues: Roots music photographs from the Great Depression. University of Illinois Press, 2010.

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23

Heffley, Mike. The music of Anthony Braxton. Greenwood Press, 1996.

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24

Eilhys, England, ed. Steel my soldiers' hearts: The hopeless to hardcore transformation of 4th Battalion, 39th Infantry, United States Army, Vietnam. Rugged Land, 2002.

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25

Prince: Inside the music and the masks. St. Martin's Press, 2011.

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26

Libby, Van Cleve, ed. Composer's voices from Ives to Ellington: An oral history of American music. Yale University Press, 2005.

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27

Women composers and music technology in the United States: Crossing the line. Ashgate, 2005.

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28

Introducing American folk music: Ethnic and grassroot traditions in the United States. 2nd ed. McGraw-Hill, 2002.

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29

American Hardcore: A Tribal History. Feral House, 2010.

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30

(Editor), George Petros, ed. American Hardcore: A Tribal History. Feral House, 2001.

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31

Pearson, David. Rebel Music in the Triumphant Empire. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780197534885.001.0001.

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At the dawn of the 1990s, as the United States celebrated its victory in the Cold War and sole superpower status by waging war on Iraq and proclaiming democratic capitalism as the best possible society, the 1990s underground punk renaissance transformed the punk scene into a site of radical opposition to American empire. Nazi skinheads were ejected from the punk scene; apathetic attitudes were challenged; women, Latino, and LGBTQ participants asserted their identities and perspectives within punk; the scene debated the virtues of maintaining DIY purity versus venturing into the musical mainstr
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32

1943-, Koskoff Ellen, ed. The United States and Canada. Garland Pub., 2001.

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33

Koskoff, Ellen. Music Cultures in the United States. Routledge, 2005. http://dx.doi.org/10.4324/9780203997161.

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34

Music and War in the United States. Taylor & Francis Group, 2018.

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35

Allen, William Francis, Charles Pickard Ware, and Lucy McKim Garrison. Slave Songs of the United States. Pelican Publishing Company, 1998.

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36

Heffley. Music of Anthony Braxton. Taylor & Francis Group, 2016.

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37

Ronald, Simeone, Abt Associates. Drug Policy Research Group., and United States. Office of National Drug Control Policy. Office of Programs, Budget, Research, and Evaluation., eds. A plan for estimating the number of "hardcore" drug users in the United States. Executive Office of the President, Office of National Drug Control Policy, Office of Programs, Budget, Research, and Evaluation, 1997.

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38

Slave Songs of the United States. Cosimo Classics, 2010.

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39

Ware, Charles Pickard, Lucy McKim Garrison, and William Francis Allen. Slave Songs of the United States. University of North Carolina Press, 2011.

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40

Slave Songs of the United States. University of North Carolina Press, 2011.

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41

Ware, Charles Pickard, Lucy McKim Garrison, and William Francis Allen. Slave Songs of the United States. CreateSpace Independent Publishing Platform, 2015.

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42

Donald, Varella, ed. The United States bicentennial collection of bagpipe music. 2nd ed. Piping Press, 1990.

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43

Hitchcock, Hugh Wiley. Music in the United States: A Historical Introduction. 3rd ed. Prentice Hall College Div, 1987.

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44

Hitchcock, Hugh Wiley. Music in the United States: A Historical Introduction. Prentice Hall College Div, 1987.

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45

Gates, J. Terry. Music Education in the United States: Contemporary Issues. University Alabama Press, 2005.

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46

Music Cultures in the United States: An Introduction. Routledge, 2004.

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47

R, Macleod Peter, ed. The United States bicentennial collection of bagpipe music. 2nd ed. Piping Press, 1990.

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48

Hitchcock, H. Wiley. Music in the United States: A historical introduction. 1988.

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49

Terry, Gates J., and Alabama Project: Music, Society, and Education in America., eds. Music education in the United States: Contemporary issues. University of Alabama Press, 1988.

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50

Sharp, Avery T., and James Michael Floyd. Church and Worship Music in the United States. Taylor & Francis Group, 2020.

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