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Dissertations / Theses on the topic 'Harki'

Author: Grafiati

Published: 4 June 2021

Last updated: 8 June 2024

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1

Sims, Laura Jeanne Reid Donald M. "Contested terrain Harki collective memory in France 2003-2008 /." Chapel Hill, N.C. : University of North Carolina at Chapel Hill, 2009. http://dc.lib.unc.edu/u?/etd,2185.

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Thesis (M.A.)--University of North Carolina at Chapel Hill, 2009.
Title from electronic title page (viewed Jun. 26, 2009). "... in partial fulfillment of the requirements for the degree of Master of Arts in the Department of History." Discipline: History; Department/School: History.

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2

Eldridge, Claire. "The mobilisation and transmission of memories within the Pied-Noir and Harki communities, 1962-2007." Thesis, University of St Andrews, 2010. http://hdl.handle.net/10023/903.

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Focusing on the legacies of the Algerian War of Independence (1954-62), this thesis challenges the perception that this was the ‘war without a name’ by exploring the ways in which memories have been preserved, mobilised, and transmitted by those who experienced the conflict, but who have generally operated under the radar of public consciousness. In particular, it examines the pieds-noirs, the former European settlers of Algeria, and the harkis, Algerians who fought for the French as auxiliaries during the war. Finding their lives in Algeria untenable upon independence, both populations migrated en masse to France where they have organised collectively as diaspora communities to challenge the hegemony of official narratives in order to legitimate their own interpretations of this contentious past. The purpose of such an investigation is to re-evaluate the conventional historical periodisation of a ‘forgotten’ war that made a dramatic return to public attention during the 1990s by revealing a continual presence of memory and commemorative activity within these communities. Through consultation of a wide range of sources, including extensive use of previously neglected audiovisual material, the historical recollections of these two communities are reconstructed in detail and examined from a comparative perspective. This thesis also seeks to analyse and historicize the present guerres de mémoire phenomenon whereby as the public profile of the war has risen in recent years, the different historical interpretations held by groups such as the pieds-noirs and harkis have increasingly come into open conflict, particularly over the issue of commemoration with each seeking to see their version of the past enshrined in official rituals and monuments. Finally, the thesis offers new historical context intended to contribute to enhancing understanding of the ongoing process by which France continues to ‘face up’ to its colonial past and deal with the complex contemporary legacies of this era.

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3

Brillet, Emmanuel. "Mémoire, identité et dynamique des générations au sein et autour de la communauté harkie : une analyse des logiques sociales et politiques de la stigmatisation." Phd thesis, Université Paris Dauphine - Paris IX, 2007. http://tel.archives-ouvertes.fr/tel-00581640.

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Cette thèse s'intéresse à la manière dont - depuis près d'un demi-siècle et jusqu'à aujourd'hui - sont considérés et, surtout, déconsidérés les anciens harkis et leurs enfants, en France et en Algérie. Notre dessein sera de faire la part des influences sociales et politiques, tant routinières (dans les interactions de la vie quotidienne) qu'institutionnalisées (dans toutes les sphères d'autorité : politiques, savantes ou militantes) qui, d'une manière ou d'une autre, ont contribué et contribuent à nourrir ce processus d'indexation sociale. Symétriquement, il s'agira de considérer la manière dont les intéressés "font avec" cette charge symbolique (ce "stigmate"), ici et maintenant, en France, et, ce, tant sur les plans individuel et collectif qu'au regard de la succession des générations. Une perspective à la fois diachronique et synchronique donc, qui vise à délinéer ce que nous appellerons la "sociodynamique de la stigmatisation" au sein et autour de la communauté harkie.

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Eldridge, Claire. "The mobilisation and transmission of memories within the Pied-Noir and Harki communities, 1962-2007 /." St Andrews, 2009. http://hdl.handle.net/10023/903.

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5

Mayeux, Isabelle. "Le sentiment Harki d'appartenance collective : perspectives sociologiques et psychanalytiques de l'ethnicité et de ses enjeux." Paris, EHESS, 2003. http://www.theses.fr/2003EHES0119.

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Suite à un travail de terrain réalisé auprès de Harkis en France et en Allemagne, nous sommes passés d'une analyse de l'ethnicité en terme de traits sociaux culturellement différenciateurs à l'examen de la référence généalogique dans la constrution du sentiment d'appartenance collective. Notre étude de la reconstruction de l'histoire personnelle et collective met en évidence les enjeux des pratiques collectives et du refoulement dans la construction identitaire et culturelle. La référence généalogique est apparue pour être un matériel culturel. Elle agit comme mécanisme de défense contre l'expression directe des pulsions fratricides, pulsions à la fois fondatrices et destructrices de lien social. Ces constats nous amènent à poser l'ethinicté pour être la résultante de processus d'identification collectifs et psychiques issus de pulsions de vie et de pulsions de mort fraticides plus ou moins efficacement refoulées par les sociétés et les sujets
Following a grass-roots study of Harkis in France and Germany, we present readjustments to pre-existing theoretical models concerning ethinicity, exile and the ambivalent feelings stemming from colonization. The fact that offspring of Algerian parents joined the French army during the Algerian war all themselves Harkis enables several generations to identify with the name and all that it represents. Reference to the past generation is a requisite for membership of the harki community and the latter acts as a regulator of instinctual forces. Both the individual and society on a whole subconsciously oscillate between botherly love and murderous sibling impulses. Ethnicity constituted through collective identity works as a defence mechanism, muffhing outright instinctual forces and enabling the development of a social belonging as the individual identity

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6

Besnaci-Lancou, Fatima. "Les missions du Comité international de la Croix-Rouge (CICR) pendant la guerre d'Algérie et ses suites (1955-1963) en Algérie, au Maroc et en Tunisie." Thesis, Paris 4, 2016. http://www.theses.fr/2016PA040229.

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Cette thèse porte sur les missions du Comité international de la Croix Rouge (CICR) pendant la guerre d’Algérie et ses suites. Le CICR intervient, d’une part, dans le cadre de guerres opposant des États et, d’autre part, en cas de conflit armé non international afin de tenter d’assurer le respect des règles humanitaires. Au cours des « évènements » algériens, les arrestations massives de membres et militants du Front de libération nationale (FLN) finissent par saturer les prisons et contribuent à la création de centres d’assignation. Par ailleurs, dès l’indépendance de l’Algérie, des milliers de supplétifs de l’armée française sont internés dans des camps, puis incarcérés pour nombre d’entre eux. L’objectif de ce travail doctoral est l’étude des principales initiatives entreprises par le CICR afin de faire appliquer quelques règles du droit humanitaire aux personnes concernées, pendant les sept années et demi de guérilla et après l’indépendance algérienne. Il est essentiellement question de prisons et de camps d’internement où les délégués contrôlent les conditions matérielles, le traitement et la discipline appliqués aux nationalistes et, plus tard, aux Européens pro-Algérie française arrêtés à partir du début de l’année 1961 ainsi qu’aux anciens supplétifs, de février à août 1963. Il s’agit également d’actions mises en place par le CICR afin d’accéder aux prisonniers français aux mains du FLN. Ce travail aborde également, dans une moindre mesure, diverses actions d’aide humanitaire en direction des populations réfugiées au Maroc ou en Tunisie et des personnes déplacées puis reléguées par l’armée française dans des camps de regroupement
This thesis examines the missions of the International Committee of the Red Cross (ICRC) during the Algerian War and its aftermath. The ICRC intervenes both in wars between states and in non-international armed conflicts, in an attempt to ensure the respect of humanitarian rules. During the “events” in Algeria, mass arrests of members and militants of the FLN (Algerian National Liberation Front) led to overcrowding in the prisons and was a factor in the establishment of internment camps. Immediately after independence, thousands of Muslim auxiliaries in the French army were interned in camps; many were subsequently imprisoned. This study looks at the main initiatives taken by the ICRC to ensure that the rules of humanitarian law were applied to the people involved during the seven and a half year of guerrilla warfare and after Algeria’s independence. It focuses on prisons and internment camps in which its delegates inspected material conditions and the treatment and discipline applied to nationalists and, later, to Europeans known to be pro French Algeria, who were arrested from the beginning of 1961, and former auxiliaries, interned between February and August 1963. It also examines initiatives taken by the ICRC to gain access to French prisoners in the hands of the FLN and, to a lesser degree, various humanitarian actions to help refugees in Morocco and Tunisia as well as people forcibly displaced by the French army and grouped together in camps

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7

Kakoi, Naoko. "Representation of war and history in Murakami Haruki's The wind-up bird chronicle." Click to view the E-thesis via HKUTO, 2007. http://sunzi.lib.hku.hk/hkuto/record/B38682783.

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8

Rice, Martha Emma. "Murakami Haruki: the problem of genre." The Ohio State University, 1995. http://rave.ohiolink.edu/etdc/view?acc_num=osu1346257976.

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9

Chen, Feng [Verfasser], Hardi [Akademischer Betreuer] Peter, and Ansgar [Akademischer Betreuer] Reiners. "Coronal dynamics driven by magnetic flux emergence / Feng Chen. Betreuer: Hardi Peter. Gutachter: Hardi Peter ; Ansgar Reiners." Göttingen : Niedersächsische Staats- und Universitätsbibliothek Göttingen, 2015. http://d-nb.info/1078774242/34.

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10

Paulsrud, Ludvig. "Watashi wo aishite – älska mig : En lacaninspirerad läsning av Haruki Murakamis Sputnik Sweetheart." Thesis, Uppsala universitet, Litteraturvetenskapliga institutionen, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-181175.

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11

楊詠賢 and Wing-yin Virginia Yeung. "Time in the novels of Murakami Haruki." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2010. http://hub.hku.hk/bib/B45697218.

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12

Salagnon, Benjamin. "L'intertextualité dans l'oeuvre romanesque de Murakami Haruki." Thesis, Lyon 3, 2012. http://www.theses.fr/2012LYO30034.

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Murakami Haruki est probablement l'auteur le plus célèbre et le plus largement traduit de sa génération. Ce succès mondial, que la critique a parfois pu expliquer par l'occidentalisation de l'auteur, nous semble plutôt reposer sur une utilisation habile de l'intertextualité. Notre étude, après une présentation générale de la notion d'intertextualité, s'attache à déterminer les divers mouvements intertextuels chez l'auteur ; d'abord, en s'intéressant à l'intertextualité externe, qu'elle intervienne au plan microstructural, avec la référence et la citation, ou macrostructural, avec le pastiche et la parodie. Ensuite, en revenant sur l'intertextualité interne, également appelée intratextualité, si prégnante chez Murakami et qui structure son œuvre en réseau d'univers labiles. Nous verrons enfin que cette intertextualité massive pose question tant du point de vue critique, avec la problématique de la postmodernité, que du point de vue du lecteur, avec celle de la réception
Murakami Haruki is often said to be one of the most famous and most widely translated Japanese authors of his generation. This worldwide success, which have sometimes been explained by critics regarding the author's occidentalization, is, for us, rather based on a clever use of intertextuality. Our study, after a general presentation of the notion of intertextuality, sets out to determine the various intertextual movements in the author's works. First, by analyzing external intertextuality, whether it occurs on a microstructural (with references and quotations) or macrostructural plan (with the use of pastiche and parody). Then, by analyzing internal intertextuality (also called intratextuality), which structures his works in a labile worlds' network. We will finally see that this massive intertextuality is an important issue both for critical (with the question of postmodernity) and reader's (with the question of reception of the works) points of view

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13

Khemache-Girard, Katia. "La relation entre les pouvoirs publics français et la population harkie lot-et-garonnaise de 1962 à nos jours : regards sur des pratiques administratives postcoloniales." Thesis, Toulouse 2, 2014. http://www.theses.fr/2014TOU20023/document.

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En France, l’expression de "deuxième génération" de Harkis renvoie à une réalité sociologique et historique pour le moins surprenante, car un statut administratif serait devenu une caractéristique héréditaire. Le fil d’Ariane de cette étude est la transmission d'une identité. Cette transmission se traduit publiquement par les associations dont les membres s’engagent dans un conflit latent avec les pouvoirs publics. Ainsi, la relation entre les pouvoirs publics français et la population harkie de 1962 à nos jours constitue l'épine dorsale de notre recherche. Après une présentation des débats historiographiques, la gestion étatique de cette population, ses effets matériels et symboliques sont examinés à l’échelle départementale. Le terrain d’investigation choisi est le Lot-et-Garonne, où se situent le Centre d'Accueil des Rapatriés d'Algérie à Bias, et le Centre d’Accueil des Français d’Indochine sur la commune voisine de Sainte-Livrade. Leur approche comparative aide à l’analyse du traitement par l'Etat de cette question sociopolitique dans une France fraîchement décolonisée. L’administration des familles harkies lot-et-garonnaises s’articule autour de trois phases : 1- de 1962 jusqu’au milieu des années 1970, celle-ci se caractérise par une certaine improvisation et une gestion de l’urgence ; 2 - la première révolte de 1975 ouvre la seconde période marquée par le passage d’une question coloniale à une question d’immigration avec une réelle recherche de solutions ; 3 - la rébellion de 1991 inaugure la troisième phase durant laquelle les dirigeants instaurent une politique basée sur un accompagnement social renforcé et une réparation historique. Ce dispositif entérine la double étiquette de la population harkie qui forme une communauté socio-historique singulière
In France, the expression “second generation” of Harkis is a surprising sociological and historical reality, because an administrative status would become a hereditary characteristic. The main theme of this study is the transmission of an identity. This transmission is publicly conveyed by the associations whose members are in conflict with the authorities. Thus, the relation between the French authorities and the Harki population from1962 to nowadays composes the backbone of our research. After a presentation of the historiographical debates, the management by the French State of this population, its material and symbolic effects are examined on a departmental scale. The chosen place of investigation is Lot-et-Garonne, where the Reception Center for the Repatriated Settlers from Algeria in Bias (or CARA) and the Reception Center for the French people of Indochina on the nearby municipality of Sainte-Livrade (or CAFI) are located. Their comparative approach helps in the analysis of the treatment by the State of this sociopolitical question in newly decolonized France. The management of Harki families in Lot-et-Garonne can be studied according to three periods: 1 - from 1962 until the middle of the 1970’ this management is characterized by a certain improvisation and a sense of urgency; 2 - the first revolt of 1975 opens the second period which is marked by the passage from a colonial question to a question of immigration with a real research of solutions; 3 - the rebellion of 1991 inaugurates the third phase in the course of which the leaders establish a policy based on an intensified social accompaniment and a historic repair. This plan confirms the double label of the Harki population which forms a singular socio-historical community

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14

Barczynski, Krzysztof [Verfasser], Hardi [Akademischer Betreuer] [Gutachter] Peter, and Stefan [Gutachter] Dreizler. "Small-scale structures in the upper atmosphere of the Sun / Krzysztof Barczynski ; Gutachter: Hardi Peter, Stefan Dreizler ; Betreuer: Hardi Peter." Göttingen : Niedersächsische Staats- und Universitätsbibliothek Göttingen, 2017. http://d-nb.info/1135487685/34.

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15

Dil, Jonathan. "Murakami Haruki and the search for self-therapy." Thesis, University of Canterbury. Languages and Cultures, 2008. http://hdl.handle.net/10092/1004.

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This thesis offers a reading of the first eleven novels of popular Japanese novelist Murakami Haruki, as well as a selected number of his short-stories and non-fictional works, as an evolving therapeutic discourse. In short, it is a response to Murakami's own claim to have started writing fiction as a means of self-therapy. Murakami, I will argue, is primarily responding to existential anxieties that have been magnified by conditions of cultural decline in late-capitalist Japan. His resulting therapeutic discourse shares interesting parallels with certain psychoanalytic theories of the twentieth century. Previous psychoanalytic readings of Murakami's work have tended to take either the writings of Carl Jung or Jacques Lacan as their starting point. This thesis will argue, however, that both theoretical frameworks are needed if one is to truly understand where Murakami is coming from. This kind of therapeutic reading might seem to justify those critics who see only the escapist elements in Murakami's fiction and who fault him for failing to engage fully with the important political and social issues of his day. In fact, a therapeutic reading, I will argue, is the best way to see how closely related Murakami's search for self-therapy and his growing search for commitment really are.

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16

Chan, Kam-fai, and 陳錦輝. "Disappearing in Japan: a study of Murakami Haruki." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2004. http://hub.hku.hk/bib/B29792988.

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17

Zuromski, Jacquelyn. "GETTING TO THE PULP OF HARUKI MURAKAMI'SNORWEGIAN WOOD:TRANSLATABILITY." Master's thesis, University of Central Florida, 2004. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/3163.

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Haruki Murakami's Norwegian Wood (1987) veers from his favored detective-fiction genre by offering readers a 1960s coming-of-age romance, a story whose plot nonetheless spins around the protagonist seeking out his personal identity. The conflicts between Japanese tradition and modern, global perspectives are illustrated through the inclusion of popular culture elements such as music, literature and films. This thesis seeks to show how the novel's references to popular culture of the 1960s combine to help the protagonist establish an identity for himself as well as his place within the universal community. First, though, the project explores the impact of the translatability issues that arise with each of the novel's two English translations, variations dictated by the needs of differing audiences. The introduction provides an overview of the study, as well as historical background pertinent to the understanding of the Sixties-era popular culture iconography privileged by Murakami. My methodology favors a cultural studies approach and utilizes reader response and reception theories. Separate chapters then compare specifics between the two translations and examine the functionality and significance of music, literature and film within the novel. The conclusion justifies the subsequent deviations between the translations and argues for the necessity and value of both English versions, but claims Rubin's as the definitive English translation. Likewise, the study of the novel's many popular culture references exemplifies the roles that music, books, and film play in the creation of the protagonist's individual identity in Norwegian Wood while simultaneously illustrating the effectiveness of using globally recognizable media as a bridge between cultures.
M.A.
Department of English
Arts and Sciences
English

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18

Seats, Michael Robert. "Murakami Haruki: The simulacrum in contemporary Japanese culture." Thesis, Seats, Michael Robert (2002) Murakami Haruki: The simulacrum in contemporary Japanese culture. PhD thesis, Murdoch University, 2002. https://researchrepository.murdoch.edu.au/id/eprint/52973/.

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Over the past few decades Murakami Haruki has emerged as one of the most significant literary figures in Japan. Having produced some 86 original works and translations, he has recast the format of the novel, reformulated the parameters of contemporary literary style, and ventured into non-fiction writing and social commentary. He is now a thoroughly 'globalized' writer, with works translated into ten languages. While much of the critical literature on Murakami in Japanese has recently become more sophisticated, critiques in English have remained largely bound to the conventional analyses applied to earlier forms of modem Japanese fiction. In particular, the nexus in Murakami's writing between modernity, subjectivity and representation has been poorly theorized. This thesis offers a new approach to dealing with Murakami's radical narrative project, by demonstrating how his first and later trilogies utilize the structure of the simulacrum, a second-order representation, to develop a critique of contemporary Japanese culture. After outlining the critical-fictional contours of the 'Murakami Phenomenon', the discussion will address the vexed question of Japanese modernity within the context of the national-cultural imaginary, globalized artistic discourses, and the idea of the Japanese novel. Some competing perspectives on the theory of the simulacrum will then be presented as a way of demonstrating the wide applicability of a syncretic model of the simulacrum. Murakami's first trilogy is analyzed in terms of its use of the tropes of parody, pastiche, metafiction, allegory and 'landscape' - all of which are shown to be modalities of the simulacrum. Indicating a tentative 'return' of the referent, the second and much later trilogy is investigated in terms of the way in which it uses the structure of the simulacrum to problematize the distinction between the discourses of 'fiction' and 'history' via the aesthetic modalities of the sublime. The thesis concludes by demonstrating that within the context of current media-entertainment technologies and the competing discursive regimes of contemporary Japanese culture, Murakami's destabilization of hitherto clearly defined genres of writing is also indicative of a new politics of representation, the limits of which have only just begun to emerge.

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Falkenhausen, Philipp Friedrich Freiherr von [Verfasser], Tobias [Akademischer Betreuer] Harks, Rolf H. [Akademischer Betreuer] Möhring, and Britta [Akademischer Betreuer] Peis. "Designing mechanisms for good equilibria / Philipp Friedrich Freiherr von Falkenhausen. Gutachter: Tobias Harks ; Rolf H. Möhring ; Britta Peis. Betreuer: Tobias Harks." Berlin : Technische Universität Berlin, 2014. http://d-nb.info/1066546614/34.

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Falkenhausen, Philipp Friedrich Freiherr von Verfasser], Tobias [Akademischer Betreuer] Harks, Rolf H. [Akademischer Betreuer] Möhring, and Britta [Akademischer Betreuer] [Peis. "Designing mechanisms for good equilibria / Philipp Friedrich Freiherr von Falkenhausen. Gutachter: Tobias Harks ; Rolf H. Möhring ; Britta Peis. Betreuer: Tobias Harks." Berlin : Technische Universität Berlin, 2014. http://nbn-resolving.de/urn:nbn:de:kobv:83-opus4-53394.

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21

Strecher, Matthew Carl. "Hidden texts and nostalgic images : the serious social critique of Murakami Haruki /." Thesis, Connect to this title online; UW restricted, 1995. http://hdl.handle.net/1773/11134.

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Hari, Sadu. "Physico-chemical characteristics of shrimp feeds compounded from a few fermented feed ingredients." Thesis, Central Marine Fisheries Research Institute, 2000. http://eprints.cmfri.org.in/11065/1/Hari%20Sadu.pdf.

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In the recent years, there has been a rapid development in the field of fisheries especially with reference to aquaculture. India has vast fisheries resources with a total EEZ (Exclusive Economic Zone) of 2.02 million square kilometers and a coastline of 8047 kilometers. The total riverine length is above 29,000 square kilometers. The lentic water bodies include lakes, ponds, tanks, reservoirs, bheels, bans, jheels,etc,which are estimated to be nearly 1.29 lakh hectares in area. The rivers upon joining the sea form large areas of brackish water estuaries. The area suitable for brackishwater fish farming is around 2 million hectares. These form a tremendous resource for fisheries in the country. The marine environment produces around 2.6 million tonnes of fish, comprised of different variety of fishes, crustaceans and mollusks. The inland water resources produce around 2.3 million tonne of fish. Eventhough the current inland production lags behind the marine production there has been a tremendous increase in the annual growth rate primarily due to aquaculture.

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23

Harke, Jan Dirk [Verfasser]. "Argumenta Iuventiana. : Entscheidungsbegründungen eines hochklassischen Juristen / Jan Dirk Harke." Berlin : Duncker & Humblot, 2018. http://d-nb.info/1238286933/34.

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Wettum, Tijmen van [Verfasser], Hardi [Akademischer Betreuer] Peter, and Jens [Akademischer Betreuer] Niemeyer. "The response of the corona to different spatial distributions of heat input / Tijmen van Wettum. Gutachter: Hardi Peter ; Jens Niemeyer. Betreuer: Hardi Peter." Göttingen : Niedersächsische Staats- und Universitätsbibliothek Göttingen, 2014. http://d-nb.info/1049825780/34.

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Hamoumou, Mohand. "Les Français-musulmans rapatriés : archéologie d'un silence." Paris, EHESS, 1989. http://www.theses.fr/1989EHES0028.

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Cette these vise a presenter les francais-musulmans rapatries, c'est-a-dire les musulmans d'algerie qui sont venus en france apres l'independance de l'algerie, fuyant les represailles du f. L. N. Qui leur reprochait leurs sentiments ou leurs comportements profrancais durant la guerre. Dans cette perspective, ce travail recherche les racines de l'oubli des francais-musulmans rapatries, absents de la recherche, des medias ou de la vie politique depuis plus de trente ans. Il revele l'heterogeneite de cette population composee d'une elite francisee (officiers, elus, caids) au service de la france et de suppletifs, paysans engages par l'armee contre le f. L. N. (harkis, mokraznis. . . ) cette heterogeneite et l'accusation de "traitres" par le f. L. N. Expliquent en partie leur silence. Cette recherche analyse ensuite l'occultation de l'histoire des francais-musulmans par la france et l'algerie. Ce refoulement est du a la volonte de ne pas fissurer des mythes nationaux et de rappeler les responsabilites algeriennes et francaises dans les massacres qui ont suivi l'independance
This thesis aims to present the algerian muslims who had left algeria after the war in 1962 because they were against the f. L. N. During the war. It tells about the low emergence of a muslim elite at the service of france, officers, civil servants, caids (native chiefs) and malies an analyse of the motivations of muslims recruited by the french army. Finally, this research examines why french-muslims are unable to become a political force and why they are unable to tell they history. It shows that their involvement with the french army rarely resulted from an ideological choice. This thesis also deals with the repression of their history by france and algeria; this history has been repressed because it was breaking up national myths and because both france and algeria want to forget the blood bath which happened after independance : more than 100 000 "harkis" were killed

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26

Akins, Midori Tanaka. "Time and space reconsidered : the literary landscape of Murakami Haruki." Thesis, SOAS, University of London, 2012. http://eprints.soas.ac.uk/15631/.

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27

Ward, Peter Joseph. "Animals in the Fiction of John Irving and Haruki Murakami." Thesis, University of Canterbury. Humanities, 2012. http://hdl.handle.net/10092/7544.

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This thesis examines animals in the fiction of John Irving and Haruki Murakami, two authors who have much in common, contemporaries whose work is both commercially successful and regarded as literary. Different in that Irving works within a traditional realist framework while Murakami delves into the magical, each includes animals in his fiction. They employ anthropomorphism and zoomorphism in a variety of ways and demonstrate how animals, as Claude Levi-Strauss puts it, are “good to think with”. I draw on the work of Erica Fudge in an overview of thinking with animals and examine the role of anthropomorphism and how it complements animal advocacy and liberationism in Irving’s Setting Free the Bears. I compare and contrast anthropomorphism and zoomorphism in The Hotel New Hampshire. In doing this, I complicate and challenge Wendy Doniger’s assertion that “sexuality makes humans into animals; language makes animals into humans”. This also applies to Murakami’s animals, who have further roles including enabling engagement with a magical dimension. I argue that, as instantiated in both writers’ fiction, animals evoke thought effectively largely because they are, as John Berger puts it, “both like and unlike”, and as Fudge identifies, that the “paradox of like and not like…exists in our fascination with animals”. My argument is that it is this very paradox, that they are simultaneously both “them” and “us”, along with other factors, such as the diversity, versatility and the inherent ambiguity of animals, that renders them fascinating. Furthermore, Murakami’s magically real animals link conceptual realms that are conventionally separate and facilitate criticism and challenging of conventional human hegemonic structures while operating outside national and cultural boundaries. In summary, Irving’s and Murakami’s animals are good to think with for many reasons, not despite their enigmatic furry ambiguity, but largely because of it.

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Bates, David Christopher. "Religion and the sacred in the works of Haruki Murakami." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2013. http://hdl.handle.net/10722/192981.

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This dissertation demonstrates how the Japanese novelist Haruki Murakami infuses religious concepts and sacred motifs into his works, generally through surreal events and otherworldly encounters that defy purely realist interpretations. The literary use of these images and themes encourage the author’s unique stylistic mood as well as subsequent magic realist readings, where everyday occurrences are interjected by providential asides and often overt references to the supernatural. This study of Murakami also helps to demonstrate how his postmodern works might be viewed in light of widely accepted narratives from varying religions. Certain trends are established in Murakami, especially via themes like isolation and loneliness, which help replace the traditional search for God with an internal quest for meaning through investigations of identity. This is especially accomplished using the Japanese I-Novel form. The addition of dreams and alternative realities, another common topic, represent other worlds in his fiction that mask Heaven and Hell. The sacred is also habitually linked with the profane and cultish behaviour, casting traditional religious concepts in a negative light. Throughout his career, Murakami has often incorporated a range of ideas from all manner of religious systems, specifically Buddhism, Christianity, and folk mythology. This dissertation, then, addresses a range of critical views on Murakami's fiction, especially considering thematic shifts in later works like 1Q84, which feature concepts of religion and the sacred in a more blatant way.
published_or_final_version
English Studies
Master
Master of Arts

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Gladding, Kevin. "NEGOTIATING PLACE: MULTISCAPES AND NEGOTIATION IN HARUKI MURAKAMI'S NORWEGIAN WOOD." Master's thesis, University of Central Florida, 2005. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/4057.

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In Murakami's Norwegian Wood, romance and coming-of-age confront the growing trend of postmodernity that leads to a discontinuity of life becoming more and more common in post-war Japan. As the narrator struggles through a monotonous daily existence, the text gives the reader access to the narrator's struggle for self- and societal identity. In the end, he finds his means of self-acceptance through escape, and his escape is a product of his attempts at negotiating the multiple settings or "scapes" in which he finds himself. The thesis follows the narrator through his navigation of these scapes and seeks to examine the different way that each of these scapes enables him to attempt to negotiate his role in an indifferent and increasingly consumerist society. The Introduction discusses my overview of the project, gives specifics about Murakami's life and critical reception and outlines my particular methodology. In the overview section, I address the cultural and societal tensions and changes that have occurred since the Second World War. Following this section, I provide a brief critical history of Murakami's texts, displaying not only his popularity, but also the multiple disagreements that arise over the Japanese-ness of his work. In my methodology section, I plot my eco-critical, eco-feminist, eco-psychological and deconstructive procedure for dissecting Murakami's text. The subsequent chapters perform a close reading of Murakami's text, outlining the different scapes and their attempts at establishing identity. Within these chapters, I have utilized subheadings as I felt they were needed to mark a change not on theme, but on character and emphasis. My conclusion reasserts my initial argument and further establishes the multiscapes as crucial negotiations, the price and product of which is self-identity.
M.A.
Department of English
Arts and Sciences
English

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Grillo, Alessandra <1989&gt. "L'amore e altri inganni: Samsa in love di Murakami Haruki." Master's Degree Thesis, Università Ca' Foscari Venezia, 2014. http://hdl.handle.net/10579/4013.

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Bourdin, Philippe-André [Verfasser], Hardi [Akademischer Betreuer] Peter, and Wolfgang [Akademischer Betreuer] Glatzel. "Observationally driven 3D MHD model of the solar corona above a magnetically active region / Philippe-André Bourdin. Gutachter: Hardi Peter ; Wolfgang Glatzel. Betreuer: Hardi Peter." Göttingen : Niedersächsische Staats- und Universitätsbibliothek Göttingen, 2014. http://d-nb.info/1054191670/34.

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Sutherland, Nina Alice. "The representations of the Harkis in French media, literature and cinema." Thesis, University of Exeter, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.430575.

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Härkki-Sirén, Päivi. "Laparoscopic hysterectomy : outcome and complications in Finland." Helsinki : University of Helsinki, 1999. http://ethesis.helsinki.fi/julkaisut/laa/naist/vk/harkki-siren/.

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Besnaci-Lancou, Fatima. "Les missions du Comité international de la Croix-Rouge (CICR) pendant la guerre d'Algérie et ses suites (1955-1963) en Algérie, au Maroc et en Tunisie." Electronic Thesis or Diss., Paris 4, 2016. http://www.theses.fr/2016PA040229.

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Cette thèse porte sur les missions du Comité international de la Croix Rouge (CICR) pendant la guerre d’Algérie et ses suites. Le CICR intervient, d’une part, dans le cadre de guerres opposant des États et, d’autre part, en cas de conflit armé non international afin de tenter d’assurer le respect des règles humanitaires. Au cours des « évènements » algériens, les arrestations massives de membres et militants du Front de libération nationale (FLN) finissent par saturer les prisons et contribuent à la création de centres d’assignation. Par ailleurs, dès l’indépendance de l’Algérie, des milliers de supplétifs de l’armée française sont internés dans des camps, puis incarcérés pour nombre d’entre eux. L’objectif de ce travail doctoral est l’étude des principales initiatives entreprises par le CICR afin de faire appliquer quelques règles du droit humanitaire aux personnes concernées, pendant les sept années et demi de guérilla et après l’indépendance algérienne. Il est essentiellement question de prisons et de camps d’internement où les délégués contrôlent les conditions matérielles, le traitement et la discipline appliqués aux nationalistes et, plus tard, aux Européens pro-Algérie française arrêtés à partir du début de l’année 1961 ainsi qu’aux anciens supplétifs, de février à août 1963. Il s’agit également d’actions mises en place par le CICR afin d’accéder aux prisonniers français aux mains du FLN. Ce travail aborde également, dans une moindre mesure, diverses actions d’aide humanitaire en direction des populations réfugiées au Maroc ou en Tunisie et des personnes déplacées puis reléguées par l’armée française dans des camps de regroupement
This thesis examines the missions of the International Committee of the Red Cross (ICRC) during the Algerian War and its aftermath. The ICRC intervenes both in wars between states and in non-international armed conflicts, in an attempt to ensure the respect of humanitarian rules. During the “events” in Algeria, mass arrests of members and militants of the FLN (Algerian National Liberation Front) led to overcrowding in the prisons and was a factor in the establishment of internment camps. Immediately after independence, thousands of Muslim auxiliaries in the French army were interned in camps; many were subsequently imprisoned. This study looks at the main initiatives taken by the ICRC to ensure that the rules of humanitarian law were applied to the people involved during the seven and a half year of guerrilla warfare and after Algeria’s independence. It focuses on prisons and internment camps in which its delegates inspected material conditions and the treatment and discipline applied to nationalists and, later, to Europeans known to be pro French Algeria, who were arrested from the beginning of 1961, and former auxiliaries, interned between February and August 1963. It also examines initiatives taken by the ICRC to gain access to French prisoners in the hands of the FLN and, to a lesser degree, various humanitarian actions to help refugees in Morocco and Tunisia as well as people forcibly displaced by the French army and grouped together in camps

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Belkiter, Hanifa. "Conséquences de la guerre et de la paix sur l'intégration des harkis et de leurs familles : étude historico-sociologique." Montpellier 3, 1996. http://www.theses.fr/1996MON30069.

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Cette recherche s'articule autour de deux grands pivots : les harkis et la guerre d'algerie d'une part, les ex-harkis et leur famille dans l'apres-guerre d'algerie. La methode de recueil des donnees est la biographie de ex-harkis et de membres proches de leur famille. La premiere partie presente le conflit et les protagonistes. Son ambition vise a decrire l'histoire des harkis et leurs proches au moment de la guerre. Les donnees sont principalement historiques mais apportent aussi, dans une moindre mesure, le point de vue des interesses qui ont vecu ces evenements de telle facon qu'ils n'en avait aucun controle. La deuxieme partie etudie ce que sont devenus les suppletifs harkis et leurs famille aujourd'hui. Il s'agit de repondre en fait a la question de depart ainsi formulee : "quelles sont les consequences de la periode de guerre et de paix (1954-1975) sur l'integration des harkis en france ?" des reponses sont recherchees a partir de l'arrivee en metropole, autour de la famille, la nationalite, l'identite et la construction d'une communaute. L'exile definitif a du reconstruire son identite sociale alors que son identite juridique ne changeait theoriquement pas. L'integration a la societe d'accueil semble donc passer par l'integration a une communaute dont les racines plongent dans la guerre d'algerie
The investigation is hang round two big pivots : the harkis and the war of algeria on the one hand, the ex-harkis and their family after war on the other hand. The method to collection the information is the biography of persons concerned and members of their family. The first part wants to present the conflict and protagonists. His ambition aim at doing a description of the story of the harkis and the close relations when the war happen. The historical information take a big place but the persons concerned brings their point of view about events whom they would have no control. The second part studies what happened to this population when they arrived in metropolis and their integration to french society. The original question is : "what are the consequences of war and peace (1954-1975) on integration of the harkis and their family in france". The answers are search from family, nationality, identity and community construction. The definitive exile had to reconstruct a social identity while his legal identity is not really changed. The integration to the reception society must succeed if an integration to a community is developed

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Karashima, David James. "The translating, rewriting and reproducing of Haruki Murakami for the anglophone market." Doctoral thesis, Universitat Rovira i Virgili, 2013. http://hdl.handle.net/10803/127107.

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Haruki Murakami es el escritor japonés contemporáneo más leído en la actualidad. Sus libros han sido traducidos a más de cuarenta idiomas, se han convertido en un superventas en muchos países y han cosechado elogios de la crítica internacional. Los críticos suelen señalar ciertas características y temas en la obra de Murakami para explicar su éxito en variados contextos culturales y nacionales. Sin embargo, si bien no hay ninguna duda de que los mundos ficticios de Murakami han logrado conectarse con lectores a nivel mundial, su éxito no se puede entender solo con el análisis de sus obras. La mayoría de la literatura japonesa traducida al inglés es producida y publicada de forma marginal por industrias editoriales estadounidenses e inglesas para audiencias relativamente limitadas. En gran medida, esto ha sido posible gracias al patrocinio del gobierno y organizaciones culturales para ayudar a los autores que han alcanzado un estatus en el campo literario japonés a incursionar en mercados extranjeros. Murakami podría parecer una excepción a esta tendencia ya que disfruta de prestigiosos medios de difusión en inglés, como la casa editorial, Knopf (Random House) y la revista The New Yorker, y no se benefició de apoyo gubernamental para lanzar su carrera en el extranjero. Sin embargo, su caso es similar al de otros escritores japoneses contemporáneostraducidos ya que mejorar su posición dentro de los círculos editoriales japoneses le permitió publicar en inglés. Lo que distingue a Murakami de otros escritoreses que pudo alcanzar una posición estable en el mercado anglófono y, ya dentro, logró mejorar gradualmente su posición con la ayuda de editores, académicos, agentes literarios, traductores y otros personajes. Esta tesis examina el papel de estos actores clave involucrados en la traducción, (re)escritura y reproducción de "Haruki Murakami" para el mercado anglófono y, por extensión, para el mercado japonés y el internacional.
Haruki Murakami is the most widely read contemporary Japanese author today. His books have been translated into more than forty languages, have become bestsellers in many countries, and have garnered critical acclaim internationally. Critics often point tocertain characteristics and themes in his work to explain Murakami’s success within various cultural and national contexts. However, while there is no question that Murakami’s fictional worlds have spoken to readers worldwide, his success cannot be fully understood through an analysis of his works alone. The majority of Japanese literature in English translation is produced and published on the margins of the US/UK publishing industries for relatively niche audiences. This has been possible largely due to patronage extended by government and cultural organizations that assist authors who have achieved a certain status within the Japanese literary field to make inroads into the foreign markets. Murakami might seem an exception to this trend. He enjoys prestigious mainstream outlets in English in the form of his publisher, Knopf (Random House), and the New Yorker magazine, and he did not benefit from government support in launching his career abroad. Nevertheless, Murakami’s case is similar to other translated Japanese authors in that it was by improving his position within Japanese publishing circles that he initially gained the opportunity to be published in English. What sets Murakami apart from other contemporary Japanese writers, however, is how he was able to gain a firm foothold in the Anglophone market and gradually improve his positions within it with the help of editors, scholars, literary agents, translators, and other individuals. This dissertation examines the role of these various key players involved in translating, (re)writing, and reproducing “Haruki Murakami” for the Anglophone (and by extension Japanese and international) markets.

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Li, Chengyuan, and Chengyuan Li. "Murakami Haruki: A Serious Literature Writer Under the Cover of Pop Culture." Thesis, The University of Arizona, 2017. http://hdl.handle.net/10150/626394.

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As a famous contemporary writer, Murakami Haruki has a wide-reaching influence throughout the world, especially in East Asia. In my thesis, I intend to analyze his novels and short stories from 1979 to 2014. In doing so, I will reveal why Murakami Haruki is so popular in Asia, particularly China. This analysis will demonstrate that East Asian public culture has been undergoing changes during the past 20 years. I will analyze four of Murakami’s works: Wild Sheep Chase (1982), Norwegian Wood (1987), to The Wind-up Bird Chronicle (1995), and finishing with Colorless Tsukuru Tazaki And His Year Of Pilgrimage (2013). Though the evolution of his works, Murakami makes it clear that Japanese society has been under transformation since World War II. After the end of the war, this society changed from a capitalist to cosmopolitan one. I will also discuss how his novels are associated with China, as well as his works’ adaptation in China and among Chinese readers. Since becoming famous, Murakami’s work has been highly criticized. These criticisms has come primarily from Komori Yōichi, Fujii Shozo, Kuroko Kazuo and Kato Norihiro. By discussing these critics, I want to reveal the true meaning for Murakami to be a writer and why I consider him as a serious literature writer under the cover of pop culture.

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Bastelli, Laura. "Tradurre, tradire e morire: la vera storia degli harkis e dei tarjuman." Bachelor's thesis, Alma Mater Studiorum - Università di Bologna, 2021.

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In questo elaborato, dopo aver presentato in un primo momento i principali elementi storico-politici della guerra in Algeria e in Afghanistan, mi soffermerò sulla funzione degli harkis algerini e dei tarjuman afghani. In particolare, mi attarderò sulle difficoltà incontrate da queste figure al termine del loro servizio, e dell’indifferenza dello Stato francese di fronte alle richieste di protezione e di asilo. I pochi fortunati dovranno infatti aspettare anni prima di poter iniziare una nuova vita in Francia, mentre la maggior parte dei loro colleghi rimarrà bloccata in un vortice di violenza, nella totale incomprensione e delusione, profondamente rammaricata di aver servito la bandiera francese. Infine, analizzerò l’importante ruolo dell’interprete militare, figura spesso nell’ombra, che tuttavia svolge un lavoro arduo e rischioso, con molte complessità e altrettante difficoltà, sia dal punto di vista umano che linguistico. Concluderò, in seguito, con un approfondimento sullo status giuridico dell’interprete di guerra e delle leggi, ancora vaghe, che lo tutelano.

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Barone, Jason B. "The Search for the Jungian Stranger in the Novels of Haruki Murakami." Case Western Reserve University School of Graduate Studies / OhioLINK, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=case1207319408.

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Harke, Jan Dirk [Verfasser]. "Si error aliquis intervenit – Irrtum im klassischen römischen Vertragsrecht. / Jan Dirk Harke." Berlin : Duncker & Humblot, 2019. http://d-nb.info/1238343422/34.

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Gervasio, Giuseppe Tommaso <1976&gt. "L'esordio di Haruki Murakami: "Ascolta, il vento canta" - Impressioni di un interprete." Master's Degree Thesis, Università Ca' Foscari Venezia, 2013. http://hdl.handle.net/10579/2403.

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La presente tesi propone un approccio critico-letterario alle opere dello scrittore giapponese Haruki Murakami, utilizzando come principale chiave interpretativa il romanzo con cui l’autore nipponico esordì nel 1982: "Ascolta, il vento canta". La traduzione in italiano presente nella tesi è a cura del sottoscritto, interprete di professione. L’interpretariato rappresenta per antonomasia la specializzazione nella trasmissione orale di una lingua, ma nello svolgimento di questa traduzione, non avulsa di oralità poiché ricca di dialoghi, oltre a immergersi profondamente nella cultura e nelle specificità della lingua di origine dell’autore, l’interprete svolge il compito di rendere la fruibilità del testo atta all'immedesimazione da parte del lettore italiano. Il lavoro di tesi, inoltre, non trascura di prendere in considerazione, a scopo comparativo, le prime opere di Haruki Murakami, declinate in modo sincronico e diacronico nel contesto letterario che lo ha ispirato.

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Bigay, Michael. "Solitude et communauté humaine dans « L’Invention de la solitude » de Paul Auster, « Le Salon du Wurtemberg » de Pascal Quignard, et « La fin des temps » de Murakami Haruki." Thesis, Paris Est, 2016. http://www.theses.fr/2016PESC0008.

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Les trois oeuvres de notre corpus déclinent les données d'un vivre-ensemble tissé de solitude, d’une existence qui est coexistence. La solitude affecte des personnages qui constituent les témoins de l'humaine condition. L’oubli qui les hante est également solitude. Dès lors, la mémoire constitue l’antidote communautaire à une amnésie menaçante, et l’intertexte permet d’unir les solitudes par la matérialisation d'une communauté humaine aux prises avec l’altérité du réel. Cette communauté s'exprime de manière privilégiée dans ces trois récits qui donnent libre cours aux tensions et contradictions d'un réel toujours étranger à l'homme. Murakami, Auster et Quignard reflètent cette solitude communautaire dans des récits ouverts au dèmos qui accueillent cette altérité à laquelle le sacré et les mythes donnent voix. Chez les trois auteurs, c’est le problème de l'absolument autre et de sa traduction mythique qui permet de comprendre ce qui unit les hommes, mais aussi ce qui en eux – et dans le réel –, résiste à la socialité. Ce problème est donc éminemment communautaire. Présente dans les trois ouvrages, la musique, expression du génie humain, est également solitude. Elle traduit dans les oeuvres une présence/absence du souvenir, donne voix à l’indicible, renvoie à une moralité infinie, ou reste liée à l’animalité. Quant à la présence de l’auteur ou du narrateur dans les textes, le lecteur est confronté à trois manières différentes de donner voix à la communauté humaine, que ce soit par le deuil du lyrisme auctorial, en dotant au contraire sa voix d'une forte expressivité, ou à travers une voix narrative qui gagne en puissance au fil de l'ouvrage, illustrant ainsi l'engagement graduel du personnage dans le texte. La dimension historique, mémorielle et politique des communautés représentées, l’effort vers l’être-pour, qui constitue à la fois une théorisation du partage du sensible et une forme non militante de l’engagement personnel et collectif, sont également analysés dans ces trois oeuvres, qui mettent en évidence l’impossibilité d’une solitude non peuplée
The three novels under scrutiny confront the very fact of existence as coexistence; they express solitude, considered as an unquestionable fact of life. Solitude affects characters who represent all mankind. The oblivion which haunts the protagonists is also an expression of solitude. Memory then becomes the common antidote to an impending amnesia, and intertextuality provides a way to bring solitudes together in a human community confronted to the strangeness of reality. Giving a voice to human community is the aim of these three contemporary novels, which express the tensions and contradictions of a reality filled with an undeniable otherness. Murakami, Auster and Quignard reflect on this common solitude in narratives that are open to that very strangeness, which is conveyed by mythology and the presence of sacred people or objects in the novels. For the three writers, it is the question of otherness and its mythical transcription that allows to understand what brings men together, and the things which, within people and reality, resist to socializing. Therefore, otherness must be considered as an eminently communal element in the novels. Music, an expression of human genius, is also a product of solitude. It expresses the presence/absence of things past, the unspeakable, refers to the infinity of morality, or else remains linked with animality. The reader is confronted to three different ways of expressing human community in the narratives, whether by accepting to give up one's lyricism, or on the contrary by using a very expressive style, or else by allowing the narrative voice to gather momentum throughout the text, to match the gradual social commitment of the protagonist. Therefore music, memory, the historical and political dimension of the depicted communities, the efforts of the characters towards involvement, a non-militant form of commitment, emphasize the fact that solitude, in these novels, is essentially communal

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Nygren, Johanna. ""She's just not there" : A study of psychological symbols in Haruki Murakami’s work." Thesis, Halmstad University, School of Humanities (HUM), 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:hh:diva-5143.

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In this essay a novel by the Japanese author Haruki Murakami, The Wind-up Bird Chronicle, is examined through dreams as a psychoanalytical phenomenon or spectacle. The novel is a complex work but mainly circles around the main character Toru, a middle-aged man in modern Japan whose wife leaves him unexpectedly. The focus in this essay is on the dream symbols in this novel and how they have a narrative function, i.e., how the symbols can be tied to the main character Toru’s real life problems, more specifically, his problems with femininity. The psychoanalytical approaches used in this essay are Sigmund Freud’s and C G Jung’s theories on dreams. Material from another novel by Murakami, Norwegian Wood, which contains the same type of symbolic imagery as The Wind-up Bird, is also included.

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Lenzner, Pascal [Verfasser], Susanne [Akademischer Betreuer] Albers, Tobias [Akademischer Betreuer] Harks, and Guido [Akademischer Betreuer] Schäfer. "On selfish network creation / Pascal Lenzner. Gutachter: Susanne Albers ; Tobias Harks ; Guido Schäfer." Berlin : Humboldt Universität zu Berlin, Mathematisch-Naturwissenschaftliche Fakultät II, 2014. http://d-nb.info/105371940X/34.

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Hakki, Amer [Verfasser]. "Novel photocatalytic organic synthesis : cyclization and N-alkylation of nitroaromatic compounds / Amer Hakki." Hannover : Technische Informationsbibliothek und Universitätsbibliothek Hannover (TIB), 2013. http://d-nb.info/1049226887/34.

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Hari, Har Joshi Srisin Khusmith. "Monoclonal antibody based ELISA for the detection of P. falciparum and P. vivax antigens in Malaria endemic populations in southern Nepal /." Abstract, 2003. http://mulinet3.li.mahidol.ac.th/thesis/2546/46E-Hari-J.pdf.

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Mattsson, Philippa. "Portraying characteristics in English translation of Japanese : A case study of the speech of Kobayashi Midori in Murakami Haruki's Norwegian Wood." Thesis, Högskolan Dalarna, Japanska, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:du-30472.

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The distinguishing traits of characters in novels may appear to change in translation. One of the main means of conveying the individualities, personalities and moral qualities of characters is through dialogue, using the possibilities opened by, for example, the selection of register and use of gendered language. In order to gain insight on how apparent changes to characteristics can arise, this case study investigates whether, why and how the character Midori in Murakami Haruki's Norwegian Wood appears to change in translation, based on her dialogue. The study demonstrates how linguistic differences between the source and target languages and the adoption of an overall approach to translation, such as a foreignising or domesticating strategy, are major factors in determining the nature and magnitude of any observed change. Two of the most influential speech elements identified and studied are gendered language and casual language. Both terms represent similar but not identical concepts in the source and target languages and are manifested differently in the two languages, giving rise to wide-ranging translation problems. The study further suggests that a domestication approach, as well as modifying the fluency and cultural flavour of the text in general, can affect the characterisation of novels both indirectly and directly. The influence of a domesticating approach to translation focusing on its application specifically to dialogue or influence on characterisation may be a fruitful area for further research.

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Fisher, Susan Rosa. "A genre for our times: the Menippean satires of Russell Hoban and Murakami Haruki." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/nq25047.pdf.

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Mullins, Michelle D. ""Twins and the Sunken Continent" and "Lexington Ghosts": Two short stories by Murakami Haruki." Connect to online resource, 2007. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:1449643.

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Heine, Jörn [Verfasser], Stefan W. [Akademischer Betreuer] Hell, Tim [Gutachter] Salditt, and Benjamin [Gutachter] Harke. "Intelligent-Illumination STED / Jörn Heine ; Gutachter: Tim Salditt, Benjamin Harke ; Betreuer: Stefan W. Hell." Göttingen : Niedersächsische Staats- und Universitätsbibliothek Göttingen, 2018. http://d-nb.info/1173974881/34.

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