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Relevant bibliographies by topics / Harmodius Sculpture, Greek. Art, Greek / Dissertations / Theses

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Dissertations / Theses on the topic 'Harmodius Sculpture, Greek. Art, Greek'

Author: Grafiati

Published: 4 June 2021

Last updated: 4 February 2022

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Consult the top 15 dissertations / theses for your research on the topic 'Harmodius Sculpture, Greek. Art, Greek.'

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1

Levéntī, Ifigéneia. "Hygieia in classical Greek art /." Athens : Archaiognosia, 2003. http://catalogue.bnf.fr/ark:/12148/cb40101183p.

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2

Lawton, Carol L. "Attic document reliefs : art and politics in ancient Athens /." Oxford : Clarendon Press, 1995. http://www.perseus.tufts.edu/cgi-bin/ptext?doc=1999.04.0005.

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3

Bumke, Helga. "Statuarische Gruppen in der frühen griechischen Kunst /." Berlin [u.a.] : de Gruyter, 2004. http://www.loc.gov/catdir/toc/fy0704/2005404149.html.

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4

Ronseberg, Jonah L. "The development of emotional rendering in Greek art, 525-400." Thesis, University of Oxford, 2012. http://ora.ox.ac.uk/objects/uuid:48c6bdc3-85a0-4d1c-983d-cd833510c98f.

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This thesis explores the development of naturalistic rendering of emotion in the art of Greece through facial expression and body posture from 525 to 400. Why does emotional naturalism arise in the art of Greece, and in which particular regions? Why at this period? In which contexts and media? What restrictions on situation and type of figure can be interpolated or reconstructed? The upper chronological limit is based on simple observation. It is about this time, in many media, that naturalistic emotional expression is employed, although there are exceptions that blur this line slightly. The l

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5

Havé-Nikolaus, Felicitas. "Untersuchungen zu den kaiserzeitlichen Togastatuen griechischer Provenienz kaiserliche und private Togati der Provinzen Achaia, Creta (et Cyrene) und Teilen der Provinz Macedonia /." Mainz : Von Zabern, 1998. http://catalog.hathitrust.org/api/volumes/oclc/40489799.html.

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6

Atac, Mehmet Ali. "The standing female figure in its ancient Mediterranean context: an investigation into the origins and significance of the Kore type in Archaic Greek sculpture." The Ohio State University, 1996. http://rave.ohiolink.edu/etdc/view?acc_num=osu1371827160.

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7

Tagalidou, Efpraxia. "Weihreliefs an Herakles aus klassischer Zeit." Jonsered : P. Ǻströms, 1993. http://catalogue.bnf.fr/ark:/12148/cb388954183.

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8

Brophy, Elizabeth Mary. "Royal sculpture in Egypt 300 BC - AD 220." Thesis, University of Oxford, 2014. http://ora.ox.ac.uk/objects/uuid:590228be-3001-49b3-bf6c-137af08ac71c.

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The aim of this thesis is to approach Ptolemaic and Imperial royal sculpture in Egypt dating between 300 BC and AD 220 (the reigns of Ptolemy I and Caracalla) from a contextual point of view. To collect together the statuary items (recognised as statues, statue heads and fragments, and inscribed bases and plinths) that are identifiably royal and have a secure archaeological context, that is a secure find spot or a recoverable provenance, within Egypt. I then used this material, alongside other types of evidence such as textual sources and numismatic material, to consider the distribution, styl

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9

Fries, Katherine. "Ariadne's thread - memory, interconnection and the poetic in contemporary art." Connect to full text, 2008. http://hdl.handle.net/2123/5709.

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Thesis (M.V.A.)--University of Sydney, 2009.<br>Title from title screen (viewed November 26, 2009) Submitted in fulfilment of the requirements for the degree of Master of Visual Arts to the Sydney College of the Arts, University of Sydney. Degree awarded 2009; thesis submitted 2008. Includes bibliographical references.

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10

Tzani, Nikoleta. "Costas Dimitriadis (1879-1943) : la carrière européenne d'un sculpteur grec." Thesis, Strasbourg, 2012. http://www.theses.fr/2012STRAG007.

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Costas Dimitriadis (1879-1943) est l’artiste grec le plus célèbre sur le plan international de la première moitié du XXe siècle, entre Paris et Athènes. Par ses fonctions, il contribua à la création et à la modernisation des institutions artistiques publiques grecques, en assumant de 1930 à sa mort, la direction de l’École Supérieure des Beaux-Arts d’Athènes. Dans cette thèse, nous racontons la vie de Dimitriadis en Roumélie Orientale, où il est né, et puis à Athènes, dans le premier atelier libre où il fit son apprentissage et ses études à l’École des Beaux-Arts. Ensuite, nous suivons la trac

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11

Biard, Guillaume. "Être et paraître : les modalités de la représentation honorifique dans les cités grecques des origines à la fin de l’époque hellénistique." Thesis, Paris 10, 2012. http://www.theses.fr/2012PA100154.

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Qu’est-ce que la représentation honorifique ? Cette simple question guide l’exploration de la pratique, née au IVe siècle et développée à l’époque hellénistique, qui consiste à offrir aux bienfaiteurs un monument à leur image. Fondée sur les décrets honorifiques et les sources archéologiques, l’analyse est d’abord matérielle. Sont ainsi examinées les contraintes et les attentes qui déterminent le choix du support de la représentation, de son matériau et de son emplacement. Dans le cas des statues, la forme de la base, les dimensions de l’œuvre et son mode de fixation sont étudiés. La vie des œ

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12

Fries, Katherine. "Ariadne’s Thread - memory, interconnection and the poetic in contemporary art." University of Sydney, 2008. http://hdl.handle.net/2123/5709.

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Master of Visual Arts<br>This Dissertation explores the metaphor of Ariadne’s thread in terms of interconnection, when an element from the everyday is used as a locus linking broader concepts of time and space. Such experiences and associations are reflected in the work of Louise Bourgeois, Eva Hesse, Doris Salcedo, Lucio Fontana, Richard Tuttle, Mona Hatoum, Simone Mangos, Anya Gallaccio and Yoshihiro Suda. In relation to my own work, the metaphor of interconnecting thread allows a sense of freedom and journey of discovery. My studio and related research are closely aligned in developing my u

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13

Schneller, David H. "Crafting Across Time and Space: Artistic Exchange and Archaic Greek Sanctuaries in the Eastern Mediterranean." Thesis, 2021. https://doi.org/10.7916/d8-2vra-q778.

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Portable objects made of terracotta, stone, and bronze, among other materials, stylistically linked to cultural spheres around the eastern Mediterranean basin and further inland in the Near East, Cyprus, and Egypt, were dedicated with fervor at Greek sanctuaries during the Archaic period. Previously, such votive offerings were superficially interpreted as “foreign imports” and enumerated in oversimplified tallies and exoticizing lists of “orientalia” and/or “aegyptiaca.” They have been embedded as the stimuli of the so-called “Orientalizing” phenomenon—a 19th-century paradigm and enduring tren

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14

Klages, Claudia. "Tanzende Satyrn Untersuchungen zur Typologie und Ikonographie hellenistischer Kleinkunst /." 1997. http://books.google.com/books?id=t-fVAAAAMAAJ.

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15

Thomson, Ainslie Elizabeth. "Woven in Stone: The Use of Symmetry Analysis Methodology to Determine Underlying Patterns of Symmetry in the Polychrome Painted Decorations on Some Athenian Korai." Thesis, 2008. http://hdl.handle.net/1974/1015.

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Many studies of the Archaic Greek kore focus exclusively on stylistic considerations in an attempt to date these statues more and more accurately. Other studies propose various meanings for the kore. Each of these approaches can be extremely subjective, with the result that the large body of extant literature about the kore tends to be repetitive and argumentative in nature, and, with several exceptions, does not advance the understanding of the kore to any appreciable degree past where it had developed by the 1980s. I use a different, more empirical methodology to study a small group of korai

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