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1

Chailley, Jacques. Historical treatise of harmonic analysis. Paris: A. Leduc, 1986.

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2

Cameron, David. Basic harmony: Melody writing and analysis for examination candidates. Kingston, Ont: Sarabande Music, 1994.

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3

Gárdonyi, Zsolt. Harmonik. Wolfenbüttel: Möseler, 2002.

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4

Hubert, Nordhoff, ed. Harmonik. Wolfenbüttel: Möseler, 1990.

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5

1942-, Blondel Eric, and Association des amis d'Alain, eds. Petit traité d'harmonie, mars - août 1918. Le Vesinet: Institut Alain, 2008.

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6

Giovanni, Marzi, Delfino Antonio 1958-, Università di Pavia. Scuola di paleografia e filologia musicale., and Centro di musicologia "Walter Stauffer", eds. Varietà d'harmonia et d'affetto: Studi in onore di Giovanni Marzi per il suo LXX compleanno. Lucca: Libreria Musicale Italiana, 1995.

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7

Maysonet, Guillermo Menéndez. Sistema y metodo de análisis armonico tonal no ramista. [Puerto Rico?: Guillermo Menéndez Maysonet], 2008.

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8

Kholopov, I︠U︡ N. Garmonicheskiĭ analiz: V 3-kh chasti︠a︡kh. Moskva: Izd-vo "Muzyka", 1996.

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9

Firca, Gheorghe. Structuri și funcții în armonia modală. București: Editura Muzicală, 1988.

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10

Maillart-Lefrancq, Martine. Principes fondamentaux d'analyse harmonique et de transposition. Paris: M. Eschig, 1995.

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11

Benedetto, Alessio Di. Analisi musicale: Introduzione alle funzioni dell'armonia. Milano: Carisch, 1994.

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12

Loris, Azzaroni, ed. La Teoria funzionale dell'armonia. Bologna: CLUEB, 1991.

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13

français, Observatoire musical. L'harmonie post-romantique, analyse et esthétique: Actes de la journée du 13 mai 2006, [université de Paris-Sorbonne]. Paris: Université Paris-Sorbonne, observatoire musical français, 2007.

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14

Kies, Christopher R. A discussion of the harmonic organization in the first movement of Elliott Carter's Sonata for violoncello and piano in light of certain developments in 19th and early 20th century music. Ann Arbor, MI: University Microfilms International, 1986.

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15

author, Antokoletz Elliott, ed. Music and twentieth-century tonality: Harmonic progression based on modality and the interval cycles. New York: Routledge, 2012.

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16

Susanni, Paolo. Music and twentieth-century tonality: Harmonic progression based on modality and the interval cycles. New York: Routledge, 2012.

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17

Müllich, Hermann. Klang-System: Neue Methoden der harmonischen Analyse : neue Tonsatz-Perspektiven : theoretischer Teil. 2nd ed. Berlin: Ries & Erler, 1987.

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18

Harald, Scholz. Harmonik im musikalischen Mainstream der Jahre 2001 bis 2010: Untersuchungen zu den Top-10-US-R'n'B-/HipHop-Songs mit Sprechgesang. Münster: Lit, 2014.

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19

Bovey, François. L' écoute harmonique subjective, ou, Comment la subjectivité peut affiner notre perception des accords, des intervalles et des sons. Paris: Van de Velde, 2005.

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20

Bovey, François. L' écoute harmonique subjective ou Comment la subjectivité. Paris: Van de Velde Musique, 2005.

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21

Brazhnik, L. V. Pentakkordy kak i͡a︡vlenie modalʹnoĭ garmonii v proizvedenii͡a︡kh tatarskikh kompozitorov: Lekt͡s︡ii po kursu "Garmonii͡a︡". Kazanʹ: Kazanskai͡a︡ gos. konservatorii͡a︡, 1992.

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22

Costa-Giomi, Eugenia. Recognition of chord changes by 4- and 5-year-old American and Argentine children. [Columbus: s.n.], 1991.

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23

Albarosa, Nino. Cantabilis harmonia: Studi in onore di Giuseppe Massera. Milano: Franco Angeli, 1985.

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24

Natou, Elvis Brunell. Traité d'harmonie tonale issue des musiques des traditions africaines de diverses cultures. Saint-Denis: Edilivre, 2017.

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25

Inc, ebrary, ed. Harmony for computer musicians. Boston, Mass: Cengage Learning, 2011.

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26

Kacprzyk, Janusz. Music-Inspired Harmony Search Algorithm: Theory and Applications. Berlin, Heidelberg: Springer Berlin Heidelberg, 2009.

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27

Gorchakov, A. G. Lado-intonat︠s︡ionnai︠a︡ struktura i kompozit︠s︡ii︠a︡ melodii pesni V. Savina "I︠U︡gyd kodzuv" ("Svetlai︠a︡ zvezda"). Syktyvkar: Komi nauch. t︠s︡entr UrO Rossiĭskoĭ AN, 2002.

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28

Roland, Galtier, and Société royale des sciences (Montpellier, France), eds. Mémoires d'acoustique et d'organologie musicales: Présentés à la Société royale des sciences de Montpellier à la fin du XVIIIe siècle. Saint-Geniès-des-Mourgues, Hérault, France: Editions du Berange, 1999.

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29

1924-, Levin Flora R., ed. The manual of harmonics of Nicomachus the Pythagorean. Grand Rapids, MI, USA: Phanes Press, 1994.

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30

Meyer, Jürgen. Acoustics and the performance of music: Manual for acousticians, audio engineers, musicians, architects and musical instruments makers. 5th ed. New York: Springer Science+Business Media, 2009.

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31

Almada, Carlos. Harmonia funcional. Campinas, SP, Brasil: Editora Unicamp, 2012.

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32

Goldenberg, Yosef. Prolongation of seventh chords in tonal music. Lewiston: Edwin Mellen Press, 2008.

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33

Burkhart, Charles. Anthology for musical analysis. 4th ed. New York: Holt, Rinehart and Winston, 1986.

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34

Tymoczko, Dmitri. A geometry of music: Harmony and counterpoint in the extended common practice. New York: Oxford University Press, 2011.

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35

Scott, Walter. The lady of the lake. Toronto: W.J. Gage, 1997.

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36

Scott, Walter. Scott's Lady of the Lake. Boston: Educational Pub. Co., 1986.

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37

Taylor, R. W. d. 1890. and Phillpotts J. Surtees, eds. The lady of the lake: Cantos I to VI. 3rd ed. Toronto: W.J. Gage, 1993.

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38

Walter, Scott. The lady of the lake. Toronto: Morang Educational Co., 1995.

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39

Walter, Scott. Scott's Lady of the lake. Toronto: Canada Pub. Co., 1986.

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40

Walter, Scott. The lady of the lake. Toronto: Copp, Clark, 1997.

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41

L, Armstrong T. C., ed. Scott's Lady of the lake. Toronto: Canada Pub. Co., 1986.

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42

Bruno, Luca. Theory and analysis of harmony in Adrian Willaert's: Canzone villanesche alla napolitana, 1542-1545. Rende (Cosenza): Università della Calabria, 2008.

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43

Swain, Joseph P. Harmonic Rhythm: Analysis and Interpretation. Oxford University Press, 2002.

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44

Armonía para hoy. Caracas: Universidad Central de Venezuela, Ediciones de la Biblioteca, 2016.

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45

Keislar, Douglas. Computer Music Journal: Metrical, Harmonic, and Motivic Analysis. MIT Press, 2004.

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46

AMBLARD, JACQUES. Harmonie Expliquee Aux Enfants. EDITIONS MF, 2006.

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47

V ladakh s garmonieĭ, v garmonii s ladami: Ocherki. Sankt-Peterburg: Sankt-Peterburgskai͡a konservatorii͡a, 2011.

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48

Antokoletz, Elliott, and Paolo Susanni. Music and Twentieth-Century Tonality: Harmonic Progression Based on Modality and the Interval Cycles. Taylor & Francis Group, 2012.

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49

Antokoletz, Elliott, and Paolo Susanni. Music and Twentieth-Century Tonality: Harmonic Progression Based on Modality and the Interval Cycles. Taylor & Francis Group, 2012.

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50

Antokoletz, Elliott, and Paolo Susanni. Music and Twentieth-Century Tonality: Harmonic Progression Based on Modality and the Interval Cycles. Taylor & Francis Group, 2012.

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