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Books on the topic 'Hart, Robert'

Author: Grafiati

Published: 4 June 2021

Last updated: 6 February 2022

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1

Hart, Robert. Robert Hart: Recent work. [Nottingham?: Bonington Gallery, Trent Polytechnic, 1989.

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2

Pérennité: Anthologie iné́dite de Robert-Edward Hart. Quatre-Bornes, Ile Maurice: Les Arts éditions, 2002.

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3

J, Smith Richard. Robert Hart and China's early modernization, 1862-1874. [s.l.]: [s.n.], 1988.

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4

1944-, Smith Richard J., Fairbank John King 1907-, and Bruner Katherine Frost, eds. Robert Hart and China's early modernization: His journals, 1863-1866. Cambridge, Mass: Published by the Council on East Asian Studies, Harvard University, 1991.

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5

Hart, Robert N. Hart family history: Some ancestors of Robert Neill Hart and Sharlene Joy Carter with some of the descendants of Henry Hart of Virginia. Knoxville, TN: Tennessee Valley Pub., 2008.

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6

Hart, Robert. Archives of China's Imperial Maritime Customs Confidential Correspondence between Robert Hart and James Duncan Campbell, 1874-1907. Beijing: Foreign Languages Press, 1990.

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7

Halford, Susan. Hart Freeland Roberts: 100 years. Brentwood, Tenn: HFR Publications, 2010.

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8

Hard labour: The political diary of Robert Kilroy-Silk. London: Chatto & Windus, 1986.

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9

Reed, Paula. The tenderfoot bandits: Sam Bass and Joel Collins, their lives and hard times. Tucson, Ariz: Westernlore Press, 1988.

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10

Sanderson, Robert G. A brief history of the origins of the Robert G. Sanderson Community Center of the Deaf and Hard of Hearing. Roy, Utah: R.G. Sanderson, 2004.

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11

Reichenbächer, Helmut. Von The robber gridegroom zu Bodily harm: Eine Analyse unveröffentlichter Entwürfe Margaret Atwoods. [Leipzig [etc.]: Verlag Enzyklopädie, 1993.

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12

Chesley, Robert. Hard plays/stiff parts: The homoerotic plays of Robert Chesley ; with illustrations by Art Jagonosi and an introduction by Bert Herrman. San Francisco: Alamo Square Press, 1990.

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13

Chesley, Robert. Hard plays/stiff parts: The homoerotic plays of Robert Chesley ; with illustrations by Art Jagonosi and an introduction by Bert Herrman. San Francisco: Alamo Square Press, 1990.

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14

Never play another man's game. Toronto: ECW Press, 2012.

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15

Rothchild, John. Going for broke: How Robert Campeau bankrupted the retail industry, jolted the junk bond market, and brought the booming eighties to a crashing halt. New York: Simon and Schuster, 1991.

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16

Facing Japan: Chinese politics and Japanese imperialism, 1931-1937. Cambridge, Mass: Council on East Asian Studies, Harvard University, 1991.

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17

1966-, Ma Junya, ed. Zou xiang "zui hou guan tou": Zhongguo min zu guo jia gou jiang zhong de Riben yin su (1931-1937) = Facing Japan : Chinese politics and Japanese imperialism, 1931-1937. Beijing Shi: She hui ke xue wen xian chu ban she, 2004.

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18

A white arrest. London: Bloodlines, 1998.

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19

Blitz. New York: St. Martin's Minotaur, 2004.

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20

Ellen, Snodgrass Mary. CliffsNotes American Poets of the 20th Century. New York: John Wiley & Sons, Ltd., 2000.

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21

Day, Walter. Twin Galaxies' Official Video Game & Pinball Book Of World Records; Second Edition, Arcade Volume. Edited by Walter Day and Mr Kelly R. Flewin. Fairfield, IA: 1st World Publishing, 2007.

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22

Bredon, Juliet. Sir Robert Hart. 2nd ed. IndyPublish.com, 2006.

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23

Bredon, Juliet. Sir Robert Hart. 2nd ed. IndyPublish.com, 2006.

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24

Bredon, Juliet. Sir Robert Hart, Second Edition. IndyPublish.com, 2004.

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25

Bredon, Juliet. Sir Robert Hart, Second Edition. IndyPublish.com, 2004.

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26

Smith, Richard, John K. Fairbank, and Katherine Bruner, eds. Robert Hart and China’s Early Modernization. BRILL, 1991. http://dx.doi.org/10.1163/9781684172948.

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27

Bredon, Juliet. Sir Robert Hart: The Romance of a Great Career. BiblioBazaar, 2007.

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28

Bredon, Juliet. Sir Robert Hart (The Romance of a Great Career), Second Edition. IndyPublish, 2007.

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29

Bredon, Juliet. Sir Robert Hart (The Romance of a Great Career), Second Edition. IndyPublish, 2007.

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30

Friends Of Sir Robert Hart Three Generations Of Carrall Women In China. Tiffania Books, 2012.

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31

Bredon, Juliet. Sir Robert Hart (Large Print Edition): The Romance of a Great Career. BiblioBazaar, 2007.

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32

An Irishman In China Robert Hart Inspector General Of The Chinese Imperial Maritime Customs. BetterLink Press Incorporated, 2013.

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33

Fairbank, John King, Richard J. Smith, and Katherine Bruner. Robert Hart and China's Early Modernization: His Journals, 1863-1866 (Harvard East Asian Monographs). Harvard University Asia Center, 1991.

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34

Bredon, Juliet. Sir Robert Hart The Romance of a Great Career Told By His Niece: Second Edition. CreateSpace Independent Publishing Platform, 2016.

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35

McBride, Calvin S. Walking Into A New Spirituality: Chronicling the Life, Ministry, and Contributions of Elder Robert E. Hart, B.D., LL.B., D.D., to the CME Church and COGIC: With Some Additional COGIC History. iUniverse, Inc., 2007.

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36

Hunter, Robert, 1941 June 23-, Barlow John 1947-, Dodd David G. 1957-, Trist Alan, and Grateful Dead (Musical group), eds. The complete annotated Grateful Dead lyrics: The collected lyrics of Robert Hunter and John Barlow, lyrics to all original songs, with selected traditional and cover songs. New York: Free Press, 2005.

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37

Schiff, David. Carter vs. Poets (Round 1). Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190259150.003.0008.

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With A Mirror on which to Dwell, composed in 1975, Carter returned to vocal music and to modern American poetry. Mirror, to poems of Elizabeth Bishop, was soon followed by Syringa (John Ashbery) and In Sleep, In Thunder (Robert Lowell). These three works explore a wide range of expressive territory. Bishop and Lowell were close to Carter in age, while Ashbery was twenty years younger. The two older poets pursue an intimate confessional style, while Ashbery’s far more experimental poetry derives from French surrealism. Bishop’s poetry is precise and observant, while Lowell’s seems to teeter on the verge of mental collapse. All three works reveal a complex relation between composer and poets, as does the single orchestra work of this period, A Symphony of Three Orchestras, which summed up and concluded Carter’s engagement with Hart Crane.

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38

Bontemps, Arna. The Theater. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252037696.003.0028.

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This chapter focuses on Negro theater in Illinois. In May 1877, a Negro troupe played Out of Bondage in Chicago, and the Daily Inter Ocean described the performance as “one of the very best representations of slave life as it existed before the war that has ever been presented to the public.” But it was the arrival of Sam T. Jacks and his Creole Show in Chicago in 1893 that ushered in a new phase of the Negro's evolution in the theater. The chapter first considers minstrelsy and minstrel shows featuring actors in blackface before turning to various comedians, vocalists, and dancers who performed in musicals and other shows during the period, including Bert Williams and George Walker. It also looks at Chicago's Pekin Theater, opened by Robert Motts, that showcased black performers such as Charles Gilpin, Bill Robinson, Abbie Mitchell, Lottie Grady, Nettie Lewis, and Elizabeth Hart Scott.

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39

Classic Robert B Parker. Quercus Books, 2011.

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40

The Robbery at Boulder Halt. Ulverscroft Large Print, 2003.

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41

The Robbery at Boulder Halt. Robert Hale Ltd, 2001.

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42

Hard as nails: The Graham Roberts story. Edinburgh : Black & White Pub., 2008.

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43

Lilley, Deborah. New British Nature Writing. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199935338.013.155.

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This chapter explores the emergence of “new British nature writing” in the twenty-first century and identifies new approaches to its subject and form produced in response to the scale of harm registered by the growing awareness of environmental crisis. It interrogates the notion of “new” nature writing and the ways that it has been received, considering its continuities and breaks with the legacies of the tradition in Britain alongside ecocritical arguments concerning the concept and representation of nature and human–nonhuman relations. The chapter examines defining characteristics of the form— interest in urban, suburban, and industrial landscapes; attention to spatial and temporal intersections of people and place; a re-evaluation of ideas such as “natural” and “wild”; and a critical self-consciousness regarding the representation of nature — in key works by writers including Robert Macfarlane, Kathleen Jamie, Helen Macdonald, Roger Deakin, and Paul Farley and Michael Symmons Roberts.

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44

Hare, John Middleton. The Ministry And Character Of Robert Henry Hare, Wesleyan Minister. Kessinger Publishing, LLC, 2007.

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45

Hare, John Middleton. The Ministry And Character Of Robert Henry Hare, Wesleyan Minister. Kessinger Publishing, LLC, 2007.

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46

Chesley, Robert. Hard Plays Stiff Parts: The Homoerotic Plays of Robert Chesley. Alamo Square Dist Inc, 1990.

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47

1932-2010, Parker Robert B., ed. Robert B. Parker's Silent night. No Exit Press, 2014.

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48

Making Tough Decisions: Working Through Hard Choices (Wandberg, Robert. Life Skills.). LifeMatters, 2000.

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49

The Complete Annotated Grateful Dead Lyrics. Free Press, 2007.

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50

Dodd, David. The Complete Annotated Grateful Dead Lyrics. Free Press, 2005.

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