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Journal articles on the topic 'Hartmann von Aue'

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Published: 4 June 2021
Last updated: 27 February 2023

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1

Del Duca, Patrick. "Hartmann von Aue, Iwein." Cahiers de civilisation médiévale, no. 247 (July 1, 2019): 297–99. http://dx.doi.org/10.4000/ccm.4355.

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2

König, Fritz H. "ERECby Hartmann von Aue." Translation Review 46, no. 1 (September 1994): 58. http://dx.doi.org/10.1080/07374836.1994.10523640.

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3

McConeghy, Patrick M. "Erec. Hartmann von Aue , Michael ReslerErec. Hartmann von Aue , Thomas L. Keller." Speculum 64, no. 4 (October 1989): 964–66. http://dx.doi.org/10.2307/2852898.

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4

Classen, Albrecht, and Michael Resler. "Erec by Hartmann von Aue." German Studies Review 11, no. 1 (February 1988): 141. http://dx.doi.org/10.2307/1430845.

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5

Pincikowski, Scott E. "Erec by Hartmann Von Aue." Arthuriana 26, no. 1 (2016): 202–4. http://dx.doi.org/10.1353/art.2016.0019.

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6

Sager, Alexander. "A Companion to the Works of Hartmann von Aue. Francis G. Gentry , Hartmann von Aue." Speculum 81, no. 4 (October 2006): 1194–96. http://dx.doi.org/10.1017/s0038713400004541.

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7

Green, D. H., Timothy McFarland, and Silvia Ranawake. "Hartmann von Aue: Changing Perspectives. London Hartmann Symposium 1985." Modern Language Review 85, no. 1 (January 1990): 236. http://dx.doi.org/10.2307/3732889.

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8

Green, D. H., Christoph Cormeau, Wilhelm Stormer, and Karin Trimborn. "Hartmann von Aue. Epoche: Werk: Wirkung." Modern Language Review 81, no. 4 (October 1986): 1034. http://dx.doi.org/10.2307/3729671.

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9

McConeghy, Patrick M., and Susan L. Clark. "Hartmann von Aue: Landscapes of Mind." South Central Review 8, no. 4 (1991): 111. http://dx.doi.org/10.2307/3189639.

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10

Mettke, Heinz. "Hartmann von Aue,Der arme Heinrich." Arbitrium 3, no. 1 (January 1986): 246–48. http://dx.doi.org/10.1515/arbi.1986.3.1.246.

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11

Hasty, Will. "Arthurian Romances, Tales, and Lyric Poetry. The Complete Works of Hartmann von Aue by Hartmann Von Aue." Arthuriana 12, no. 4 (2002): 103–4. http://dx.doi.org/10.1353/art.2002.0010.

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12

Resler, Michael. "Anmerkungen zum textverständnis deserecvon hartmann von aue." Studia Neophilologica 60, no. 1 (January 1988): 77–95. http://dx.doi.org/10.1080/00393278808587988.

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13

Jefferis, Sibylle. "Gregorius. Hartmann von Aue , Hermann Paul , Burghart Wachinger." Speculum 61, no. 1 (January 1986): 156–57. http://dx.doi.org/10.2307/2854556.

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14

REGALES, Antonio. "Traducción y estilo narrativo. El caso de Hartmann von Aue y la novela cortesana alemana." Hikma 1, no. 1 (October 1, 2002): 77. http://dx.doi.org/10.21071/hikma.v1i1.6782.

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En este trabajo abordo el problema de la originalidad y la traducción en las novelas épicas medievales que eran consideradas como auténticas traducciones. Los poetas cortesanos son auténticos traductores, lo que redunda en favor del fenómeno de la traducción. Son traductores sui generis que aumentaban y suprimían partes del original. Hartmann von Aue traduce rara vez de manera estricta, sino que traduce el sentido, interpretando para el público. El autor añade diálogos, descripciones y otros adornos retóricos. Incluso modifica los personajes. Hago un estudio de Eric de Hartmann von Aue y una comparación de esta obra con su fuente, el Erec et Enide de Chrétien de Troyes.
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15

Huber, Christoph. "Der ›Weg‹ der Erzählung." Beiträge zur Geschichte der deutschen Sprache und Literatur 142, no. 3 (August 26, 2020): 330–53. http://dx.doi.org/10.1515/bgsl-2020-0026.

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AbstractHow do narrators of courtly romance use the semantics of ›Weg‹ (path, journey)? Building on numerous publications on the Weg-topic, this study ›The Path of Narration. Observations on Hartmann von Aue and Courtly Literature‹ discusses how authors, particularly Hartmann von Aue, use ›Weg‹ as code for storytelling. This can be linked to forms of semantic usage which reflect the process of reception, particularly in the case of Wolfram von Eschenbach, and those which describe a change in the semantics of value, particularly in the case of Gottfried von Straßburg.
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16

Jeep, John M. "Stabreimende Wortpaare in den früheren Werken Hartmanns von Aue: Erec, Klage, Minnesang." Yearbook of Phraseology 7, no. 1 (October 1, 2016): 55–80. http://dx.doi.org/10.1515/phras-2016-0004.

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Abstract Building upon recent phraseological studies on Old High and Middle High German texts, the alliterating word pairs in the early works of Hartmann von Aue are catalogued and analyzed philologically, thus contributing to an emerging complete listing of the paired rhetorical expressions through the Early Middle High German period. The first extant courtly Arthurian romance, Hartmann's Erec, a shorter piece of his known as Diu Klage, and a handful of poems he composed are by all indications from the last decade of the twelfth century, despite later manuscript transmission. Each pair is listed, described in the context in which it appears, and compared with any extant pairs from earlier German works. What emerge are insights into the evolution of these expressions, in some cases through centuries. On the one hand, Hartmann employs alliterating expressions that date to the Old High German period, while on the other hand apparently creating new ones. As in findings in earlier texts, pairs recorded on multiple occasions are likely to have been used by other authors. Typical for medieval German texts – when compared to similar modern expressions – is the insight that there is a fair amount of variation concerning the sequence of the alliterating elements and/or the inclusion of morpho-syntactic modifiers such as pronouns, possessives, adjectives, or adverbs. Modern translations of Hartmann's works into German and English show just how varied these phrases can appear in translation. When known, later examples of the alliterating word-pairs are cited, albeit for obvious reasons only in an incomplete fashion. The long-term project is designed to continue to chart the emergence of the early German alliterating word-pairs chronologically.
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17

DAUVEN-VAN KNIPPENBERG, C. "Hoe goed kende Simon Vestdijk zijn Hartmann von Aue?" Spiegel der Letteren 39, no. 1 (January 1, 1997): 37–51. http://dx.doi.org/10.2143/sdl.39.1.2003821.

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18

Resler, Michael. "A Companion to the Works of Hartmann von Aue." Journal of English and Germanic Philology 106, no. 3 (July 1, 2007): 364–67. http://dx.doi.org/10.2307/27712661.

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19

Sterling-Hellenbrand, Alexandra. "Arthurian Romances, Tales, and Lyric Poetry: The Complete Works of Hartmann von Aue. Hartmann von Aue , Frank Tobin , Kim Vivian , Richard H. Lawson." Speculum 78, no. 1 (January 2003): 190–91. http://dx.doi.org/10.1017/s0038713400099371.

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20

Jeep, John M. "Stabreimende Wortpaare in den späteren Werken Hartmanns von Aue: Iwein, Gregorius, Der arme Heinrich." Yearbook of Phraseology 9, no. 1 (November 1, 2018): 51–84. http://dx.doi.org/10.1515/phras-2018-0005.

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AbstractBuilding upon recent phraseological studies of Old High and Middle High German texts, the alliterating word pairs in the later works of Hartmann von Aue are catalogued and analyzed philologically, thus contributing to an emerging complete listing of the paired rhetorical expressions through the Early Middle High German period, here Hartmann’s major courtly Arthurian romance, Iwein, his religious tale Gregorius, and Der arme Heinrich. Each pair is listed, described in the context in which it appears, and compared with any extant pairs from earlier German works. Previous research on the pair is reviewed. Hence, we trace the evolution of these expressions, in some cases through centuries. On the one hand, Hartmann employs alliterating expressions that date to the Old High German period, while on the other hand apparently creates new, or at least not previously documented ones. As in findings in earlier texts, pairs recorded on multiple occasions are likely to have been used by other authors. Typical for medieval German texts - when compared to similar modern expressions - is the insight that there is a fair amount of variation concerning the sequence of the alliterating elements and/or the inclusion of morpho-syntactic modifiers such as pronouns, possessives, adjectives, or adverbs. When known, later examples of the alliterating word-pairs are cited, albeit for obvious reasons only in an incomplete fashion. Two updates on the emerging Old High and Early Middle High German word-pair catalogue are included. Finally, a complete listing of the alliterating word-pairs in Hartmann’s works is provided. The long-term project continues to chart the emergence of German alliterating word-pairs chronologically, here within the first decade of the thirteenth century.
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21

McConeghy, Patrick M. "Hartmann von Aue: Epoche -- Werk -- Wirkung. Christoph Cormeau , Wilhelm Störmer." Speculum 62, no. 1 (January 1987): 124–26. http://dx.doi.org/10.2307/2852578.

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22

Schulze, Ursula. "Christoph Cormeau/Wilhelm Störmer,Hartmann von Aue. Epoche - Werk - Wirkung." Arbitrium 1, no. 1 (January 1987): 27–33. http://dx.doi.org/10.1515/arbi.1987.1.1.27.

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23

Ranawake, Silvia, W. H. Jackson, and Hartmann von Aue. "Chivalry in Twelfth-Century Germany: The Works of Hartmann von Aue." Modern Language Review 93, no. 2 (April 1998): 558. http://dx.doi.org/10.2307/3735454.

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24

Jeep, John M. "Stabreimende Wortpaare im Minnesang (neben Hartmann, Walther und Wolfram)." Amsterdamer Beiträge zur älteren Germanistik 80, no. 3 (November 24, 2020): 303–20. http://dx.doi.org/10.1163/18756719-12340187.

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Abstract Building on studies on alliterating word-pairs in Old and Early Middle High German (including early Minnesang poets, Gotfried von Straßburg, Hartmann von Aue, Walther von der Vogelweide und Wolfram von Eschenbach), this study collects and analyses the remaining Minnesang poets of the Classic Period (Des Minnesangs Frühling), tracing the use of extant and the emergence of new alliterating word-pairs while establishing their literary rhetorical context. Thus, the early history of the German alliterating word-pairs is extended within the Middle High German era.
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25

Resler, Michael. "Erec. Hartmann von Aue , Albert Leitzmann , Ludwig Wolff , Christoph Cormeau , Kurt Gärtner." Speculum 62, no. 3 (July 1987): 683–85. http://dx.doi.org/10.2307/2846404.

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26

Classen, Albrecht. "Happiness in the middle ages? Hartmann von Aue and Marie de France." Neohelicon 25, no. 1 (March 1998): 247–74. http://dx.doi.org/10.1007/bf02572863.

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27

Boggs, Roy A., and Kurt Gärtner. "23. Beitrag: Das Hartmann von Aue-Portal. Eine Internet-Plattform als Forschungsinstrument." Zeitschrift für Deutsches Altertum und Deutsche Literatur 134, no. 1 (2005): 134–37. http://dx.doi.org/10.3813/zfda-2005-0006.

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28

Schweikle, Günther. "HARTMANN VON AUE UND WALTHER VON DER VOGELWEIDE? NOCHMALS ZU MF 214,34ff. UND L 120,16ff." Amsterdamer Beiträge zur älteren Germanistik 43, no. 1 (April 8, 1995): 449–58. http://dx.doi.org/10.1163/18756719-90000115.

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29

Delap, Joe G., Will Hasty, and Hartmann von Aue. "Adventures in Interpretation: The Works of Hartmann von Aue and Their Critical Reception." German Studies Review 20, no. 1 (February 1997): 140. http://dx.doi.org/10.2307/1432334.

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30

Classen, Albrecht, Frank Tobin, Kim Vivian, Richard H. Lawson, and Hartmann von Aue. "Arthurian Romances, Tales, and Lyric Poetry. The Complete Works of Hartmann von Aue." Rocky Mountain Review of Language and Literature 56, no. 1 (2002): 95. http://dx.doi.org/10.2307/1348016.

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31

Thomas, Neil. "Iwein; Or, the Knight with the Lion by Hartmann von Aue, Cyril Edwards." Modern Language Review 104, no. 1 (2009): 222–23. http://dx.doi.org/10.1353/mlr.2009.0354.

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32

Harding, George E., Hartmann von Aue, Frank J. Tobin, Kim Vivian, and Richard H. Lawson. "Arthurian Romances, Tales and Lyric Poetry: The Complete Works of Hartmann von Aue." South Atlantic Review 66, no. 4 (2001): 184. http://dx.doi.org/10.2307/3202080.

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33

Harter, Hans. "Hartmann von Aue – "Home is where the heart is"? Research from a local and regional point of view Hartmann von Aue – "auch ferner heimatlos"? Ein Forschungsbericht aus lokal- und landesgeschichtlicher Sicht." Zeitschrift fuer deutsches Altertum und Literatur 147, no. 4 (January 1, 2019): 437–62. http://dx.doi.org/10.3813/zfda-2018-0019.

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34

Kalinke, Marianne E. "Chivalry in Twelfth-Century Germany: The Works of Hartmann von Aue by W.H. Jackson." Arthuriana 6, no. 2 (1996): 104–5. http://dx.doi.org/10.1353/art.1996.0046.

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35

Duca, Patrick Del. "Le diable et la critique de la société courtoise dans Gregorius de Hartmann von Aue." Cahiers d’études germaniques 62, no. 62 (April 1, 2012): 25–57. http://dx.doi.org/10.4000/ceg.11301.

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36

Rider, Jeff. "De l'énigme à l'allégorie : l'adaptation du « merveilleux » de Chrétien de Troyes par Hartmann von Aue." Romania 112, no. 445 (1991): 100–128. http://dx.doi.org/10.3406/roma.1991.1663.

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37

Jeep, John M. "Stabreimende Wortpaare in Wolframs “Willehalm”, “Titurel” und in seiner Lyrik." Amsterdamer Beiträge zur älteren Germanistik 79, no. 4 (April 6, 2020): 517–46. http://dx.doi.org/10.1163/18756719-12340165.

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Abstract This study presents a first-time complete accounting and analysis of the alliterating word-pairs in Wolfram’s “Willehalm,” “Titurel,” and his poetry, representing the completion of a project to survey Wolframs’ complete oeuvre. Each pair is described philologically within the work in which it appears, relevant earlier or parallel occurrences are noted, and on occasion the further life of the pair is discussed. A complete listing integrates the 98 pairs from “Parzival.” This rounds out studies of the major Middle High German classical works of courtly literature, cataloguing Wolfram’s use of the rhetorical device following similar studies of Hartmann von Aue and Gottfried von Strassburg.
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38

de Cubber, Walter. "EINIGE BEOBACHTUNGEN ZUM GEBRAUCH DES RELIGIÖSEN WORTSCHATZES BEI HARTMANN VON AUE. EIN VERGLEICH MIT DEM FRÜHMITTELHOCHDEUTSCHEN." Amsterdamer Beiträge zur älteren Germanistik 43, no. 1 (April 8, 1995): 151–59. http://dx.doi.org/10.1163/18756719-90000095.

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39

Pérez Ben, Lorena. "FERNÁNDEZ RIVA, G. y MILLET, V. Hartmann von Aue: Der arme Heinrich. Textgeschichtliche elektronische Ausgabe. Universitätsbibliothek, Heidelberg, 2018." Revista de Humanidades Digitales 5 (November 25, 2020): 207. http://dx.doi.org/10.5944/rhd.vol.5.2020.27157.

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El poema narrativo de finales del siglo xii Der arme Heinrich, atribuído a Hartmann von Aue, se conserva en su totalidad en tres manuscritos y de forma parcial en varios pequeños fragmentos. En estos testimonios, si bien es cierto que la historia contada es en esencia la misma, se pueden apreciar importantes variantes así como transposiciones de versos, añadidos y eliminaciones que afectan a su comprensión y que a menudo pasan desapercibidas en los libros tradicionales. La edición electrónica Der arme Heinrich digital[1] pretende sacar provecho de las posibilidades que ofrece la tecnología para mostrar de una forma precisa la pluralidad y diversidad textual y facilitar su percepción. En esta reseña se describirá y estudiará lo que esta nueva herramienta pone a nuestro alcance.[1] https://doi.org/10.11588/edition.ahd
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40

Planinić, Luka. "SOCIAL ISOLATION IN A CRISIS IN HARTMANN VON AUE’S "IWEIN"." Folia linguistica et litteraria XIII, no. 41 (November 2022): 73–91. http://dx.doi.org/10.31902/fll.41.2022.4.

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This article investigates the social isolation of the protagonist in a crisis using the example of Iwein by Hartmann von Aue. It is an Arthurian novel written around 1203 which depicts the adventures of the knight Iwein of the Round Table. The novel embodies various medieval topics such as the struggle for honour, loyalty, knight’s duties and virtues, challenges, mythical and fantastic beasts, etc. Among these subjects, there is also the so-called crisis of a hero, which is represented by social isolation and mental illness, i. e. by the knight’s insane behaviour. Thus, the depiction of Iwein's isolation will be interpreted, analysed and critically evaluated in relation to his illness and recovery in the context of the crisis. In addition, the function and the representation of this isolation in regard to the knighthood and court society of the time will also be examined. Therefore, this article attempts to answer the following questions: How is Iwein's social isolation depicted during his crisis and what role does this isolation play during the crisis in terms of his illness and recovery? What is the difference between isolation, loneliness and marginalisation in this novel? In this paper, however, it is assumed that Iwein's isolation plays a crucial role in Iwein's illness and recovery and that his madness can only be interpreted as a symptom of this isolation. In this way, his insane episode is observed in relation to his isolation and not separately. The power of isolation does not lie in the loneliness, but in the reflection of the solitude, which allows the individuum to rebalance themselves, far from the disruptions of everyday life. After all, even today, because of the COVID-19 pandemic, things are out of balance. However, this pandemic has brought to light that even now, perhaps more than ever, one has the possibility to reconnect with oneself and with one's nature due to the isolation.
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41

McDonald, William C. "Diu rîche vrouwe Dîdô (v. 7558): Dido as Exemplar in the Erec-Romance of Hartmann von Aue." Orbis Litterarum 62, no. 6 (December 2007): 483–519. http://dx.doi.org/10.1111/j.1600-0730.2007.00906.x.

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42

Joseph M. Sullivan. "German Romance Volume III: Hartmann von Aue: Iwein or the Knight with the Lion (review)." Arthuriana 18, no. 3 (2008): 77–78. http://dx.doi.org/10.1353/art.0.0021.

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43

Classen, Albrecht. "Ludger Lieb, Hartmann von Aue: Erec – Iwein – Gregorius – Armer Heinrich. Klassiker Lektüren, 15. Berlin: Erich Schmidt, 2020, 252 S." Mediaevistik 34, no. 1 (January 1, 2021): 432–34. http://dx.doi.org/10.3726/med.2021.01.101.

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Abstract: Die Reihe “Klassiker-Lektüren” hat sich bisher schon sehr positiv für die Lehre mittelhochdeutscher Literatur hervorgetan, und der vorliegende Band zu den narrativen Werken Hartmanns von Aue verfasst von Ludger Lieb enttäuscht ebensowenig. Es geht darum, wie ja der Untertitel deutlich ankündigt, die zwei arturischen Romane Erec und Iwein, die religiöse Versnovelle Gregorius und die mehr weltlich orientierte Versnovelle Der arme Heinrich erneut einer kritischen Sichtung zu unterziehen und sie so zu diskutieren, dass vor allem das studentische Publikum den größten Nutzen daraus ziehen kann. Nicht dass dies ein neuer Ansatz wäre, handelt es sich ja schließlich um die mit beliebtesten mittelhochdeutschen Dichtungen, die stets noch in zahllosen Seminaren u.a. Veranstaltungen behandelt werden. Aber Lieb bemüht sich darum, eine frische Behandlung anzubieten, indem er einerseits die großen Themen, Strukturen, Motive und Inhalte kritisch diskutiert und andererseits, wenn auch etwas unterschwellig, die neueste Forschung miteinbezieht. Sehr viel an neuen Einsichten ist damit zwar nicht gewonnen, aber darin besteht ja letztlich nicht die Absicht.
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44

Jackson, Timothy R. "An excess of fidelity: Romance as the basis of Hartmann von Aue's 'Der arme Heinrich' der triuwen ze vil: Zur romanhaften Grundlage des 'Armen Heinrich' Hartmanns von Aue." Zeitschrift fuer deutsches Altertum und Literatur 149, no. 2 (April 1, 2020): 142–76. http://dx.doi.org/10.3813/zfda-2020-0007.

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The 'Arme Heinrich' is usually interpreted as fairytale or legend. If one takes the term gemahel seriously and sees the relationship between Heinrich and the girl as a kind of marriage, based on reciprocal triuwe, which is disturbed by the selfish offer and acceptance of self-sacrifice, but which is restored when this solution is subsequently rejected, then the work seems rather to be in conformity with Hartmann's romances. Der 'Arme Heinrich' wird zumeist als Märchen oder Legende interpretiert. Wenn man den Terminus gemahel ernst nimmt und das auf gegenseitiger triuwe beruhende Verhältnis zwischen Heinrich und dem Mädchen auf dem Meierhof als eine Art Ehe versteht, die durch das Angebot der Selbstopferung und dessen Annahme selbstsüchtig gestört wird, um durch den Verzicht auf diese Lösung wiederhergestellt zu werden, so scheint das Werk eher mit dem Hartmannschen Roman konform zu sein.
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45

Wimmer, Katharina P. "Hartmann von Aue, Le Pauvre Henri. Der arme Heinrich. Récit allemand du xiie siècle. Version A et B." Cahiers de civilisation médiévale, no. 245 (January 1, 2019): 87–89. http://dx.doi.org/10.4000/ccm.1629.

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46

Harding, George E. "The Pilgrimage Motif in the Works of the Medieval German Author Hartmann von Aue by Mary Vandegrift Mills." Arthuriana 7, no. 2 (1997): 140–41. http://dx.doi.org/10.1353/art.1997.0075.

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47

Hasty, Will. "Theorizing German Romance: The Excursus on Enite & rsquo;s Horse and Saddle in Hartmann von Aue’sErec." Seminar: A Journal of Germanic Studies 43, no. 3 (September 2007): 253–64. http://dx.doi.org/10.3138/seminar.43.3.253.

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48

Sullivan, J. "A Companion to the Works of Hartmann von Aue. Edited by Francis G. Gentry. Rochester, NY: Camden House, 2004. 304 pages. $95.00." Monatshefte XCVIII, no. 2 (June 1, 2006): 282–84. http://dx.doi.org/10.3368/m.xcviii.2.282.

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49

Obukhova, Olga N., and Olga V. Baykova. "Means of Language Objectification of the German Knight Image in the Artistic Picture of World in Middle Ages." Nauchnyi dialog, no. 7 (July 30, 2020): 158–76. http://dx.doi.org/10.24224/2227-1295-2020-7-158-176.

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The analysis of historical, culturally motivated ideas about the German knight, which are objectified in the language not only in conventional, unified standards, but primarily in socio-ethnocultural assessments and stereotypes, is presented. The material of the study was German knightly novels: “Tristan” (“Tristan”) by Gottfried of Strasbourg, “Poor Heinrich” (“Der arme Heinrich”) by Hartmann von Aue, “Eneasroman” by Heinrich von Veldeke. Particular attention is paid to the study of indicators of the national specificity of the image of the German knight. It is proved in the work that the actualization of lexical units that serve to represent the image of a knight is largely specific and due to the genre specificity of Western European literature texts of the Middle Ages. It is stated that the knowledge of medieval German culture bearers about the surrounding reality, objectified by the semantics and pragmatics of linguistic and speech units, structures, compositions, united as a whole by the characteristics of the surrounding world are accumulated in the artistic picture of the world in the Middle Ages. It is concluded that the image of a knight embodies the complex of worldview coordinates and values of the knightly estate, which are recorded in a verbal (artistic) text in the form of a specially organized system of knowledge and ideas about the world.
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Thierry, Christophe. "Puissance et Sagesse dans Erec de Hartmann von Aue et Érec et Énide de Chrétien de Troyes ? des références au De gratia de Be." Études Germaniques 268, no. 4 (2012): 557. http://dx.doi.org/10.3917/eger.268.0557.

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