Log in

Relevant bibliographies by topics / Haruki murakami

Contents

Journal articles
Dissertations / Theses
Books
Book chapters
Conference papers

Academic literature on the topic 'Haruki murakami'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 April 2022

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Haruki murakami.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Haruki murakami"

1

Le Huy, Bac. "Intersignality in Haruki Murakami’s short stories." Journal of Science Social Science 66, no. 2 (May 2021): 3–13. http://dx.doi.org/10.18173/2354-1067.2021-0019.

Full text

Abstract:

Applying the theory of intersignality to study the Murakami's short stories, I found that although he was a master of storytelling, his short stories were mostly based on the stories of a certain author. We do not see it as a plagiarism phenomenon because Murakami has a sense of dialogue or writing differently than previous writers. But that shows a limitation in Murakami's artistic creation. In addition, he aimed to make money in writing so he wrote long and so much. Reading Murakami's stories has a certain boredom. During his writing career, Murakami was influenced by Kafka, Hemingway and especially Raymond Carver. He has little influence from Japanese writers. And even though Japanese writers criticize his writing as a detachment from his tradition, Murakami is still a Japanese writer. The only difference is that he wants to target a global audience.

APA, Harvard, Vancouver, ISO, and other styles

2

Dao Thi Thu, Hang. "Haruki Murakami’s magical short stories." Journal of Science Social Science 66, no. 3 (August 2021): 12–19. http://dx.doi.org/10.18173/2354-1067.2021-0042.

Full text

Abstract:

Murakami is one of the masters of Magical literature. In his writing, the magical world appeared in a variety of colors. As a writer who follows Poe, Kafka, Marquez, etc., Murakami has both inherited and developed magicalism to a new level. The spirit world is an important fulcrum for him to exploit the magical and fanciful elements. He has a knack for turning both the unconscious with its hidden memories and also the guilt and regret from it into magical signs. Murakami's magicality weaves both mystery and comedy. Thereby, the writer illuminates the hidden corners of the soul that in a busy life, people often forget.

APA, Harvard, Vancouver, ISO, and other styles

3

Phan Thi Huyen, Trang. "Symbol of Sheep in Haruki Murakami’s novels." Journal of Science Social Science 65, no. 8 (August 2020): 31–38. http://dx.doi.org/10.18173/2354-1067.2020-0046.

Full text

Abstract:

Murakami is a writer who has a talent for using symbols. In addition to the Cat, the Well, the Wall,... the Sheep, which is a familiar object in his life, has become one of the unique symbols. In his novel, Murakami portrayed the sheep as the symbol of Japanese strength, of evil, of material and power desires... In particular, the sheep also participates in the process of magical narration and creates many unexpected meanings for readers. In summarize, the Sheep have contributed significantly to increase the ranks of meanings in the writer’s narration, and at the same time affirm Japanese cultural identity in Murakami’s narration.

APA, Harvard, Vancouver, ISO, and other styles

4

Dortier, Jean-François. "Haruki Murakami : écrivain marathonien." Sciences Humaines N°205, no. 6 (June 1, 2009): 4. http://dx.doi.org/10.3917/sh.205.0004.

Full text

APA, Harvard, Vancouver, ISO, and other styles

5

Kovalenin, D., and E. S. Maksimova. "“Isn't it weird if a contemporary Japanese girl speaks Church Slavonic?”." Practices & Interpretations: A Journal of Philology, Teaching and Cultural Studies 5, no. 3 (September 1, 2020): 7–20. http://dx.doi.org/10.18522/2415-8852-2020-3-7-20.

Full text

Abstract:

Dmitry Kovalenin is an orientalist, graduate of the Far Eastern State University, translator into Russian of Haruki Murakami’s books “Th e Wild Sheep Chase”, “Dance Dance Dance”, “Hard-Boiled Wonderland and the End of the World”, “Aft er Dark”, “1Q84”. Author of the books, “Entertaining Murakami studies” (2004), “Made in Hipponia” (2005), “Zombies of our century. Entertaining Murakami studies from ‘Subway’ to ‘1Q84’” (2020). In this issue of PI, chief inspirator of Murakami fandom in Russia, Dmitry Kovalenin, explains why Japanese people laugh at Russian jokes only out of politeness, why translators “improve” Dostoevsky, and where to look for “Chekhov's infl uence” in Murakami’s texts.

APA, Harvard, Vancouver, ISO, and other styles

6

Mukherjee, Susmita, and Sumathy K Swamy. "Redefining Masculinity in Haruki Murakami's Men Without Women." Shanlax International Journal of English 8, no. 1 (December 1, 2019): 67–70. http://dx.doi.org/10.34293/english.v8i1.852.

Full text

Abstract:

For centuries, the concept of the ideal man being macho has dominated over all forms of culture. In literature too male protagonists have been portrayed as strong men who are in control of their emotions. Any form of emotional expression from a man is deemed to be weak and labeled as effeminate. However, contemporary writers like Haruki Murakami are changing the ways in which men are portrayed in literature. Murakami makes his male characters vulnerable to pain and sadness thereby challenging the hegemonic notions of masculinity. The paper focuses on Murakami’s collection of short stories titled Men without Women, and studies the male characters in some of these short stories. It attempts to understand the changing definitions of masculinity and probes into what constitutes masculinity.

APA, Harvard, Vancouver, ISO, and other styles

7

Hansen, Gitte Marianne, and Michael Tsang. "40 years with Murakami Haruki." Japan Forum 32, no. 3 (February 26, 2020): 311–15. http://dx.doi.org/10.1080/09555803.2019.1691631.

Full text

APA, Harvard, Vancouver, ISO, and other styles

8

Papinchak, Robert Allen. "Killing Commendatore by Haruki Murakami." World Literature Today 92, no. 6 (2018): 68–69. http://dx.doi.org/10.1353/wlt.2018.0104.

Full text

APA, Harvard, Vancouver, ISO, and other styles

9

Hillenbrand, Margaret. "Murakami Haruki in Greater China: Creative Responses and the Quest for Cosmopolitanism." Journal of Asian Studies 68, no. 3 (August 2009): 715–47. http://dx.doi.org/10.1017/s0021911809990039.

Full text

Abstract:

The relationship between popular culture and East Asian identity is now an established field of enquiry, with the products of Japan's mass media industries—television series, pop stars, and manga—still providing much of the fuel for debate. This paper, however, moves away from the dominant notion of “culture as industry,” and explores animated personal responses to the fiction of Japanese writer Murakami Haruki in Hong Kong, China, and Taiwan through art house cinema, popular fiction, and online creative communities. The vogue for Murakami has swept across the region in recent years, and for many of those inspired by his work, it is Murakami's role as a conduit to cosmopolitan cultural citizenship that is so alluring. Yet rather than crude imitation, the filmmakers, writers, and Internet fans analyzed here misappropriate the “Murakami mood” in different ways, and in the process, they reveal the diverse meanings that attach to cosmopolitanism across contemporary East Asia.

APA, Harvard, Vancouver, ISO, and other styles

10

Honda, Sandra Delmonte Gallego. "Romancista como vocação de Haruki Murakami." Dialogia, no. 27 (October 6, 2017): 169–75. http://dx.doi.org/10.5585/dialogia.n27.7749.

Full text

APA, Harvard, Vancouver, ISO, and other styles

More sources

Dissertations / Theses on the topic "Haruki murakami"

1

Rice, Martha Emma. "Murakami Haruki: the problem of genre." The Ohio State University, 1995. http://rave.ohiolink.edu/etdc/view?acc_num=osu1346257976.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

楊詠賢 and Wing-yin Virginia Yeung. "Time in the novels of Murakami Haruki." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2010. http://hub.hku.hk/bib/B45697218.

Full text

APA, Harvard, Vancouver, ISO, and other styles

3

Salagnon, Benjamin. "L'intertextualité dans l'oeuvre romanesque de Murakami Haruki." Thesis, Lyon 3, 2012. http://www.theses.fr/2012LYO30034.

Full text

Abstract:

Murakami Haruki est probablement l'auteur le plus célèbre et le plus largement traduit de sa génération. Ce succès mondial, que la critique a parfois pu expliquer par l'occidentalisation de l'auteur, nous semble plutôt reposer sur une utilisation habile de l'intertextualité. Notre étude, après une présentation générale de la notion d'intertextualité, s'attache à déterminer les divers mouvements intertextuels chez l'auteur ; d'abord, en s'intéressant à l'intertextualité externe, qu'elle intervienne au plan microstructural, avec la référence et la citation, ou macrostructural, avec le pastiche et la parodie. Ensuite, en revenant sur l'intertextualité interne, également appelée intratextualité, si prégnante chez Murakami et qui structure son œuvre en réseau d'univers labiles. Nous verrons enfin que cette intertextualité massive pose question tant du point de vue critique, avec la problématique de la postmodernité, que du point de vue du lecteur, avec celle de la réception
Murakami Haruki is often said to be one of the most famous and most widely translated Japanese authors of his generation. This worldwide success, which have sometimes been explained by critics regarding the author's occidentalization, is, for us, rather based on a clever use of intertextuality. Our study, after a general presentation of the notion of intertextuality, sets out to determine the various intertextual movements in the author's works. First, by analyzing external intertextuality, whether it occurs on a microstructural (with references and quotations) or macrostructural plan (with the use of pastiche and parody). Then, by analyzing internal intertextuality (also called intratextuality), which structures his works in a labile worlds' network. We will finally see that this massive intertextuality is an important issue both for critical (with the question of postmodernity) and reader's (with the question of reception of the works) points of view

APA, Harvard, Vancouver, ISO, and other styles

4

Kakoi, Naoko. "Representation of war and history in Murakami Haruki's The wind-up bird chronicle." Click to view the E-thesis via HKUTO, 2007. http://sunzi.lib.hku.hk/hkuto/record/B38682783.

Full text

APA, Harvard, Vancouver, ISO, and other styles

5

Paulsrud, Ludvig. "Watashi wo aishite – älska mig : En lacaninspirerad läsning av Haruki Murakamis Sputnik Sweetheart." Thesis, Uppsala universitet, Litteraturvetenskapliga institutionen, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-181175.

Full text

APA, Harvard, Vancouver, ISO, and other styles

6

Dil, Jonathan. "Murakami Haruki and the search for self-therapy." Thesis, University of Canterbury. Languages and Cultures, 2008. http://hdl.handle.net/10092/1004.

Full text

Abstract:

This thesis offers a reading of the first eleven novels of popular Japanese novelist Murakami Haruki, as well as a selected number of his short-stories and non-fictional works, as an evolving therapeutic discourse. In short, it is a response to Murakami's own claim to have started writing fiction as a means of self-therapy. Murakami, I will argue, is primarily responding to existential anxieties that have been magnified by conditions of cultural decline in late-capitalist Japan. His resulting therapeutic discourse shares interesting parallels with certain psychoanalytic theories of the twentieth century. Previous psychoanalytic readings of Murakami's work have tended to take either the writings of Carl Jung or Jacques Lacan as their starting point. This thesis will argue, however, that both theoretical frameworks are needed if one is to truly understand where Murakami is coming from. This kind of therapeutic reading might seem to justify those critics who see only the escapist elements in Murakami's fiction and who fault him for failing to engage fully with the important political and social issues of his day. In fact, a therapeutic reading, I will argue, is the best way to see how closely related Murakami's search for self-therapy and his growing search for commitment really are.

APA, Harvard, Vancouver, ISO, and other styles

7

Chan, Kam-fai, and 陳錦輝. "Disappearing in Japan: a study of Murakami Haruki." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2004. http://hub.hku.hk/bib/B29792988.

Full text

APA, Harvard, Vancouver, ISO, and other styles

8

Ward, Peter Joseph. "Animals in the Fiction of John Irving and Haruki Murakami." Thesis, University of Canterbury. Humanities, 2012. http://hdl.handle.net/10092/7544.

Full text

Abstract:

This thesis examines animals in the fiction of John Irving and Haruki Murakami, two authors who have much in common, contemporaries whose work is both commercially successful and regarded as literary. Different in that Irving works within a traditional realist framework while Murakami delves into the magical, each includes animals in his fiction. They employ anthropomorphism and zoomorphism in a variety of ways and demonstrate how animals, as Claude Levi-Strauss puts it, are “good to think with”. I draw on the work of Erica Fudge in an overview of thinking with animals and examine the role of anthropomorphism and how it complements animal advocacy and liberationism in Irving’s Setting Free the Bears. I compare and contrast anthropomorphism and zoomorphism in The Hotel New Hampshire. In doing this, I complicate and challenge Wendy Doniger’s assertion that “sexuality makes humans into animals; language makes animals into humans”. This also applies to Murakami’s animals, who have further roles including enabling engagement with a magical dimension. I argue that, as instantiated in both writers’ fiction, animals evoke thought effectively largely because they are, as John Berger puts it, “both like and unlike”, and as Fudge identifies, that the “paradox of like and not like…exists in our fascination with animals”. My argument is that it is this very paradox, that they are simultaneously both “them” and “us”, along with other factors, such as the diversity, versatility and the inherent ambiguity of animals, that renders them fascinating. Furthermore, Murakami’s magically real animals link conceptual realms that are conventionally separate and facilitate criticism and challenging of conventional human hegemonic structures while operating outside national and cultural boundaries. In summary, Irving’s and Murakami’s animals are good to think with for many reasons, not despite their enigmatic furry ambiguity, but largely because of it.

APA, Harvard, Vancouver, ISO, and other styles

9

Akins, Midori Tanaka. "Time and space reconsidered : the literary landscape of Murakami Haruki." Thesis, SOAS, University of London, 2012. http://eprints.soas.ac.uk/15631/.

Full text

APA, Harvard, Vancouver, ISO, and other styles

10

Bates, David Christopher. "Religion and the sacred in the works of Haruki Murakami." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2013. http://hdl.handle.net/10722/192981.

Full text

Abstract:

This dissertation demonstrates how the Japanese novelist Haruki Murakami infuses religious concepts and sacred motifs into his works, generally through surreal events and otherworldly encounters that defy purely realist interpretations. The literary use of these images and themes encourage the author’s unique stylistic mood as well as subsequent magic realist readings, where everyday occurrences are interjected by providential asides and often overt references to the supernatural. This study of Murakami also helps to demonstrate how his postmodern works might be viewed in light of widely accepted narratives from varying religions. Certain trends are established in Murakami, especially via themes like isolation and loneliness, which help replace the traditional search for God with an internal quest for meaning through investigations of identity. This is especially accomplished using the Japanese I-Novel form. The addition of dreams and alternative realities, another common topic, represent other worlds in his fiction that mask Heaven and Hell. The sacred is also habitually linked with the profane and cultish behaviour, casting traditional religious concepts in a negative light. Throughout his career, Murakami has often incorporated a range of ideas from all manner of religious systems, specifically Buddhism, Christianity, and folk mythology. This dissertation, then, addresses a range of critical views on Murakami's fiction, especially considering thematic shifts in later works like 1Q84, which feature concepts of religion and the sacred in a more blatant way.
published_or_final_version
English Studies
Master
Master of Arts

APA, Harvard, Vancouver, ISO, and other styles

More sources

Books on the topic "Haruki murakami"

1

Murakami Haruki: Murakami Haruki. Tōkyō: Shōgakkan, 1997.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

2

Haruki Murakami. New York: Marshall Cavendish Benchmark, 2010.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

3

Strecher, Matthew C., and Paul L. Thomas, eds. Haruki Murakami. Rotterdam: SensePublishers, 2016. http://dx.doi.org/10.1007/978-94-6300-462-6.

Full text

APA, Harvard, Vancouver, ISO, and other styles

4

Murakami Haruki to Haruki Murakami: Seishin bunsekisuru sakka. Kyōto-shi: Mineruva Shobō, 2010.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

5

Nazotoki Murakami Haruki. Tōkyō: Kōbunsha, 2007.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

6

Yoshida, Haruo. Murakami Haruki, tenkansuru. Tōkyō: Sairyūsha, 1997.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

7

Murakami Haruki sutadīzu, 2008-2010 =: Murakami Haruki studies, 2008-2010. Tōkyō: Wakakusa Shobō, 2011.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

8

Murakami Haruki tanpen saidoku. Tōkyō: Misuzu Shobō, 2007.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

9

Murakami Haruki to Chūgoku. Tōkyō: Ātsu ando Kurafutsu, 2012.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

10

1949-, Murakami Haruki, ed. Murakami Haruki no uta. Tōkyō: Seikyūsha, 1990.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

More sources

Book chapters on the topic "Haruki murakami"

1

Ophüls-Kashima, Reinold. "Murakami Haruki." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_16742-1.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

Wakatsuki, Tomoki. "The Haruki Phenomenon and Everyday Cosmopolitanism." In Haruki Murakami, 1–16. Rotterdam: SensePublishers, 2016. http://dx.doi.org/10.1007/978-94-6300-462-6_1.

Full text

APA, Harvard, Vancouver, ISO, and other styles

3

Strecher, Matthew C. "Epilogue." In Haruki Murakami, 131–34. Rotterdam: SensePublishers, 2016. http://dx.doi.org/10.1007/978-94-6300-462-6_10.

Full text

APA, Harvard, Vancouver, ISO, and other styles

4

Thomas, Paul L. "Coda: Art in Conversation with Art." In Haruki Murakami, 135–43. Rotterdam: SensePublishers, 2016. http://dx.doi.org/10.1007/978-94-6300-462-6_11.

Full text

APA, Harvard, Vancouver, ISO, and other styles

5

Katō, Yuji. "Our Old Haruki Murakami and the Experience of Teaching his Works in Japan." In Haruki Murakami, 17–30. Rotterdam: SensePublishers, 2016. http://dx.doi.org/10.1007/978-94-6300-462-6_2.

Full text

APA, Harvard, Vancouver, ISO, and other styles

6

Strecher, Matthew C. "Haruki Murakami and the Chamber of Secrets." In Haruki Murakami, 31–46. Rotterdam: SensePublishers, 2016. http://dx.doi.org/10.1007/978-94-6300-462-6_3.

Full text

APA, Harvard, Vancouver, ISO, and other styles

7

Suter, Rebecca. "Critical Engagement through Fantasy in Hard-Boiled Wonderland and the End of the World." In Haruki Murakami, 59–71. Rotterdam: SensePublishers, 2016. http://dx.doi.org/10.1007/978-94-6300-462-6_5.

Full text

APA, Harvard, Vancouver, ISO, and other styles

8

Dil, Jonathan. "What’s Wrong with These People?" In Haruki Murakami, 73–86. Rotterdam: SensePublishers, 2016. http://dx.doi.org/10.1007/978-94-6300-462-6_6.

Full text

APA, Harvard, Vancouver, ISO, and other styles

9

Flynn, Deirdre. "The Transcreation of Tokyo." In Haruki Murakami, 87–100. Rotterdam: SensePublishers, 2016. http://dx.doi.org/10.1007/978-94-6300-462-6_7.

Full text

APA, Harvard, Vancouver, ISO, and other styles

10

Kiriyama, Daisuke. "“You’re Probably Not that Innocent Either, Mr. Murakami”." In Haruki Murakami, 101–16. Rotterdam: SensePublishers, 2016. http://dx.doi.org/10.1007/978-94-6300-462-6_8.

Full text

APA, Harvard, Vancouver, ISO, and other styles

Conference papers on the topic "Haruki murakami"

1

Mori, Masaki. "Murakami Haruki as an Ambivalently Japanese Writer." In Annual International Conference on Language, Literature & Linguistics (L3 2016). Global Science & Technology Forum ( GSTF ), 2016. http://dx.doi.org/10.5176/2251-3566_l316.44.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

Mori, Masaki. "Identity and Writing through Translation in Murakami Haruki." In Annual International Conference on Language, Literature and Linguistics. Global Science & Technology Forum (GSTF), 2015. http://dx.doi.org/10.5176/2251-3566_l315.45.

Full text

APA, Harvard, Vancouver, ISO, and other styles

3

Lena, Lalu Panca. "Konflik Kepribadian Toru Watanabe dalam Noruwei No Mori Karya Murakami Haruki." In Seminar Nasional Struktural 2018. Semarang, Indonesia: Dian Nuswantoro University, 2018. http://dx.doi.org/10.33810/274182.

Full text

APA, Harvard, Vancouver, ISO, and other styles

4

Li, Yang, and Ting Chen. "Study on the Artistic Heritage of Kafka form Haruki Murakami's "Kafka"." In 2016 International Conference on Humanity, Education and Social Science. Paris, France: Atlantis Press, 2016. http://dx.doi.org/10.2991/ichess-16.2016.125.

Full text

APA, Harvard, Vancouver, ISO, and other styles

5

"Memory and Trauma Transmission in Haruki Murakami’s After the Quake: Postmemory Study." In March 2-4, 2020 Istanbul (Turkey). Dignified Researchers Publication, 2020. http://dx.doi.org/10.17758/dirpub8.dir0320425.

Full text

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!