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Dissertations / Theses on the topic 'Haruki murakami'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

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1

Rice, Martha Emma. "Murakami Haruki: the problem of genre." The Ohio State University, 1995. http://rave.ohiolink.edu/etdc/view?acc_num=osu1346257976.

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2

楊詠賢 and Wing-yin Virginia Yeung. "Time in the novels of Murakami Haruki." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2010. http://hub.hku.hk/bib/B45697218.

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3

Salagnon, Benjamin. "L'intertextualité dans l'oeuvre romanesque de Murakami Haruki." Thesis, Lyon 3, 2012. http://www.theses.fr/2012LYO30034.

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Murakami Haruki est probablement l'auteur le plus célèbre et le plus largement traduit de sa génération. Ce succès mondial, que la critique a parfois pu expliquer par l'occidentalisation de l'auteur, nous semble plutôt reposer sur une utilisation habile de l'intertextualité. Notre étude, après une présentation générale de la notion d'intertextualité, s'attache à déterminer les divers mouvements intertextuels chez l'auteur ; d'abord, en s'intéressant à l'intertextualité externe, qu'elle intervienne au plan microstructural, avec la référence et la citation, ou macrostructural, avec le pastiche e

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4

Kakoi, Naoko. "Representation of war and history in Murakami Haruki's The wind-up bird chronicle." Click to view the E-thesis via HKUTO, 2007. http://sunzi.lib.hku.hk/hkuto/record/B38682783.

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5

Paulsrud, Ludvig. "Watashi wo aishite – älska mig : En lacaninspirerad läsning av Haruki Murakamis Sputnik Sweetheart." Thesis, Uppsala universitet, Litteraturvetenskapliga institutionen, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-181175.

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6

Dil, Jonathan. "Murakami Haruki and the search for self-therapy." Thesis, University of Canterbury. Languages and Cultures, 2008. http://hdl.handle.net/10092/1004.

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This thesis offers a reading of the first eleven novels of popular Japanese novelist Murakami Haruki, as well as a selected number of his short-stories and non-fictional works, as an evolving therapeutic discourse. In short, it is a response to Murakami's own claim to have started writing fiction as a means of self-therapy. Murakami, I will argue, is primarily responding to existential anxieties that have been magnified by conditions of cultural decline in late-capitalist Japan. His resulting therapeutic discourse shares interesting parallels with certain psychoanalytic theories of the twentie

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7

Chan, Kam-fai, and 陳錦輝. "Disappearing in Japan: a study of Murakami Haruki." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2004. http://hub.hku.hk/bib/B29792988.

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8

Seats, Michael Robert. "Murakami Haruki: The simulacrum in contemporary Japanese culture." Thesis, Seats, Michael Robert (2002) Murakami Haruki: The simulacrum in contemporary Japanese culture. PhD thesis, Murdoch University, 2002. https://researchrepository.murdoch.edu.au/id/eprint/52973/.

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Over the past few decades Murakami Haruki has emerged as one of the most significant literary figures in Japan. Having produced some 86 original works and translations, he has recast the format of the novel, reformulated the parameters of contemporary literary style, and ventured into non-fiction writing and social commentary. He is now a thoroughly 'globalized' writer, with works translated into ten languages. While much of the critical literature on Murakami in Japanese has recently become more sophisticated, critiques in English have remained largely bound to the conventional analyses a

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9

Ward, Peter Joseph. "Animals in the Fiction of John Irving and Haruki Murakami." Thesis, University of Canterbury. Humanities, 2012. http://hdl.handle.net/10092/7544.

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This thesis examines animals in the fiction of John Irving and Haruki Murakami, two authors who have much in common, contemporaries whose work is both commercially successful and regarded as literary. Different in that Irving works within a traditional realist framework while Murakami delves into the magical, each includes animals in his fiction. They employ anthropomorphism and zoomorphism in a variety of ways and demonstrate how animals, as Claude Levi-Strauss puts it, are “good to think with”. I draw on the work of Erica Fudge in an overview of thinking with animals and examine the role of

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10

Strecher, Matthew Carl. "Hidden texts and nostalgic images : the serious social critique of Murakami Haruki /." Thesis, Connect to this title online; UW restricted, 1995. http://hdl.handle.net/1773/11134.

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11

Akins, Midori Tanaka. "Time and space reconsidered : the literary landscape of Murakami Haruki." Thesis, SOAS, University of London, 2012. http://eprints.soas.ac.uk/15631/.

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12

Bates, David Christopher. "Religion and the sacred in the works of Haruki Murakami." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2013. http://hdl.handle.net/10722/192981.

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This dissertation demonstrates how the Japanese novelist Haruki Murakami infuses religious concepts and sacred motifs into his works, generally through surreal events and otherworldly encounters that defy purely realist interpretations. The literary use of these images and themes encourage the author’s unique stylistic mood as well as subsequent magic realist readings, where everyday occurrences are interjected by providential asides and often overt references to the supernatural. This study of Murakami also helps to demonstrate how his postmodern works might be viewed in light of widely ac

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13

Grillo, Alessandra <1989&gt. "L'amore e altri inganni: Samsa in love di Murakami Haruki." Master's Degree Thesis, Università Ca' Foscari Venezia, 2014. http://hdl.handle.net/10579/4013.

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14

Karashima, David James. "The translating, rewriting and reproducing of Haruki Murakami for the anglophone market." Doctoral thesis, Universitat Rovira i Virgili, 2013. http://hdl.handle.net/10803/127107.

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Haruki Murakami es el escritor japonés contemporáneo más leído en la actualidad. Sus libros han sido traducidos a más de cuarenta idiomas, se han convertido en un superventas en muchos países y han cosechado elogios de la crítica internacional. Los críticos suelen señalar ciertas características y temas en la obra de Murakami para explicar su éxito en variados contextos culturales y nacionales. Sin embargo, si bien no hay ninguna duda de que los mundos ficticios de Murakami han logrado conectarse con lectores a nivel mundial, su éxito no se puede entender solo con el análisis de sus obras. La

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15

Li, Chengyuan, and Chengyuan Li. "Murakami Haruki: A Serious Literature Writer Under the Cover of Pop Culture." Thesis, The University of Arizona, 2017. http://hdl.handle.net/10150/626394.

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As a famous contemporary writer, Murakami Haruki has a wide-reaching influence throughout the world, especially in East Asia. In my thesis, I intend to analyze his novels and short stories from 1979 to 2014. In doing so, I will reveal why Murakami Haruki is so popular in Asia, particularly China. This analysis will demonstrate that East Asian public culture has been undergoing changes during the past 20 years. I will analyze four of Murakami’s works: Wild Sheep Chase (1982), Norwegian Wood (1987), to The Wind-up Bird Chronicle (1995), and finishing with Colorless Tsukuru Tazaki And His Year Of

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16

Barone, Jason B. "The Search for the Jungian Stranger in the Novels of Haruki Murakami." Case Western Reserve University School of Graduate Studies / OhioLINK, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=case1207319408.

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17

Gervasio, Giuseppe Tommaso <1976&gt. "L'esordio di Haruki Murakami: "Ascolta, il vento canta" - Impressioni di un interprete." Master's Degree Thesis, Università Ca' Foscari Venezia, 2013. http://hdl.handle.net/10579/2403.

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La presente tesi propone un approccio critico-letterario alle opere dello scrittore giapponese Haruki Murakami, utilizzando come principale chiave interpretativa il romanzo con cui l’autore nipponico esordì nel 1982: "Ascolta, il vento canta". La traduzione in italiano presente nella tesi è a cura del sottoscritto, interprete di professione. L’interpretariato rappresenta per antonomasia la specializzazione nella trasmissione orale di una lingua, ma nello svolgimento di questa traduzione, non avulsa di oralità poiché ricca di dialoghi, oltre a immergersi profondamente nella cultura e nell

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18

Nygren, Johanna. ""She's just not there" : A study of psychological symbols in Haruki Murakami’s work." Thesis, Halmstad University, School of Humanities (HUM), 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:hh:diva-5143.

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<p>In this essay a novel by the Japanese author Haruki Murakami, <em>The Wind-up Bird Chronicle</em>, is examined through dreams as a psychoanalytical phenomenon or spectacle. The novel is a complex work but mainly circles around the main character Toru, a middle-aged man in modern Japan whose wife leaves him unexpectedly. The focus in this essay is on the dream symbols in this novel and how they have a narrative function, i.e., how the symbols can be tied to the main character Toru’s real life problems, more specifically, his problems with femininity. The psychoanalytical approaches used in t

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19

Zuromski, Jacquelyn. "GETTING TO THE PULP OF HARUKI MURAKAMI'SNORWEGIAN WOOD:TRANSLATABILITY." Master's thesis, University of Central Florida, 2004. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/3163.

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Haruki Murakami's Norwegian Wood (1987) veers from his favored detective-fiction genre by offering readers a 1960s coming-of-age romance, a story whose plot nonetheless spins around the protagonist seeking out his personal identity. The conflicts between Japanese tradition and modern, global perspectives are illustrated through the inclusion of popular culture elements such as music, literature and films. This thesis seeks to show how the novel's references to popular culture of the 1960s combine to help the protagonist establish an identity for himself as well as his place within the universa

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20

Fisher, Susan Rosa. "A genre for our times: the Menippean satires of Russell Hoban and Murakami Haruki." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/nq25047.pdf.

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21

Mullins, Michelle D. ""Twins and the Sunken Continent" and "Lexington Ghosts": Two short stories by Murakami Haruki." Connect to online resource, 2007. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:1449643.

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22

Reive, Ronald James. "Crossing boundaries: postmodern realities in the selected works of Haruki Murakami and Rana Dasgupta." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2011. http://hub.hku.hk/bib/B4670114X.

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23

Bigay, Michael. "Solitude et communauté humaine dans « L’Invention de la solitude » de Paul Auster, « Le Salon du Wurtemberg » de Pascal Quignard, et « La fin des temps » de Murakami Haruki." Thesis, Paris Est, 2016. http://www.theses.fr/2016PESC0008.

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Les trois oeuvres de notre corpus déclinent les données d'un vivre-ensemble tissé de solitude, d’une existence qui est coexistence. La solitude affecte des personnages qui constituent les témoins de l'humaine condition. L’oubli qui les hante est également solitude. Dès lors, la mémoire constitue l’antidote communautaire à une amnésie menaçante, et l’intertexte permet d’unir les solitudes par la matérialisation d'une communauté humaine aux prises avec l’altérité du réel. Cette communauté s'exprime de manière privilégiée dans ces trois récits qui donnent libre cours aux tensions et contradiction

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24

Koizumi, Kaori. "The unknown core of existence : representations of the self in the novels of Haruki Murakami." Thesis, University of Essex, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.395919.

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Mattsson, Philippa. "Portraying characteristics in English translation of Japanese : A case study of the speech of Kobayashi Midori in Murakami Haruki's Norwegian Wood." Thesis, Högskolan Dalarna, Japanska, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:du-30472.

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The distinguishing traits of characters in novels may appear to change in translation. One of the main means of conveying the individualities, personalities and moral qualities of characters is through dialogue, using the possibilities opened by, for example, the selection of register and use of gendered language. In order to gain insight on how apparent changes to characteristics can arise, this case study investigates whether, why and how the character Midori in Murakami Haruki's Norwegian Wood appears to change in translation, based on her dialogue. The study demonstrates how linguistic dif

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26

Hughey, David Jonathan 1969. "Confronting Japan's war in China in modern Japanese literature: Takeda Taijun, Murakami Haruki and Inoue Yasushi." Thesis, The University of Arizona, 1998. http://hdl.handle.net/10150/278659.

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Japan has borrowed much from its continental neighbor, China: a writing system, ideas of government, religion and aspects of culture. The importation of Chinese exemplars and the strong sense of cultural indebtedness have been balanced by a belief in the modern period that China was somehow inferior, or had lost its claim to civilizational greatness. Japan's contradictory view of China continues to this day. In the post-war era, writers such as Inoue Yasushi, Takeda Taijun and Murakami Haruki have written about the legacy of World War Two and Japan's lingering guilt and concomitant revisionism

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Piva, Veroi Martina <1991&gt. "Di perdita e di abbandono: Murakami Haruki e "Ascolta la Canzone del Vento" — Con traduzione integrale dell'opera —." Master's Degree Thesis, Università Ca' Foscari Venezia, 2017. http://hdl.handle.net/10579/9607.

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La carriera di Murakami Haruki 村上春樹 (Kyōto, 1949) prosegue da quasi quattro decadi. La fama dell’autore ha raggiunto livelli mondiali costituendo un vero e proprio fenomeno che iniziò a prendere forma nel 1979 con l'opera d'esordio "Ascolta la Canzone del Vento" (風の歌を聴け, Kaze no uta wo kike). Nella presente tesi analizzeremo nel dettaglio questo romanzo. Nel primo capitolo sarà ripercorsa la vita di Murakami fino al suo esordio, con particolare attenzione agli aspetti che hanno influenzato la sua opera. Ci si soffermerà poi sulla reazione del "bundan" 文壇 nei confronti dello scrittore esordient

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kawashita, Kamyla katsue. "Uma análise da tradução de marcadores culturais em Kafka à beira-mar e Kafka on the Shore, à luz dos estudos da tradução baseados em corpus." Universidade Estadual do Oeste do Paraná, 2017. http://tede.unioeste.br/handle/tede/3538.

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Submitted by Edineia Teixeira (edineia.teixeira@unioeste.br) on 2018-04-11T18:24:13Z No. of bitstreams: 2 Kamyla_Kawashita 2017.pdf: 1314271 bytes, checksum: 18591742c0f5978ac311d9954b35bc56 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)<br>Made available in DSpace on 2018-04-11T18:24:13Z (GMT). No. of bitstreams: 2 Kamyla_Kawashita 2017.pdf: 1314271 bytes, checksum: 18591742c0f5978ac311d9954b35bc56 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) Previous issue date: 2017-12-19<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Su

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Trottier, Anne-Sophie, and Anne-Sophie Trottier. "Les empreintes du mythe d'Œdipe dans Kafka sur le rivage d'Haruki Murakami et Les Gommes d'Alain Robbe-Grillet." Master's thesis, Université Laval, 2018. http://hdl.handle.net/20.500.11794/30371.

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"Ce mémoire porte sur les réécritures du mythe d’OEdipe dans Kafka sur le rivage d’Haruki Murakami et Les Gommes d’Alain Robbe-Grillet. Plus spécifiquement, il vise à cerner les stratégies par lesquelles ces auteurs se réapproprient le mythe d’OEdipe, d’abord en explorant les liens hypertextuels qui associent ces romans avec OEdipe roi, leur texte fondateur, ainsi qu’avec la psychanalyse freudienne. Ensuite, il sera question d’examiner les modalités entourant la transposition de ce mythe en un contexte moderne, en mettant en lien les thématiques et motifs qui sous-tendent chaque réécriture. Le

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Fujimoto, Hiroko. "The New Voice of Murakami Haruki: Workable Identity and the Power of the Story in The Wind-up Bird Chronicle." Thesis, The University of Arizona, 1999. http://hdl.handle.net/10150/560507.

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García-Valero, Benito Elías. "La ciencia y la palabra mágica. Confluencias del realismo mágico y la física cuántica en Kenzaburō Ōe y Haruki Murakami." Doctoral thesis, Universidad de Alicante, 2014. http://hdl.handle.net/10045/45881.

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Las relaciones literarias entre la cultura latinoamericana y la japonesa no han disfrutado del desarrollo que han tenido los estudios comparatistas centrados en los intercambios de Occidente con Japón. Este estudio pretende incidir en la influencia del realismo mágico literario latinoamericano en Japón a través de momentos puntuales en la escritura de K. Oé (M/T y la historia de las maravillas del bosque) y H. Murakami (Kafka en la orilla, 1Q84). A pesar de que este último autor sí ha sido analizado desde los postulados del realismo mágico, aquí discutimos sus resultados interpretativos. Más b

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Pountney, Jonathan. "The afterlife of Raymond Carver : authenticity, neoliberalism and influence." Thesis, University of Manchester, 2017. https://www.research.manchester.ac.uk/portal/en/theses/the-afterlife-of-raymond-carver-authenticity-neoliberalism-and-influence(429c92c2-888e-4bde-90ab-037a112a6ea4).html.

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This thesis explores the afterlife of Raymond Carver in relation to a number of important writers and artists that claim Carver as an influence and who are working within countries or cultures that have recently made, or are in the process of making, the transition from embedded liberalism to neoliberalism. This project argues that while Carver's influence has been conventionally limited to what critic A.O. Scott calls 'a briefly fashionable school of experimental fiction', in recent years his writing has come to represent a 'return' to a more 'real' form of literature, one that, his advocates

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Beyeme, Nze Alexis. "Esthétique et théorie de l'errance : regard littéraire et perspective de lecture sur les oeuvres romanesques d'Edouard Glissant, de John Maxwell Coetzee et de Haruki Murakami." Thesis, Paris 3, 2014. http://www.theses.fr/2014PA030078/document.

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L’errance cet être phénomène qui s’émeut et parcours la diégèse d’une production littéraire transgressive. Cette révolution du langage textuel dont le but premier est de mettre à mort la tradition de la littérature. Ici encore le genre représentatif des lettres, le roman, est bousculé jusqu’à son dernier retranchement, tant la transformation est évidente et perceptible dans la pensée moderne, postmoderne et postcoloniale. L’hybridation se convoque si bien que, le lecteur est une fois de plus aliéné, médusé d’un maillage scriptural qui le pousse à la transcendance de l’analyse basique. L’auteur

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34

Lindgren, Fanny. "Upp och ned, hit och dit : En romananalys av Haruki Murakamis Fågeln som vrider upp världen utifrån Michail Bachtins kronotopteori." Thesis, Umeå universitet, Institutionen för kultur- och medievetenskaper, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-66699.

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In this essay Murakami Haruki’s novel The Wind Up Bird Chronicle was analysed from the perspective of Mikhail Bakhtin’s theory of the chronotope. The aim was to explore the concept of time and space as presented in the novel. In particular, the analysis focused on how Bakhtin’s chronotopes can be applied to The Wind Up Bird Chronicle, how the chronotopes can enhance our understanding of the novel, and finally how the chronotope theory can be applied to the concept of ‘magic realism’ that is often used to describe Murakami’s authorship. Four chronotopes, presented by Bachtin, were selected and

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Gladding, Kevin. "NEGOTIATING PLACE: MULTISCAPES AND NEGOTIATION IN HARUKI MURAKAMI'S NORWEGIAN WOOD." Master's thesis, University of Central Florida, 2005. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/4057.

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In Murakami's Norwegian Wood, romance and coming-of-age confront the growing trend of postmodernity that leads to a discontinuity of life becoming more and more common in post-war Japan. As the narrator struggles through a monotonous daily existence, the text gives the reader access to the narrator's struggle for self- and societal identity. In the end, he finds his means of self-acceptance through escape, and his escape is a product of his attempts at negotiating the multiple settings or "scapes" in which he finds himself. The thesis follows the narrator through his navigation of these scapes

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Persson, Sofie. "”Jag är bara en dum, gammaldags flicka” : En feministisk karaktärsanalys av Haruki Murakamis Norwegian Wood." Thesis, Linnéuniversitetet, Institutionen för språk och litteratur, SOL, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-17482.

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NILSSON, Anna-Carin. "En gränsöverskridande resa i text och identitet : Magisk realism i Haruki Murakamis roman Kafka på stranden." Thesis, Linnéuniversitetet, Institutionen för språk och litteratur, SOL, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-20359.

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Magisk realism utgör ett sofistikerat berättagrepp i den japanske författaren Haruki Murakamis roman Kafka på stranden. I det realistiska ramverket av japansk vardag inträffar magiska inslag i form av fiskregn eller ikiryou en sorts 'gengångare'. Den magiska realismen utgör en artikulation mellan en medveten och en omedveten värld eller tar läsaren med på en gränsöverskridande resa för att utforska stil eller genre i texten samt identitet hos Jaget och den Andre.

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Kakoi, Naoko, and 栫直子. "Representation of war and history in Murakami Haruki's The wind-up bird chronicle." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2007. http://hub.hku.hk/bib/B38682783.

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Suen, Jenkin, and 孫靖乾. "The shadow of Japanese psyche : journey to the unconscious in Murakami Haruki's 1Q84." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2013. http://hdl.handle.net/10722/196522.

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This dissertation conducts a critical analysis of the representation of the personal and collective unconscious of Japan in Murakami Haruki’s 1Q84. In particular, employing the concepts of Carl G. Jung and Jacques Lacan, this dissertation examines how Murakami showcases the shadow of Japanese psyche and society by reimagination of history. It contends that Murakami seeks to revisit the past in 1Q84 to reflect on history, make sense of the present and instill reflections on the System and moral complexity. Echoing the individuation process put forward by Jung, Murakami brings the repressed Japa

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Winblad, Julia. "Försvunna kvinnor : En undersökning av magisk realism i Haruki Murakamis Sputnik Älskling och Fågeln som vrider upp världen." Thesis, Linnéuniversitetet, Institutionen för film och litteratur (IFL), 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-49700.

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Skeen, Autumn Alexander. "Compassion as catalyst| The literary manifestations of Murakami Haruki's transformation from Underground to Kafka on the Shore." Thesis, California State University, Dominguez Hills, 2016. http://pqdtopen.proquest.com/#viewpdf?dispub=10020164.

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<p> Murakami Haruki's primary readership consists of Japan's four million born between 1978 and 1990—an Ice Age of hiring freezes and layoffs. Murakami's cynical antiheroes modeled a blasé and passive cool. Japanese youth assimilated his tenor and tone. A moral struggle was missing. Following Tokyo's 1995 cult-instigated gas attacks, the repatriating author delved into his 1997-98 reportage, <i>Underground</i>. Despairing apocalyptic outlooks among the economically abandoned respondents rocked Murakami's insularity. The shock engendered his unprecedented compassion.</p><p> This

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Tam, Siu-man, and 譚兆文. "Sense of loss in post-modern Japan as depicted in Murakami Haruki's Trilogy: "Hear the wind sing", "Pinball 1973" and "A wild sheepchase"." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2004. http://hub.hku.hk/bib/B29948708.

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SAGAWA, AI, and 佐川藍. "The acceptance of HARUKI MURAKAMI in Taiwan-About the actions related with HARUKI MURAKAMI-." Thesis, 2018. http://ndltd.ncl.edu.tw/handle/nt5gm3.

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碩士<br>淡江大學<br>日本語文學系碩士班<br>106<br>Today, Globalization is progressing with development of internet and people, things and culture are continuously being exchanged. Although many thingsare being exchanged across borders, literature is also, too. In most cases that the booksof a country are published at overseas, they are translated the languages which are spoken in the countries. Japanese literature is read in Taiwan that has strong relationship with Japan through history and where books of HARUKI MURAKAMI have been also read. It is in 1985 whenhis novel was first introduced to Taiwan. This the

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Ambury, Brad. "The multiple worlds of Murakami Haruki." Thesis, 1997. http://hdl.handle.net/2429/5909.

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The focus of this thesis is Murakami's consistent textual evocations of a parallel world-within-a-world motif. By examining works in which these narrative constructs are most prominent, the analysis will delineate and clarify the structures and thematic significance of such constructs within his fictions and their function in the creation and,even, interpretation of Murakami's other realms. This thesis will also explore the possibilities of links, whether conscious or unconscious, between Murakami's fictions and a modern Japanese literary paradigm for which the term, Mukogawa ('the oth

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Chang, Ming-Min, and 張明敏. "A Study on Haruki Murakami--Murakami as a Translator and Author." Thesis, 2003. http://ndltd.ncl.edu.tw/handle/53349417096681541657.

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碩士<br>國立高雄第一科技大學<br>應用日語所<br>91<br>Translation is the main concept of this thesis. In this thesis, there are two points of view to review Haruki Murakami’s literary works: his translating works from American novels and his works translated into English in United States. By examining these two dimensions, this thesis tries to provide a different angle to study the most popular contemporary Japanese writer. Haruki Murakami’s Norwegian Woods has been setting an unbeatable bestseller record in Japan since 1987. Since then, Haruki Murakami has been considered as a representative Japanese writer a

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Chen, Pei-yu, and 陳珮瑜. "Leaves the cultural industry possibility——Centered on Murakami Haruki." Thesis, 2008. http://ndltd.ncl.edu.tw/handle/xquev8.

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Cheng, Chih-chien, and 鄭智謙. "Signs and Machine：On《Kafka on the Shore》by Murakami Haruki." Thesis, 2010. http://ndltd.ncl.edu.tw/handle/53918825534725841169.

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Hsiao, Ming-Li, and 蕭明莉. "Haruki Murakami in Taiwan：A Study of Literary Transplant and Cultural Production." Thesis, 2017. http://ndltd.ncl.edu.tw/handle/22871988393846976919.

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Shin-Ning, Hwang, and 黃心寧. "A Comparison of the Chinese Translations of Murakami Haruki''s Norwegian Wood." Thesis, 2001. http://ndltd.ncl.edu.tw/handle/28867621523172216474.

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Chiang, Hsi-Hao, and 姜錫昊. "The Research of Haruki Murakami''s Composition --From Cultural Perspective--." Thesis, 2014. http://ndltd.ncl.edu.tw/handle/u5q4rf.

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碩士<br>國立高雄第一科技大學<br>應用日語研究所<br>102<br>The research would be started is because of the different appreciation from Japan and other foreign country. I am major in literary theory of eastern and western cultures when I studied at university. I have felt about the different influence from different sphere at that time. It is difficult to be discussed as a theme however there are association between culture and literature. 　Therefore, I choose Haruki Murakami’s composition as the example to discuss how does culture affect literature. The research is divided into three parts. First, I analyze the fe

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