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Journal articles on the topic 'Haruki murakami'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

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1

Le Huy, Bac. "Intersignality in Haruki Murakami’s short stories." Journal of Science Social Science 66, no. 2 (2021): 3–13. http://dx.doi.org/10.18173/2354-1067.2021-0019.

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Applying the theory of intersignality to study the Murakami's short stories, I found that although he was a master of storytelling, his short stories were mostly based on the stories of a certain author. We do not see it as a plagiarism phenomenon because Murakami has a sense of dialogue or writing differently than previous writers. But that shows a limitation in Murakami's artistic creation. In addition, he aimed to make money in writing so he wrote long and so much. Reading Murakami's stories has a certain boredom. During his writing career, Murakami was influenced by Kafka, Hemingway and es

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Dao Thi Thu, Hang. "Haruki Murakami’s magical short stories." Journal of Science Social Science 66, no. 3 (2021): 12–19. http://dx.doi.org/10.18173/2354-1067.2021-0042.

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Murakami is one of the masters of Magical literature. In his writing, the magical world appeared in a variety of colors. As a writer who follows Poe, Kafka, Marquez, etc., Murakami has both inherited and developed magicalism to a new level. The spirit world is an important fulcrum for him to exploit the magical and fanciful elements. He has a knack for turning both the unconscious with its hidden memories and also the guilt and regret from it into magical signs. Murakami's magicality weaves both mystery and comedy. Thereby, the writer illuminates the hidden corners of the soul that in a busy l

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3

Phan Thi Huyen, Trang. "Symbol of Sheep in Haruki Murakami’s novels." Journal of Science Social Science 65, no. 8 (2020): 31–38. http://dx.doi.org/10.18173/2354-1067.2020-0046.

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Murakami is a writer who has a talent for using symbols. In addition to the Cat, the Well, the Wall,... the Sheep, which is a familiar object in his life, has become one of the unique symbols. In his novel, Murakami portrayed the sheep as the symbol of Japanese strength, of evil, of material and power desires... In particular, the sheep also participates in the process of magical narration and creates many unexpected meanings for readers. In summarize, the Sheep have contributed significantly to increase the ranks of meanings in the writer’s narration, and at the same time affirm Japanese cult

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Dortier, Jean-François. "Haruki Murakami : écrivain marathonien." Sciences Humaines N°205, no. 6 (2009): 4. http://dx.doi.org/10.3917/sh.205.0004.

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Kovalenin, D., and E. S. Maksimova. "“Isn't it weird if a contemporary Japanese girl speaks Church Slavonic?”." Practices & Interpretations: A Journal of Philology, Teaching and Cultural Studies 5, no. 3 (2020): 7–20. http://dx.doi.org/10.18522/2415-8852-2020-3-7-20.

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Dmitry Kovalenin is an orientalist, graduate of the Far Eastern State University, translator into Russian of Haruki Murakami’s books “Th e Wild Sheep Chase”, “Dance Dance Dance”, “Hard-Boiled Wonderland and the End of the World”, “Aft er Dark”, “1Q84”. Author of the books, “Entertaining Murakami studies” (2004), “Made in Hipponia” (2005), “Zombies of our century. Entertaining Murakami studies from ‘Subway’ to ‘1Q84’” (2020). In this issue of PI, chief inspirator of Murakami fandom in Russia, Dmitry Kovalenin, explains why Japanese people laugh at Russian jokes only out of politeness, why trans

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Mukherjee, Susmita, and Sumathy K Swamy. "Redefining Masculinity in Haruki Murakami's Men Without Women." Shanlax International Journal of English 8, no. 1 (2019): 67–70. http://dx.doi.org/10.34293/english.v8i1.852.

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For centuries, the concept of the ideal man being macho has dominated over all forms of culture. In literature too male protagonists have been portrayed as strong men who are in control of their emotions. Any form of emotional expression from a man is deemed to be weak and labeled as effeminate. However, contemporary writers like Haruki Murakami are changing the ways in which men are portrayed in literature. Murakami makes his male characters vulnerable to pain and sadness thereby challenging the hegemonic notions of masculinity. The paper focuses on Murakami’s collection of short stories titl

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HAYASHI, Keisuke. "What Translators Don’t Tell You When Translating Haruki Murakami：A Textual Analysis of Jay Rubin’s English Versions of “The Elephant Vanishes”." Border Crossings: The Journal of Japanese-Language Literature Studies 20, no. 1 (2025): 131–47. https://doi.org/10.22628/bcjjl.2025.20.1.131.

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This paper examines Jay Rubin’s engagement with the Japanese language not only as a translator of Haruki Murakami but also as a language teacher, focusing on his textbook Gone Fishin’ (1992), later revised as Making Sense of Japanese：What the Textbooks Don’t Tell You (1998). While Rubin is widely known for his English translations - especially The Wind-Up Bird Chronicle (1997) - and his critical biography Haruki Murakami and the Music of Words (2002), his pedagogical work has received little attention in literary studies. This article situates Rubin’s textbook in the context of world literatur

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Saifudin, Ahmad, and Widyashanti Anindita. "Anxiety of Tengo Kawana in Town Of Cats Short Story by Haruki Murakami 2011." English Language and Education Spectrum 3, no. 2 (2023): 10–23. http://dx.doi.org/10.53416/electrum.v3i2.143.

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The aims of this research are to find out the structural personalities (id, ego, and superego) of Tengo Kawana from psychoanalysis in the Town of Cats short story by Haruki Murakami 2011 and to find out the kinds of anxieties of Tengo Kawana viewed from psychoanalysis appears in the Town of Cats short story by Haruki Murakami 2011. To find the personalities and the anxiety of the major Character on the novel, the researcher used Sigmund Freud Theory. This research is descriptive qualitative by analyzing the novel into description and explanation. The data are collected by taking a note techniq

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9

Papinchak, Robert Allen. "Killing Commendatore by Haruki Murakami." World Literature Today 92, no. 6 (2018): 68–69. http://dx.doi.org/10.1353/wlt.2018.0104.

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10

Hansen, Gitte Marianne, and Michael Tsang. "40 years with Murakami Haruki." Japan Forum 32, no. 3 (2020): 311–15. http://dx.doi.org/10.1080/09555803.2019.1691631.

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11

Maha Hamed Issa. "Masculinity and Gender Roles in Selected Stories by Haruki Murakami." ALUSTATH JOURNAL FOR HUMAN AND SOCIAL SCIENCES 62, no. 3 (2015): 350–62. http://dx.doi.org/10.36473/ujhss.v62i3.2167.

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Haruki Murakami (1949) is a Japanese novelist who uses fiction to portray modern man's condition. Sexual identity, loneliness, and nostalgia are common themes in his works. Men without Women (2014) is a collection of short stories in which Murakami reverses gender roles to show men's desperate seek for companionship in their lives. According to Hans Robert Jauss (1921-1997), a German literary theorist, there is no identical interpretation of any literary text. Yet, a dialogic correspondence between the text and the reader allows the reader's voice to breathe different life into the text. There

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12

Hillenbrand, Margaret. "Murakami Haruki in Greater China: Creative Responses and the Quest for Cosmopolitanism." Journal of Asian Studies 68, no. 3 (2009): 715–47. http://dx.doi.org/10.1017/s0021911809990039.

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The relationship between popular culture and East Asian identity is now an established field of enquiry, with the products of Japan's mass media industries—television series, pop stars, and manga—still providing much of the fuel for debate. This paper, however, moves away from the dominant notion of “culture as industry,” and explores animated personal responses to the fiction of Japanese writer Murakami Haruki in Hong Kong, China, and Taiwan through art house cinema, popular fiction, and online creative communities. The vogue for Murakami has swept across the region in recent years, and for m

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13

Afrillah, Mohammad Rizky, Ely Triasih Rahayu, Dian Bayu Firmansyah, and Eko Kurniawan. "Pandangan Dunia Pengarang dalam Novel 1Q84 Karya Murakami." J-Litera: Jurnal Kajian Bahasa, Sastra dan Budaya Jepang 1, no. 1 (2019): 6. http://dx.doi.org/10.20884/1.jlitera.2019.1.1.2089.

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This researches disscuses author’s world view in 1Q84, a novel by Haruki Murakami using Goldmann genetic structuralism analyses. The purpose of this researches is author world views in that novel. Research method being used is descriptive qualitative. Data collect method being used are “Simak catat” technique and also library research technique. The result of this research shown that Murakami’s world views that he expressed in this novel is negative views about religious people.

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Honda, Sandra Delmonte Gallego. "Romancista como vocação de Haruki Murakami." Dialogia, no. 27 (October 6, 2017): 169–75. http://dx.doi.org/10.5585/dialogia.n27.7749.

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15

Otomo, Rio. "Risk and Home:After Darkby Murakami Haruki." Japanese Studies 29, no. 3 (2009): 353–66. http://dx.doi.org/10.1080/10371390903298045.

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Nihei, Chikako. "The Forbidden Worlds of Haruki Murakami." Asian Studies Review 39, no. 4 (2015): 697–98. http://dx.doi.org/10.1080/10357823.2015.1006319.

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17

Franssen, Gaston. "Introduction: the celebrity of Haruki Murakami." Celebrity Studies 9, no. 2 (2018): 244–47. http://dx.doi.org/10.1080/19392397.2018.1458522.

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18

Castellón Alcalá, Heraclia. "HARUKI MURAKAMI. Primera persona del singular." Revista chilena de literatura, no. 106 (November 2022): 777–80. http://dx.doi.org/10.4067/s0718-22952022000200777.

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Paulina Jessica Oktaverina Susetio, Tria Nur Fadlillah, and Eva Dwi Kurniawan. "Hierarki Kebutuhan Maslow pada tokoh Naoko dalam Novel Norwegian Wood Karya Haruki Murakami." JBI : Jurnal Bahasa Indonesia 1, no. 2 (2023): 28–35. http://dx.doi.org/10.59966/jbi.v1i2.633.

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Novel merupakan salah satu karya sastra yang lahir dimasyarakat untuk dinikmati. Selain itu, novel juga sebagai wahana studi kemanusiaan yang dapat digunakan untuk penelitian lebih lanjut untuk kajian psikologi sastra. Dalam penelitian ini, menggunakan Novel sebagai objek penelitian. Novel yang digunakan yaitu novel yang berjudul Nowegian Wood. Novel ini menceritakan berbagai dimensi yaitu psikologis, sosial, dan kultural. Penelitian ini bertujuan untuk mengetahui dan menganalisis hierarki kebutuhan Maslow pada tokoh Naoko dalam novel Norwegian Wood karya Haruki Murakami. Di dalam novel ini me

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Qin, Yanhua, and Sasaki Junna. "The Maze Walls of the City: An Analysis of the Bestselling Strategy of Haruki Murakamis Works." Communications in Humanities Research 36, no. 1 (2024): 102–10. http://dx.doi.org/10.54254/2753-7064/36/2024bj1001.

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This paper provides an in-depth analysis of Haruki Murakamis The City and Its Uncertain Walls and its collaborative strategies with the publishing house Shinchosha, exploring the bestselling strategies on a global scale. Through the study of the novels themes and structure, combined with Shinchoshas market positioning and marketing techniques, this paper reveals how literary works achieve commercial success through hunger marketing and other marketing strategies. The analysis shows that, in addition to the fame of Haruki Murakami himself and the publishing house, limited releases, a unique bra

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21

Trylestari, Rizky, and Eko Muharudin. "Bentuk Ekspresi Emosional Tokoh Utama dalam Kumpulan Cerpen Lelaki-Lelaki Tanpa Perempuan Karya Haruki Murakami: Kajian Psikologi Sastra." RUANG KATA: Journal of Language and Literature Studies 3, no. 02 (2023): 125–39. http://dx.doi.org/10.53863/jrk.v3i02.893.

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Literary works are imaginative creations of authors reflecting upon the social environment of life. Literary works arise from contemplating the meanings and essence of life experienced, felt, witnessed, and expressed. This study examines the forms of emotional expression of the main characters in the "Lelaki-Lelaki Tanpa Perempuan" short story collection by Haruki Murakami. This study aims to describe the forms of emotional expression experienced by the main characters in the "Lelaki-Lelaki Tanpa Perempuan" short story collection by Haruki Murakami. The analysis of the forms of emotional expre

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22

Salamah, Solechatun, and Fenny Febrianty. "BACKGROUND AS METAPHOR AND ATMOSPHERE IN THE NOVEL NORUWEI NO MORI." Proceeding of International Conference on Business, Economics, Social Sciences, and Humanities 7 (June 27, 2024): 444–51. http://dx.doi.org/10.34010/icobest.v7i.554.

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This research aims to describe the use of setting as a metaphor and atmosphere and function in the novel Noruwei no Mori by Haruki Murakami. The method used in this research is descriptive analysis with an objective approach to the material objects of the novel Noruwei no Mori by Haruki Murakami. The research results show that the metaphorical setting and atmosphere of death uses elements of music, old buildings, billiard playing areas, and also mental hospital dormitories. The metaphorical setting and atmosphere in this novel give the effect of happiness, anxiety, loss, loneliness, calm and s

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23

Fauziyati, Kuni, and Sulistyaningsih. "An Analysis of Stylistic in After Dark by Haruki Murakami." JournEEL (Journal of English Education and Literature) 2, no. 1 (2020): 47–53. http://dx.doi.org/10.51836/journeel.v2i1.82.

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Haruki Murakami features some unique stylistic. One of the reasons could be the voluminous nature of a novel to apply stylistic analysis. However, if it is applied on a novel, one can better understand and enjoy the different styles used in a certain novel in addition to arousing curiosity for more studies. Not only arouse curiosity, according to some recent researches, stylistic analysis could serve as the best way to learning English as a foreign language for a pedagogy purpose. This article limits itsself to stylistic analysis of After Dark by Haruki Murakami. This novel contains 18 chapter

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Darmawan, Odie, Budi Rukhyana, and Tatat Haryati. "Analisis Kondisi Sosial Masyarakat Jepang Pada Tahun 1990an dalam Novel Underground." IDEA : Jurnal Studi Jepang 1, no. 1 (2019): 35–46. http://dx.doi.org/10.33751/idea.v1i1.1088.

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ABSTRAK Penulisan ini membahas tentang kondisi sosial masyarakat Jepang pada tahun 1990an ketika serangan gas kereta bawah tanah Tokyo berlangsung yang terdapat di dalam karya sastra realis Jepang. Karya sastra realis adalah karya sastra yang tidak hanya berperan sebagai cermin yang merefleksikan keadaan sosial, tetapi bisa juga melukiskan suatu kondisi dalam masyarakat secara kritis. Objek penelitian ini adalah kondisi sosial yang berkaitan dengan individualisme yang terdapat pada novel Underground karya Haruki Murakami. Pembahasan lebih berfokus kepada kondisi sosial yang terdapat di dalam n

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Bingbing, GUAN, and YANG Bingjing. "Illusion Painting and TV People: On the Generative Principle of the Virtual World of TV People." Asia-Pacific Journal of Humanities and Social Sciences 2, no. 3 (2022): 081–87. http://dx.doi.org/10.53789/j.1653-0465.2022.0203.010.p.

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Haruki Murakami's short story, TV People, reveals the reality that people cannot stand up to the lure of TV media, and are completely dominated by the media in their thinking and actions. Many previous studies argued that the virtual world in the novel is an “imaginary real world” based on the computer network, but such an explanation would make certain plots in the novel unreasonable. Since the novel is full of elements of “illusion painting”, the principle of the illusion painting can be used to reasonably explain the plots in the novel on the one hand. On the other hand, the virtual state g

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Bingjing, GUAN, and YANG Bingjing. "Illusion Painting and TV People: On the Generative Principle of the Virtual World of TV People." Asia-Pacific Journal of Humanities and Social Sciences 2, no. 3 (2022): 081–87. http://dx.doi.org/10.53789/j.1653-0465.2022.0203.010.

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Haruki Murakami's short story, TV People, reveals the reality that people cannot stand up to the lure of TV media, and are completely dominated by the media in their thinking and actions. Many previous studies argued that the virtual world in the novel is an “imaginary real world” based on the computer network, but such an explanation would make certain plots in the novel unreasonable. Since the novel is full of elements of “illusion painting”, the principle of the illusion painting can be used to reasonably explain the plots in the novel on the one hand. On the other hand, the virtual state g

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Francisco, Rafael da Cunha Duarte. "Temporalização e espacialização nas distopias de Haruki Murakami e George Orwell em 1Q84/1984." Aletria: Revista de Estudos de Literatura 25, no. 3 (2016): 147–60. http://dx.doi.org/10.17851/2317-2096.25.3.147-160.

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O presente trabalho tem como seu principal objetivo pensar as questões da espacialização e da temporalização da distopia no romance 1Q84 do escritor japonês Haruki Murakami a partir de uma comparação com a obra homônima escrita por George Orwell. Procuramos pensar como esse processo de uma narrativa temporalizada no romance de Orwell é apropriado e transformado pelo projeto estético de Murakami. Portanto, a nossa investigação se concentrará em tentar refletir sobre esse processo de espacialização da distopia, levado a cabo por Haruki Murakami em seu romance, procurando pensar como ele é capaz

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Lista, Annisa, M. Misbahul Amri, and Kukuh Prayitno Subagyo. "Nowhere and everywhere: Navigating gendered urban spaces in Haruki Murakami’s After Dark." Bahasa dan Seni: Jurnal Bahasa, Sastra, Seni, dan Pengajarannya 49, no. 2 (2021): 240. http://dx.doi.org/10.17977/um015v49i22021p240.

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Nowhere and everywhere: Navigating gendered urban spaces in Haruki Murakami’s After DarkUrban space has been one of the most underexplored elements analyzed in literary works. However, as urban space gradually emerges as a culturally influencing element, a casual perusal of any text that employs urban space might result in an oversimplified analysis. This study examines the urban space of After Dark (2004), authored by Japanese writer Haruki Murakami (b. 1949). Accounting for the ways urban space is interwoven with the socio-cultural context, this study establishes a spatial reading of Murakam

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Thị Huyền Trang, Phan. "Symbols in Haruki Murakami’s novels." Journal of Science, Social Science 61, no. 5 (2016): 44–52. http://dx.doi.org/10.18173/2354-1067.2016-0058.

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Iwamoto, Yoshio. "A Voice from Postmodern Japan: Haruki Murakami." World Literature Today 67, no. 2 (1993): 295. http://dx.doi.org/10.2307/40149070.

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31

Muto, Takashi. "Acceptance and Commitment Therapy is “Murakami Haruki”." Pragmatic Case Studies in Psychotherapy 11, no. 4 (2016): 285. http://dx.doi.org/10.14713/pcsp.v11i4.1933.

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<p align="left">In response toKanazawa's (2015) commentary on my case study of Taro (Muto &amp; Mitamura, 2015), I reflect on the issue of the degree of "Japaneseness" in my approach to the case study. I pursue this by anchoring the perspective of my work in the perspective of the well-known Japanese novelist, Murakami Haruki. I also respond to a point made by Hayes (2015) in his commentary on my case study.&nbsp;&nbsp;</p>

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Yama, Megumi. "Haruki Murakami: Modern-Myth Maker beyond Culture." Jung Journal 10, no. 1 (2016): 87–95. http://dx.doi.org/10.1080/19342039.2016.1119003.

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Fadli, Zaki Ainul. "Pemaknaan Cerpen Hitokui Neko Karya Murakami Haruki." KIRYOKU 3, no. 1 (2019): 45. http://dx.doi.org/10.14710/kiryoku.v3i1.45-57.

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(Title: The Interpretasion of Murakami Haruki’s Hitokui Neko) This article aims to reveal the meaning of cats in the short story of Hitokui Neko. The method used is a structural method, namely by analyzing the basic narrative structure of the short story and the main marker of the short story. Then the interpretation of the meaning of the cat in a short story is carried out both in the first or second level interpretation. The results of the analysis show that there are three meanings of cats in the short story of Hitokui Neko. First, denotative-associative meaning. Cats are interpreted as pet

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Cassegard, Carl. "Murakami Haruki and the Naturalization of Modernity." International Journal of Japanese Sociology 10, no. 1 (2001): 80–92. http://dx.doi.org/10.1111/1475-6781.00009.

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Tasneem, Midhat, and Laxmi Dhar Dwivedi. "Unveiling The Enigma: Women’s Representation in After Dark by Haruki Murakami." International Research Journal of Multidisciplinary Scope 05, no. 04 (2024): 603–14. http://dx.doi.org/10.47857/irjms.2024.v05i04.01163.

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This paper examines the evolution of societal perceptions and role of women in Japan, particularly in the context of patriarchal ideologies, social and cultural constructs. Drawing on various scholarly perspectives this endeavour explores significant shifts in perceptions and treatment of women in Murakami’s novel After Dark. Through his novel, Murakami aims to explore the male dominance and female resistance in Japanese society, highlighting the ways in which women have been marginalised and relegated as secondary to men due to the ingrained customs. The study also looks at how women respond

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Shafqat Mushtaq and Dr. Usha Jain. "Haruki Murakami’s Spellbinding Embodiments: Decoding the Feline Mystique." Creative Launcher 8, no. 2 (2023): 45–50. http://dx.doi.org/10.53032/tcl.2023.8.2.06.

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Being a vital spark in Japanese culture, cats made their way through Japanese Literature and became an imperative potion in the writings where they were often associated with mystery and incongruity owing to the rich symbolism and imagery. Murakami’s writing is sequestered with cats that add an exorbitant richness to his works. They possess an eccentric demeanor and play a vital role in his fiction, from their disappearance to the violence imposed on them, they open new pathways to enter the parallel worlds and allow the characters to enter the quest which ultimately leads them to search for t

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Trúc, Nguyễn Bích Nhã. "MOTIF BIẾN DẠNG TRONG SAMSA ĐANG YÊU CỦA HARUKI MURAKAMI (TRONG SỰ QUY CHIẾU VỚI HÓA THÂN CỦA FRANZ KAFKA)". Tạp chí Khoa học 19, № 4 (2022): 531. http://dx.doi.org/10.54607/hcmue.js.19.4.3406(2022).

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Trên cơ sở so sánh motif biến dạng trong hai tác phẩm Samsa đang yêu của Murakami, và Hóa thân của Kafka, bài viết phân tích sự khác biệt và nét độc đáo trong nghệ thuật sử dụng motif này để truyền tải những vấn đề phức tạp của sự tồn tại con người trong cuộc sống hiện đại của hai tác phẩm. Nếu như motif hóa thân được Kafka sử dụng để truyển đạt sự thức tỉnh về tình trạng tha hóa của con người hiện đại thì motif hóa thân của Haruki Murakami lại mở ra khả thể mới cho tồn tại người trong giai đoạn hậu hiện đại. Đó là một cuộc đối thoại triết học của Murakami đối với câu chuyện hóa thân của Kafka

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Underriner, Chaz. "Mimesis, Murakami and Multimedia Art: Parallel Worlds in Performance." Leonardo Music Journal 29 (December 2019): 31–36. http://dx.doi.org/10.1162/lmj_a_01059.

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The artistic techniques of mimesis—the representation of reality in art—make it possible to “render the unreal familiar or the real strangely unfamiliar.” The author, a composer and intermedia artist, uses mimetic techniques in acoustic composition, video art and field recording to reimagine everyday experience, as in his multimedia piece Landscape: Home. The author analyzes passages from the novel Sputnik Sweetheart by Haruki Murakami to understand Murakami’s use of “parallel worlds” and the “reality effect.” This literary analysis aims to highlight the potential of mimetic techniques for art

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Sá, Michele Eduarda Brasil de. "Murakami on the Shore: beyond the dialogue between Japan and the West." Acta Scientiarum. Language and Culture 42, no. 1 (2020): e51791. http://dx.doi.org/10.4025/actascilangcult.v42i1.51791.

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The novel Kafka on the Shore is one of the most enigmatic works of contemporary writer Haruki Murakami. Since its very release, critics and scholars have been sharing their impressions and interpretations on various aspects of the book, one of them being the abundant references to Western elements (myths, songs, writers, icons and so forth). The present paper is the final draft of the postdoctoral research ‘Murakami on the shore: the dialogue with the West in the construction of the novel’, developed from July 2015 to June 2016. It aims at rethinking (as well as questioning) the way the study

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Smriti Sneh. "Men Without Women: Exploring the Literal and Literary Phallocentrism in Murakami’s Works." Creative Saplings 1, no. 9 (2022): 55–72. http://dx.doi.org/10.56062/gtrs.2022.1.9.187.

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This paper aims at exploring the texts of Haruki Murakami, namely his novels Norwegian Wood (1987) and Kafka on the Shore (2002), and an anthology of short stories Men Without Women (2014), to observe with a close eye the phallocentric tongue, literary devices, characters, and plot; the depiction of a man’s world through a quintessential male gaze. Studying his art of characterization and the recurrent motifs he employs towards that very realization are a key reference point to understand the covert stance of Murakami, which appears to be misogynistic in its stead. Murakami creates his fiction

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Polatovna Berdimuratova, Sarbinaz. "THE EVOLUTION OF THE PROTAGONIST IN THE TRILOGY OF THE RAT BY HARUKI MURAKAMI." International Journal of Advanced Research 8, no. 10 (2020): 647–55. http://dx.doi.org/10.21474/ijar01/11887.

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This article examines the evolution of the protagonist in Haruki Murakamis Hear the Wind Sing, Pinball, 1973 and A Wild Sheep Chase. Murakami is one of the most widely read writers of our time. His books have been translated into many languages of the world and are published in millions of copies. He is called the most non-Japanese of Japanese writers. Murakamis heroes are outsiders of the era of advanced capitalism, consumer society and globalization, who sit in their Japanese kitchens and try to understand the meaning of their existence. It is easy for us to put ourselves in their place, b

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Phan Thi Huyen, Trang. "Symbol “Cat” in Haruki Murakami’s Novels." Journal of Science Social Science 65, no. 5 (2020): 33–40. http://dx.doi.org/10.18173/2354-1067.2020-0026.

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Auda, Maxime. "Le statut de la métaphore chez Murakami Haruki." Essaim 14, no. 1 (2005): 125. http://dx.doi.org/10.3917/ess.014.0125.

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Hantke, Steffen. "Haruki Murakami and the Music of Words (review)." MFS Modern Fiction Studies 49, no. 4 (2003): 886–88. http://dx.doi.org/10.1353/mfs.2003.0069.

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V, Janisha. "Review of Men Without Women by Haruki Murakami." ILN Journal: Indian Literary Narratives 1, no. 3 (2024): 73–76. https://doi.org/10.70396/ilnjournal.v1n3.b.02.

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YUNUSOVA, Gulnar. "Postmodernism in “A Wild Sheep Chase”, the Novel by Haruki Murakami (Haruki Murakami'nin “Yaban Koyunun İzinde” romanında postmodernizm)." ALTRALANG Journal 2, no. 02 (2020): 318–30. http://dx.doi.org/10.52919/altralang.v2i02.92.

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ABSTRACT: The eminent representative of the modern Japanese literature, writer and translator, famous face of postmodernism, Haruki Murakami has started to play an important role in the national literature with his works since the begging of 1990s. The works of Haruki Murakami reflects a large period of Japanese way of thinking in the age of globalization. With his own specific direction of writing, he is one of the writers who have directly contributed to the development of the world postmodern literature, along with the Japanese literature. Introduced to the readers in 1982, the novel of “A

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Rzhevska, Dariia. "Frame Models in Translation: Onomatopea Aspect in Haruki Murakami “Wind-Up Bird Chronicles”." Language, Culture, Politics. International Journal 1 (October 21, 2022): 27–36. http://dx.doi.org/10.54515/lcp.2022.1.27-36.

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The article offers an insight into the importance of frames and their features to convey the meaning of Japanese onomatopoeia in the translation process. Based on the present scientific and practical research of the novel by Haruki Murakami “Wind-up Bird Chronicles” and its translation by Jay Rubin, there have been counted frequencies of use along with clarification of the semantic and stylistic peculiarities of onomatopoeia. Frame analysis, which is used to convey the meaning of Japanese onomatopoeia in the context of the English translation, enables to identify the main characteristics of Ja

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An, Ge. "Exploring Kobayashi Midoriko's Image in The Forest of Norway." Arts Studies and Criticism 3, no. 2 (2022): 157. http://dx.doi.org/10.32629/asc.v3i2.906.

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Kobayashi Midoriko in The Forest of Norway is a character created by Haruki Murakami with personality of courage, liveliness, straightforwardness, casualness, loneliness, emptiness and loss. Exploring the character image helps to further understand the theme and artistic achievements of the work.

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Juen, Sarah Anna. "Between Jazz, Cherry Blossoms, and Baseball: Transculturality in the Publications of Murakami Haruki." Vienna Journal of East Asian Studies 9, no. 1 (2018): 59–84. http://dx.doi.org/10.2478/vjeas-2017-0003.

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Abstract In this day and age a continuous flow of ideas and culture takes place, which is part of the globalisation process. These exchanges influence the development of a transcultural literature. Murakami Haruki is not only a transcultural writer, but one of the most popular and internationally acclaimed authors of contemporary Japanese literature who has changed the literary scene in Japan since the publication of his debut novel Kaze no uta o kike (Hear the Wind Sing). Murakami has experimented with postmodern expressions and eventually developed his own writing style, which integrates ele

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Unsriana, Linda. "Masalah Oedipus Complex Dalam Novel Umibe No Kafuka Karya Haruki Murakami." Lingua Cultura 5, no. 1 (2011): 10. http://dx.doi.org/10.21512/lc.v5i1.370.

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Haruki Murakami, a Japanese novelist is an example of a great novelist who has produced his works which have been translated in various languages for a variety of readers in the world. He has also been awarded the Yomiuri Literary Award for his novel Wind-up Bird Chronicle in 1996. In his novel Umibe no Kafuka, Murakami describes the life of a young man and the Oedipus complex problems he experienced. This study will look for root causes of problems in the Oedipus complex problem of Kafka Tamura, to analyze them through methods of role characterization.

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