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Relevant bibliographies by topics / Harvard magazine (Cambridge, Mass. : 1854)

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Academic literature on the topic 'Harvard magazine (Cambridge, Mass. : 1854)'

Author: Grafiati

Published: 29 July 2024

Last updated: 31 July 2025

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Journal articles on the topic "Harvard magazine (Cambridge, Mass. : 1854)"

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Шарма Сушіл Кумар. "Indo-Anglian: Connotations and Denotations." East European Journal of Psycholinguistics 5, no. 1 (2018): 45–69. http://dx.doi.org/10.29038/eejpl.2018.5.1.sha.

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A different name than English literature, ‘Anglo-Indian Literature’, was given to the body of literature in English that emerged on account of the British interaction with India unlike the case with their interaction with America or Australia or New Zealand. Even the Indians’ contributions (translations as well as creative pieces in English) were classed under the caption ‘Anglo-Indian’ initially but later a different name, ‘Indo-Anglian’, was conceived for the growing variety and volume of writings in English by the Indians. However, unlike the former the latter has not found a favour with th

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Howe, Christopher. "Entering China's Service: Robert Hart's Journals, 1854–1863. Edited by Katharine F. Bruner, John K. Fairbank and Richard J. Smith. [Cambridge, Mass.: Harvard University Press, 1986. 427 pp. $19·50.]." China Quarterly 114 (June 1988): 295–96. http://dx.doi.org/10.1017/s0305741000026862.

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Martin, Albro. "The Morgans: Private International Bankers, 1854–1913. By Vincent P. Carosso, with the assistance of Rose C. Carosso. Cambridge, Mass.: Harvard University Press, 1987. xvii + 888 pp. Illustrations, tables, notes, bibliographical note, and index. $65.00." Business History Review 61, no. 4 (1987): 625–27. http://dx.doi.org/10.2307/3115351.

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Pratt, Keith. "Katherine F. Bruner, John K. Fairbank, Richard J. Smith (ed.): Entering China's service: Robert Hart's journals 1854–1863. xiv, 427 pp. Cambridge, Mass, and London: Harvard University Press, Council for East Asian Studies, 1986. £19.50." Bulletin of the School of Oriental and African Studies 51, no. 3 (1988): 595–96. http://dx.doi.org/10.1017/s0041977x00117070.

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Stephenson, John-Paul. "Reviewing Symbolic Capital." M/C Journal 8, no. 5 (2005). http://dx.doi.org/10.5204/mcj.2423.

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   Reviews are an integral aspect of creating economic capital through avenues of establishing and increasing the other forms of capital outlined by Pierre Bourdieu across his extensive body of work. The economic importance of reviews can be identified on the majority of film trailers, posters and DVD covers, where quotations attempt to convince potential audiences of the film’s credentials. Although economic capital is the obvious aim for both the film publicists and the reviewers, this article outlines the creation of symbolic capital through the assertion of cultural and s

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Meakins, Felicity. ""They Will Be the Death of Diana"." M/C Journal 1, no. 2 (1998). http://dx.doi.org/10.5204/mcj.1710.

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"No doubt we will see more 'pictorial tributes' to the late Diana, Princess of Wales in the weeks and months ahead from those editors who not even a month ago thought nothing of plastering Diana and Dodi's 'holiday snaps' across the front pages of their publications." (Evans 3) This type of comment rarely appeared in the media following the death of Diana, yet was vigorously whispered behind the hands of cynical magazine readers. Much was made of the media's hand in Diana's demise and death, the perfect closure to the narrative of media harrassment, however little was mentioned of the ironic t

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West, Patrick Leslie. "Between North-South Civil War and East-West Manifest Destiny: Herman Melville’s “I and My Chimney” as Geo-Historical Allegory." M/C Journal 20, no. 6 (2017). http://dx.doi.org/10.5204/mcj.1317.

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Literary critics have mainly read Herman Melville’s short story “I and My Chimney” (1856) as allegory. This article elaborates on the tradition of interpreting Melville’s text allegorically by relating it to Fredric Jameson’s post-structural reinterpretation of allegory. In doing so, it argues that the story is not a simple example of allegory but rather an auto-reflexive engagement with allegory that reflects the cultural and historical ambivalences of the time in which Melville was writing. The suggestion is that Melville deliberately used signifiers (or the lack thereof) of directionality a

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Rossiter, Ned. "Creative Industries and the Limits of Critique from." M/C Journal 6, no. 3 (2003). http://dx.doi.org/10.5204/mcj.2208.

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‘Every space has become ad space’. Steve Hayden, Wired Magazine, May 2003. Marshall McLuhan’s (1964) dictum that media technologies constitute a sensory extension of the body shares a conceptual affinity with Ernst Jünger’s notion of ‘“organic construction” [which] indicates [a] synergy between man and machine’ and Walter Benjamin’s exploration of the mimetic correspondence between the organic and the inorganic, between human and non-human forms (Bolz, 2002: 19). The logo or brand is co-extensive with various media of communication – billboards, TV advertisements, fashion labels, book spines,

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Little, Christopher. "The Chav Youth Subculture and Its Representation in Academia as Anomalous Phenomenon." M/C Journal 23, no. 5 (2020). http://dx.doi.org/10.5204/mcj.1675.

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Introduction“Chav” is a social phenomenon that gained significant popular media coverage and attention in the United Kingdom in the early 2000s. Chavs are often characterised, by others, as young people from a background of low socioeconomic status, usually clothed in branded sportswear. All definitions of Chav position them as culturally anomalous, as Other.This article maps out a multidisciplinary definition of the Chav, synthesised from 21 published academic publications: three recurrent themes in scholarly discussion emerge. First, this research presents whiteness as an assumed and essenti

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Grainger, Andrew D., and David L. Andrews. "Postmodern Puma." M/C Journal 6, no. 3 (2003). http://dx.doi.org/10.5204/mcj.2199.

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Postmodernism is supposed to identify the conditions of contemporary cultural production when human affairs in general, and the dissemination of prevailing ideas in particular, have become fully enmeshed in relations of commodity exchange. (Martin 2002, p. 30) The accumulation of capital within industrial economies keyed on the surplus value derived from the production of raw materials into mass manufactured products, and their subsequent exchange in the capitalist marketplace. Within what Poster (1990) described as the contemporary mode of information , surplus capital is generated from the m

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