Relevant bibliographies by topics / Harvard University. Archives

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Academic literature on the topic 'Harvard University. Archives'

Author: Grafiati
Published: 4 June 2021
Last updated: 28 July 2025

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Journal articles on the topic "Harvard University. Archives"

1

Kimball, Bruce A. "The First Campaign and the Paradoxical Transformation of Fundraising in American Higher Education, 1915–1925." Teachers College Record: The Voice of Scholarship in Education 116, no. 7 (2014): 1–44. http://dx.doi.org/10.1177/016146811411600707.

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Background Comprehensive, multi-year mass fundraising campaigns in American higher education began with the Harvard Endowment Fund (HEF) drive, which extended from 1915 to 1925. Notwithstanding this prominence, the archival records of the campaign have never been studied closely, and in the absence of archival research, scholars have misunderstood the HEF campaign. According to the received and presentist view, the university president initiated the HEF campaign, which professional consultants then directed to a swift and successful conclusion, drawing on their expertise. Focus of study The fu
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Carpenter, Kenneth E. "The Harvard University Library: A National Resource." Alexandria: The Journal of National and International Library and Information Issues 9, no. 2 (1997): 127–41. http://dx.doi.org/10.1177/095574909700900204.

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Harvard University is a decentralized university, with each of its nine faculties basically responsible for its own financial well-being. The library operates within the framework of this decentralization. The term ‘Harvard University Library’ therefore has two different meanings. In one seise it refers to those who are responsible for carrying out certain functions where coordination is required. Specifically, the University Library provides a unified catalogue for the c.90 library units throughout the university. It also manages the Harvard Depository, which helps to ease the space problem,
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Siegmund-Schultze, Reinhard. "Some remarks and documents concerning the emigration of Polish mathematicians during the 1930s and early 1940s." Studia Historiae Scientiarum 18 (November 15, 2019): 139–62. http://dx.doi.org/10.4467/2543702xshs.19.006.11012.

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The history of the sufferings and the emigration of mathematicians under Nazi influence would be very incomplete without considering the perhaps most vibrant and at the same time most victimized European mathematical school of the 1930s, namely the Polish one. Polish mathematical emigration contributed – similarly to German-speaking emigration – considerably to the development of mathematics in the host countries, particularly in the United States. The paper contributes to the discussion with some archival documents from two specific sources, which have so far found relatively little attention
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Botticelli, Peter. "Curating Digital Surrogates in a Museum Archives: The Historic Boards Collection at the Peabody Museum of Archaeology and Ethnology at Harvard University." American Archivist 83, no. 1 (2020): 128–43. http://dx.doi.org/10.17723/0360-9081-83.1.128.

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This work uses a case study to examine the practice of digital curation in a museum archives, with a focus on convergence between museum and archival methods for providing online access to individual items as well as to collections. The case study focuses on the recently digitized Historic Boards (or “H boards”) collection at the Peabody Museum of Archaeology and Ethnology at Harvard University. This collection includes approximately 25,000 photographs depicting Harvard-led research expeditions beginning in the mid-1800s. By the early 1900s, museum staff had organized the photographs into grou
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Goldstein, Charles A. "Foreword." International Journal of Cultural Property 17, no. 2 (2010): 135–37. http://dx.doi.org/10.1017/s0940739110000226.

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The Harvard Law School Symposium, “Spoils of War v. Cultural Heritage: The Russian Cultural Property Law in Historical Context,” was convened in February 2008 to bring together legal, historical, and other academic experts who might shed some light on the issues raised by Russia's 1998 law that essentially nationalized and declared Russian ownership of the great many works of art, books, and archives that were taken under orders by the Red Army to the Soviet Union at the end of World War II. The symposium was jointly sponsored by the Commission for Art Recovery, the Foundation for Internationa
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Williamson, Jeffrey. "Economist, historian, and patriot: Benito J. Legarda 1926-2020." Philippine Review of Economics 57, no. 2 (2021): 46–48. http://dx.doi.org/10.37907/3erp0202d.

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One afternoon about twenty-five years ago, there was a knock on my Harvard office door, and Benito Legarda walked into my life. Ben had written his Harvard economics PhD thesis in the early-mid 1950s and then launched his career in central banking and financial policy. Meanwhile, his thesis on nineteenth-century Philippine trade and development was resting comfortably in the archives, where it was soon discovered by scholars and eventually became widely cited. Upon “retirement” some forty years later, Ben had the good fortune to meet up with Henry Rosovsky, a well-known quantitative economic h
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Golovin, Nikolay. "P.A. Sorokin and L. von Wiese: on the Publication of Selected Formal and Casual Correspondence between Sociologists (1945–1966)." Sociological Journal 28, no. 2 (2022): 131–43. http://dx.doi.org/10.19181/socjour.2022.28.2.8989.

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The correspondence between P.A. Sorokin, head of the Harvard Centre for the Study of Creative Altruism, and L. von Wiese, president of the German Society for Sociology and publisher of a respected sociological journal, from 1945–1949 is instilled with worldview reflections and a search for a way out of the post-war moral dead-end for European civilization. This publication was prepared with support from the Russian Foundation for Basic Research, project No. 20-011-00451, CGES Saint Petersburg and Bielefeld Universities, Grant No. 1 from 5.02.2021, on authorization from the German Federal Archi
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Guitarte, Guillermo. "Una Carta De Amado Alonso A Rodolfo Lenz." Lexis 20, no. 1-2 (1996): 63–86. http://dx.doi.org/10.18800/lexis.19960102.004.

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El archivo de Amado Alonso está conservado en los Harvard University Archives; son cinco cajas, las tres primeras de las cuales guardan las cartas dirigidas al gran filólogo (HUGFP 80.1 O, cajas 1, 2 y 3). Alonso se refiere varias veces a la correspondencia que mantuvo con Rodolfo Lenz a propósito de la traducción y publicación de varios trabajos del sabio alemán en el tomo VI de la Biblioteca de Dialectología Hispanoamericana
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Gudkov, Maxim M. "“A Man of Soviet Orientation” — American Impresario Sidney Ross." ТЕАТР. ЖИВОПИСЬ. КИНО. МУЗЫКА 3 (September 2024): 106–27. http://dx.doi.org/10.35852/2588-0144-2024-3-106-127.

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This study focuses on the activities of the American impresario Sidney Ross, whose work has been little studied in both the USA and Russia. During the interwar period, Ross sym- pathized with the USSR and dedicated himself to organizing overseas tours for leading Soviet directors and theatres, including Vsevolod Meyerhold and his Moscow State Theatre, Constantin Stanislavsky and the Moscow Art Theatre, Alexander Tairov and the Moscow Kamerny Theatre, Vladimir Nemirovich-Danchenko and Music Studio at the Moscow Art Theatre). For the first time in Russian and American theatre studies, a brief cr
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Wilson, Wayne. "Building and Managing a Digital Collection in a Small Library." North Carolina Libraries 61, no. 3 (2009): 88. http://dx.doi.org/10.3776/ncl.v61i3.163.

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The creation and management of digital library collections is a relatively new field of librarianship that nevertheless has produced a substantial literature. Because the development of digital information resources can be an expensive undertaking, it is not surprising that the institutional pioneers in digital development typically were large academic research libraries or federally funded agencies. As a result, librarians and information managers from such institutions have tended to dominate the professionaldiscourse on digitalization. At an April 2003 conference in Los Angeles presented by
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Books on the topic "Harvard University. Archives"

1

Museum, Busch-Reisinger. The Walter Gropius Archive: An illustrated catalogue of the drawings, prints, and photographs in the Walter Gropius Archive at the Busch-Reisinger Museum, Harvard University. Garland and Harvard University Art Museums, 1990.

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Museum, Busch-Reisinger. The Walter Gropius Archive: An illustrated catalogue of the drawings, prints, and photographs in the Walter Gropius Archive at the Busch-Reisinger Museum, Harvard University. Garland and Harvard University Art Museums, 1990.

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Museum, Busch-Reisinger. The Walter Gropius Archive: An illustrated catalogue of the drawings, prints, and photographs in the Walter Gropius Archive at the Busch-Reisinger Museum, Harvard University. Garland Pub., 1990.

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Banta, Melissa. From site to sight: Anthropology, photography and the power of imagery. Peabody Museum, 1986.

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1883-1969, Gropius Walter, Busch-Reisinger Museum, and Bauhaus-Archiv Museum für Gestaltung, eds. Walter Gropius: Der Architekt Walter Gropius, Zeichnungen, Pläne und Fotos aus dem Busch-Reisinger Museum der Harvard University Art Museums, Cambridge/Mass. und dem Bauhaus-Archiv, Berlin : mit einem kritischen Werkverzeichnis = The architect Walter Gropius, drawings, prints, and photographs from Busch-Reisinger Museum, Harvard University Art Museums, Cambridge/Mass. and from Bauhaus-Archiv, Berlin : with complete project catalog. Mann, 1985.

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6

Guide to archives and manuscripts at Harvard and Radcliffe. Chadwyck-Healey, 1992.

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AMC guide to manuscripts and archives at Harvard and Radcliffe: Authors/titles. Chadwyck-Healey, 1988.

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8

Papers of the American Board of Commissioners for Foreign Affairs: Documents Administered by the Houghton Library of Harvard University. Primary Source Media, 1994.

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9

From Site to Sight: Anthropology, Photography, and the Power of Imagery, Thirtieth Anniversary Edition. Peabody Museum Press, 2017.

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Banta, Melissa. From site to sight. 2004.

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Book chapters on the topic "Harvard University. Archives"

1

Diamond, Sigmund. "Harvard and the FBI: “A Most Cooperative and Understanding Association”." In Compromised Campus. Oxford University PressNew York, NY, 1992. http://dx.doi.org/10.1093/oso/9780195053821.003.0003.

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Abstract This Chapter Presents the Harvard-FBI relation essentially as the FBI saw it —what activities at Harvard most concerned it; what parts of the university most attracted its attention; how it obtained information about the university, and from whom. How the FBI looked at Harvard and what it claimed to see there are important, but they are only part of the story. What was Harvard’s view of the relationship: who acted for Harvard; was the relationship a matter of policy or something into which the university drifted; who even knew about the relationship; was it the result of well-consider
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Der Manuelian, Peter. "Devastation and Realignment: The Birth of the HU–MFA Expedition." In Walking Among Pharaohs. Oxford University PressNew York, 2022. http://dx.doi.org/10.1093/oso/9780197628935.003.0008.

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Abstract In 1905 Phoebe Hearst terminated her financial support of the Hearst Expedition. Even a visit to Giza in 1905, and the discovery of the famous “slab stela” of Wepemnefret just after she left, did not alter her decision. This prompted the creation of the Harvard University–Boston Museum of Fine Arts Expedition (1905–47), as the result of hard-won negotiations during the summer of 1905 among Harvard, the Museum of Fine Arts in Boston, Reisner, Lythgoe, and David Gordon Lyon. The formal agreement stipulated that art objects should go to the MFA, while archives and publication rights belo
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Beaty, Michael. "Paideia: Moral Education in the University?" In The Paideia Archive: Twentieth World Congress of Philosophy. Philosophy Documentation Center, 1998. http://dx.doi.org/10.5840/wcp20-paideia199812264.

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Does the title of the World Congress of Philosophy, Paideia: Philosophy Educating Humanity, reflect hubris, irony or a pragmatic optimism? How is it possible for philosophy to educate the human community in the twenty-first century? More specifically, at a time when few people besides academic philosophers read philosophy, in what sense can philosophy educate humanity? In this essay I examine one possible way philosophy can educate humanity advanced by Derek Bok, former president of Harvard University. In a variety of public lectures, published essays and books Bok insists that America's leadi
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MacDonald, Scott. "With John Ashbery at the Harvard Film Archive, Saturday, May 2, 2009." In Comprehending Cinema. Oxford University PressNew York, NY, 2024. http://dx.doi.org/10.1093/9780197758755.003.0004.

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Abstract John Ashbery, at Harvard to receive the university’s arts medal, talks about his passion for film, his admiration for Pierre Delpeut’s Lyrical Nitrate and Chuck Jones’s Duck Amuck, his Andy Warhol Screen Test, and his reaction to three films—Mutiny (1983), The Exquisite Hour (1989), Variations (1998)—whose filmmakers, Abigail Child, Phil Solomon, and Nathaniel Dorsky, in separate interviews with Scott MacDonald, had cited Ashbery’s poetry as a crucial influence. Though a cinephile, Ashbery was unaware of these independent filmmakers and surprised to see their work. He admired all thre
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"Colonially Bound, Digitally Free." In The Politics of Collecting. Duke University Press, 2024. http://dx.doi.org/10.1215/9781478059479-006.

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This chapter examines art property in its digital manifestation. It interrogates Harvard's refusal to repatriate objects acquired through chattel slavery and looks at the differing approaches artists Carrie Mae Weems and Sasha Huber have taken in transfiguring daguerreotypes of enslaved persons collected by professor Louis Agassiz. Weems incorporated the daguerreotypes into her own photographic series; and Huber inserted her body into the sites of Agassiz's scientific travels to extend and alter his archive. Tamara Lanier, a descendant of one of the photographed subjects, has contested Harvard
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Gudkov, Maxim M. "“The Bed Bug” on the American Stage (Premiere of V. Mayakovsky’s Play Overseas, 1931)." In The Works of V.V. Mayakovsky. Issue 5: Interdisciplinary Approaches and Global Reception (For the 130th Anniversary of the Poet’s Birth). A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2024. https://doi.org/10.22455/3034-4026-2024-5-503-535.

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The study focuses on the premiere production of the Vladimir Mayakovsky’s play “The Bed Bug” in the USA, which was carried out almost immediately after its writing — in 1931. Documents are provided confirming the intention of Moscow “The Bed Bug”’s director Vsevolod Meyerhold to show the performance based on Mayakovsky’s play during the theater’s tour in the USA. The history of unsuccessful attempts to stage “The Bed Bug” abroad is traced, before the USA — in Czechoslovakia and Germany in 1929. A brief description is given of the American venue where “The Bed Bug” was staged — the Provincetown
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Conference papers on the topic "Harvard University. Archives"

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Gnieski, Rachel, Charles Langmuir, and Raquel Alonso-Perez. "And what about the rocks? Linking data to samples, the Earth Archive Collection at Harvard University." In Goldschmidt 2024. Geochemical Society, 2024. https://doi.org/10.46427/gold2024.24456.

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NICA, Maria-Isabela. "The World Music Phenomenon Through the Perspective of Philip V. Bohlman." In The International Conference of Doctoral Schools “George Enescu” National University of Arts Iaşi, Romania. Artes Publishing House UNAGE Iasi, 2024. https://doi.org/10.35218/icds-2024-0004.

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Renowned ethnomusicologist Philip V. Bohlman has made a remarkable contribution to the study of the World Music phenomenon and its impact on culture and society. An alumnus of Yale and Harvard, Bohlman has built a distinguished academic career across various countries, conducting extensive research in ethnomusicology. His work delves into the intricate relationships between music, cultural identity, nationalism, and migration, addressing themes such as music in the Holocaust, musical folklore, Jewish and Roma music. Overall, the volume World Music: A Very Short Introduction is one of the essen
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