Relevant bibliographies by topics / Hatshepsut

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Hatshepsut'

Author: Grafiati
Published: 4 June 2021
Last updated: 12 June 2025

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Hatshepsut.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Hatshepsut"

1

Whitman, Ruth. "Hatshepsut." Women's Review of Books 9, no. 4 (1992): 19. http://dx.doi.org/10.2307/4021161.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Stupko-Lubczynska, Anastasiia. "What an artist saw. Tracing the local iconographic tradition for the Temple of Hatshepsut at Deir el-Bahari." Polish Archaeology in the Mediterranean, no. 30/1 (December 31, 2021): 187–214. http://dx.doi.org/10.31338/uw.2083-537x.pam30.1.09.

Full text
Abstract:
An unusual iconographic motif—a fringed piece of linen—depicted in the Chapel of Hatshepsut, part of the queen’s temple at Deir el-Bahari, is examined in this paper as an illustration of the interest, well attested in Hatshepsut’s reign, in past artistic models/sources. The Chapel of Hatshepsut was intended for the mortuary cult of the female pharaoh, while the motif under discussion appears to have been inspired by decoration earlier by 500 years, found inside a burial chamber cut into the rock cliff of North Asasif, which is a natural continuation of the Deir el-Bahari amphitheater. The tomb (TT 311) belonged to Khety, a courtier of the Eleventh Dynasty pharaoh Mentuhotep II Nebhepetra. Assuming the validity of this iconographic link, the question arises concerning the accessibility of decorated burial chambers from the Eleventh-Dynasty in this area and their possible role as “pattern books” in the design of the early Eighteenth Dynasty private and royal mortuary monuments. In addition, the paper addresses the issue of the Chapel of Hatshepsut serving as a monumental “pattern book” for the Late Period Theban tombs.
APA, Harvard, Vancouver, ISO, and other styles
3

Robins, Gay. "The Names of Hatshepsut as King." Journal of Egyptian Archaeology 85, no. 1 (1999): 103–12. http://dx.doi.org/10.1177/030751339908500107.

Full text
Abstract:
Although for most of her reign Hatshepsut was depicted with the traditional image of a male king, the names that she used as king were formed with grammatically feminine participles, thus openly acknowledging her female status. In addition, these names were deliberately constructed to incorporate references to goddesses, references that were probably intended to allude to Hatshepsut's divine aspect as king and to reinforce the legitimacy of her rule. The inclusion of these divine references was only possible because of the feminine participles used, and this type of wordplay is not, therefore, found in the names of male kings.
APA, Harvard, Vancouver, ISO, and other styles
4

Sankiewicz, Marta. "The iconography of co-rule at Deir el-Bahari: Hatshepsut and Tuthmosis III in the Statue Room of the Main Sanctuary of Amun." Polish Archaeology in the Mediterranean XXIV, no. 2 (2016): 161–68. http://dx.doi.org/10.5604/01.3001.0010.0181.

Full text
Abstract:
Hatshepsut and Tuthmosis III were represented as seemingly equal kings on the side walls of the Second Room of the Main Sanctuary of Amun in the Temple of Hatshepsut in Deir el-Bahari. Iconographic analysis reveals the relationship between the two rulers, demonstrating the different and discreet ways in which Hatshepsut emphasized her dominant position and Tuthmosis’s secondary one during their co-rule. The quality of the representations is just as crucial as their number for understanding their relationship. Hatshepsut used among others the symbolism of the cardinal points, orientation of figures and the hierarchy of attributes to emphasize the difference in their positions. The four scenes in question are the most representative examples of these fixed rules in the Deir el-Bahari temple.
APA, Harvard, Vancouver, ISO, and other styles
5

Teeter, Emily. "Hatshepsut and Her World." American Journal of Archaeology 110, no. 4 (2006): 649–53. http://dx.doi.org/10.3764/aja.110.4.649.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

زکي, محمد محمد. "Foremost of Noble Ladies Hatshepsut." دورية کان التاريخية: المستقبل الرقمي للدراسات التاريخية 2, no. 3 (2009): 37–40. http://dx.doi.org/10.21608/kan.2009.99236.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Feinman, Peter. "Hatshepsut: From Queen to Pharaoh." History: Reviews of New Books 34, no. 2 (2006): 63. http://dx.doi.org/10.1080/03612759.2006.10526826.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Braulińska, Kamila. "Mammals in the iconography of the Temple of Queen Hatszepsut: introduction to the project." Polish Archaeology in the Mediterranean 26, no. 1 (2018): 219–26. http://dx.doi.org/10.5604/01.3001.0012.1778.

Full text
Abstract:
The project “Mammals in the iconography of the Temple of Queen Hatshepsut”, initiated by the author in the 2011/2012 season, encompasses a detailed documentation of the animals depicted in various parts of Hatshepsut’s temple in Deir el-Bahari as a prerequisite for in-depth research. The study follows a multi-disciplinary approach within faunal analysis, and is complemented with technological observations on the execution of relief representations from the temple. At this stage of the project, a general taxonomic identification of the animal representations is nearly complete and a further detailed study of each taxon has been undertaken. Both complete animals (mainly mammals for now) and animal raw materials were studied in addition to the contexts and scenes in which they appear.
APA, Harvard, Vancouver, ISO, and other styles
9

Laporta, Virginia. "La transición ontológica del sujeto ritual: una aproximación a la figura regia de Hatshepsut (c. 1473–1458 a. C.)." El Futuro del Pasado 4 (May 30, 2013): 297–314. http://dx.doi.org/10.14201/fdp.24758.

Full text
Abstract:
En este trabajo analizaremos la transición de Hatshepsut (c. 1473 – 1458 a. C.), al convertirse de reina en el rey dual (nsw bjtj) egipcio. Para lograrlo, consideraremos la forma de pensamiento de los egipcios centrada en lo sagrado y expresada a partir de mitos y ritos. En particular, nos detendremos en los ritos de pasaje y su vínculo con las relaciones entre el rey y Amón-Ra, los roles intercambiables de Hatshepsut así como la transición post-mortem de su figura regia.
APA, Harvard, Vancouver, ISO, and other styles
10

Pawlicki, Franciszek. "Four seasons of documentation in the Main Sanctuary of Amun-Re in the Temple of Hatshepsut at Deir el-Bahari." Polish Archaeology in the Mediterranean 25 (May 15, 2017): 303–14. http://dx.doi.org/10.5604/01.3001.0010.1863.

Full text
Abstract:
Four seasons of documentation have supplied pertinent data to indicate that the Main Sanctuary of Amun-Re in the Temple of Hatshepsut in Deir el-Bahari was perceived from a theological perspective as a cult place for the local form of Foremost of +sr-Dsrw and for the royal worship of Hatshepsut connected with it. The latter aspect was of sufficient significance to warrant twice a far-going modification of the decoration of the tympanum of the east wall of the Bark Hall, influencing the way the Inner Sanctuary was illuminated.
APA, Harvard, Vancouver, ISO, and other styles

Dissertations / Theses on the topic "Hatshepsut"

1

Stringfield, Sarah. "New kingdom /." Read thesis online, 2007. http://library.uco.edu/UCOthesis/StringfieldS2007.pdf.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Lennander, Karlsson Emma. "Analysis of the Changes of the Opet Festival Procession : Between the Regents Hatshepsut and Tutankhamun." Thesis, Uppsala universitet, Institutionen för arkeologi och antik historia, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-414782.

Full text
Abstract:
The essay analyses the changes of the Opet festival procession between the regents Hatshepsut and Tutankhamun, as some changes of the procession occur during this period. The purpose of this study is to fill in some of the knowledge gaps that exist and to combine different areas that have been researched with areas ​​where little research has been done. The purpose is to provide an insight into how the environment and politics played a role in the religious contexts of the Opet festival. The approach uses the reliefs of the Opet festival found in Luxor Temple and in Karnak Temple to see how the festival changed. By examining how the festival procession evolved and analysing what the changes were due to, one can answer the main question: Why did the processions in the Opet festival change? The focus will be to analyse Hatshepsut (1479–1457 B.C.), Amenhotep III (1388–1351 B.C.) and Tutankhamun's (1341–1323 B.C.) political and religious position, and to investigate whether it affected the development of the procession of the Opet Festival and if so, how it affected the change. Furthermore, by analysing the landscape through the study of the movement of the Nile and the annual cycle of the river and using the concepts of "constructed landscapes" and "ideational landscapes" as a starting point for analysing the temples and processional ways. This study also provides something for future projects to build on, as there are currently not many studies on the processions of the Opet Festival, more research is needed in this area. Since this is an approach that has not been done before, by looking at the political and historical aspects as well as the environmental aspects and how they affect the processions of the Opet festival, will this fill some of the knowledge gaps currently present.<br>Uppsatsen analyserar förändringarna i Opet festivalens processioner mellan regenterna Hatshepsut och Tutankhamun, då många förändringar i processionen skedde under denna period. Syftet med denna studie är att fylla några av de kunskapsluckor som finns genom att kombinera olika områden som det har forskats mycket om för att analysera ett område som det inte har forskats lika mycket om. Syftet är att ge en inblick i hur miljön och politiken spela en roll i de religiösa sammanhangen som fanns i forntida Egypten. Tillvägagångsättet kommer vara att använda relieferna av Opet festivalen som finna i Luxortemplet och i Karnaktemplet för att se hur festivalen förändrades. Genom att undersöka och redovisa hur processionen under festivalen utvecklades och analysera vad de förändringarna berodde på, kan studien besvara huvudfrågan: Varför förändrades processionerna i Opet festivalen? Fokuset kommer vara att analysera Hatshepsut (1479–1457 f.v.t.), Amenhotep III (1388–1351 f.v.t.) och Tutankhamuns (1341–1323 f.v.t.) politiska och religiösa ståndpunkt, samt undersöka om det påverkade utvecklingen av Opet festivalens procession och i så fall hur det påverka förändringen. Samt analysera landskapet genom att studera Nilens rörelse och översvämning och även använda begreppen konstruerat -och idémässigt landskap som startpunkt för att analysera templen och processionsvägarna. Denna studie kan också ge något för framtida projekt att bygga på, då det i nuläget inte finns många undersökningar om Opet festivalens processioner, behövs det mer forskning inom detta område. Då det här är en infallsvinkel som inte gjorts tidigare, genom att kolla på de politiska och historiska aspekterna samt miljöaspekterna och hur de påverka processionerna av Opet festivalen, kommer detta fylla några av de kunskapsluckor som finns i nuläget.
APA, Harvard, Vancouver, ISO, and other styles
3

Hilliard, Kristina Marie. "Images of a Gendered Kingship: Visual Representations of Hatshepsut and Her Influence on Images of Nefertiti." Thesis, University of North Texas, 2006. https://digital.library.unt.edu/ark:/67531/metadc5323/.

Full text
Abstract:
I investigate why gendered images of Hatshepsut influenced androgynous images of Nefertiti in New Kingdom Egypt and how Nefertiti and Akhenaten used their images in the promotion of their monotheistic religion; through a contextual, stylistic and feminist examination of the images. Hatshepsut cultivated images of herself to legitimize her rule in relation to canonical kings before her. Similarly, Nefertiti represented herself as a figure indiscernible from Akhenaten, creating an image of female co-rulership. Although the visual representations of both Hatshepsut and Nefertiti differ, the concepts behind each are analogous. They both manipulated androgyny to create images displaying powerful women equal in status to male Egyptian kings.
APA, Harvard, Vancouver, ISO, and other styles
4

Biston-Moulin, Sébastien. "La légitimité du roi au début de la XVIIIe dynastie : essai d'analyse phraséologique et historique du règne d'Hatchepsout." Thesis, Montpellier 3, 2012. http://www.theses.fr/2012MON30078.

Full text
Abstract:
L’accession de la reine Hatchepsout à la royauté durant le règne d’un autre roi, Thoutmosis III, dont elle est la régente est en tout point remarquable puisqu’elle aboutit à l’existence de deux co-rois contemporains. L’exceptionnalité de la situation offre un prisme singulier permettant d’identifier des mécanismes iconographiques et phraséologiques liés à l’expression de l’identité royale en Égypte ancienne. Un examen critique des abondants vestiges de cette période et une nouvelle lecture des principales inscriptions à caractère politique de la reine conduiront à formuler une série d’hypothèses relatives au déroulement et aux motivations de cette prise de pouvoir. Une nouvelle datation pour les premières attestations d’hostilité vis-à-vis de la mémoire de la reine sera également proposée à la lumière de découvertes récentes faites dans le temple de Karnak. La question du rapport de la reine à son histoire sera également examinée et les soupçons de manipulations historiques liées à sa « corégence fictive » avec son père, roi défunt, écartées. La confrontation des éléments relatifs à l’expression de l’identité du roi au début de la XVIIIe dynastie issus du corpus phraséologique réuni dans ce travail avec la documentation historique du règne d’Hatchepsout nourrira la réflexion engagée sur la définition des éléments qui fondent la légitimité d’un individu à être roi<br>The accession of queen Hatshepsut as king during the reign of another king for whom she was regent, Thutmosis III, is remarkable in all respects since it resulted in co-rulers. This unparalleled situation offers a unique opportunity to identify the iconographic and phraseological mechanisms that could be mobilised in the expression of royal identity. Critical examination of the historical evidence from this period, including new readings of Hatshepsut’s main political inscriptions, leads to a number of new hypotheses for understanding this process and the underlying motivations. The suggested date for the first attested hostility toward the queen’s memory is challenged in light of recent discoveries in the temple of Karnak. Questions relating to how Hatshepsut’s history was presented are discussed, and her “fictitious co-regency” with her father Thutmosis I is dismissed. A corpus of expressions of royal identity from the early eighteenth dynasty is compared with the historical documentation from Hatshepsut’s reign, offering new perspectives on how individual royal legitimacy could be defined
APA, Harvard, Vancouver, ISO, and other styles
5

Montélimard-Arnaudiès, Emmanuelle. "Le sanctuaire principal de la barque sacrée d'Amon dans le temple de Karnak sous le règne de Thoutmosis III." Thesis, Paris 4, 2017. http://www.theses.fr/2017PA040195.

Full text
Abstract:
Au XVIe siècle avant J.-C., Thoutmosis III fit construire un sanctuaire en granit rose dans le temple d’Amon, à Karnak. Cet édifice, nommé Outjes-khâou, « (celui qui) exalte les apparitions d’Amon », servait d’abri principal à la barque du dieu, qui était portée en procession lors des grandes fêtes thébaines. Remplaçant la chapelle Rouge d’Hatshepsout, il resta debout jusqu’à ce que Philippe Arrhidée, le découvrant « ruiné », ordonne sa reconstruction. C’est son sanctuaire de barque en granit qui se dresse actuellement au même emplacement. La première tâche de ce travail a consisté à rechercher les blocs épars qui composaient le sanctuaire thoutmoside. Dispersés sur les 25 hectares du site de Karnak, parfois remployés dans des monuments postérieurs, ces fragments ont été identifiés, photographiés, documentés et leurs décors, dessiné. Les fonds photographiques, les journaux et rapports de fouilles des premiers directeurs des travaux de Karnak ont été dépouillés afin de déterminer la provenance de ces blocs et l’histoire de leur découverte. L’étude architecturale a ensuite été effectuée. L’analyse du décor reconstitué a fourni des données sur les aspects religieux, cultuels et politiques du règne de Thoutmosis III et permis d’identifier certaines de ses constructions. L’élément clé de cette étude est la proposition d’une nouvelle date du remplacement de la chapelle Rouge par Outjes-khâou, pour l’an 30, à l’occasion de la première fête-sed du roi. Suivant cette hypothèse, de nouvelles séquences chronologiques ont été proposées pour la construction et la décoration d’Outjes-khâou et des édifices qui l’entouraient, au cœur de Karnak<br>In the 16th century BC, Thutmose III built a red granite sanctuary in the center of the temple of Amun in Karnak. This monument, named Utjes-khau “(the one who) exalts Amun’s appearances”, was used as the main resting place for the sacred bark which was carried in procession during the great Theban feasts. Replacing Hatshepsut’s Red Chapel, the shrine of Thutmose III remained standing until Philip Arrhidaeus, finding it “ruined”, ordered it to be constructed anew. Today, Arrhidaeus’ own granite bark shrine remains in situ. The first task of this research was to look for the blocks of the Thutmosid bark shrine, which were scattered across the 25 hectare area of the Karnak temples and sometimes were reused in later monuments. They were photographed, documented and drawn. The photographic collections, excavation journals and reports of the earlier field directors of Karnak have been analyzed in order to find out the find spot and the history of these blocks’ discovery. Following this, the architectural study of the bark shrine could be made. The analysis of reconstituted decoration allowed the identification of some of Thutmose III’s monuments and provided new data on religious, cultic and political aspects of his reign. The key issue of this study is the proposal of a new date for the replacement of the Red Chapel by Utjes-khau for the king’s first sed-festival in year 30. According to this hypothesis, new chronological sequences are proposed for the building and decoration of Utjes-khau and the monuments surrounding it at the center of Karnak
APA, Harvard, Vancouver, ISO, and other styles
6

Taterka, Filip. "Les expéditions au pays de Pount sous la XVIIIe dynastie égyptienne : essai de compréhension du rôle idéologique des expéditions « commerciales »." Thesis, Sorbonne université, 2018. http://www.theses.fr/2018SORUL031.

Full text
Abstract:
Le but de la thèse est d’analyser l’importance idéologique et religieuse des expéditions égyptiennes au pays de Pount, particulièrement sous la XVIIIe dynastie. La 1ère partie (chapitres 1-4) présente en détail les sources relatives aux expéditions pountites et des produits en rapportés. Bien que la prééminence soit réservée aux sources de la XVIIIe dynastie, les documents datant d’autres périodes ont été aussi inclus dans les analyses. La 2e partie (chapitres 5-8) constitue une synthèse des conclusions formulées en résultat des analyses faites dans la 1ère partie. De cette façon, l’auteur examine les divers toponymes relatifs au pays de Pount (chapitre 5), le problème de la localisation exacte de Pount (chapitre 6), le caractère des expéditions pountites en comparaison aux autres types des missions étrangères égyptiennes (chapitre 7) aussi bien que les divers liens entre le pays de Pount et la religion et l’idéologie du pouvoir en Égypte (chapitre 8). L’auteur conclut que Pount jouait un rôle crucial dans l’idéologie du pouvoir égyptienne étant particulièrement associé au dieu solaire aussi bien qu’à la déesse Hathor. Les produits pountites étaient extrêmement importants tant pour le culte funéraire royal et privé que pour le culte divin rendu dans les temples. C’est pourquoi l’organisation d’une expédition pountite était un devoir du roi qui, selon les croyances égyptiennes, obéissait à un ordre direct du dieu solaire. En plus, aux diverses époques on peut percevoir une volonté de rétablir les contacts avec Pount afin de restaurer l’ordre naturel après une période de la crise, ce qui est particulièrement visible sous le règne d’Hatchepsout de la XVIIIe dynastie<br>The aim of the dissertation is to analyse the religious and ideological significance of the ancient Egyptian Punt expeditions, particularly in the 18th dynasty. In the first part (chapters 1-4) the sources concerning the ancient Egyptian Punt expeditions as well as the products imported to Egypt in their result were discussed in detail. Although the pre-eminence is given to the 18th dynasty sources, documents from other periods were also included in the analysis. The second part (chapters 5-8) constitutes a synthesis of the conclusions drawn in result of the analysis of the sources of the first part. Therefore, the author discusses various toponyms related to the land of Punt (chapter 5), the problem of Punt’s exact location (chapter 6), the character of the Punt expeditions in comparison with other foreign missions (chapter 7) as well as various links between the land of Punt and Egyptian religion and ideology of kingship (chapter 8). The author concludes that the land of Punt played an important role in the Egyptian ideology of kingship being especially associated with the sun-god as well as with the goddess Hathor. Puntite products were crucial for both royal and private funerary cult as well as for the divine cult carried out in the temples. This is why the organisation of a Punt expedition was a duty of the Egyptian king, who, according to Egyptian beliefs, was obeying a direct order of the sun-god. Moreover, in various periods we may observe a wish to re-establish the contacts with Punt in order to restore the natural order of things after a period of crisis, which is especially visible in the reign of Hatshepsut of the 18th dynasty
APA, Harvard, Vancouver, ISO, and other styles
7

El-Bialy, Mohamed A. Goyon Jean-Claude. "Les reines et princesses de la XVIIIe dynastie à Thèbes-Ouest enquête d'après les monuments, les sources archéologiques et épigraphiques /." Lyon : Université Lumière Lyon 2, 2004. http://theses.univ-lyon2.fr/sdx/theses/lyon2/2004/el-bialy_ma.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Olivier, Anette. "Social status of elite women of the New Kingdom of ancient Egypt a comparison of artistic features /." Thesis, Pretoria : UNISA, 2008. http://etd.unisa.ac.za/ETD-db/theses/available/etd-09262008-134009/unrestricted/dissertation.pdf.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

El-Bialy, Mohamed A. "Les reines et princesses de la XVIIIe dynastie à Thèbes-Ouest : enquête d'après les monuments, les sources archéologiques et épigraphiques." Lyon 2, 2004. http://theses.univ-lyon2.fr/documents/lyon2/2004/el-bialy_ma.

Full text
Abstract:
Nous présentons dans cette thèse une analyse de la documentation des reines et princesses de la XVIIIème dynastie rassemblée à partir d'une enquête menée sur l'ensemble des tombes thébaines, royales et de particuliers. Ces données rassemblées, année après année, à l'occasion de visites répétées, d'ouverture de chantiers de conservation sur tous les secteurs de la nécropole, ont fait ressortir que l'information, très abondante pourtant, rassemblée depuis le XIXème siècle, sur le rôle joué par les membres féminins de la famille des pharaons de la XVIIIème dynastie demeurait très incomplète. Parmi les lacunes les plus importantes figurait l'absence de relevés ou de collationnement moderne de très nombreuses scènes et inscriptions peintes ou gravées sur les parois des chapelles des serviteurs royaux en fonction aux temps où reines et princesses avaient vécu. Le répertoire de sources établi et présenté à l'appui de ce travail constitue, pour l'immédiat, l'état le plus fidèle d'une documentation souvent en péril, fréquemment en voie de destruction. Dans ce cadre, les sources archéologiques et épigraphiques concordent pour témoigner d'un fait apparemment sans précédent : le rôle de la famille royale et, en particulier, des "grandes épouses royales" dans les affaires politiques et religieuses. En effet, à la cour, leur position est loin de se limiter à des tâches purement protocolaires. Visiblement les reines de la XVIIIème dynastie détiennent un pouvoir réel et deviennent, en quelque sorte, des partenaires à part entière aux côtés du pharaon régnant. Non seulement celles-ci s'intéressent aux rouages de l'Etat, interviennent dans la diplomatie, mais encore elles occupent souvent d'importantes fonctions religieuses. Qu'il s'agisse d'Ahmes Nefertari, l'épouse d'Ahmosis et mère d'Aménophis Ier, d'Hatshepsout, la "reine pharaon", de Tiy, la grande épouse royale d'Aménophis III, ou encore de Nefertiti, la conjointe officielle d'Aménophis IV - Akhenaton qui ne ménage aucun effort pour que se concrétise la "rénovation" atonienne, toutes ces reines et bien d'autres occupent un rang des plus élevés dans la hiérarchie du royaume et y jouissent d'une influence unique dans le monde antique et son histoire. Aux côtés des reines et de leurs époux une place non négligeable a été réservée ici aux filles de sang princier. En essayant de faire le point sur les familles royales de la XVIIIème dynastie à partir de la documentation issue du décor et des textes des chapelles des tombes thébaines du Nouvel Empire, il devenait indispensable de réunir l'ensemble des sources officielles originaires de la même région afin d'en confronter les données. De même, il convenait de faire appel à tous les autres témoins connus en terre d'Egypte ou en Nubie et à l'extérieur, afin de constituer pour chaque reine ou princesse prise en compte un dossier personnel auquel leur viendraient s'adjoindre les attestations thébaines spécifiques rassemblées lors du recensement systématique effectué sur le terrain. Les cinquantes entrées établies de la reine Ahhotep (I) à sa lointaine consoeur Moutnedjemet, épouse d'Horemheb, constituent le répertoire historique, lequel est suivi de la discussion et de la conclusion (Volume I, 253 pages). Dans le second volume de l'ouvrage (168 pages), le répertoire iconographique et épigraphique est présenté sous forme de 134 fiches et 74 planches (catalogue)<br>In the present Ph. D, we are submitting an analysis of the documentation about queens and princesses of the XVIIIth dynasty gathered from an investigation carried out in the theban tombs as a whole: royal and private. Theses datas collected year by year during numerous visits, opening of restauration and preservation sites in all areas of the necropolis, stressed on the fact that the information, though very prolific gathered from the XIXth century, on the role played by the feminine members of the pharaoh’s family of the XVIIIth dynasty proved very incomplete. Among the most important lacunas emerged the lack of statement or modern collation of numerous painted or carved scenes and inscriptions on the walls of the royal servant chapels during the lifetime of queens and princesses. The index of the sources drawn up and produced in the present work, represents for the time being, the most accurate state of a documentation often in peril, frequently under destruction. In this framework the archaeological and epigraphical sources agree to give evidence for a fact apparently unprecedented: the role played by the royal family and, in particular, by the “great royal wives” in the political and religious matters. Actually their position at court is far from being restricted to purely formal tasks. Apparently the XVIIIth dynasty queens hold a real power and become, somehow, fully qualified partners beside the reigning pharaoh. Not only they show interest for the wheels of the state, interest for the wheels of the state, intervene in diplomatic affairs, but they hold important religious functions. All the queens such as Ahmes Nefertari, Ahmosis wife and Amenophis Ist mother, Hatchepsout “the Queen-pharaoh”, Tiy, Amenophis IIIrd great royal wife, or Nefertiti, the official wife of Amenophis IV-Akhenaton who did not spare all her efforts to materialize the atonist “reform” and many others hold the highest positions in the kingdom hierarchy and enjoy a unique influence in the ancient world and his history. Beside the queens and their husbands a position far from being insignificant has been granted to the daughters of royal blood. Trying to have an in-depth look at the royal families of the XVIIIth dynasty from the documentation resulting from the decoration and texts of the New Kingdom Theban tombs chapels, it became essential to gather the official sources originating from the same district in order to collate the datas. In the same way, it was advisable to search all the other evidences known in Egypt or Nubia and outside Egypt in order to set up for each queen or princess taken into account a persona file to which would be added the specific theban references gathered during the systematic registration made in the field. The fifty entries drawn up from queen Ahhotep (I) to her far sister member Moutnedjemet, wife of Horemheb constitute the historical catalogue followed by the discussion and conclusion (Volume I, 253 pages). In the second volume of the work (168 pages) the iconographical and epigraphical catalogue has been set up in form of 130 files and 74 plates (catalogue)
APA, Harvard, Vancouver, ISO, and other styles
10

Iwaszczuk, Jadwiga. "Topografia Rytualna Teb w czasach Hatszepsut. Królewskie projekty budowlane. Brzeg zachodni." Doctoral thesis, 2017. https://depotuw.ceon.pl/handle/item/2140.

Full text
Abstract:
Celem studiów nad topografią rytualną Teb brzegu zachodniego była próba ustalenia rytualnych, gospodarczych i ideologicznych relacji pomiędzy poszczególnymi budowlami, jak również zweryfikowania dyskusji na temat świąt egipskich i ponowne zdefiniowanie różnych wydarzeń świątecznych. Nacisk położony został na identyfikację budowli ustawionych przez Hatszepsut, ustalenie kształtu krajobrazu Teb Zachodnich podczas panowania tej władczyni i ustalenie chronologii stawianych konstrukcji. Ważnym elementem badań są aneksy zawierające informacje dotyczące urzędników z czasów Hatszepsut związanych ze świątyniami tebańskimi, dane na temat Pięknego Święta Doliny, jak również bibliografii topograficznej Teb brzegu zachodniego.<br>The aim of the studies on the ritual topography of Thebes on the West Bank was an attempt to indicate ritual, economic and ideological relationships between particular structures as well as suggest a review of the dispute on the subject of Egyptian feasts and provide revised definitions of particular festive occasions. In the course of the research, effort was also undertaken to identify structures erected by Hatshepsut, establish the topography of West Thebes during the reign of that ruler and establish the chronology of constructed buildings. The important element of the studies are appendices which contain information concerning the officials from the times of Hatshepsut connected with Theban temples, data on the Beautiful Feast of the Valley as well as topographic bibliography of Thebes on the West Bank.
APA, Harvard, Vancouver, ISO, and other styles

Books on the topic "Hatshepsut"

1

Hussein, Amr. Hatshepsut. A. Hussein, 1989.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
2

ill, Fiedler Joseph Daniel, ed. Hatshepsut, his majesty, herself. Atheneum, 2001.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
3

Carter, Dorothy Sharp. His Majesty, Queen Hatshepsut. J.B. Lippincott, 1987.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
4

Hopping, Lorraine Jean. Hatshepsut: Egypt's woman king. Celebration Press, 2005.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
5

Greenblatt, Miriam. Hatshepsut and ancient Egypt. Benchmark Books, 1999.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
6

Whitman, Ruth. Hatshepsut, speak to me. Wayne State University Press, 1992.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
7

Hatshepsut: The first woman pharaoh. The Rosen Pub. Group, 2003.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
8

H, Roehrig Catharine, M.H. De Young Memorial Museum., Metropolitan Museum of Art (New York, N.Y.), and Kimbell Art Museum, eds. Hatshepsut: from Queen to Pharaoh. The Metropolitan Museum of Art, 2005.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
9

Busath, Don, and Shafik Farid. The Temple of Queen Hatshepsut. Simpkins Souvenirs, 1985.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
10

Dell, Pamela. Hatshepsut: Egypt's first female pharaoh. Compass Point Books, 2008.

Find full text
APA, Harvard, Vancouver, ISO, and other styles

Book chapters on the topic "Hatshepsut"

1

Kügler, Joachim. "Hatshepsut Baptised." In Zeus Syndrome. Routledge, 2022. http://dx.doi.org/10.4324/9781003269977-3.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Liverani, Mario. "Hatshepsut and Punt: Trade or Tribute?" In International Relations in the Ancient Near East. Palgrave Macmillan UK, 2001. http://dx.doi.org/10.1057/9780230286399_27.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Mironova, Alexandra V. "The Relationship between the Space and the Scenery of an Egyptian Temple: Scenes of the Opet Festival and the Festival of Hathor at Karnak and Deir el-Bahari under Hatshepsut and Thutmose III." In Mosaikjournal: Raumdimensionen im Altertum>, edited by Maria Kristina Lahn and Maren-Grischa Schröter. Gorgias Press, 2010. http://dx.doi.org/10.31826/9781463233341-011.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

"Hatshepsut." In Women in the Ancient Mediterranean World. Cambridge University Press, 2023. http://dx.doi.org/10.1017/9781108646529.012.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Cox, Stephen. "Queen Hatshepsut." In The Woman and the Dynamo. Routledge, 2017. http://dx.doi.org/10.4324/9781351322768-6.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

"Hatshepsut (1473–1458 BC)." In Encyclopedic Dictionary of Archaeology. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-58292-0_80152.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

"Obelisk of Hatshepsut, Karnak." In A Dictionary of Ancient Near Eastern Architecture. Routledge, 2002. http://dx.doi.org/10.4324/9780203041079-18.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

"The Accession Date of Hatshepsut." In Monuments Of Senemut. Routledge, 2013. http://dx.doi.org/10.4324/9780203038062-8.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Taterka, Filip. "Military expeditions of King Hatshepsut." In Current Research in Egyptology 2016. Oxbow Books, 2017. http://dx.doi.org/10.2307/j.ctt1pk86n6.12.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Kiss, Zsolt. "Deux fragments de portraits funéraires romains de Deir el-Bahari." In Classica Orientalia. Essays presented to Wiktor Andrzej Daszewski on his 75th Birthday. DiG Publisher, 2011. http://dx.doi.org/10.37343/pcma.uw.dig.9788371817212.pp.259-266.

Full text
Abstract:
Two fragments of painted Roman funerary portraits on wooden panels of the Fayum type, discovered in 2001 during a revisiting of the Third Intermediate Period shaft tombs inside the Chapel of Hatshepsut in the Royal Mortuary Cult Complex at the Temple of Hatshepsut in Deir el-Bahari, come from 19th century excavations, hence are without anything but a general context. The pieces are very small—fragment of a robe, sliver of a face with one eye—but in a brilliant analysis of iconography and style Kiss identifies one as a depiction of a female, possibly a priestess of Isis, from the second half of the 2nd century AD, and the other as a male portrait from the 2nd century. The portraits may belong to what some scholars have called “Theban” painted funerary portraits and they must have come from a Roman necropolis in West Thebes, possibly Deir el-Medineh. On any case, they are proof that mummies with painted portraits of the deceased on wooden panels fitted into the cartonnages were not unknown in ancient Thebes.
APA, Harvard, Vancouver, ISO, and other styles

Conference papers on the topic "Hatshepsut"

1

Couser, P., C. Ward, and T. Vosmer. "Hypothetical Reconstruction of an Ancient Egyptian Sea-Going Vessel from the Reign of Hatshepsut, 1500Bce." In Historic Ships 2009. RINA, 2009. http://dx.doi.org/10.3940/rina.hist.2009.04.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Odah, Hatem, Ahmed Ismail, Ibrahim Elhemaly, Abbas M. Abbas, and Fathy A. Shaaban. "Applications of Geophysics to Archaeology: Magnetic and Ground‐Penetrating Radar Investigation at Hatshepsut Temple, Luxor, Egypt." In Symposium on the Application of Geophysics to Engineering and Environmental Problems 2009. Environment and Engineering Geophysical Society, 2009. http://dx.doi.org/10.4133/1.3176794.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Odah, H., A. Ismail, I. Elhemaly, A. Abbas, and F. Shaaban. "Applications of Geophysics to Archaeology: Magnetic and Ground-Penetrating Radar Investigation at Hatshepsut Temple, Luxor, Egypt." In 22nd EEGS Symposium on the Application of Geophysics to Engineering and Environmental Problems. European Association of Geoscientists & Engineers, 2009. http://dx.doi.org/10.3997/2214-4609-pdb.157.sageep012.

Full text
APA, Harvard, Vancouver, ISO, and other styles
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!

To the bibliography