Relevant bibliographies by topics / Haunted houses

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Haunted houses'

Author: Grafiati
Published: 4 June 2021
Last updated: 29 July 2024

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Journal articles on the topic "Haunted houses"

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Juyi, Bai. "Haunted houses." Medicine and War 1, no. 3 (September 1985): 251–52. http://dx.doi.org/10.1080/07488008508408653.

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Verdonschot, Clinton Peter. "Haunted houses." Aesthetic Investigations 6, no. 1 (August 30, 2023): ix—xv. http://dx.doi.org/10.58519/aesthinv.v6i1.17083.

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Pellegrin, Jean-Yves. "Lynne Tillman : Haunted Houses." Cahiers Charles V 29, no. 1 (2000): 237–42. http://dx.doi.org/10.3406/cchav.2000.1292.

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吳從周, 吳從周. "凶宅與賠償（上）──一個法院裁判近20年來發展的現狀結算." 月旦法學雜誌 348, no. 348 (May 2024): 56–74. http://dx.doi.org/10.53106/1025593134804.

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吳從周, 吳從周. "凶宅與賠償（下）──一個法院裁判近20年來發展的現狀結算." 月旦法學雜誌 349, no. 349 (June 2024): 60–79. http://dx.doi.org/10.53106/1025593134904.

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Savran, David. "The Haunted Houses of Modernity." Modern Drama 43, no. 4 (December 2000): 583–94. http://dx.doi.org/10.3138/md.43.4.583.

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April Spisak. "Haunted Houses (review)." Bulletin of the Center for Children's Books 64, no. 2 (2010): 92. http://dx.doi.org/10.1353/bcc.2010.0127.

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A. Fike, Matthew. "“We Are All Haunted Houses”." Journal of Jungian Scholarly Studies 19, no. 1 (June 6, 2024): 9–30. http://dx.doi.org/10.29173/jjs266s.

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Details regarding Edwin Frere, the Victorian pastor in Lindsay Clarke’s The Chymical Wedding, yield new meaning in light of C. G. Jung’s alchemical writings, which are mentioned in the novel’s concluding acknowledgements. Although Frere’s union with Louisa Agnew has been considered a proper coniunctio, his relationship with her and his subsequent self-castration require a darker interpretation than some critics—and the narrator—propose. Other significant events under examination include Frere’s disastrous experience in India, his reaction to the sheela-na-gig Gypsy May, two fine moments (helping a young outcast and ice skating with friends), and his life after the novel closes. Relevant statements by Jung about the psychology of the Christian faith, particularly the role of repression, persona, and projection, are applied to Frere’s experiences in order to argue that he does not achieve a fruitful or lasting coniunctio with Louisa and that his self-castration is problematic because it participates in the materialism that alchemy seeks to counter.
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Hainsworth, Bex. "All houses are haunted by women." McNeese Review 61, no. 1 (2024): 127. http://dx.doi.org/10.1353/mcn.2024.a924833.

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Andjelkovic, Filip. "Haunted Houses, Haunted Minds: Psychical Research, Psychoanalysis, and the Philip Experiment." Preternature: Critical and Historical Studies on the Preternatural 12, no. 2 (September 1, 2023): 136–61. http://dx.doi.org/10.5325/preternature.12.2.0136.

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ABSTRACT In the 1970s, the Toronto Society for Psychical Research conducted a series of experiments in which they attempted to prove that the psychokinetic phenomena that were normally described in the context of spirit communication were indicative of a dormant, psychological power within the individual. The group created a fictional character—Philip, the imaginary ghost—and spent several years of regular séances successfully producing table raps and levitations as they attempted to communicate with him. Importantly, the group often compared their experiences with each other and with Philip as a form of “group therapy.” This article examines the collaborative, playful nature of the Philip Experiment in relation to psychoanalytic theories of play, transitional and intersubjective experiences, and the mediated communication of unconscious fantasies in the context of clinical analysis.
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Dissertations / Theses on the topic "Haunted houses"

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Janicker, Rebecca. "Halfway houses : liminality and the haunted house motif in popular American Gothic fiction." Thesis, University of Nottingham, 2014. http://eprints.nottingham.ac.uk/44082/.

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Halfway Houses examines popular American Gothic fiction through a critical focus on what I call the ‘haunted house motif’. This motif, I argue, creates a distinctive narrative space, characterised by the key quality of liminality, in which historical events and processes impact upon the present. Haunted house stories provide imaginative opportunities to keep the past alive while highlighting the complexities of the culture in which they are written. My chosen authors, H. P. Lovecraft, Richard Matheson and Stephen King, use the haunted house motif to engage with political and ideological perspectives important to an understanding of American history and culture. Analysing their fiction, I argue that in “The Dreams in the Witch House” (1933) Lovecraft uses haunting to address concerns about industrialisation, urbanisation and modernisation in the early part of the twentieth century, endorsing both progressive and conservative ideologies. Similarly, Matheson’s haunting highlights issues of 1950s suburbanisation in A Stir of Echoes (1958) and changing social mores about the American family during the 1970s and 1980s in Earthbound (1982; 1989), critiquing conformist culture whilst stopping short of overturning it. Lastly, as a product of the counterculture, King explores new kinds of haunted spaces relevant to the American experience from the 1970s onwards. In The Shining (1977) he draws on haunting to problematise inequalities of masculinity, class and capitalism, and in Christine (1983), at a time of re- emerging conservative politics, he critiques Reaganite nostalgia for the supposed ‘golden age’ of the 1950s. At the close of the twentieth century, haunting in Bag of Bones (1998) reappraises American guilt about race and the legacy of slavery. Overall, my thesis shows that the haunted house motif adapts to the ever-changing conditions of American modernity and that the liminality of haunting addresses the concomitant social unease that such changes bring.
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Nixon, Elisabeth Ann. "Playing devil's advocate on the path to heaven evangelical hell houses and the play of politics, fear and faith /." Columbus, Ohio : Ohio State University, 2006. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1158195173.

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De, Gay Jane. "Haunted houses : influence and the creative process in Virginia Woolf's novels." Thesis, n.p, 1998. http://ethos.bl.uk/.

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Hauser, Brian Russell. "Haunted Detectives: The Mysteries of American Trauma." Columbus, Ohio : Ohio State University, 2008. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1227020699.

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Lipman, Caron W. "The domestic uncanny : co-habiting with ghosts." Thesis, Queen Mary, University of London, 2008. http://qmro.qmul.ac.uk/xmlui/handle/123456789/28168.

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The 'haunted home' has enjoyed a long-standing position as a motif within society, crossing a span of narratives, from anecdotal local stories shared informally between family and friendship networks, to the established Gothic traditions of literature and film. This project uniquely examines the ways in which people who believe their homes to be haunted negotiate the experience of co-habiting with ghosts. It is a qualitative study which has applied a mix of creative methodologies to a number of in-depth case studies in England and Wales. Geographers and researchers in related disciplines have recently expressed interest in the idea of ghosts or haunting, but have tended to focus upon public metropolitan spaces, and to employ the ghost as a metaphor or social figure. In contrast, this project contributes to a growing literature on the material and immaterial geographies of the home, the intangible and affective aspects of everyday life within the particular context of the domestic interior. The project explores the insights uncanny events experienced within this space reveal about people's embodied, emotional, spatial and temporal relationships with 'home' as both physical place and as a set of ideals. It studies the way in which people negotiate experiences which appear to lack rational or natural explanation, and the interpretative narratives employed to explain them. It suggests ways in which different forms of belief influence interpretations of uncanny events. It also suggests ways in which inhabitants of haunted homes negotiate the co-habitation with ghosts through a number of strategies which reinforce their own subjectivity in the face of potential encroachment into their private space.
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Parker, Deonne. "Haunted dwellings, haunted beings : the image of house and home in Allende, MacDonald, and Morrison." Thesis, McGill University, 2002. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=79801.

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This study examines the image of house and home as the reification of our domains as living, dwelling, housed beings in three novels: Isabel Allende's The House of the Spirits; Anne-Marie MacDonald's Fall On Your Knees; and Toni Morrison's Beloved. Being human, we form through perception, build through forming, dwell in building, and perceive through dwelling. Through close reading and analysis, this thesis examines questions of: If we are how we dwell, then what happens when the structures and the spaces of our dwellings become haunted? What happens when "home" becomes a facade that suspends necessary elements of dwelling? This study projects that if we are how we dwell, the very nature of our being entails a constant questioning of what it is we allow a presence to in our how we form, build, dwell, and perceive within both tangible and intangible realms and the influential perspicacity literature bears within this process.
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Bussing, Ilse Marie. "Haunted house in mid-to-late Victorian gothic fiction." Thesis, University of Edinburgh, 2010. http://hdl.handle.net/1842/5534.

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This thesis addresses the central role of the haunted house in mid-to-late Victorian Gothic texts. It argues that haunting in fiction derives from distinct architectural and spatial traits that the middle-class Victorian home possessed. These design qualities both reflected and reinforced current social norms, and anxiety about the latter surfaced in Gothic texts. In this interdisciplinary study, literary analysis works alongside spatial examination, under the premise that literature is a space that can be penetrated and deciphered in the same way that buildings are texts that can be read and interpreted. This work is divided into two main sections, with the first three chapters introducing theoretical, historical and architectural notions that provide a background to the literary works to be discussed. The first chapter presents various theorists’ notions behind haunting and the convergence of spectrality and space, giving rise to the discussion of domestic haunting and its appeal. The second chapter examines the Crystal Palace as the icon of public space in Victorian times, its capacity for haunting, as well as its ability to frame the domestic both socially and historically. The third chapter focuses on the prototype of private space at the time—the middle-class home—in order to highlight the specificity of this dwelling, both as an architectural and symbolic entity. The second section also consists of three chapters, dedicated to the “dissection” of the haunted house, divided into three different areas: liminal, secret, and surrounding space. The fourth chapter examines works where marginal space, in the shape of hallways and staircases, is the site of intense haunting. A novel by Richard Marsh and stories by Bulwer-Lytton, Algernon Blackwood and W.W. Jacobs are analyzed here. The fifth chapter is a journey through rooms and secretive space of the spectral home; works by authors such as Wilkie Collins, J.H. Riddell and Sheridan Le Fanu are considered in order to argue that the home’s exceptional compartmentalization and its concern for secrecy translated effortlessly into Gothic fiction. The final chapter addresses an integral yet external part of the Victorian home—the grounds. Gardens in works by Mary Elizabeth Braddon, Margaret Oliphant, M.R. James, and Oscar Wilde are inspected, proving Gothic fiction’s disregard for boundaries and its ability to exceed the parameters of the home.
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Napier, Will. "The haunted house of memory in the fiction of Stephen King." Thesis, University of Glasgow, 2008. http://theses.gla.ac.uk/516/.

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The purpose of this thesis is to explore a set of key issues and themes in the fiction of Stephen King, and then to present, in the form of a creative extract, a demonstration of an imaginative engagement with those same literary preoccupations mapped out in that opening critical section. This thesis is thus divided into two parts. The first part, 'Critical Encounters', explores through an interconnected series of close readings a selection of novels and novellas that circle around questions of suffering and survival. Chapter One, 'Monsters by Design', looks closely at Carrie (1974), The Shining (1977), and Misery (1987), among other texts, in order to define King's human monsters and investigate the episodes of domestic violence that are among his most terrifying scenes. Chapter Two, 'Retrospection of Abuse', uses 'The Body', a novella in Different Seasons (1982), as a core text to examine King's use of abuse and abusive characters as a means of defining character and assigning motivation for further violent tendencies. Chapter Three, 'Remorse and Resurrection', examines the influence of science and religious faith in terms of mourning the loss of loved ones. Chapter Four, 'The Selfish Apparition', a detailed engagement with Bag of Bones (1998), delves into the meanings behind the appearance of ghostly apparitions and suggests they may be less para-psychological and more psychoanalytical in nature. The second part, 'Creative Engagement', demonstrates the influence King's writing has had on my own work by providing an extract from a new novel, Without Warning, a sequel to my first book, Summer of the Cicada (Jonathan Cape, 2005). Without Warning is a unique experiment for me, as it has been written not only in the wake of the literary works of King - which have long exerted an influence on me as a writer and as one of his 'constant readers' - but in the light of a sustained period of research and reflection on King as a writer. Being in the midst of a critical and creative immersion in King, including his own accounts of his craft as well as interviews and essays by other scholars, has shaped my writing and made me mediate on my craft in a way I had not done before. This thesis then is both a study of aspects of the fiction of one of America's foremost storytellers, and an example of an emerging writer grappling with the fiction and criticism of a major influence.
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Napier, Will Napier Will. "The haunted house of memory in the fiction of Stephen King." Thesis restricted. Connect to e-thesis to view abstract, 2007. http://theses.gla.ac.uk/516/.

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Thesis (Ph.D.) - University of Glasgow, 2007.
Ph.D. thesis submitted to the Department of English Literature, Faculty of Arts, University of Glasgow, 2007. Includes bibliographical references. Print version also available.
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Grillo, Carmen M. "Haunting the Domestic Foam: A Political Spherology of Contemporary Haunted House Films." Thèse, Université d'Ottawa / University of Ottawa, 2013. http://hdl.handle.net/10393/26197.

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This thesis is focused on the intersection between horror, gender and politics in American haunted house films. Taking a “spherological” approach, the author argues that horror is evidence of a spherical breakdown, or a violation of existential space. Applying this approach to Hollywood haunted house films, the author demonstrates how those movies have, in the years since 2005, responded to a masculinity crisis discourse: by figuring haunting as a horrific disruption of paternal authority by violent masculine entities and powerful female ones, film-makers situate the movies in that discourse. By positing “security moms” (Grewal: 2006) and “paternal sovereigns” (Gunn: 2008) as responses to the crisis, the films construct a domestic space where women are militant mothers and men are sovereigns. Because the family is an important metaphor for the American nation (Lakoff: 2002), this construction can be seen as part of a paternalistic national politics. Cette thèse se concentre sur l’intersection de l’horreur, le genre et la politique dans des filmes américains de maison hantée. En prenant une approche “sphérologique,” l’auteur constate que l’éclatement d’une sphère existentielle s’accompagne du sentiment d’horreur. Concernant les films de maison hantée, l’auteur démontre comment ces objets-là se sont adressés, depuis 2005, au discours de la crise de masculinité: en figurant l’hantise comme la subversion de l’autorité du père par des menaces masculins et féminins, les réalisateurs mettent les films dans la trajectoire du discours de la crise. À fin de répondre à la crise, les films construisent l’espace doméstique de façon que les femmes soient des mères militantes (les “security moms”) (Grewal: 2006) et les pères soient souverains (les “souverains paternels”) (Gunn: 2008). Finalement, car la famille reste une métaphore importante de la nation Américaine (Lakoff: 2002), cette construction peut être vue comme partie de la paternalisme nationale.
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Books on the topic "Haunted houses"

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Botz, Corinne May. Haunted houses. New York: Monacelli Press, 2010.

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Miller, Kathryn Schultz. Haunted houses. Woodstock, Ill: Dramatic Pub., 1986.

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Krohn, Katherine E. Haunted houses. Mankato, Minn: Edge Books, 2006.

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Souci, Robert D. San. Haunted houses. New York: Scholastic, 2012.

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Souci, Robert D. San. Haunted houses. New York: Henry Holt, 2010.

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Riehecky, Janet. Haunted houses. Elgin, Ill: Child's World, 1989.

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Souci, Robert D. San. Haunted houses. New York: Henry Holt, 2010.

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Brucken, Kelli M. Haunted houses. San Diego, Calif: KidHaven Press, 2006.

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Kallen, Stuart A. Haunted houses. San Diego, CA: ReferencePoint Press, 2007.

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Netzley, Patricia D. Haunted houses. San Diego, Calif: Lucent Books, 2000.

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Book chapters on the topic "Haunted houses"

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Mackay, Charles. "Haunted Houses." In Selections from Extraordinary Popular Delusions and The Madness of Crowds, 69–94. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003303565-5.

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Palmer, Paulina. "Ghosts and Haunted Houses." In Queering Contemporary Gothic Narrative 1970-2012, 23–63. London: Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/978-1-137-30355-4_2.

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Davison, Carol Margaret. "Southern Gothic: Haunted Houses." In The Palgrave Handbook of the Southern Gothic, 55–67. London: Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/978-1-137-47774-3_5.

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García, Patricia. "The City’s Haunted Houses." In Literary Urban Studies, 69–92. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-83776-1_3.

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Perry, Gill. "Broken Homes and Haunted Houses." In Art and Dance in Dialogue, 225–40. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-44085-5_13.

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Clary, Katie Stringer, and David Hearnes. "Haunted Houses and Horrific History." In The Routledge Handbook of Museums, Heritage, and Death, 402–15. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003195870-34.

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Wisker, Gina. "Haunted Romance and Haunted Houses: Rebecca (du Maurier, 1938), The Haunting of Hill House (Jackson, 1959)." In Contemporary Women’s Ghost Stories, 39–72. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-89054-4_2.

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Gilbert, Elliot L. "Haunted Houses: Place and Dispossession in Rudyard Kipling’s World." In The Literature of Place, 87–106. London: Palgrave Macmillan UK, 1993. http://dx.doi.org/10.1007/978-1-349-11505-1_7.

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Foster, Thomas. "‘We Are All Haunted Houses’: H.D.’s (Dis)Location." In Transformations of Domesticity in Modern Women’s Writing, 45–62. London: Palgrave Macmillan UK, 2002. http://dx.doi.org/10.1057/9780230510005_3.

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Liggins, Emma. "The Rapture of Old Houses: Dust, Decay and Sacred Space in Vernon Lee’s Italian ghost stories." In The Haunted House in Women’s Ghost Stories, 117–54. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-40752-0_4.

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Conference papers on the topic "Haunted houses"

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Chu, Nan-Yu. "The Value Diminution of Haunted Houses." In 25th Annual European Real Estate Society Conference. European Real Estate Society, 2016. http://dx.doi.org/10.15396/eres2016_178.

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Santos, Rossana, and Nuno Correia. "Haunted house." In ACE 2015: 12th International Conference on Advances in Computer Entertainment Technology. New York, NY, USA: ACM, 2015. http://dx.doi.org/10.1145/2832932.2832980.

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Clark, Meghan, and Prabal Dutta. "The Haunted House." In SenSys '15: The 13th ACM Conference on Embedded Network Sensor Systems. New York, NY, USA: ACM, 2015. http://dx.doi.org/10.1145/2820975.2820976.

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Maitland, Clay. "Lessons and Memories of the Titanic, (1912-2012)." In SNAME 10th International Conference and Exhibition on Performance of Ships and Structures in Ice. SNAME, 2012. http://dx.doi.org/10.5957/icetech-2012-m-tt-1.

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The historical legacy of the TITANIC defies a brief manuscript of 20- plus pages. Much better, and more detailed work has been done to give the subject a “modern” context, notably by the United States Coast Guard in the Summer 2012 issue of Proceedings of the Marine Safety and Security Council, vol.69, no. 2, from which the following remarks draw heavily. The night of April 14, 1912 – the famous “night to remember,” chosen by Walter Lord as the title of his excellent history – presents us with many questions that will probably never be answered. Most of these are technical: the “what ifs” that, in one form or another, haunt us after, but usually not before, a disaster at sea. The importance of safety at sea is shown by the pictures available since 1985, showing the broken fragments of wreckage lying on the ocean floor south of Cape Race. Since the wreckage was located, we can see the pairs of empty shoes and boots that mark where human remains once lay. The TITANIC facts are familiar: at 11:40 P.M. on April 14, 1912, she collided with an iceberg. Two hours and 40 minutes later, the pride of the White Star Line began her two-mile plunge to the bottom of the North Atlantic. Of the 2,224 passengers and crew aboard, only 710 survived. While there have been sea disasters that produced greater loss of life, the sinking of TITANIC is probably the most famous and far-reaching maritime disaster in history. While the loss of TITANIC has been described as “perhaps the most documented and least commonly understood marine casualty in maritime history”, a positive result of the TITANIC disaster, and of course many other tragedies at sea that have occurred since, has been to establish a formal protocol of goals and procedures for analysis and investigation. These goals, from the point of view of the investigator/flag state, other governments, the International Maritime Organization (IMO), and other regulators, is the identification of unsafe conditions, in order to identify them in advance of future disasters. Today, responsible regimes charged with administration of the safety of life at sea are said to follow a philosophy of prevention first and, then, response. The 1985 discovery of the wreck of the TITANIC sparked a new round of forensic investigation. The bow section was found largely intact with the stern section in hundreds of pieces approximately 2,000 feet away. The realization that TITANIC’s hull had broken at some point during the sinking added a new understanding of the already famous disaster. The discovery of the wreck also provided new forensic evidence in the form of recovered artifacts and detailed surveys. It was these new clues and advances in computer-driven engineering tools that gave rise to a revision of previously held beliefs. The significance of the TITANIC, and the events that led to such a large loss of life, remain with us today.
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