Relevant bibliographies by topics / Haunted places – Juvenile fiction

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Haunted places – Juvenile fiction'

Author: Grafiati
Published: 28 July 2024
Last updated: 31 July 2025

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Journal articles on the topic "Haunted places – Juvenile fiction"

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Maleszka, Anna, and Mateusz Maleszka. "Supernatural or Material: Haunted Places in H.P. Lovecraft’s, M.R. James’s, A. Machen’s and A. Blackwood’s Horror Fiction." Theoria et Historia Scientiarum 14 (December 21, 2017): 181. http://dx.doi.org/10.12775/ths.2017.013.

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Henningsen, Gustav, and Jesper Laursen. "Stenkast." Kuml 55, no. 55 (2006): 243–78. http://dx.doi.org/10.7146/kuml.v55i55.24695.

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CairnsIn Denmark, the term stenkast (a ‘stone throw’) is used for cairns – stone heaps that have accumulated in places where it was the tradition to throw a stone. A kast (a ‘throw’) would actually be a more correct term, as sometimes the heaps consist of sticks, branches, heather, or peat, rather than stones – in short, whichever was at hand at that particular place. A kast could also consist of both sticks and stones.The majority of the known Danish cairns were presented by August F. Schmidt in 1929. Since then, numerous new ones have been discovered, and we now know of around 80 cairns, cf.
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Cicovacki, Borislav. "Zora D. by Isidora Zebeljan: Towards the new opera." Muzikologija, no. 4 (2004): 223–45. http://dx.doi.org/10.2298/muz0404223c.

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Opera Zora D., composed by Isidora Zebeljan during 2002 and 2003, and which was premiered in Amsterdam in June 2003, is the first Serbian opera that had a world premiere abroad. It is also the first Serbian opera that has been staged outside Serbia since 1935, after being acclaimed at a competition organized by the Genesis Foundation from London. Isidora Zebeljan was commissioned (granted financial backing) to compose a complete opera with a secured stage realization. The Dutch Chamber Opera (Opera studio Nederland) and the Viennese Chamber Opera (Wiener Kammeroper) were the co-producers of th
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Cooper, Annabel. "Nō Ōrākau: Past and People in James Cowan’s Places." Journal of New Zealand Studies, no. 19 (May 13, 2015). http://dx.doi.org/10.26686/jnzs.v0i19.3766.

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In tracing the interconnections of place and people in James Cowan's writing, this article argues that his widely-disseminated body of work complicates current orthodoxies and warrants more consideration in the study of settlement than it has had to date. Analyses of newspaper features and short non-fiction narratives, and of book chapters which centre on the prototype for Cowan’s cultural landscapes, Ōrākau, provide the basis for an argument that even in an era when the picturesque appeared to have wrought a division between scenic and inhabited landscapes, Cowan’s writing refused that distin
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Lundberg, Anita. "Tropical Imaginaries in Living Cities." eTropic: electronic journal of studies in the tropics 17, no. 2 (2018). http://dx.doi.org/10.25120/etropic.17.2.2018.3651.

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This is the second part of the eTropic special issue theme on Tropical Imaginaries and Living Cities. While the first part of this series concentrated predominately on concrete cities and the material imagination, this second issue explores notions of the tropics and cities through literary and artistic works. Thus in this collection of papers the tropical imaginary comes to the forefront while the metropolis provides the space or canvas for the imagination.Many of the cities called up in this collection have physical presence, places such as Darwin, Singapore, Hong Kong, Shanghai, Paris, Berl
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Lambert, Anthony, and Catherine Simpson. "Jindabyne’s Haunted Alpine Country: Producing (an) Australian Badland." M/C Journal 11, no. 5 (2008). http://dx.doi.org/10.5204/mcj.81.

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“People live here, they die here so they must leave traces.” (Read 140) “Whatever colonialism was and is, it has made this place unsettling and unsettled.” (Gibson, Badland 2) Introduction What does it mean for [a] country to be haunted? In much theoretical work in film and Cultural Studies since the 1990s, the Australian continent, more often than not, bears traces of long suppressed traumas which inevitably resurface to haunt the present (Gelder and Jacobs; Gibson; Read; Collins and Davis). Felicity Collins and Therese Davis illuminate the ways Australian cinema acts as a public sphere, or “
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Piatti-Farnell, Lorna. "Words from the Culinary Crypt: Reading the Cookbook as a Haunted/Haunting Text." M/C Journal 16, no. 3 (2013). http://dx.doi.org/10.5204/mcj.640.

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Cookbooks can be interpreted as sites of exchange and transformation. This is not only due to their practical use as written instructions that assist in turning ingredients into dishes, but also to their significance as interconnecting mediums between teacher and student, perceiver and perceived, past and present. Hinging on inescapable notions of apprenticeship, occasion, and the passing of time—and being at once familiar and unfamiliar to both the reader and the writer—the recipe “as text” renders a specific brand of culinary uncanny. In outlining the function of cookbooks as chronicles of t
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Masson, Sophie Veronique. "Fairy Tale Transformation: The Pied Piper Theme in Australian Fiction." M/C Journal 19, no. 4 (2016). http://dx.doi.org/10.5204/mcj.1116.

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The traditional German tale of the Pied Piper of Hamelin inhabits an ambiguous narrative borderland, a liminal space between fact and fiction, fantasy and horror, concrete details and elusive mystery. In his study of the Pied Piper in Tradition and Innovation in Folk Literature, Wolfgang Mieder describes how manuscripts and other evidence appear to confirm the historical base of the story. Precise details from a fifteenth-century manuscript, based on earlier sources, specify that in 1284 on the 26th of June, the feast-day of Saints John and Paul, 130 children from Hamelin were led away by a pi
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Brabon, Katherine. "Wandering in and out of Place: Modes of Searching for the Past in Paris, Moscow, and St Petersburg." M/C Journal 22, no. 4 (2019). http://dx.doi.org/10.5204/mcj.1547.

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IntroductionThe wandering narrator is a familiar figure in contemporary literature. This narrator is often searching for something abstract or ill-defined connected to the past and the traces it leaves behind. The works of the German writer W.G. Sebald inspired a number of theories on the various ways a writer might intersect place, memory, and representation through seemingly aimless wandering. This article expands on the scholarship around Sebald’s themes to identify two modes of investigative wandering: (1) wandering “in place”, through a city where a past trauma has occurred, and (2) wande
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Hanscombe, Elisabeth. "A Plea for Doubt in the Subjectivity of Method." M/C Journal 14, no. 1 (2011). http://dx.doi.org/10.5204/mcj.335.

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Photograph by Gonzalo Echeverria (2010)Doubt has been my closest companion for several years as I struggle to make sense of certain hidden events from within my family’s history. The actual nature of such events, although now lost to us, can nevertheless be explored through the distorting lens of memory and academic research. I base such explorations in part on my intuition and sensitivity to emotional experience, which are inevitably riddled with doubt. I write from the position of a psychoanalytic psychologist who is also a creative writer and my doubts increase further when I use the autobi
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Dissertations / Theses on the topic "Haunted places – Juvenile fiction"

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Peckham, Robert Shannan. "The geography of haunted places : landscape and imagined communities in the fiction of Papadiamantis." Thesis, King's College London (University of London), 1994. https://kclpure.kcl.ac.uk/portal/en/theses/the-geography-of-haunted-places--landscape-and-imagined-communities-in-the-fiction-of-papadiamantis(12e8a9a3-1ec6-4dce-8586-2f910700d57f).html.

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Books on the topic "Haunted places – Juvenile fiction"

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Moore, Elaine. Beware of the haunted toilet. Troll Communications, 1998.

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Moore, Elaine. Beware of the haunted toilet. Troll Communications, 1998.

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Bodie, Idella. Ghost in the capitol. Sandlapper Pub., 1986.

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Kohara, Kazuno. Obake yashiki ni ohikkoshi. Mitsumura Kyōiku Tosho, 2009.

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1850-1894, Stevenson Robert Louis, Irving Washington 1783-1859, Poe Edgar Allan 1809-1849, et al., eds. Haunted. 2nd ed. Barnes & Noble, 2007.

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Wick, Walter. Can You See What I See? On a Scary, Scary Night: Picture Puzzles to Search and Solve. Scholastic, 2008.

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MacPhail, Catherine. Hide and seek. Barrington Stoke, 2009.

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Specter, Baron. Tracking your nightmare. Magic Wagon, 2012.

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McCoy, Mimi. The dead end. Scholastic, 2010.

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ill, Kneupper Setch, ed. How not to be killed by a zombie. Magic Wagon, 2012.

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Book chapters on the topic "Haunted places – Juvenile fiction"

1

Arias, Rosario. "Haunted Places, Haunted Spaces: The Spectral Return of Victorian London in Neo-Victorian Fiction." In Haunting and Spectrality in Neo-Victorian Fiction. Palgrave Macmillan UK, 2009. http://dx.doi.org/10.1057/9780230246744_7.

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