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Books on the topic 'Hauntologie'

Author: Grafiati
Published: 4 June 2021
Last updated: 15 February 2022

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1

Shaw, Katy. Hauntology. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-74968-6.

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2

Lorek-Jezińska, Edyta. Hauntology and intertextuality in contemporary British drama by women playwrights: Hauntologia i intertekstualność w twórczości współczesnych dramatopisarek brytyjskich. Toruń: Nicolaus Copernicus University Press, 2013.

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3

Rahimi, Sadeq. The Hauntology of Everyday Life. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-78992-3.

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4

Coverley, Merlin. Hauntology. Oldcastle Books, Limited, 2020.

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5

Tweedie, James. The Hauntology of the Cinematic Image. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190873875.003.0002.

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Beginning with the belated rediscovery and canonization of the work of Walter Benjamin, this chapter considers the close relationship between his writing from the 1920s and 1930s, when he was most active as a critic, and the late twentieth century. It suggests that Benjamin’s standard position in film theory—as one of the most forceful advocates for a radical modernism closely allied with cinema—corresponds to just one of many positions he adopted throughout his career and contradicts the argument that the ruins of modernity remain a source of utopian potential even after their apparent obsolescence, a position advanced in his book on the Baroque mourning play, his fragmentary Arcades Project, and elsewhere. This chapter suggests that Benjamin’s work on the mourning play and allegory constitute the basis for his continued relevance to media studies in the late twentieth century, especially as a belated but prophetic contributor to debates about the end of history or cinema.
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6

Coly, Ayo A. Postcolonial Hauntologies: African Women's Discourses of the Female Body. University of Nebraska Press, 2019.

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7

Coly, Ayo A. Postcolonial Hauntologies: African Women's Discourses of the Female Body. University of Nebraska Press, 2019.

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8

Postcolonial Hauntologies: African Women's Discourses of the Female Body. University of Nebraska Press, 2019.

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9

Ghosts of My Life: Writings on Depression, Hauntology and Lost Futures. Zero Books, 2014.

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10

Ghosts of My Life: Writings on Depression, Hauntology and Lost Futures. Zero Books, 2014.

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11

Shaw, Katy. Hauntology: The Presence of the Past in Twenty-First Century English Literature. Palgrave Macmillan, 2018.

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12

Shaw, Katy. Hauntology: The Presence of the Past in Twenty-First Century English Literature. Palgrave Macmillan, 2018.

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13

Manon's World: A Hauntology of a Daughter in the Triangle of Alma Mahler, Walter Gropius and Franz Werfel. Seagull Books, 2020.

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14

Scovell, Adam. Folk Horror. Liverpool University Press, 2017. http://dx.doi.org/10.3828/liverpool/9781911325239.001.0001.

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Interest in the ancient, the occult, and the “wyrd” is on the rise. The furrows of Robin Hardy (The Wicker Man), Piers Haggard (Blood on Satan's Claw), and Michael Reeves (Witchfinder General) have arisen again, most notably in the films of Ben Wheatley (Kill List), as has The Spirit of Dark of Lonely Water, Juganets, cursed Saxon crowns, spaceships hidden under ancient barrows, owls and flowers, time-warping stone circles, wicker men, the goat of Mendes, and malicious stone tapes. This book charts the summoning of these esoteric arts within the latter half of the twentieth century and beyond, using theories of psychogeography, hauntology, and topography to delve into the genre's output in film, television, and multimedia as its “sacred demon of ungovernableness” rises yet again in the twenty-first century.
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15

Starks, Lisa S. Ovid and Adaptation in Early Modern English Theatre. Edinburgh University Press, 2019. http://dx.doi.org/10.3366/edinburgh/9781474430067.001.0001.

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Ovid was a multifaceted icon of lovesickness, endless change, libertinism, emotional torment and violence in early modern England. This collection uses adaptation studies in connection with other contemporary theoretical approaches to analyze early modern transformations of Ovid, providing innovative perspectives on the “Ovids” that haunted the early modern stage, while exploring intersections between adaptation theory and gender/queer/trans studies, ecofeminism, hauntology, transmediality, rhizomatics and more. The chapters explore Ovidian adaptations in the works of Shakespeare, Marlowe, Jonson, Mary Sidney Herbert, Lyly, Hewood, among others. The volume is divided into four sections: I. Gender/Queer/Trans Studies and Ovidian Rhizomes; II. Ovidian Specters and Remnants; III. Affect, Rhetoric, and Ovidian Appropriation; and IV. Ovid Remixed: Transmedial, Rhizomatic, and Hyperreal Adaptations.” Focusing on these larger topics, this book examines the multidimensional, ubiquitous role that Ovid and Ovidian adaptations played in English Renaissance drama and theatrical performance. The book contains chapters by Simone Chess, Shannon Kelley, Daniel G. Lauby, Deborah Uman, Lisa S. Starks, John S. Garrison, Catherine Winiarski, Jennifer Feather, John D. Staines, Goran Stanivukovic, Louise Geddes, Liz Oakley-Brown, Ed Gieskes, and Jim Casey.
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