Relevant bibliographies by topics / Hausa Architecture

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Hausa Architecture'

Author: Grafiati
Published: 4 June 2021
Last updated: 28 February 2023

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Journal articles on the topic "Hausa Architecture"

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Bravmann, René A., J. C. Moughtin, and Rene A. Bravmann. "Hausa Architecture." Canadian Journal of African Studies / Revue Canadienne des Études Africaines 21, no. 2 (1987): 294. http://dx.doi.org/10.2307/484397.

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Hull, Richard W., and J. C. Moughtin. "Hausa Architecture." International Journal of African Historical Studies 20, no. 1 (1987): 103. http://dx.doi.org/10.2307/219285.

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Oliver, Paul, and J. C. Moughtin. "Hausa Architecture." Man 22, no. 3 (September 1987): 565. http://dx.doi.org/10.2307/2802511.

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Fahrar, V. K. Tarikhu, and J. C. Moughtin. "Hausa Architecture." African Arts 19, no. 2 (February 1986): 86. http://dx.doi.org/10.2307/3336336.

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Umaru, N. A., M. M. Bello, and Adekoyejo Babatunde Jolaoso. "Review of selected features of hausa vernacular architecture, case study of Dakali and Zaure in Jos, Plateau State, Nigeria." ARTEKS : Jurnal Teknik Arsitektur 7, no. 3 (December 30, 2022): 423–34. http://dx.doi.org/10.30822/arteks.v7i3.1966.

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Hausa Vernacular architecture is informed and shaped by cultural and religious values, wherein, Dakali and Zaure are unique features that plays a pivotal role. Cities are metaphorically described as historically solidified environment in time and in space. Thus, depicting physical, archival and artefacts of the past and present, from which it develops the future of human civilization and cultures set in a time series continuum. Hausa vernacular architecture is gradually getting evolved through modern trends by renewing, re-ordering and replacement of these features. Therefore, there is the need for studies to be carried out extensively on or before adaptation, adoption and implementation of evolving trends, in order to conserve and preserve the Hausa man’s cultural and religious values in their architecture. The paper seeks to draw attention towards the preservation and conservation of indigenous heritages through vernacular architecture, especially with the examples from the characters of Hausa architecture, without arguing for a complete reversal to the past life styles, value and techniques that would neither be out-of-place with emerging trends and acceptability of modern technology nor be balkanized. Information was essentially extracted from relevant literature on the subject matter; adopts purposive sampling and content analysis method in the selection of study area and sample size; as well as, in the extraction of features of Hausa vernacular architecture respectively. This was complimented with field survey in the form of interviews, observation and case study. Results therefrom were discussed and descriptively presented. Findings revealed that, the identified features have remained prominent and continued to perform their expected functions. The paper conclude by underscoring the need to stimulate awareness, rejuvenate and regenerate the Hausa/Fulani vernacular architecture and cultural-heritage perceptibility through creative and integrative use of architectural designs and planning concepts and skills that will be sensitive to the rebirth of cultural symbols, relics, configurations, ornamentations as symbolic expressions depicting history, branding and conveying one message or the other, about the inhabitants for better understanding and conservation of fun-memories of the cultural/traditional values and heritages.
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Okoye, Ikem Stanley, and Sabine Jell-Bahlsen. "Tubali: Hausa Architecture of Northern Nigeria." International Journal of African Historical Studies 32, no. 2/3 (1999): 482. http://dx.doi.org/10.2307/220388.

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Bichi, Abdulkadir Abubakar, Ruhaidah Samsudin, and Rohayanti Hassan. "Automatic construction of generic stop words list for hausa text." Indonesian Journal of Electrical Engineering and Computer Science 25, no. 3 (March 1, 2022): 1501. http://dx.doi.org/10.11591/ijeecs.v25.i3.pp1501-1507.

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<span lang="EN-US">Stop-words are words having the highest frequencies in a document without any significant information. They are characterized by having common relations within a cluster. They are the noise of the text that are evenly distributed over a document. Removal of stop words improve the performance and accuracy of information retrieval algorithms and machine learning at large. It saves the storage space by reducing the vector space dimension, and helps in effective documents indexing. This research generated a list of Hausa stop words automatically using aggregated method by combining frequency and statistics methods. The experiments are conducted using a primarily collected Hausa corpus consisting of 841 Hausa news articles of size 646862 words and finally a list of distinct 81 Hausa stop words is generated.</span>
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Demissie, Fassil, and Kevin Carroll. "Architecture in Nigeria: Architectures of the Hausa and Yoruba Peoples, and of the Many Peoples between Tradition and Modernism." International Journal of African Historical Studies 32, no. 2/3 (1999): 504. http://dx.doi.org/10.2307/220400.

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Yahuza, Mukhtar Sabiu, and Huriye Gurdalli. "Learning from Tradition for Future: Green Building in Kano State, Nigeria." NEU Journal of Faculty of Architecture 4, no. 2 (January 31, 2023): 31–52. http://dx.doi.org/10.32955/neujfa202342656.

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Green building can be considered as a building design through a method that is environmentally friendly in both construction, usage and energy consumption. Culture is yet to be included into the sustainable development pillars making it the fourth pillar of sustainability after social, economic and environmental aspects. Traditional Architecture can be regarded as beliefs, customs, or ways of life (culture) in building construction that have existed for a long period and involve the art of designing, planning, and traditional building style. These traditional buildings were copied and used in contemporary buildings in Kano state, Nigeria. Therefore, most of the contemporary building design and structure has their roots in a traditional building. Nigeria’s traditional buildings across the country were affected by climate and landform all over the geographical zones, which were recognised to demonstrate a detailed solution to the building’s culture, socio-economic, local technology and climatic condition of the environment. This study compares the past and the current building style based on the façade or floor-plan pictures, and green or sustainable building using relevant kinds of literature of Hausa traditional building around Kano state. It is concluded that Hausa traditional architecture should not be forgotten, rather it should be encouraged and improved based on green sustainable features, traditions and enhance the durability of the building materials. It is recommended that culture should be include into the pillars of sustainability so as to make sustainability complete especially in the field of building construction. Lastly, further research is recommended in order to explore ways of improving the quality of the local building materials and the methods used during the construction process.
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Umar, Gali Kabir, Danjuma Abdu Yusuf, Abubakar Ahmed, and Abdullahi M. Usman. "The practice of Hausa traditional architecture: Towards conservation and restoration of spatial morphology and techniques." Scientific African 5 (September 2019): e00142. http://dx.doi.org/10.1016/j.sciaf.2019.e00142.

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Dissertations / Theses on the topic "Hausa Architecture"

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Muhammad-Oumar, Abdulrazzaq Ahmad. "Gidaje : the socio-cultural morphology of Hausa living spaces." Thesis, University College London (University of London), 1997. http://discovery.ucl.ac.uk/1317656/.

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Hausa architecture is an important part of African indigenous architecture. In many respects its construction techniques, its wail decoration and its structural forms, have been recognised as unique. Most of the Hausa Architecture studied has been in the form of palaces, mosques and few houses of the affluent, merchants and administrators. However the bulk of the Hausa built environment is, and for long has been, composed of ordinary domestic houses that accommodate the citizens of its cities and hamlets. This work deals with Hausa architecture as found in the older parts a major Hausa urban centre; to wit the walled city of Kano. The Kano built environment is composed of several forms of architecture, but the main concern here is specifically with the Hausa domestic architecture in the walled city of Kano. The study is informed by the theoretical proposition that a correlation exists between the spatial organisation of domestic house and the social life of its inhabitants; consequently changes in one result in changes in the other and vice-versa. The study has four main objectives: to establish the basic characteristics of Hausa domestic architecture, i.e. its dominant spatial themes; to show how the resulting domestic environment is supportive of the Hausa-Islamic culture; to examine the cultural impact of colonialism on the concept of the dwelling unit and by extension, on the culture of the Hausa; and to broaden the data base of an indigenous knowledge system in the field of architecture. The principal findings of the work are: that Hausa domestic architecture as found in the walled city is conceptually of two broad types; that the design concept of these types is rooted in the Hausa socio-cultural paradigm; that the design concept is flexible enough to cater for the subcultural elements that are the hallmarks of any Hausa society; that the changes in the political, economic and social fabric of the Hausa society in its recent history have had very little effect on the spatial quality of Hausa domestic architecture.
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Kahera, Akel I. (Akel Ismail). "The architecture of the West African mosque : an exegesis of the Hausa and Fulani models." Thesis, Massachusetts Institute of Technology, 1987. http://hdl.handle.net/1721.1/74785.

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Thesis (M.S.)--Massachusetts Institute of Technology, Dept. of Architecture, 1987.
Includes bibliographical references (leaves 107-109).
This thesis will examine two models of West African architecture-- the Mosque at Zaria, Nigeria and the Mosque at Dingueraye, Guinea. It will also attempt to illustrate implicit patterns of creative expression, both literal and allegorical , in the space-making processes of the Hausa and Fulani peoples. In passing, some attention will also be given to the cultural and building traditions of the Mande people. The notion of space and place in much of sub-Saharan Africa oscillates in a realm which is neither absolutely rational nor ethereal. Culture, it could be argued, can offer us an opportunity to investigate an analytical taxonomy through which we can compare and discover particular attributes of space and the phenomenological dimensions of built form. Culture , as a layered accumulation of historical events , visual vocabularies, and architectural expression, is subject at one time or another to an ethos which may have had a syncretic origin. Among the Hausa and Fulani, the image which exists within the architectural paradigm can be described as a language, or code or a method of explaining spatial concepts related to concrete space and traditional culture. The Hausa and Fulani spatial schemes are concerned with the nature of space as a context and metaphor for experience , inner and outer, hidden and manifest.
by Akel I. Kahera.
M.S.
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Amos, Thomas. "Architectura cimmeria Manie und Manier phantastischer Architektur in Jean Rays Malpertuis." Heidelberg Winter, 2000. http://deposit.d-nb.de/cgi-bin/dokserv?id=2841337&prov=M&dok_var=1&dok_ext=htm.

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Novák, Jakub. "Vlastní rodinný dům." Master's thesis, Vysoké učení technické v Brně. Fakulta architektury, 2012. http://www.nusl.cz/ntk/nusl-215881.

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The design of multi-generation house on the piece of land which belongs to the investor family for six generations is based on the proportions of a traditional Czech Elbeland house. The resulting layout provides a logical construction in stages according to the actual needs of the young family. Dimensionally, the building is trying to convey the dialogue between the optimal contours of the thermal envelope of passive house and the traditional silhouette. Lamina part of the roof jacket assumes abbreviated form of this silhouette, creating a soft transition zones between the interior and exterior - stoop and covered terrace. Cubic mass of the building protrudes slightly from this outlines, making the composition more surprising. The house is designed in a passive energy standard, using hay bales as insulation and adobe bricks (made on site from local clay) as a filling for non-bearing partitions to improve thermal accumulation properties of the object. Structures are mostly wooden and from agglomerated wooden materials. The whole design is based on the assumption of self-help construction, taking into account the least possible interference in the landscape we very much respect.
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Illi, Dieter Walter. "Das Hindukush-Haus : zum symbolischen Prinzip der Sonderstellung von Raummitte und Raumhintergrund /." Stuttgart : Steiner Verl. Wiesbaden, 1990. http://catalogue.bnf.fr/ark:/12148/cb366582671.

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Funke, Henrik L., Sandra Gelbrich, Andreas Ehrlich, and Lothar Kroll. "A Fiber-Reinforced Architectural Concrete for the Newly Designed Façade of the Poseidon Building in Frankfurt am Main." Universitätsbibliothek Chemnitz, 2014. http://nbn-resolving.de/urn:nbn:de:bsz:ch1-qucosa-147926.

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In the course of revitalizing the Poseidon Building in Frankfurt, an energetically optimized façade, made of architectural concrete was developed. The development of a fiber-reinforced architectural concrete had to consider the necessary mechanical strength, design technology and surface quality. The fiber-reinforced architectural concrete has a compressive strength of 104.1 MPa and a 3-point bending tensile strength of 19.5 MPa. Beyond that, it was ensured that the fiber-reinforced high-performance concrete had a high durability, which has been shown by the capillary suction of de-icing solution and freeze thaw test with a weathering of abrasion of 113 g/m² after 28 freeze-thaw cycles and a mean water penetration depth of 11 mm.
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Books on the topic "Hausa Architecture"

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Moughtin, J. C. Hausa architecture. London: Ethnographica, 1985.

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Moughtin, J. C. Hausa architecture. New York: Barber Press, 1985.

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University of Nottingham. Institute of Planning Studies., ed. Hausa architecture. London: Ethnographica, 1985.

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Delisse, Louis François. Enquête sur l'architecture et la décoration murale hausa =: Konkonto da bincike bisa kan gini da adon gidaje a kassar hausa. [Niamey, Niger]: OUA-CELTHO, 1986.

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Delisse, Louis François. Enquête sur l'architecture et la décoration murale à Zinder (Damagaram) Niger. [Niamey, Niger]: OUA-CELTHO, 1986.

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Carroll, Kevin. Architectures of Nigeria: Architectures of the Hausa and Yoruba peoples and of the many peoples between--tradition and modernization. [London: published for the Society of African Missions by Ethnographica Ltd. in association with Lester Crook Academic Publishing, 1992.

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Carroll, Kevin. Architectures of Nigeria: Architectures of the Hausa and Yoruba peoples and of the many people between--tradition and modernization. London: Ethnographica, 1992.

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Tanpopo hausu no dekiru made. Tōkyō: Asahi Shinbunsha, 2001.

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Chŏng, Il-gyo. Mŏlt'i paksŭ hausŭ: Multi box house. Sŏul: Sigong Munhwasa, 2000.

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Yörükoğlu, Nihat. Hafsa Sultan ve Külliyesi. [Ankara: s.n., 1993.

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Book chapters on the topic "Hausa Architecture"

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Batagarawa, Amina, and Rukayyatu Bashiru Tukur. "Hausa Traditional Architecture." In Sustainable Vernacular Architecture, 207–27. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-06185-2_11.

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Batagarawa, Amina, and Huraira Umar Baba. "Keeping Cool Under the Hot Arewa Sun: Natural Cooling Systems in Traditional Hausa Architecture of Nigeria." In Innovative Renewable Energy, 169–81. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-04714-5_7.

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Boeckl, Matthias. "Burgwiesenschule und Mehrzweckhalle „Haus Bommersheim“, Oberursel." In TREUSCH architecture, 96–99. Vienna: Springer Vienna, 2010. http://dx.doi.org/10.1007/978-3-211-69290-5_17.

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"Focus constructions in Hausa." In The Architecture of Focus, 579–608. De Gruyter Mouton, 2006. http://dx.doi.org/10.1515/9783110922011.579.

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Muhammad-Oumar, AbdulRazzaq Ahmad. "Bikin Magaji." In Advances in Religious and Cultural Studies, 80–100. IGI Global, 2022. http://dx.doi.org/10.4018/978-1-7998-9438-4.ch005.

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Cultural contact results in cultural friction since a culture, like an organism in the face of a threat, goes into the so-called 3Fs mode: fight, flight, or freeze. Academically, one of the cultures, usually the weaker, may acculturate, may be assimilated, or it may reject the other culture. It is also possible for no cultural conflict when cultures meet, for instance the Tungus-Cossack contact. Hausa people were colonised by the British and ruled indirectly for half a century. This had a great impact on many aspects of the culture leading to changes in the society, such as the transformation of the economy and the consequent social implications. Despite these changes, Hausa art and architecture remained, if largely uninfluenced, duly unmindful of Western art and architecture. Between 1920 and 1940, Hausa architecture reached its zenith according to one scholar. This chapter explores the reasons behind this cultural resilience and hypothesises that Hausa culture has within it the disposition and inclination that make such a dispensation not only possible but predictable.
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"1. THE ARCHITECTURE OF LITERATURE AND THE INTERPLAY OF VOICES." In Poetry, Prose and Popular Culture in Hausa, 8–19. Edinburgh University Press, 2019. http://dx.doi.org/10.1515/9781474468299-006.

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"Jigo: The Essence of the Non-Tangible Architecture of the Hausa Traditional Religion." In Sacred Precincts, 43–56. BRILL, 2015. http://dx.doi.org/10.1163/9789004280229_005.

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"Haus Marlene Poelzig." In Women in Architecture Berlin, 82–83. De Gruyter, 2022. http://dx.doi.org/10.1515/9783986120108-039.

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"Haus Lange: The Elegant Analyst." In The Meaning of Modern Architecture, 143–52. Routledge, 2016. http://dx.doi.org/10.4324/9781315555669-14.

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"1.4 Hermann Muthesius: Wie Baue Ich Mein Haus." In Architecture and Movement, edited by Peter Blundell Jones, 35–43. Routledge, 2014. http://dx.doi.org/10.4324/9781315764771-6.

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Conference papers on the topic "Hausa Architecture"

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NOMA, TANIMU A. J., ALI F. BAKR, and ZAYED M. ELSAYAD. "METHODOLOGICAL APPROACH TO INCORPORATING HAUSA TRADITIONAL ARCHITECTURE IN URBAN DEVELOPMENT: THE CASE OF ABUJA, NIGERIA." In SUSTAINABLE CITY 2022. Southampton UK: WIT Press, 2022. http://dx.doi.org/10.2495/sc220381.

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Zhang, J., and Z. L. Yusuf. "A Study on the Building Materials and Construction Technology of Traditional Hausa Architecture in Nigeria." In The International Workshop on Materials, Chemistry and Engineering. SCITEPRESS - Science and Technology Publications, 2018. http://dx.doi.org/10.5220/0007439804340441.

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Węcławowicz-Gyurkovich, Ewa. "Image of a Hanseatic city in the latest Polish architectural solutions." In International Conference Virtual City and Territory. Barcelona: Centre de Política de Sòl i Valoracions, 2016. http://dx.doi.org/10.5821/ctv.8086.

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The problem of the reconstruction of centres of Polish towns and cities after the destructions of the World War II evoke discussions even today. Over the first years after the war, in numerous cases the centres of historical cities and towns were lost; in the place of former market squares and networks of streets with tenements crowned with endwall trims, randomly dispersed concrete blocks of flats were erected, in order to satisfy urgent housing demands. The situation changed after 1980, when in Elbląg, Gdańsk, Szczecin, Kołobrzeg, a rule was adopted according to which the peripheral development of city quarters was to be recreated, restoring tenements located in historical plots of land, but contemporary in style, maintaining the silhouettes and sizes from years before. It is also possible to observe other activities in the solutions of the latest public utility buildings, which - often by using a sophisticated intellectual play - restore the climate and character of cities remembered and known from the past centuries. In the west and north of Europe there are many towns and cities, predominantly ports, which used to be members of Hansa. The organisation of Hansa, the origins of which reach back to the Middle Ages, associated a number of cities which could decide about the provision of goods to cities within a specific territory, and secure markets for products manufactured in them. Thanks to that, cities that belonged to Hansa were developing more rapidly and effectively, and the beginnings of their development within the territory of Germany and in the Baltic states date back to the 13th and 14th centuries. The peak period of the development of Hanseatic cities, where merchants were engaged in free trade with people from European countries, fell in the 14th and 15th centuries, but already in the 17th century there was a complete decline of Hansa, resulting from the occurrence of competition in the form of associations of Dutch and English cities, as well as the Scandinavian ones. From amongst Polish towns and cities, members of Hansa were e.g. Szczecin, Gdańsk, Kołobrzeg, Elbląg, as well as Cracow. In 1980 an association of partner cities of North Europe, dubbed a New Hansa, was established, the objective of which is to attract attention to the common development of tourism and trade. Nowadays, this New Hansa associates over a hundred cities, similarly to what once was in the medieval Hansa. Numerous Polish cities faced the problem of reconstruction after the destruction of the World War II. The effects varied. By adopting the programme of satisfying predominantly housing demands in the 1960s and 1970s, historical old towns in dozens of cities from amongst nearly 2 hundred destroyed by warfare of the World War II in the north and west of Poland were lost forever. Today we can still encounter ruins of Gothic churches in Głogów or Gubin, where in the place of a market square and tenements of townsmen, randomly located rows of typical four- or five-storey blocks of flats have been erected.
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