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1

Bravmann, René A., J. C. Moughtin, and Rene A. Bravmann. "Hausa Architecture." Canadian Journal of African Studies / Revue Canadienne des Études Africaines 21, no. 2 (1987): 294. http://dx.doi.org/10.2307/484397.

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2

Hull, Richard W., and J. C. Moughtin. "Hausa Architecture." International Journal of African Historical Studies 20, no. 1 (1987): 103. http://dx.doi.org/10.2307/219285.

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3

Oliver, Paul, and J. C. Moughtin. "Hausa Architecture." Man 22, no. 3 (September 1987): 565. http://dx.doi.org/10.2307/2802511.

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4

Fahrar, V. K. Tarikhu, and J. C. Moughtin. "Hausa Architecture." African Arts 19, no. 2 (February 1986): 86. http://dx.doi.org/10.2307/3336336.

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5

Umaru, N. A., M. M. Bello, and Adekoyejo Babatunde Jolaoso. "Review of selected features of hausa vernacular architecture, case study of Dakali and Zaure in Jos, Plateau State, Nigeria." ARTEKS : Jurnal Teknik Arsitektur 7, no. 3 (December 30, 2022): 423–34. http://dx.doi.org/10.30822/arteks.v7i3.1966.

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Hausa Vernacular architecture is informed and shaped by cultural and religious values, wherein, Dakali and Zaure are unique features that plays a pivotal role. Cities are metaphorically described as historically solidified environment in time and in space. Thus, depicting physical, archival and artefacts of the past and present, from which it develops the future of human civilization and cultures set in a time series continuum. Hausa vernacular architecture is gradually getting evolved through modern trends by renewing, re-ordering and replacement of these features. Therefore, there is the need for studies to be carried out extensively on or before adaptation, adoption and implementation of evolving trends, in order to conserve and preserve the Hausa man’s cultural and religious values in their architecture. The paper seeks to draw attention towards the preservation and conservation of indigenous heritages through vernacular architecture, especially with the examples from the characters of Hausa architecture, without arguing for a complete reversal to the past life styles, value and techniques that would neither be out-of-place with emerging trends and acceptability of modern technology nor be balkanized. Information was essentially extracted from relevant literature on the subject matter; adopts purposive sampling and content analysis method in the selection of study area and sample size; as well as, in the extraction of features of Hausa vernacular architecture respectively. This was complimented with field survey in the form of interviews, observation and case study. Results therefrom were discussed and descriptively presented. Findings revealed that, the identified features have remained prominent and continued to perform their expected functions. The paper conclude by underscoring the need to stimulate awareness, rejuvenate and regenerate the Hausa/Fulani vernacular architecture and cultural-heritage perceptibility through creative and integrative use of architectural designs and planning concepts and skills that will be sensitive to the rebirth of cultural symbols, relics, configurations, ornamentations as symbolic expressions depicting history, branding and conveying one message or the other, about the inhabitants for better understanding and conservation of fun-memories of the cultural/traditional values and heritages.
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Okoye, Ikem Stanley, and Sabine Jell-Bahlsen. "Tubali: Hausa Architecture of Northern Nigeria." International Journal of African Historical Studies 32, no. 2/3 (1999): 482. http://dx.doi.org/10.2307/220388.

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7

Bichi, Abdulkadir Abubakar, Ruhaidah Samsudin, and Rohayanti Hassan. "Automatic construction of generic stop words list for hausa text." Indonesian Journal of Electrical Engineering and Computer Science 25, no. 3 (March 1, 2022): 1501. http://dx.doi.org/10.11591/ijeecs.v25.i3.pp1501-1507.

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<span lang="EN-US">Stop-words are words having the highest frequencies in a document without any significant information. They are characterized by having common relations within a cluster. They are the noise of the text that are evenly distributed over a document. Removal of stop words improve the performance and accuracy of information retrieval algorithms and machine learning at large. It saves the storage space by reducing the vector space dimension, and helps in effective documents indexing. This research generated a list of Hausa stop words automatically using aggregated method by combining frequency and statistics methods. The experiments are conducted using a primarily collected Hausa corpus consisting of 841 Hausa news articles of size 646862 words and finally a list of distinct 81 Hausa stop words is generated.</span>
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8

Demissie, Fassil, and Kevin Carroll. "Architecture in Nigeria: Architectures of the Hausa and Yoruba Peoples, and of the Many Peoples between Tradition and Modernism." International Journal of African Historical Studies 32, no. 2/3 (1999): 504. http://dx.doi.org/10.2307/220400.

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9

Yahuza, Mukhtar Sabiu, and Huriye Gurdalli. "Learning from Tradition for Future: Green Building in Kano State, Nigeria." NEU Journal of Faculty of Architecture 4, no. 2 (January 31, 2023): 31–52. http://dx.doi.org/10.32955/neujfa202342656.

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Green building can be considered as a building design through a method that is environmentally friendly in both construction, usage and energy consumption. Culture is yet to be included into the sustainable development pillars making it the fourth pillar of sustainability after social, economic and environmental aspects. Traditional Architecture can be regarded as beliefs, customs, or ways of life (culture) in building construction that have existed for a long period and involve the art of designing, planning, and traditional building style. These traditional buildings were copied and used in contemporary buildings in Kano state, Nigeria. Therefore, most of the contemporary building design and structure has their roots in a traditional building. Nigeria’s traditional buildings across the country were affected by climate and landform all over the geographical zones, which were recognised to demonstrate a detailed solution to the building’s culture, socio-economic, local technology and climatic condition of the environment. This study compares the past and the current building style based on the façade or floor-plan pictures, and green or sustainable building using relevant kinds of literature of Hausa traditional building around Kano state. It is concluded that Hausa traditional architecture should not be forgotten, rather it should be encouraged and improved based on green sustainable features, traditions and enhance the durability of the building materials. It is recommended that culture should be include into the pillars of sustainability so as to make sustainability complete especially in the field of building construction. Lastly, further research is recommended in order to explore ways of improving the quality of the local building materials and the methods used during the construction process.
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10

Umar, Gali Kabir, Danjuma Abdu Yusuf, Abubakar Ahmed, and Abdullahi M. Usman. "The practice of Hausa traditional architecture: Towards conservation and restoration of spatial morphology and techniques." Scientific African 5 (September 2019): e00142. http://dx.doi.org/10.1016/j.sciaf.2019.e00142.

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11

Schwerdtfeger, F. W. "J. C. Moughtin, Hausa Architecture, Ethnographic Arts and Culture Series. London: Ethnographica Publishers, 1985, 175 pp., 0 905788 40 0." Africa 56, no. 4 (October 1986): 497–99. http://dx.doi.org/10.2307/1160013.

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12

Aliyu, Mohammed, and Hussaini Haruna. "Architectural Revivalism: The Progressive Design Approach in Hausa Communities." International Journal of Architecture, Arts and Applications 7, no. 4 (2021): 143. http://dx.doi.org/10.11648/j.ijaaa.20210704.16.

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13

Sa'Ad, Tukur. "Review: African Spaces: Design for Living in Upper Volta by Jean-Paul Bourdier, Trinh T. Minh-Ha; Hausa Architecture by J. C. Moughtin; Hatumere: Islamic Design in West Africa by Labelle Prussin; Traditional Housing in African Cities: A Comparative Study of Housing in Zaria, Ibadan and Marrakech by Friedrich W. Schwerdtfeger." Journal of the Society of Architectural Historians 46, no. 4 (December 1, 1987): 434–37. http://dx.doi.org/10.2307/990294.

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14

Kim, Young-Hyun, and Young-Keun Chang. "A Study on HAUSAT-1 Satellite Fault-Tolerant System Architecture Design." International Journal of Aeronautical and Space Sciences 4, no. 2 (November 30, 2003): 37–50. http://dx.doi.org/10.5139/ijass.2003.4.2.037.

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15

Gaimster, David. "The Hanseatic Cultural Signature: Exploring Globalization on the Micro-Scale in Late Medieval Northern Europe." European Journal of Archaeology 17, no. 1 (2014): 60–81. http://dx.doi.org/10.1179/1461957113y.0000000044.

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The Hansa formed the principal agent of trade and cultural exchange in northern Europe and the Baltic during the late medieval to early modern periods. Hanseatic urban settlements in northern Europe shared many things in common. Their cultural ‘signature’ was articulated physically through a shared vocabulary of built heritage and domestic goods, from step-gabled brick architecture to clothing, diet, and domestic utensils. The redevelopment of towns on the Baltic littoral over the past 20+ years offers an archaeological opportunity to investigate key attributes of late medieval society on the micro-scale. Such attributes include the development of mercantile capitalism, colonialism, and proto-globalization. For instance, distributions of artefacts now point to the Hansa as an agent of the Reformation movement in northern and western Europe. Where they were once almost exclusively regarded as material evidence for long-distance commercial activity, domestic artefacts, such as table and heating ceramics, are now subject to scrutiny as media for social, cultural, ethnic, and confessional relationships, and combine to create a distinctive Hanseatic material signature. Ceramic case studies illustrate how the archaeology of the Hansa now intersects with the wider historical debate about Europeanisation and proto-globalization arising from the development of long-distance maritime trade from the thirteenth century onwards.
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16

Kossel, Elmar. "Das »Haus aus Glas« und sein langer Schatten." Architectura 49, no. 2 (February 1, 2019): 194–221. http://dx.doi.org/10.1515/atc-2019-2004.

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Abstract Using examples from the period of Italian fascism and the National Socialist era in Germany, the relationship of modernism and modern architects to power is examined. The focus is on the changing and in part contradictory connotations to which modernism was exposed. The field of state architecture in both totalitarian regimes provide the occasion to discuss a basic problem of modernism: The instrumentalisation of its formal language for any ideology. For the Italian context, Giuseppe Terrgani’s Casa del Fascio in Como and the Florentine railway station of the Gruppo Toscano are used as examples; for Nazi Germany, the positions of Wilhelm Pinder and the system-relevant role of industrial building, as well as the myth of the flight into industrial building as an outlook into the time after 1945.
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17

Jell, George, and Sabine Jell-Bahlsen. "From “Haus Tambaran” to Church: Continuity and Change in Contemporary Papua New Guinean Architecture." Visual Anthropology 18, no. 5 (October 2005): 407–37. http://dx.doi.org/10.1080/08949460500288272.

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18

Kraftl, Peter. "Architectural movements, utopian moments: (in)coherent renderings of the hundertwasser‐haus, vienna." Geografiska Annaler: Series B, Human Geography 92, no. 4 (December 2010): 327–45. http://dx.doi.org/10.1111/j.1468-0467.2010.00356.x.

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19

Moral Andrés, Fernando, Elena Merino Gómez, and Eduardo A. Prieto González. "Conversando con... Lauridis Ortner Haus-Rucker-Co (HRC)." EGA Revista de Expresión Gráfica Arquitectónica 27, no. 46 (November 22, 2022): 10–31. http://dx.doi.org/10.4995/ega.2022.18719.

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Haus-Rucker-Co fue uno de los grupos más relevantes de la que puede considerarse como última vanguardia de la arquitectura occidental, eclosionada a finales de los años 60 del siglo pasado. Se trató de una ruptura impulsada por una juventud que demandaba una nueva sociedad y, también, de una alternativa frente a un racionalismo ideológicamente alejado de aquella efervescencia generacional. Italia, Reino Unido, Francia y un singular fenómeno austriaco alumbraron equipos como Superstudio, Archigram, MIASTO y Coop Himmelb(l)au, por citar unos nombres abanderados de aquella radicalidad.
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20

Bergmann, Sigurd. "Making Oneself at Home in Environments of Urban Amnesia: Religion and Theology in City Space." International Journal of Public Theology 2, no. 1 (2008): 70–97. http://dx.doi.org/10.1163/156973208x256457.

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AbstractHow is urban space to be developed as a habitable place, and what could religion and theology contribute to it? This article explores the question in three sections. First, urbanization is considered as a religious phenomenon, and examples from Mayan sacred geography, Swedish landscape architecture and the medieval European Hansa city are presented and discussed. Then, the human dimension, and the human capacity 'to make oneself at home', are elaborated clearly in articulating the need for a more plastic critical urban theory. The challenge to public theology in this context is to reflect deeply about how the Spirit is taking place in urban space. The final section investigates the dynamics of the space between oblivion, amnesia and remembrance and its significance for urban transformation. The design of places for remembering the sufferings of the past and the differences between strangers and residents are thereby outlined as a necessary condition for a city where humans can make themselves at home.
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21

Weyand, Nicole, Hermann Heinrich, and Karl-Heinz Dahlem. "“3-Liter-Haus” im Bestand – Messkonzept und Messergebnisse von 3 Heizperioden." Bauphysik 29, no. 3 (July 2007): 213–20. http://dx.doi.org/10.1002/bapi.200710030.

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22

Woo, Chang-Ok, and Mun-Duk Kim. "A Study on the Architectural Characteristics and Its Implications in Eurythmeum Anbau zu Haus Brodbeck." Korean Institute of Interior Design Journal 23, no. 5 (October 31, 2014): 165–73. http://dx.doi.org/10.14774/jkiid.2014.23.5.165.

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23

Röseler, Holger, Pia Krause, Adrian Eitle, Eva Veres, and Philip Leistner. "Bauhaus und Bauphysik – Eine bauphysikalische Untersuchung und Bewertung am Beispiel Haus Oud." Bauphysik 44, no. 2 (April 2022): 95–105. http://dx.doi.org/10.1002/bapi.202200006.

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24

Zha, X., H. V. Fuchs, and H. Drotleff. "Eine neue Akustik für vier Sparten - das Große Haus des Staatstheaters Mainz." Bauphysik 25, no. 3 (May 2003): 111–21. http://dx.doi.org/10.1002/bapi.200300610.

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25

SANO, Satoshi, Yasunori TSUMURA, and Tomohiko YAMANAKA. "CITIZENS’ INITIATIVES REGARDING THE CONSTRUCTION, MANAGEMENT AND MAINTENANCE OF “HAUS-HYAZINTH”-A CITY PARK PAVILION." AIJ Journal of Technology and Design 26, no. 64 (October 20, 2020): 1149–54. http://dx.doi.org/10.3130/aijt.26.1149.

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26

Di Nallo, Marco. "Die Schule als offenes Haus: school building and leisure in Switzerland during the 1950s and 1960s." Journal of Architecture 18, no. 5 (October 2013): 647–71. http://dx.doi.org/10.1080/13602365.2013.835854.

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27

de la O Cabrera, Manuel Rodrigo. "Embodying an Architectural Theory: The Exhibition Yves Klein: Monochrome und Feuer in Mies van der Rohe’s Haus Lange, 1961." Architectural Theory Review 23, no. 1 (January 2, 2019): 5–22. http://dx.doi.org/10.1080/13264826.2019.1616868.

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28

Tóth, Edit. "Breuer's Furniture, Moholy-Nagy's Photographic Paradigm, and Complex Gender Expressivity at the Haus am Horn." Grey Room 50 (January 2013): 90–111. http://dx.doi.org/10.1162/grey_a_00097.

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29

Neumann, Dietrich. "Review: Im Brennpunkt der Moderne: Mies van der Rohes Haus Tugendhat; Mies van der Rohe: Möbel und Bauten in Stuttgart, Barcelona, Brno." Journal of the Society of Architectural Historians 59, no. 1 (March 1, 2000): 96–100. http://dx.doi.org/10.2307/991564.

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30

Allies, Bob. "Dialogues in Time: New Graz Architecture by Peter Blundell Jones Haus der Architektur, Graz, 1998368 pp., 483 and 277 colour illus. ISBN 3 901174 36 2 Price 780 Austrian Schillings or £35.00 (hb)." Architectural Research Quarterly 3, no. 2 (June 1999): 191. http://dx.doi.org/10.1017/s1359135500001986.

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Étienne, Roland. "Architecture et démocratie (Wohnen in der klassischen Polis, I (1986), II (1989), IIΙ (1989) : I. (1986) W. Hoepfner und E.L. Schwandner, Haus und Stadt im klassischen Griechenland ; II. (1989) Demokratie und Architektur, Der hippodamische Städtebau und die Entstehung der Demokratie, Konstanzer Symposium, Juillet 1987, ed. W. Hoepfner und E.L. Schwandner ; III. (1989) M. Carroll-Spillecke, ΚΗΠΟΣ, Der antike griechische Garten)." Topoi 1, no. 1 (1991): 39–47. http://dx.doi.org/10.3406/topoi.1991.1456.

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32

"Integration of Hausa Traditional Architecture in the Development of Abuja: A Methodological Approach." International Journal of African Society, Cultures and Traditions 10, no. 1 (March 15, 2022): 227–38. http://dx.doi.org/10.37745/ijasct.2014/vol10no1pp.27-38.

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The development of urban areas is a discourse that has been on-going particularly in Abuja, Nigeria where different modern styles of architecture have emerged in recent years. Yet little is done in the adoption of traditional architecture into the present needs. Therefore, this paper presents the potentials of Hausa traditional architecture, in terms of how architecture still adopts to the various impacts of modernization. A literature-based discourse is pursued in this study. The main keywords are expanded to argue the adaptation of Hausa traditional architectural styles into the present need for development in urban areas. Findings here suggests traditional architecture adapts better to the present developmental needs and the local materials used are less expensive, durable, cost effective. Furthermore, the findings are expected to spur developers as well as the different development control agencies particularly in Abuja to develop models for infrastructural developments. It ends with a discourse that integrates Hausa traditional architecture with urban development.
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Adebara, Temitope Muyiwa. "Private open space as a reflection of culture: the example of traditional courtyard houses in Nigeria." Open House International, November 1, 2022. http://dx.doi.org/10.1108/ohi-06-2022-0152.

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PurposeThe courtyard form of the traditional African house responds to people's culture and traditions. Nevertheless, in the era of globalization, the private open space (POS) is fast disappearing in African homes due to neglect and lack of awareness of its value. This study, thus, aims to explore how culture relates to open space design in traditional houses of three major ethnic groups (Hausa-Fulani, Yoruba and Igbo) in Nigeria. This is with a view to encouraging planners and designers to create open spaces in housing developments according to people's cultural values and needs.Design/methodology/approachThis study is based on qualitative and quantitative research approaches involving a literature review, focus group discussions and a questionnaire survey. The quantitative survey was designed based on the literature review of the concept of culture and the use of space in traditional courtyard houses. Focus group discussions were conducted to identify the specific cultural components that dictated the use of the courtyard as a POS in the Nigerian context. Subsequently, a questionnaire survey was carried out to determine the importance of each cultural component in the outdoor sociospatial design. Through systematic sampling, one of every five traditional houses in the study area was selected to determine where respondents were surveyed.FindingsThe results reveal that the cultural components that influenced the design and use of the open space were gender and privacy, family and social relations, religious practice and belief, and status and lifestyle. However, the importance attached to each of the cultural components varied from one culture to another in Nigeria. The findings also showed that the open space is used for a variety of purposes, such as ancestral worship, family gatherings and reunions, small-scale ceremonies, and leisure activities.Research limitations/implicationsThis study offers professional planners and designers helpful insights to protect culture in housing development and improve daily living in residential environments.Originality/valueBased on Amos Rapoport's theoretical framework, this study dismantles the concept of “culture” into different components and examines how they affect outdoor sociospatial design in a developing country. The study also provides researchers with ideas and inspiration to study the culture of POSs in traditional housing.
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Merlo, Michele. "Wie baue ich mein Haus? Edoardo Gellner e il dilemma dell’architetto." ARCHALP, Volume 2019, Issue N.3 (October 12, 2020). http://dx.doi.org/10.30682/aa1903j.

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"To be able to resist to the most folkloristic calls of the mountain environment, one must be a cultured architect, and Gellner with his works has certainly proven to be one. In the “Casa Menardi”, his first project, built in Cortina d’Ampezzo in 1947, he proves to be an attentive connoisseur of the valley’s traditional architecture, by defining the way in which the building relates to the land and to the landscape. Later, with the “Palazzo Poste/Telve”, built for the 1956 Winter Olympics, Gellner renewed the tradition of old local houses by instilling them with the language of modernity. To further understand why we should consider Gellner a milestone in the history of alpine architecture, we need to look very closely at “Ca’ del Cembro”, his home and studio, built in Cortina d’Ampezzo in 1951. Inside his home, Gellner seems to be willing to transfer and inculcate all his past experience, his studies on rural architecture and his wish to invent a new alpine architecture. This building becomes the prototype from which he will then develop all of his architecture: the concept of continuous space, the relationship between interior and exterior, the mixture of traditional and modern materials, the concept of integrated furniture generating all the surrounding space. All these experiences will lead the architect, a few years later, to develop the project of the “Villaggio di Borca di Cadore” in which he will be able to realize a work of “total architecture” with the creation of a new inhabited and animated landscape, made of architecture and living spaces."
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35

"Forschungsgebäude “Sandwich-Demo-Haus”." Bauphysik 27, no. 6 (December 2005): 382. http://dx.doi.org/10.1002/bapi.200590101.

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Asudeh, Ash, and Ewan Klein. "Shape conditions and phonological context." Proceedings of the International Conference on Head-Driven Phrase Structure Grammar, May 1, 2002. http://dx.doi.org/10.21248/hpsg.2001.2.

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This paper builds on Zwicky's (1986) notion of shape condition, that is, a rule that specifies the phonological shape of inflected forms "by reference to triggers at least some of which lie outside the syntactic word". Zwicky observes that "many rules traditionally classified as external sandhi rules are [shape conditions]". They are not phonological rules in the usual sense, since they only apply to specific lexical items and are active within syntactic rather than phonological domains. Shape conditions are problematic in many standard grammar architectures. On the one hand, they seem to be constraints on lexical entries, while on the other hand, they make reference to the syntactic context. Hayes (1990) has sketched a theory of "precompiled phrasal phonology" in which allomorph choice is conditioned by subcategorization frames in lexical entries. However, his approach is not formalized in any detail, and moreover makes the implicit claim that the relation between a shape condition target and its triggers can be equated with the syntactic relation between a lexical head and its complement. Although this assumption holds good for the Hausa phenomena he addresses, we do not believe that it holds in general. HPSG appears to offer promising framework for formalizing something like Hayes' approach, but the standard machinery also makes it hard to distinguish a shape condition trigger from a complement. In order to overcome this difficulty, we develop the notion of phonological context: a feature of signs which allows us to condition allomorphic alternation in terms of (i) the phonological edges, and (ii) the syntactic properties of an expression's immediate syntactic sisters. We show how our analysis deals with four illustrative cases: the indefinite article alternation in English, syncretic liaison forms for possessive pronouns in French, Hausa verb-final vowel shortening, and soft mutation in Welsh nouns.
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"75 Jahre Haus der Technik e. V." Bauphysik 24, no. 6 (November 2002): 395. http://dx.doi.org/10.1002/bapi.200201640.

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"Schimmel im Haus Erkennen - vermeiden - bekämpfen (M. Köneke)." Bauphysik 24, no. 2 (March 2002): 125. http://dx.doi.org/10.1002/bapi.200200700.

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Moneim, Ashraf Abdel, Omar Elmenshawy, Mohamed Al Kahtani, Abdalla Sayed, and Manal Alfwuaires. "Pattern of renal pathology in fish from Al-Hassa waterways, Saudi Arabia." Indian Journal of Animal Research, Of (June 21, 2018). http://dx.doi.org/10.18805/ijar.b-910.

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Pollution of aquatic environment is a great concern worldwide. The teleostean kidney is one of the first organ to be affected by contaminants in water. The aim of this study is to assess histological changes of Oreochromis niloticus kidney collected from spring canals in Al-Hassa, Saudi Arabia. We report histological alterations in the kidney tissue of fish collected from three sites, namely Al-Jawhariya (site #1), Um-Sabah (site #2) and Al-Khadoud spring (site #3). The histopathological studies revealed relative differences in the severity of organ lesions among the three sites. The overall results showed that kidney architecture of fish samples was markedly disrupted. The major symptoms were dilation of the glomerular capillaries, reduction of Bowman’s space, degeneration of tubular epithelium, tubule cast deposition, and accumulation of pigmented macrophages (i.e., melanomacrophages). The histological damage in the kidney of O. niloticus is an evidence of the poor environmental quality of these spring canals. It appears that these wetland areas are still threatened by human activities and environmental degradation.
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Qian, Jikuan, Rui Li, Xin Yang, Yuhao Huang, Mingyuan Luo, Zehui Lin, Wenhui Hong, et al. "HASA: Hybrid architecture search with aggregation strategy for echinococcosis classification and ovary segmentation in ultrasound images." Expert Systems with Applications, April 2022, 117242. http://dx.doi.org/10.1016/j.eswa.2022.117242.

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41

Kwaśniewski, Artur. "Prächtiges haus – festes haus: Notes on the “urban” and “country” architectural modus of the house of Wrocław patricians in the Early Modern Period." Architectus, no. 1(69) (2022). http://dx.doi.org/10.37190/arc220102.

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42

"Großer Erfolg der Fachtagung in Celle zum 3-Liter-Haus." Bauphysik 23, no. 6 (November 2001): 375–76. http://dx.doi.org/10.1002/bapi.200101850.

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43

Salahudden, Salahudden, and Harshal Vitthal Joshi. "Aircraft trajectory generation and control for minimum fuel and time efficient climb." Proceedings of the Institution of Mechanical Engineers, Part G: Journal of Aerospace Engineering, September 28, 2022, 095441002211265. http://dx.doi.org/10.1177/09544100221126567.

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This paper presents a novel approach for generating the best possible climb trajectory that ensures minimum fuel and time efficient climb. The problem is first formulated using standard steady climb equations, which generate a unique combination of flight velocity and flight path angle at each altitude. A possible scenario, such as air density, mass, available power, and required powered variation with altitude, is taken into account when defining the problem. Thereafter, sliding-mode-based trajectory tracking control is formulated with its design procedures, system stability with applied control inputs, finite-time convergence analysis, and complete architecture. A Hansa-3 research aircraft is considered as an example model to demonstrate the work. The findings of generated trajectory are then produced and discussed. In order to follow the design trajectory and achieve the same, the sliding-mode-based control command is supplied. The novelty of the present work lies in proposed strategy of trajectory generation, wherein the aircraft path and velocity are found out to make the fuel and time efficient climb possible. Subsequently, robust control law is developed which shows the applicability of the proposed work on autopilot. The results show that the proposed controller not only controls the aircraft but is also able to follow the design trajectory with minimal errors. To further explore the impact of aircraft mass on climb performance, repeated set simulation is carried out. The outcome is compared with conventional climb, which promises its practical implementation since the proposed solution is simple and compatible to integrate with the existing aircraft autopilot.
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44

"Buchbesprechungen." Zeitschrift für Historische Forschung 46, no. 1 (January 1, 2019): 83–218. http://dx.doi.org/10.3790/zhf.46.1.83.

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