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Journal articles on the topic 'Haven (me. : imaginary place)'

Author: Grafiati

Published: 26 July 2024

Last updated: 31 July 2025

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1

Byrant, Katie. "Interrogating Conflicting Narratives of Writing in the Academy: A Call for Research." Canadian Journal for Studies in Discourse and Writing/Rédactologie 27 (May 16, 2017): 13–18. http://dx.doi.org/10.31468/cjsdwr.576.

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A safe haven in an often unsafe place: I would use this metaphor to describe the space writing studies and a university writing centre have offered me, as I’ve attempted to find my own place as a feminist in the academy. I feel these two things are my rocks. They are firm, solid places for me to reside amongst the challenges I’ve experienced as a writer. The reasons for my struggles with writing for academic purposes are difficult to pinpoint. Some would say they stem from my lack of literacy, hinting that laziness could be a culprit. Others might suggest they are connected to my subjective id

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2

Morris, Leslie. "Placing and Displacing Jewish Studies: Notes on the Future of a Field." PMLA/Publications of the Modern Language Association of America 125, no. 3 (2010): 764–73. http://dx.doi.org/10.1632/pmla.2010.125.3.764.

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Let Me Begin with a Decidedly Non-Jewish Reference, in Order to Both Place and Displace Jewish Studies. In Italo Calvino's Invisible Cities, an evocation of imaginary places that emerge and recede from memory, all eventually turning out to be the same place, Marco Polo says to Kubla Kahn, in response to the charge that he has not spoken of Venice: “Every time I describe a city I am saying something about Venice” (86). The notion of Venice as implicit in every city strikes me as an apt analogy for what I will be claiming as the possible relation between Jewish studies and literary studies. As a

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3

Smith, Bryan. "Cartographies of Colonial Commemoration: Critical Toponymy and Historical Geographies in Toronto." Journal of the Canadian Association for Curriculum Studies 15, no. 2 (2017): 34–47. http://dx.doi.org/10.25071/1916-4467.40297.

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Everyday, I move across a cartography that tells me a story, one that I often don’t consciously listen to, but do learn from. This story, one of colonial dominance, lives on through the markings of place, particularly the toponyms, or place names. In this article, I seek to explore the role of these toponyms in telling a story of place, one that (re)writes my home, Toronto, as a colonized space, one whose geographic and historic intelligibility is made possible through the inscription of place-names that commemorate the European centre. I demonstrate how the banality of colonial geography work

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Murray, Stuart J., and Deborah Lynn Steinberg. "To Mourn, To Re-imagine Without Oneself: Death, Dying, and Social Media/tion." Catalyst: Feminism, Theory, Technoscience 4, no. 1 (2018): 1–31. http://dx.doi.org/10.28968/cftt.v4i1.201.

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This paper incorporates and reflects on Steinberg’s particular vantage as a dying person whose blog engages the transforming ecologies of mourning and the place(s) of dying in the emergent spaces of social media. The paper homes in on the distinction between the repudiation of death and the repudiation of mourning in the collective project of “re-imagining without oneself,” that is, of re-imagining another life, another death, beyond the liberal coordinates of a “you” and a “me.” As an “intermediating” place, we argue that the blog serves as a virtual portal that both problematizes and (re)med

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Murray, Stuart J., and Deborah Lynn Steinberg. "To Mourn, To Re-imagine Without Oneself: Death, Dying, and Social Media/tion." Catalyst: Feminism, Theory, Technoscience 4, no. 1 (2018): 1–31. http://dx.doi.org/10.28968/cftt.v4i1.29632.

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This paper incorporates and reflects on Steinberg’s particular vantage as a dying person whose blog engages the transforming ecologies of mourning and the place(s) of dying in the emergent spaces of social media. The paper homes in on the distinction between the repudiation of death and the repudiation of mourning in the collective project of “re-imagining without oneself,” that is, of re-imagining another life, another death, beyond the liberal coordinates of a “you” and a “me.” As an “intermediating” place, we argue that the blog serves as a virtual portal that both problematizes and (re)med

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6

Taucar, Jacqueline. "(Per)Forming Ourselves and Others in Toronto’s Multicultural Caravan Festival." Canadian Theatre Review 140 (September 2009): 51–56. http://dx.doi.org/10.3138/ctr.140.010.

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As a first-generation Canadian, my home is filled with performances that gesture “back home” — or what my father calls the “old country,” a place that is only alluded to in the smells of the kitchen or when my mom forgets the English word and tells me to grab her a bunyak. As Dad sits in a sunny kitchen window, he reminisces about being back home in Croatia. “It’s like being home in Krk,” he says, referring to the home that he left almost fifty years ago, only returning for a few visits since then. Dad replays his memories for a very particular audience: his children and grandchildren. Althoug

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Shore, Daniel. "The Form of Black Lives Matter." PMLA/Publications of the Modern Language Association of America 135, no. 1 (2020): 175–79. http://dx.doi.org/10.1632/pmla.2020.135.1.175.

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On Friday, 20 January 2017, Inauguration Day for the Forty-Fifth President of the United States, I Spent Several Hours walking around downtown Washington, DC, just north of the National Mall, holding a handmade sign reading “Black Lives Matter.” A day later, the Women's March would pack the city's downtown tight with bodies marching, chanting, and singing in a strange mix of camaraderie and despondency, but on Inauguration Day the streets were unusually quiet. The fear of violence was palpable (and, in the event, fully justified), even as I knew that my whiteness would work as a shield that no

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Gatt, Caroline. "Breathing beyond Embodiment: Exploring Emergence, Grieving and Song in Laboratory Theatre." Body & Society 26, no. 2 (2020): 106–29. http://dx.doi.org/10.1177/1357034x19900538.

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Due to the simultaneous linguistic and musical quality of voicing, voiced breath poses theoretical challenges to notions of ‘embodiment’, especially as they are used in theatre practice/studies. In this article, I make two intertwining arguments to address questions of the place of semantic meaning and conscious thought in performance practice/theories as they arose in my anthropological engagement with laboratory theatre. Firstly, theatre and performance practice/theories keen to embrace ‘embodiment’ often leave out things like explicit analysis, reflexivity, referential or semantic meaning a

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Classen, Albrecht. "The Horrors of War in the History of German Literature: From Heinrich Wittenwiler and Hans Jacob Christoffel von Grimmelshausen to Rainer Maria Remarque." ATHENS JOURNAL OF HUMANITIES & ARTS 9, no. 2 (2022): 121–44. http://dx.doi.org/10.30958/ajha.9-2-2.

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As terrible as wars have always been, for the losers as well as for the winners, considering the massive killings, destruction, and general horror resulting from it all, poets throughout time have responded to this miserable situation by writing deeply moving novels, plays, poems, epic poems, and other works. The history of Germany, above all, has been filled with a long series of wars, but those have also been paralleled by major literary works describing those wars, criticizing them, and outlining the devastating consequences, here disregarding those narratives that deliberately idealized th

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McGrath, Alister. "Natural Philosophy: On Retrieving a Lost Disciplinary Imaginary." Perspectives on Science and Christian Faith 75, no. 2 (2023): 139–40. http://dx.doi.org/10.56315/pscf9-23mcgrath.

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NATURAL PHILOSOPHY: On Retrieving a Lost Disciplinary Imaginary by Alister McGrath. Oxford, UK: Oxford University Press, 2023. 256 pages. Hardcover; $39.95. ISBN: 9780192865731. *In this book, Alister McGrath provides an intellectual history and critique of what is now referred to as natural science, as well as a proposed re-conception of science going forward. The modern conception of science has its roots in something much older, referred to in the premodern world as "natural philosophy," and this older conception--McGrath argues--is one which was both richer and much more integrated with th

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Abdulsalm, Hamid B. "Demystifying the Other." Koya University Journal of Humanities and Social Sciences 3, no. 1 (2020): 63–68. http://dx.doi.org/10.14500/kujhss.v3n1y2020.pp63-68.

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This paper harnesses the term Other, though not in a strictly postcolonial sense, to uncover an essential role war poetry played to reveal a hidden side often overshadowed by war propaganda. The two poems, Hardy’s “The Man He Killed” and Owen’s “Strange Meeting,” serve as effective counter war propaganda tools that demystify a crucial element of war ideology that the enemy is an Other: The enemy is unlike me. Wilfred, an outspoken poet of the evils of war, and Thomas Hardy, who penned in some of his poems his abhorrence to war, show that the Other which stands for their enemies could have been

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Vakulyk, O. O., and Y. I. Kharkevych. "CURRENT ISSUES OF THE CRIMINAL CHARACTERISTICS OF CRIMINAL OFFENSES RELATED TO THE FORGERY OF COVID DOCUMENTATION." Herald of criminal justice, no. 1-2 (2022): 109–19. http://dx.doi.org/10.17721/2413-5372.2022.1-2/109-119.

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The scientific work draws attention to the correlations of the forensic characteristics of offenses based on the facts of forged covid-documents and their use during pre-trial investigation. In particular, such meaningful elements as: the identity of the criminal, the identity of the victim, the subject of the criminal offense, the circumstances of the crime, the methods of the crime and the trail picture are highlighted. The purpose of this article is to study current issues of forensic characterization of offenses related to the falsification of covid documentation. The methods of committing

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Richards, Joan L. "Generations of Reason: A Family's Search for Meaning in Post-Newtonian England." Perspectives on Science and Christian Faith 75, no. 1 (2023): 63–65. http://dx.doi.org/10.56315/pscf3-23richards.

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GENERATIONS OF REASON: A Family's Search for Meaning in Post-Newtonian England by Joan L. Richards. New Haven, CT: Yale University Press, 2021. 456 pages, with 21 b/w illustrations, 1,218 endnotes, and a 35-page index. Hardcover; $45.00. ISBN: 9780300255492. *The title gives no clue who this book is about. Nor does the publisher's description on its website, the abbreviated blurb inside the book jacket, the four endorsements posted on the jacket's back ("beautifully written," "epic masterpiece," "magnificent study," "compelling and wide-ranging"), or even the chapter titles. The reader first l

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Crawford, Kate. "Atlas of AI: Power, Politics, and the Planetary Costs of Artificial Intelligence." Perspectives on Science and Christian Faith 74, no. 1 (2022): 61–62. http://dx.doi.org/10.56315/pscf3-22crawford.

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ATLAS OF AI: Power, Politics, and the Planetary Costs of Artificial Intelligence by Kate Crawford. New Haven, CT: Yale University Press, 2021. 336 pages. Hardcover; $28.00. ISBN: 9780300209570. *Atlas of AI: Power, Politics, and the Planetary Costs of Artificial Intelligence is Kate Crawford's analysis of the state of the AI industry. A central idea of her book is the importance of redefining Artificial Intelligence (AI). She states, "I've argued that there is much at stake in how we define AI, what its boundaries are, and who determines them: it shapes what can be seen and contested" (p. 217)

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Wendel, W. "Sally Yates, Ronald Dworkin, and the Best View of the Law." Michigan Law Review Online, no. 115 (2017): 78. http://dx.doi.org/10.36644/mlr.online.115.sally.

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What interests me, as a scholar of legal ethics and jurisprudence, is whether Yates got it right when she said the responsibility of a lawyer for the government is to seek justice and stand for what is right, and that the position of the Department of Justice should be informed by the lawyer’s best view of the law. Yates’s claim that legal advice should be informed by the best view of the law sounds very much like the position of Ronald Dworkin. Dworkin argued that a judge should determine the legal rights and duties of the litigants by constructing the best possible interpretation of the prin

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Wendel, W. "Sally Yates, Ronald Dworkin, and the Best View of the Law." Michigan Law Review Online, no. 115 (2017): 78. http://dx.doi.org/10.36644/mlr.online.115.sally.

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What interests me, as a scholar of legal ethics and jurisprudence, is whether Yates got it right when she said the responsibility of a lawyer for the government is to seek justice and stand for what is right, and that the position of the Department of Justice should be informed by the lawyer’s best view of the law. Yates’s claim that legal advice should be informed by the best view of the law sounds very much like the position of Ronald Dworkin. Dworkin argued that a judge should determine the legal rights and duties of the litigants by constructing the best possible interpretation of the prin

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Wendel, W. "Sally Yates, Ronald Dworkin, and the Best View of the Law." Michigan Law Review Online, no. 115 (2017): 78. http://dx.doi.org/10.36644/mlr.online.115.sally.

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What interests me, as a scholar of legal ethics and jurisprudence, is whether Yates got it right when she said the responsibility of a lawyer for the government is to seek justice and stand for what is right, and that the position of the Department of Justice should be informed by the lawyer’s best view of the law. Yates’s claim that legal advice should be informed by the best view of the law sounds very much like the position of Ronald Dworkin. Dworkin argued that a judge should determine the legal rights and duties of the litigants by constructing the best possible interpretation of the prin

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18

Corman, Lauren, Jo-Anne McArthur, and Jackson Tait. "Electric Animal An Interview with Akira Mizuta Lippit & (untitled photographs)." UnderCurrents: Journal of Critical Environmental Studies 17 (November 16, 2013): 20–22. http://dx.doi.org/10.25071/2292-4736/37679.

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Dr. Akira Mizuta Lippit, author of Electric Animal: Toward a Rhetoric of Wildlife, explores, in the context of the development of cinema, how the concept of “the animal” has become central to modern understandings of human subjectivity. Lippit considers the disappearance of real animals and their concurrent appearance in various conceptual and material uses, particularly noting the ways in which the conjoined notions of humanity and animality figure into and through cinema. The animal, he argues, haunts the foundation of western logical systems. Yet, despite the fact that humans and animals su

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19

Grischuk, Tatiana. "Symptom. Toxic story." Mental Health: Global Challenges Journal 4, no. 2 (2020): 19–24. http://dx.doi.org/10.32437/mhgcj.v4i2.91.

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Introduction Such symptoms as hard, complex, bodily or mental feelings, that turn our everyday life into a hell, at first, lead us to a doctor, and then - to a psychotherapist. A sick man is keen to get rid of a symptom. A doctor prescribes medication, that is ought to eliminate a symptom. A psychotherapist searches for a reason of the problem that needs to be removed. There is such an idea that a neurotic symptom, in particular, an anxiety - is a pathological (spare or extra) response of a body. It is generally believed that such anxiety doesn’t have some real, objective reasons a

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20

Yajushi Gautam and Dr. Shalini Dube. "Quest for Identity in Never Let Me Go." International Journal of Advanced Research in Science, Communication and Technology, May 8, 2022, 391–93. http://dx.doi.org/10.48175/ijarsct-3544.

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Kazuo Ishiguro, the world’s most important immediate writer who has produced multifarious and appealing novels with many literary awards and logical critical appreciation. Ishiguro’s works suggest to be esteemed by modern narrative embracing a gruff reality of golden way of living. The homelessness neither made him a Japanese nor an English. In 1982 he received the United States citizenship, after receiving it he considers himself as a British. He reveals that he has a small scale of facts about Japan. But his pens still set in Japan. What Ishiguro feels as a writer, is the very lack of author

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Bainbrigge, Susan. "‘Curiouser and curiouser’: Childhood Figures to Live By, in Writings in French by Lydia Flem and Philippe Forest." Forum for Modern Language Studies, June 28, 2023. http://dx.doi.org/10.1093/fmls/cqad041.

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This article analyses selected writings in French by Lydia Flem and Philippe Forest, with a focus on the intertextual presence of literary figures from well-known sources, identifications with figures from imaginary worlds and their relationship to the writing project. These authors’ curiosity about the place of storytelling in understanding selves and lives extends to the question of how literature connects with experiences that otherwise remain inaccessible or elude conscious awareness. The formal and thematic functions of Lewis Carroll’s Alice and J. M. Barrie’s Peter Pan are examined in Fl

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Catrópa, Andréa. "Dream-based cartography: creative processes involving an imaginary Prague." Link Symposium Abstracts 2020, December 4, 2020, 40–41. http://dx.doi.org/10.24135/linksymposium.vi.28.

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This work aims to discuss aspects of artistic creation derived from dream speculation. Based on a dream that took place in the capital of Czechoslovakia, a region unknown to the dreamer, and which happened at the beginning of the quarantine period due to the Coronavirus pandemic, the research began on the internet using search mechanisms. In the evening event, in addition to its narrative elements, the journey through places that presented themselves vividly was of paramount importance, so the first stage arose from the researcher’s curiosity in verifying if there was any coincidence between t

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Fossey, Steve. "Face to Facelessness: Imagined Intimacies and Socially Distant Desires." Volume 21 21, no. 1 (2022). http://dx.doi.org/10.16995/bst.8029.

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This paper revisits a performance titled Falling in Love Again - and Again which was first performed in 2014 as part of a series of works I created questioning relational intimacy and proximity in public space. During&nbsp;Falling in Love Again - and Again participants were invited to explore public space with the intention of anonymously falling in love with strangers. The details of these encounters were shared with me as the leader of the piece via mobile phone text messages, but never with the subjects of the participants' desires.&nbsp; Understanding the dynamics of intimacy and p

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Roemhild, Juliane, and Melinda Turner. "Reading in Uncertain Times." M/C Journal 26, no. 4 (2023). http://dx.doi.org/10.5204/mcj.2983.

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We are living in uncertain times. Recent and ongoing crises, such as the COVID-19 pandemic, climate change and natural disasters, and increasing geopolitical and economic instability, have arguably led to a growing awareness of our existential precarity. Recent studies suggest that mental health is poor: among the general population, 24.4% experience anxiety and 22.9% suffer from symptoms of depression. These figures rise to an alarming 41.1% and 32.5% respectively in vulnerable populations (Bower et al.). As Maree Teesson, Director of the University of Sydney’s Matilda Centre for Research in

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Slater, Lisa. "No Place like Home." M/C Journal 10, no. 4 (2007). http://dx.doi.org/10.5204/mcj.2699.

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   i) In Australia we do a lot of thinking about home. Or so it would seem from all the talk about belonging, home, being at home (see Read). A sure sign of displacement, some might say. In his recent memoir, John Hughes writes: It is a particularly Australian experience that our personal heritage and sense of identity includes a place and a history not really our own, not really accessible to us. The fact that our sense of self-discovery and self-realisation takes place in foreign lands is one of the rich and complex ironies of being Australian. (24-25) My sense of self-disc

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Van der Nagel, Emily. "Alts and Automediality: Compartmentalising the Self through Multiple Social Media Profiles." M/C Journal 21, no. 2 (2018). http://dx.doi.org/10.5204/mcj.1379.

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IntroductionAlt, or alternative, accounts are secondary profiles people use in addition to a main account on a social media platform. They are a kind of automediation, a way of representing the self, that deliberately displays a different identity facet, and addresses a different audience, to what someone considers to be their main account. The term “alt” seems to have originated from videogame culture and been incorporated into understandings of social media accounts. A wiki page about alternate accounts on virtual world Second Life calls an alt “an account used by a resident for something ot

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Quinn, Karina. "The Body That Read the Laugh: Cixous, Kristeva, and Mothers Writing Mothers." M/C Journal 15, no. 4 (2012). http://dx.doi.org/10.5204/mcj.492.

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The first time I read Hélène Cixous’s The Laugh of the Medusa I swooned. I wanted to write the whole thing out, large, and black, and pin it across an entire wall. I was 32 and vulnerable around polemic texts (I was always copying out quotes and sticking them to my walls, trying to hold onto meaning, unable to let the writing I read slip out and away). You must "write your self, your body must be heard" (Cixous 880), I read, as if for the hundredth time, even though it was the first. Those decades old words had an echoing, a resonance to them, as if each person who had read them had left their

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Mills, Brett. "What Happens When Your Home Is on Television?" M/C Journal 10, no. 4 (2007). http://dx.doi.org/10.5204/mcj.2694.

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   In the third episode of the British sci-fi/thriller television series Torchwood (BBC3, 2007-) the team are investigating a portable ‘ghost machine’, which allows its users to see events which occurred in the past. After visiting an old man whose younger self the device may have allowed them to witness, the team’s medic, Owen Harper, spots Bernie Harris, who’d previously been in possession of the machine. A chase ensues; they run past a park, between a gang of kids playing football, over a railway bridge, through a housing estate, and eventually Bernie is cornered in a back

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Trofimova, Evija, and Sophie Nicholls. "On Walking and Thinking: Two Walks across the Page." M/C Journal 21, no. 4 (2018). http://dx.doi.org/10.5204/mcj.1450.

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IntroductionTwo writers, stuck in our university offices, decide to take our thoughts “for a walk” across the page. Writing from Middlesbrough, United Kingdom, and Auckland, New Zealand, we are separated by 18,000 kilometres and 11 hours, and yet here, on the page, our paths meet. How does walking, imaginary or real, affect our thinking? How do the environments through which we move, and the things we see along the way, influence our writing? What role do rhythm and pace play in the process? We invite you to join us on two short walks that reflect on our shared challenges as writers from two d

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Crouch, Jennifer. "Re-corporealising MRI Data." .able journal, no. 21 (2023). http://dx.doi.org/10.69564/able.en.24021.mridata.

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MRI is a non-invasive biomedical imaging technology that visualizes tissues within the body. Corporeal matter as perceived by MRI straddles definitions of substance, organism, subject, and object. MRI interacts with the body through nuclear magnetic resonance and creates biomedical images using electrodynamics, signal analysis, and mathematics. MRI brings us into contact with the body as a patient, a person, a biological environment, pathology, and as an assemblage of biochemical reactions charted by a medical geography. It reminds us that we contain autonomic organs, tissues, cells, molecules

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Vieira, Ketheleen. "Redes e mares: o território marítimo dos pescadores artesanais de Aquiraz – Ceará." AntHropológicas Visual, December 19, 2023. http://dx.doi.org/10.51359/2526-3781.2023.259540.

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O presente ensaio corresponde a minha experiência com o trabalho de campo, uma atividade realizada nas comunidades pesqueiras de Iguape e Prainha, regiões localizadas no litoral de Aquiraz, município próximo da capital cearense. Foram cerca de 25 dias de imersão ao todo, onde pude estabelecer diálogos com pescadores, donos de mercearia e além disso, sentir os ritos cotidianos desses trabalhadores do mar. A imersão nessas comunidades foi possível, devido ao financiamento da Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES), que me oportunizou a condição de bolsista. O objetivo

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Sanders, Shari. "Because Neglect Isn't Cute: Tuxedo Stan's Campaign for a Humane World." M/C Journal 17, no. 2 (2014). http://dx.doi.org/10.5204/mcj.791.

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On 10 September 2012, a cat named Tuxedo Stan launched his campaign for mayor of the Halifax Regional Municipality in Nova Scotia, Canada (“Tuxedo Stan for Mayor”). Backed by his human supporters in the Tuxedo Party, he ran on a platform of animal welfare: “Tuxedo Stan for Mayor Because Neglect Isn’t Working.” Artwork Courtesy of Joe Popovitch As a feline activist, Tuxedo Stan joins an unexpected—if not entirely unprecedented—cohort of cats that advocate for animal welfare through their “cute” appeals for humane treatment. From Tuxedo Stan’s internet presence to his appearance on Anderson Coop

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Bywaters, Malcom, and Shaun Wilson. "The Land." M/C Journal 27, no. 5 (2024). http://dx.doi.org/10.5204/mcj.3022.

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One of the most important issues that surround human inhabitancy is our relationship and experience with land. No matter the territory, climate, or locality where lands prevail, our agency and very survival is dependent on the liveability of our own inhabitancy. Land therefore is a haven by which we dwell, move through, and exist to forge our experiences through geography. More so, though, land is an essence of how we communicate, feel, identify, and move through locality. If place describes the way we emotionally connect to our localities, then land itself become a necessary connection within

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Mullen, Mark. "It Was Not Death for I Stood Up…and Fragged the Dumb-Ass MoFo Who'd Wasted Me." M/C Journal 6, no. 1 (2003). http://dx.doi.org/10.5204/mcj.2134.

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I remember the first time I saw a dead body. I spawned just before dawn; around me engines were clattering into life, the dim silhouettes of tanks beginning to move out in a steady grinding rumble. I could dimly make out a few other people, the anonymity of their shadowy outlines belied by the names hanging over their heads in a comforting blue. Suddenly, a stream of tracers arced across the sky; explosions sounded nearby, then closer still; a tank ahead of me stopped, turned sluggishly, and fired off a couple of rounds, rocking slightly against the recoil. The radio was filled with talk of Ge

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Varney, Wendy. "Homeward Bound or Housebound?" M/C Journal 10, no. 4 (2007). http://dx.doi.org/10.5204/mcj.2701.

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   If thinking about home necessitates thinking about “place, space, scale, identity and power,” as Alison Blunt and Robyn Dowling (2) suggest, then thinking about home themes in popular music makes no less a conceptual demand. Song lyrics and titles most often invoke dominant readings such as intimacy, privacy, nurture, refuge, connectedness and shared belonging, all issues found within Blunt and Dowling’s analysis. The spatial imaginary to which these authors refer takes vivid shape through repertoires of songs dealing with houses and other specific sites, vast and distant

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Gorman-Murray, Andrew. "Imagining King Street in the Gay/Lesbian Media." M/C Journal 9, no. 3 (2006). http://dx.doi.org/10.5204/mcj.2632.

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   Imagining Sydney’s Sexual Geography through the Gay/Lesbian Media  As a cultural geographer I am interested in how the identities of places are imagined in popular culture. Places do not exist a priori, but are constructed through social and cultural processes (Anderson and Gale). This does not simply refer to how built environments are materialized through planning and building, but rather elicits the way places are represented through maps, film, literature, art, and, of crucial importance in contemporary society, a range of media sources, including newspaper

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Lindop, Samantha Jane. "The Homme Fatal and the Subversion of Suspicion in Mr Brooks and The Killer Inside Me." M/C Journal 15, no. 1 (2011). http://dx.doi.org/10.5204/mcj.379.

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The femme fatale of film noir has come to be regarded as an expression or symptom of male paranoia about the shifting dynamics of gendered power relations in patriarchal Western culture. This theoretical perspective is influenced by Freudian psychoanalytic theory, which, according to philosopher Paul Ricoeur, is grounded in the “School of Suspicion” because it sees consciousness as false, an illusion shrouding darker, disturbing truths (Ricoeur 33). However, while the femme fatale has become firmly established as a subject of suspicion, her male incarnation, the homme fatal, has generally been

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Luger, Jason David. "Must Art Have a ‘Place’? Questioning the Power of the Digital Art-Scape." M/C Journal 19, no. 3 (2016). http://dx.doi.org/10.5204/mcj.1094.

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Introduction Artist: June 2 at 11.26pm:‘To be truly radical is to make hope possible rather than despair convincing.’ - Raymond Williams. (Singaporean Artists’ public Facebook Post) Can the critical arts exist without ‘place’?There is an ongoing debate on ‘place’ and where it begins and ends; on the ways that cities exist in both material and immaterial forms, and thereby, how to locate and understand place as an anchoring point amidst global flows (Massey; Merrifield). This debate extends to the global art- scape, as traditional conceptions of art and art-making attached to place require re-t

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Downing, Brenda, and Alice Cummins. "The Catastrophe of Childhood Rape: Traversing the Landscape between Private Memory and Public Performance." M/C Journal 16, no. 1 (2013). http://dx.doi.org/10.5204/mcj.590.

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She lies helpless and fragmented, limbs leaden with story, forced ever further into herself by the viscous shame that suffocates and disables her. Fleshed lips cling to each other, tongue recoils from the sharp taste of the narrative of her body. Within the impotent portal of her mouth, her story sits, an impenetrable oral hymen. — Brenda DowningRape is, without doubt, a catastrophic experience.When rape is experienced in childhood and is also silenced, it can have devastating consequences that carry through to adulthood.In what ways then can the catastrophic memory of silenced childhood rape

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Bartlett, Alison. "Ambient Thinking: Or, Sweating over Theory." M/C Journal 13, no. 2 (2010). http://dx.doi.org/10.5204/mcj.216.

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If Continental social theory emerges from a climate of intensely cold winters and short mild summers, how does Australia (or any nation defined by its large masses of aridity) function as an environment in which to produce critical theory and new knowledge? Climate and weather are intrinsic to ambience, but what impact might they have on the conditions of producing academic work? How is ambience relevant to thinking and writing and research? Is there an ambient epistemology? This paper argues that the ambient is an unacknowledged factor in the production of critical thinking, and draws on exam

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Dewsbury, John-David. "Still: 'No Man's Land' or Never Suspend the Question." M/C Journal 12, no. 1 (2009). http://dx.doi.org/10.5204/mcj.134.

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“Say a body. Where none. No mind. Where none. That at least. A place. Where none. For the body. To be in. Move in. Out of. Back into. No out. No back. Only in. Stay in. On in. Still” (Beckett, Short Fiction 471). 1. Introduction – Wherefore to ‘still’?HIRST: As it is?SPOONER: As it is, yes please, absolutely as it is (Pinter, 1971-1981 77). These first lines of Harold Pinter’s play No Man’s Land are indeed the first lines: they were the first lines that came to Pinter, existing as the spark that drove the play into being. Pinter overhead the words ‘As it is’ whilst in a taxi cab and was struck

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Kabir, Nahid. "Why I Call Australia ‘Home’?" M/C Journal 10, no. 4 (2007). http://dx.doi.org/10.5204/mcj.2700.

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   Introduction I am a transmigrant who has moved back and forth between the West and the Rest. I was born and raised in a Muslim family in a predominantly Muslim country, Bangladesh, but I spent several years of my childhood in Pakistan. After my marriage, I lived in the United States for a year and a half, the Middle East for 5 years, Australia for three years, back to the Middle East for another 5 years, then, finally, in Australia for the last 12 years. I speak Bengali (my mother tongue), Urdu (which I learnt in Pakistan), a bit of Arabic (learnt in the Middle East); but

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Maybury, Terry. "Home, Capital of the Region." M/C Journal 11, no. 5 (2008). http://dx.doi.org/10.5204/mcj.72.

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There is, in our sense of place, little cognisance of what lies underground. Yet our sense of place, instinctive, unconscious, primeval, has its own underground: the secret spaces which mirror our insides; the world beneath the skin. Our roots lie beneath the ground, with the minerals and the dead. (Hughes 83) The-Home-and-Away-Game Imagine the earth-grounded, “diagrammatological” trajectory of a footballer who as one member of a team is psyching himself up before the start of a game. The siren blasts its trumpet call. The footballer bursts out of the pavilion (where this psyching up has taken

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Vavasour, Kris. "Pop Songs and Solastalgia in a Broken City." M/C Journal 20, no. 5 (2017). http://dx.doi.org/10.5204/mcj.1292.

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IntroductionMusically-inclined people often speak about the soundtrack of their life, with certain songs indelibly linked to a specific moment. When hearing a particular song, it can “easily evoke a whole time and place, distant feelings and emotions, and memories of where we were, and with whom” (Lewis 135). Music has the ability to provide maps to real and imagined spaces, positioning people within a larger social environment where songs “are never just a song, but a connection, a ticket, a pass, an invitation, a node in a complex network” (Kun 3). When someone is lost in the music, they can

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Slater, Lisa. "Anxious Settler Belonging: Actualising the Potential for Making Resilient Postcolonial Subjects." M/C Journal 16, no. 5 (2013). http://dx.doi.org/10.5204/mcj.705.

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i) When I arrived in Aurukun, west Cape York, it was the heat that struck me first, knocking the city pace from my body, replacing it with a languor familiar to my childhood, although heavier, more northern. Fieldwork brings with it its own delights and anxieties. It is where I feel most competent and incompetent, where I am most indebted and thankful for the generosity and kindness of strangers. I love the way “no-where” places quickly become somewhere and something to me. Then there are the bodily visitations: a much younger self haunts my body. At times my adult self abandons me, leaving me

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Castles, Anthony, and Lisa Law. "Whose Heritage." M/C Journal 25, no. 3 (2022). http://dx.doi.org/10.5204/mcj.2893.

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Introduction Over the past two decades the Cairns landscape has transformed from a remote tourist town beside the Great Barrier Reef to an international, tropical city with a new focus on culture and the arts. A number of important urban design projects have enabled this transformation, including key waterfront redevelopments, the addition of a large shopping mall and convention centre, a renovated museum, and now a new performing arts precinct and proposed ‘gallery precinct’ for the people of Cairns to access new art forms and events. Anderson and Law (556) depict recent developments as a kin

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Kuppers, Petra. "“your darkness also/rich and beyond fear”: Community Performance, Somatic Poetics and the Vessels of Self and Other." M/C Journal 12, no. 5 (2009). http://dx.doi.org/10.5204/mcj.203.

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“Communicating deep feeling in linear solid blocks of print felt arcane, a method beyond me” — Audre Lorde in an interview with Adrienne Rich (Lorde 87) How do you disclose? In writing, in spoken words, in movements, in sounds, in the quiet energetic vibration and its trace in discourse? Is disclosure a narrative account of a self, or a poetic fragment, sent into the world outside the sanction of a story or another recognisable form (see fig. 1)?These are the questions that guide my exploration in this essay. I meditate on them from the vantage point of my own self-narrative, as a community pe

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Neilsen Glenn, Lorri. "The Loseable World: Resonance, Creativity, and Resilience." M/C Journal 16, no. 1 (2013). http://dx.doi.org/10.5204/mcj.600.

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[Editors’ note: this lyric essay was presented as the keynote address at Edith Cowan University’s CREATEC symposium on the theme Catastrophe and Creativity in November 2012, and represents excerpts from the author’s publication Threading Light: Explorations in Loss and Poetry. Regina, SK: Hagios Press, 2011. Reproduced with the author’s permission].Essay and verse and anecdote are the ways I have chosen to apprentice myself to loss, grief, faith, memory, and the stories we use to tie and untie them. Cat’s cradle, Celtic lines, bends and hitches are familiar: however, when I write about loss, I

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Esposito, Paola. "Thread: Somatic Lives of a Thing." M/C Journal 19, no. 1 (2016). http://dx.doi.org/10.5204/mcj.1062.

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IntroductionOn a sunny afternoon in early spring 2014, five researchers were strolling through the streets of Old Aberdeen. They had known each other for only a few days since an event had brought them together. The event was Performance Reflexivity, Intentionality and Collaboration: A Sourcing Within Worksession, convened by anthropologist Caroline Gatt and performer Gey Pin Ang, as part of the ERC Advanced Grant project “Knowing from the Inside,” at the department of Anthropology, University of Aberdeen. This workshop aimed to explore aspects of creative decision-making in performance to ass

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Sumiala, Johanna. "Circulating Communities Online: The Case of the Kauhajoki School Shooting." M/C Journal 14, no. 2 (2011). http://dx.doi.org/10.5204/mcj.321.

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Mobilities We live in a world of mobilised social life, as John Urry describes it. This is a world made out of constant flows of items, ideas, and actors travelling materially and/or immaterially from one location to another, non-stop. The movement of things and people goes back and forth; it changes direction and passes around various locations, both physical and virtual. No discussion of mobility today can be complete without consideration of the role of communication in reshaping mobilised social life. In many respects, our social life and a sense of community may be thought of as displaced

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