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Journal articles on the topic 'Hawaii, history, fiction'

Author: Grafiati

Published: 4 June 2021

Last updated: 28 July 2025

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1

Kabanoff, Alexander M. "Victoria Scord: Stories of tears and laughter: short fiction of medieval Japan. vi, 222 pp. Honolulu: University of Hawaii Press, 1991. £19.95." Bulletin of the School of Oriental and African Studies 55, no. 3 (1992): 597–98. http://dx.doi.org/10.1017/s0041977x00004201.

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2

Indriyanto, Kristiawan. "Decolonizing Discourses of Tropicality: Militourism and Aloha ‘Āina in Kiana Davenport’s Novels." eTropic: electronic journal of studies in the Tropics 22, no. 2 (2023): 82–103. http://dx.doi.org/10.25120/etropic.22.2.2023.3955.

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This paper contextualizes Hawai‘i as a tropical landscape submerged under the discourse of exoticism which conceals the continuing American militarism, nuclearization, and tourist-oriented development in this archipelago. Militourism, as defined by Teresia Teaiwa, argues that the perpetuation of tourism based upon the imagination of tropical paradise conceals the continuation of colonial/neocolonial exploitation of the Hawaiian Islands. Under the discourse of tropicality, nature is instrumentalized, denying the agency and subjectivity of both the environment and Hawaiian indigene positioned as

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3

Bardsley, Jan. "Fukushima Fiction: The Literary Landscape of Japan's Triple Disaster By Rachel DiNitto. Honolulu: University of Hawai‘i Press, 2019. ix, 240 pp. ISBN: 9780824877972 (cloth)." Journal of Asian Studies 81, no. 1 (2022): 213–16. http://dx.doi.org/10.1017/s0021911821002709.

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4

Tierney, Robin. "The Other Women's Lib: Gender and Body in Japanese Women's Fiction. By Julia C. Bullock. Honolulu: University of Hawai‘i Press, 2010. 199 pp. $25.00 (paper)." Journal of Asian Studies 70, no. 1 (2011): 237–38. http://dx.doi.org/10.1017/s0021911810003396.

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5

Damm, Jens. "Angelwings: Contemporary Queer Fiction from Taiwan. Edited and translated by Fran Martin. [Honolulu: University of Hawai‘i Press, 2003. 248 pp. $18.95. ISBN 0-8248-2661-2.]." China Quarterly 176 (December 2003): 1116–18. http://dx.doi.org/10.1017/s0305741003400635.

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This collection of ten short stories from the 1990s, translated and annotated by Fran Martin, highlights the importance of the topic “queer” in a non-Western context. Not only is the excellent quality of the translation worthy of mention; the familiarity of the author with queer theory, Taiwanese social history and Chinese literature in general is also outstanding.In her detailed introduction, Fran Martin illustrates vividly the relevance of tongzhi-literature (tongzhi wenxue is the expression currently used to describe the same-sex discourse in the Taiwanese world) within the broader transfor

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6

Lee, Haiyan. "Revolution Plus Love: Literary History, Women's Bodies, and Thematic Repetition in Twentieth-Century Chinese Fiction. By Jianmei Liu. Honolulu: University of Hawai'i Press, 2003. x, 272 pp. $49.00 (cloth)." Journal of Asian Studies 64, no. 3 (2005): 722–24. http://dx.doi.org/10.1017/s0021911805001658.

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7

Sato, Kumiko. "The Alien Within: Representations of the Exotic in Twentieth-Century Japanese Literature. By Leith Morton. Honolulu: University of Hawai‘i Press, 2009. ix, 257 pp. $56.00 (cloth). - Sublime Voices: The Fictional Science and Scientific Fiction of Abe Kōbō. By Christopher Bolton. Cambridge, Mass.: Harvard University Asia Center, 2009. xiii, 332 pp. $39.95 (cloth)." Journal of Asian Studies 69, no. 4 (2010): 1247–49. http://dx.doi.org/10.1017/s0021911810002500.

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Cheng, Eileen J. "Revolution Plus Love: Literary History, Women's Bodies, and Thematic Repetition in 20th-Century Chinese Fiction. By LIU JIANMEI. [Honolulu: University of Hawai'i Press, 2003. xii+272 pp. $49.00 (hardcover). ISBN 0-8248-2586-1.]." China Quarterly 184 (December 2005): 979–81. http://dx.doi.org/10.1017/s0305741005320595.

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9

KITLV, Redactie. "Book Reviews." Bijdragen tot de taal-, land- en volkenkunde / Journal of the Humanities and Social Sciences of Southeast Asia 159, no. 2 (2003): 405–68. http://dx.doi.org/10.1163/22134379-90003749.

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-Leonard Y. Andaya, Michel Jacq-Hergoualc'h, The Malay Peninsula; Crossroads of the maritime silk road (100 BC-1300 AD). [Translated by Victoria Hobson.] Leiden: Brill, 2002, xxxv + 607 pp. [Handbook of oriental studies, 13. -Greg Bankoff, Resil B. Mojares, The war against the Americans; Resistance and collaboration in Cebu 1899-1906. Quezon city: Ateneo de Manila University, 1999, 250 pp. -R.H. Barnes, Andrea Katalin Molnar, Grandchildren of the Ga'e ancestors; Social organization and cosmology among the Hoga Sara of Flores. Leiden: KITLV Press, 2000, xii + 306 pp. [Verhandeling 185.] -Peter

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10

Hansen, Wilburn. "State of the Field—Early Modern and Modern Japanese Religious Studies - Women in Japanese Religions. By Barbara R. Ambros . New York: New York University Press, 2015. ix, 237 pp. ISBN: 9781479884063 (cloth, also available in paper). - Government by Mourning: Death and Political Integration in Japan, 1603–1912. By Atsuko Hirai . Cambridge, Mass.: Harvard University Asia Center, 2014. xviii, 433 pp. ISBN: 9780674066823 (cloth). - Religious Discourse in Modern Japan: Religion, State, and Shintō. By Jun'ichi Isomae . Translated by Galen Amstutz and Lynne E. Riggs . Leiden: Brill, 2014. xxvi, 474 pp. ISBN: 9789004272613 (cloth). - Conquering Demons: The “Kirishitan,” Japan, and the World in Early Modern Japanese Literature. By Jan C. Leuchtenberger . Ann Arbor: Center for Japanese Studies, University of Michigan, 2013. xii, 240 pp. ISBN: 9781929280773 (cloth, also available in paper). - Buddhism, Unitarianism, and the Meiji Competition for Universality. By Michel Mohr . Cambridge, Mass.: Harvard University Asia Center, 2014. xviii, 346 pp. ISBN: 9780674066946 (cloth). - Holy Ghosts: The Christian Century in Modern Japanese Fiction. By Rebecca Suter . Honolulu: University of Hawai‘i Press, 2015. x, 208 pp. ISBN: 9780824840013 (cloth)." Journal of Asian Studies 76, no. 3 (2017): 786–95. http://dx.doi.org/10.1017/s0021911817000638.

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11

Bonner, Frances. "This may Look like Science Fiction, But..." M/C Journal 2, no. 1 (1999). http://dx.doi.org/10.5204/mcj.1736.

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The borderline between fiction and non-fiction is, like much that is liminal, deeply attractive to observers, and among the consequences of this is a proliferation of names; 'faction', 'fictocriticism' and the shifting pairing of docudrama/dramadoc operate to indicate the blending of different types of fictional and non-fictional material. All of these produce that feeling of unease proper to liminal states. In his recent study, Derek Paget notes how it is the seriousness of the truth claims of that version of non-fiction called documentary that makes its mixing with drama so fraught with pote

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12

"Reading & writing." Language Teaching 39, no. 1 (2006): 32–40. http://dx.doi.org/10.1017/s0261444806233317.

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06–73Al-Sa'Di, Rami A. & Jihad M. Hamdan (U Jordan, Amman, Jordan; enigma_1g@yahoo.co.uk), ‘Synchronous online chat’ English: Computer-mediated communication. World Englishes (Blackwell) 24.4 (2005), 409–424.06–74Bitchener, John, Stuart Young & Denise Cameron (Auckland, New Zealand), The effect of different types of corrective feedback on ESL student writing. Journal of Second Language Writing (Elsevier) 14.3 (2005), 191–205.06–75Blevins, Wiley (Scholastic Inc., USA), The importance of reading fluency and the English language learner. The Language Teacher (Japan Association for Languag

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13

Brien, Donna Lee. "Demon Monsters or Misunderstood Casualties?" M/C Journal 24, no. 5 (2021). http://dx.doi.org/10.5204/mcj.2845.

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Over the past century, many books for general readers have styled sharks as “monsters of the deep” (Steele). In recent decades, however, at least some writers have also turned to representing how sharks are seriously threatened by human activities. At a time when media coverage of shark sightings seems ever increasing in Australia, scholarship has begun to consider people’s attitudes to sharks and how these are formed, investigating the representation of sharks (Peschak; Ostrovski et al.) in films (Le Busque and Litchfield; Neff; Schwanebeck), newspaper reports (Muter et al.), and social media

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14

Guimont, Edward. "Megalodon." M/C Journal 24, no. 5 (2021). http://dx.doi.org/10.5204/mcj.2793.

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In 1999, the TV movie Shark Attack depicted an attack by mutant great white sharks on the population of Cape Town. By the time the third entry in the series, Shark Attack 3, aired in 2002, mutant great whites had lost their lustre and were replaced as antagonists with the megalodon: a giant shark originating not in any laboratory, but history, having lived from approximately 23 to 3.6 million years ago. The megalodon was resurrected again in May 2021 through a trifecta of events. A video of a basking shark encounter in the Atlantic went viral on the social media platform TikTok, due to users m

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15

Caudwell, Catherine Barbara. "Cute and Monstrous Furbys in Online Fan Production." M/C Journal 17, no. 2 (2014). http://dx.doi.org/10.5204/mcj.787.

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Image 1: Hasbro/Tiger Electronics 1998 Furby. (Photo credit: Author) Introduction Since the mid-1990s robotic and digital creatures designed to offer social interaction and companionship have been developed for commercial and research interests. Integral to encouraging positive experiences with these creatures has been the use of cute aesthetics that aim to endear companions to their human users. During this time there has also been a growth in online communities that engage in cultural production through fan fiction responses to existing cultural artefacts, including the widely recognised ele

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16

Leotta, Alfio. "Navigating Movie (M)apps: Film Locations, Tourism and Digital Mapping Tools." M/C Journal 19, no. 3 (2016). http://dx.doi.org/10.5204/mcj.1084.

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The digital revolution has been characterized by the overlapping of different media technologies and platforms which reshaped both traditional forms of audiovisual consumption and older conceptions of place and space. John Agnew claims that, traditionally, the notion of place has been associated with two different meanings: ‘the first is a geometric conception of place as a mere part of space and the second is a phenomenological understanding of a place as a distinctive coming together in space’ (317). Both of the dominant meanings have been challenged by the idea that the world itself is incr

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17

Lobato, Ramon, and James Meese. "Kittens All the Way Down: Cute in Context." M/C Journal 17, no. 2 (2014). http://dx.doi.org/10.5204/mcj.807.

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This issue of M/C Journal is devoted to all things cute – Internet animals and stuffed toys, cartoon characters and branded bears. In what follows our nine contributors scrutinise a diverse range of media objects, discussing everything from the economics of Grumpy Cat and the aesthetics of Furbys to Reddit’s intellectual property dramas and the ethics of kitten memes. The articles range across diverse sites, from China to Canada, and equally diverse disciplines, including cultural studies, evolutionary economics, media anthropology, film studies and socio-legal studies. But they share a common

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18

Garbutt, Rob. "Local Order." M/C Journal 7, no. 6 (2005). http://dx.doi.org/10.5204/mcj.2478.

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   I A sense of in-between shapes contemporary theoretical perspectives on identity through concepts such as fluidity, hybridity and diaspora. These concepts have traction when theorising global social and cultural orders characterised by ‘a delocalized transnation’. In this formation, Appadurai argues, ‘the formula of hyphenation (as in Italian-Americans, Asian-Americans, and African-Americans) is reaching the point of saturation, and the right-hand side of the hyphen can barely contain the unruliness of the left-hand side’ (803). Yet in the relatively monocultural space of

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19

"Language learning." Language Teaching 38, no. 4 (2005): 194–209. http://dx.doi.org/10.1017/s0261444805223145.

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05–396Altenberg, Evelyn P. (Hofstra U, USA; sphepa@hofstra.edu), The perception of word boundaries in a second language. Second Language Research (London, UK) 21.4 (2005), 325–358.05–397Baker, Wendy (Brigham Young U, USA) & Pavel Trofimovich, Interaction of native- and second-language vowel system(s) in early and late bilinguals. Language and Speech (Twickenham, UK) 48.1 (2005), 1–27.05–398Bardovi-Harlig, Kathleen (Indiana U, USA; bardovi@indiana.edu) & Robert Griffin, L2 pragmatic awareness: evidence from the ESL classroom. System (Amsterdam, the Netherlands) 33.3 (2005), 401–415.05–3

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20

Connor, Will. "Making It Magical." M/C Journal 26, no. 5 (2023). http://dx.doi.org/10.5204/mcj.3006.

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In the late 2010s, I owned and operated a bespoke drum-building company, and during that time, I was commissioned to build a frame drum by the partner of a musician who was also a magic practitioner. The commission was fitting despite my business not being related to magic or Paganism directly. I have been working with drum construction in all of my research projects during my academic career, a touring percussionist for decades, and the company focussed on making drums inspired by Lovecraftian narratives and Lovecraftian Futurist music. Due to the nature of Lovecraftian horror and science fic

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21

Dutton, Jacqueline. "Counterculture and Alternative Media in Utopian Contexts: A Slice of Life from the Rainbow Region." M/C Journal 17, no. 6 (2014). http://dx.doi.org/10.5204/mcj.927.

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Introduction Utopia has always been countercultural, and ever since technological progress has allowed, utopia has been using alternative media to promote and strengthen its underpinning ideals. In this article, I am seeking to clarify the connections between counterculture and alternative media in utopian contexts to demonstrate their reciprocity, then draw together these threads through reference to a well-known figure of the Rainbow Region–Rusty Miller. His trajectory from iconic surfer and Aquarian reporter to mediator for utopian politics and ideals in the Rainbow Region encompasses in a

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22

Gibson, Chris. "On the Overland Trail: Sheet Music, Masculinity and Travelling ‘Country’." M/C Journal 11, no. 5 (2008). http://dx.doi.org/10.5204/mcj.82.

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Introduction One of the ways in which ‘country’ is made to work discursively is in ‘country music’ – defining a genre and sensibility in music production, marketing and consumption. This article seeks to excavate one small niche in the historical geography of country music to explore exactly how discursive antecedents emerged, and crucially, how images associated with ‘country’ surfaced and travelled internationally via one of the new ‘global’ media of the first half of the twentieth century – sheet music. My central arguments are twofold: first, that alongside aural qualities and lyrical cont

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23

Bender, Stuart Marshall. "You Are Not Expected to Survive: Affective Friction in the Combat Shooter Game Battlefield 1." M/C Journal 20, no. 1 (2017). http://dx.doi.org/10.5204/mcj.1207.

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IntroductionI stumble to my feet breathing heavily and, over the roar of a tank, a nearby soldier yells right into my face: “We’re surrounded! We have to hold this line!” I follow him, moving past burning debris and wounded men being helped walk back in the opposite direction. Shells explode around me, a whistle sounds, and then the Hun attack; shadowy figures that I fire upon as they approach through the battlefield fog and smoke. I shoot some. I take cover behind walls as others fire back. I reload the weapon. I am hit by incoming fire, and a red damage indicator appears onscreen, so I move

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24

Rose, Megan Catherine, and Patrick W. Galbraith. "Mutating Hyperfemininity in <em>Bishōjo</em>-Inspired Art." M/C Journal 28, no. 2 (2025). https://doi.org/10.5204/mcj.3168.

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Introduction “With most people, you cannot tell just from looking at them that they are fighting a silent, unseen battle”, says Sugary Symbiote, a Black, disabled, and sapphic artist in the United States. “That is what a lot of my illustrations represent. The girl is surrounded by cute things that make her happy, but she still feels alone and sad” (Sugary Symbiote). Central to her work is the bishōjo, or “cute girl”, drawn from manga, anime, and related media. While scholarship has largely treated bishōjo as objects produced for and by men (Galbraith; Galbraith and Rose), artists such as Sugar

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