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Journal articles on the topic 'Hawksmoor'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 August 2024

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1

Foxall, Tom. "Schooled by Wren, or a School by Wren? The Conception and Design of Christ’s Hospital Writing School, London." Architectural History 51 (2008): 87–110. http://dx.doi.org/10.1017/s0066622x00003038.

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On 2 March 1692, Sir Christopher Wren visited the governors of Christ’s Hospital in London, bringing with him a design for a new writing school to be erected on the Hospital’s Newgate Street site. Seven drawings for the school building survive in the Wren collection at All Souls College, Oxford. However, rather than suggesting Wren’s authorship, these drawings are customarily attributed to his pupil and long-time assistant, Nicholas Hawksmoor. It is generally accepted that Hawksmoor received delegated commissions from Wren by at least the early 1690s, but, although the draughtsmanship and styl

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2

Ali, Jason R., and Peter Cunich. "The Church East and West: Orienting the Queen Anne Churches, 1711-34." Journal of the Society of Architectural Historians 64, no. 1 (2005): 56–73. http://dx.doi.org/10.2307/25068124.

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This article presents the results of an investigation carried out to determine the orientation of seventeen churches and one church plan that are directly or indirectly associated with the 1711 and 1712 Acts for Building Fifty New Churches (for London). The buildings represent an important episode in the history of western ecclesiastical architecture, the visible manifestation of a Tory government-High Church plan to rekindle a "purer form of Christianity" based on the "primitive churches" of the Near East. Our data indicate that few, if any, of the buildings were aligned using the rising or s

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3

Jeffery, Sally. "Hawksmoor's Vision of Wray Wood, Castle Howard." Architectural History 61 (2018): 37–72. http://dx.doi.org/10.1017/arh.2018.3.

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AbstractDespite an extensive literature on Castle Howard and its innovative landscape, few details have been known about the important naturalistic garden at Wray Wood. This article identifies four drawings attributed to Nicholas Hawksmoor as designs for the wood's rockwork and watercourses. Although these features have long since disappeared, building records, letters and visitor accounts confirm their existence and show that Hawksmoor was also involved in the display of the sculpture and fountains, with subjects drawn from classical myths and legends. His later designs for the two temples on

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4

Stevenson, Christine. "Review: Hawksmoor's London Churches: Architecture and Theology by Pierre de la Ruffinière du Prey, Hawksmoor." Journal of the Society of Architectural Historians 61, no. 1 (2002): 94–95. http://dx.doi.org/10.2307/991815.

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5

Worsley, Giles. "Nicholas Hawksmoor: A Pioneer Neo-Palladian?" Architectural History 33 (1990): 60. http://dx.doi.org/10.2307/1568548.

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6

Binet, Hélène. "From John Hejduk to Nicholas Hawksmoor." Journal of Architecture 21, no. 6 (2016): 939–63. http://dx.doi.org/10.1080/13602365.2016.1217555.

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7

Spiller, Neil. "St Alfege: Hawksmoor Speaking Across Time." Architectural Design 90, no. 1 (2020): 128–33. http://dx.doi.org/10.1002/ad.2536.

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8

Cox, Margaret. "Crypt archaeology after Spitalfields: dealing with our recent dead." Antiquity 71, no. 271 (1997): 8–10. http://dx.doi.org/10.1017/s0003598x00084489.

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A decade ago, the crammed burial-vaults under Christ Church, Spitalfields, a fine English Baroque church in east-central London designed by Hawksmoor, were archaeologically excavated. This pioneering work in the post-medieval archaeology of our own culture's burial practice has not been followed up. Why?

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9

Lunyova, Tetyana. "Churches Built of Stones and Words: Semiotic Analysis of the Novel “Hawksmoor” by Peter Ackroyd." Armenian Folia Anglistika 4, no. 1-2 (5) (2008): 48–56. http://dx.doi.org/10.46991/afa/2008.4.1-2.048.

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Churches possess symbolic meaning for people and hence, are of great importance. The article presents the interpretation of the images of churches in the novel Hawksmoor by Peter Ackroyd to find out how these images are created and what they stand for. The churches in London are described in the novel as embodiment of mystic knowledge.

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10

Cast, David. "Review: Nicholas Hawksmoor: Rebuilding Ancient Wonders by Vaughan Hart." Journal of the Society of Architectural Historians 63, no. 2 (2004): 228–29. http://dx.doi.org/10.2307/4127957.

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11

Smith, Holly. "Demythologising Park Hill, Sheffield: The Hawksmoor Prize Essay 2022." Architectural History 66 (2023): 251–74. http://dx.doi.org/10.1017/arh.2023.11.

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ABSTRACTThe Park Hill estate in Sheffield was one of the most monumental and experimental projects in twentieth-century British housing. Designed by two young architects, Jack Lynn and Ivor Smith, it was constructed between 1957 and 1961 under the city’s Labour-led council, one of the country’s most visionary post-war local authorities. The estate has been celebrated for its ’streets in the sky’ design, an architectural approach associated with Alison and Peter Smithson which sought to salvage and recreate patterns of working-class community and social life from the slums that were razed durin

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12

Barraclough, Rosanna. "Reassessing Joseph Bonomi the Elder: The Hawksmoor Prize Essay 2021." Architectural History 65 (2022): 195–226. http://dx.doi.org/10.1017/arh.2022.10.

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ABSTRACTIn the early nineteenth century, Joseph Bonomi the Elder (1739–1808) was one of the best-known architects in Britain — so much so that he figured in Jane Austen’s Sense and Sensibility (1811) — but his reputation subsequently declined and diminished to the extent that, in the current literature on British architecture of the late eighteenth and early nineteenth century, he is little more than a footnote. In a circular process, this excision directly contributed to the demolition of some of his most important work — above all, Rosneath House in Dunbartonshire — on the grounds that it wa

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13

Young, Elizabeth. "The Campaigns for Christ Church, Spitalfields and Nicholas Hawksmoor, 1960–1995." Journal of Architectural Conservation 2, no. 2 (1996): 21–38. http://dx.doi.org/10.1080/13556207.1996.10785159.

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14

Lipski, Jakub. "„Wiek przebrania” w powieściach historycznych Petera Ackroyda." Porównania 19 (June 15, 2016): 99–113. http://dx.doi.org/10.14746/p.2016.19.10297.

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Znamienną cechą twórczości Petera Ackroyda jest wyraźne zespolenie powieściopisarstwa z popularną historiografią, czego przejawem jest niezmienne zainteresowanie autora formą powieści historycznej. Teksty, którym poświęcony jest niniejszy artykuł – Hawksmoor (1985), Chatterton (1987), The Lambs of London (2004) – podejmują próbę kreatywnej rekonstrukcji niektórych istotnych wydarzeń XVIII wieku. Powracające tematy, typy postaci oraz warstwa ideowa w wymienionych utworach wynikają z koncepcji tego stulecia jako „wieku przebrania” („the Age of Disguise”). Metafora przebrania trafnie ilustruje sp

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15

Link, Alex. ""The Capitol of Darknesse": Gothic Spatialities in the London of Peter Ackroyd's "Hawksmoor"." Contemporary Literature 45, no. 3 (2004): 516. http://dx.doi.org/10.2307/3593536.

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16

Link, Alex. ""The Capitol of Darknesse": Gothic Spatialities in the London of Peter Ackroyd's Hawksmoor." Contemporary Literature 45, no. 3 (2004): 516–37. http://dx.doi.org/10.1353/cli.2004.0025.

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17

Garayeva, Khanim. "Peter Ackroyd’s Distorted Psychogeography." Prague Journal of English Studies 10, no. 1 (2021): 59–74. http://dx.doi.org/10.2478/pjes-2021-0004.

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Abstract This paper focuses on Peter Ackroyd’s unique type of psychogeographical writing. Therefore, apart from an overall elaboration on his works about London, it addresses his historiographic metafictional novels Hawksmoor (1985) and The House of Doctor Dee (1993). These esoteric novels provide insight into Ackroyd’s writing about the city in different time periods and make it possible to delve deeper into what this paper argues is his distinctive manner of implementing the notions of psychogeography. At the same time, it draws parallels from classical and contemporary psychogeography where

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18

Campbell, Ian. "The First Draft of Serlio’s Sixth Book and its Arrival in Britain, c. 1700." Architectural History 65 (2022): 143–54. http://dx.doi.org/10.1017/arh.2022.8.

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ABSTRACTThis article explores the provenance of the first draft of Sebastiano Serlio’s sixth book, on dwellings, written in the 1540s. It was acquired by the Avery Library at Columbia University, New York, a century ago and published for the first time in 1978. The article proposes that the manuscript and drawings remained in the vicinity of Paris until the late seventeenth century, when they were mounted and bound into an album that may have been sold by a descendant of Jacques Androuet du Cerceau I, either in Paris or the Netherlands. It goes on to demonstrate that, in the early eighteenth c

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19

Dean, Dominic. "Spirits of enterprise: The disappearing child in Thatcherism and Theory." Literature & History 26, no. 2 (2017): 231–50. http://dx.doi.org/10.1177/0306197317724668.

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Thatcherism offered a promise of future prosperity based on unleashing the young male's ambition; simultaneously, its ‘Victorian values’ sought to retrieve a moral past. Literary depictions of Thatcherism make the child central to a resulting contradiction between imagined moral past and materialistic future. The disappearance of the child recurs in Peter Ackroyd's Hawksmoor (1985), Ian McEwan's The Child in Time (1987), and Alan Hollinghurst's The Line of Beauty (2004). These novels satirise how Thatcherism managed the contradictions in its vision of the future by attempting to regulate the c

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20

Ahearn, Edward J. "The Modern English Visionary: Peter Ackroyd's "Hawksmoor" and Angela Carter's "The Passion of New Eve"." Twentieth Century Literature 46, no. 4 (2000): 453. http://dx.doi.org/10.2307/827842.

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21

Barter, Marion, and Clare Hartwell. "The Architecture and Architects of the Lancashire Independent College, Manchester." Bulletin of the John Rylands Library 89, no. 1 (2012): 83–103. http://dx.doi.org/10.7227/bjrl.89.1.4.

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The Lancashire Independent College in Whalley Range, Manchester (1839-43), was built to train Congregational ministers. As the first of a number of Nonconformist educational institutions in the area, it illustrates Manchester‘s importance as a centre of higher education generally and Nonconformist education in particular. The building was designed by John Gould Irwin in Gothic style, mediated through references to All Souls College in Oxford by Nicholas Hawksmoor, whose architecture also inspired Irwins Theatre Royal in Manchester (1845). The College was later extended by Alfred Waterhouse, re

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22

Harrison, Christine. "Spatialising Early and Late Modernity: Representations of London in Peter Ackroyd’s The House of Dr. Dee and Hawksmoor." Synthesis: an Anglophone Journal of Comparative Literary Studies, no. 8 (December 1, 2015): 63. http://dx.doi.org/10.12681/syn.16213.

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Peter Ackroyd’s Hawksmoor (1985) and The House of Dr. Dee (1993) are examples of a distinctive British form of contemporary experimental historical fiction, and through representations of London they explore the popular dimension of early modernity, showing how the capital’s spaces both embodied and produced multiple modernity, as well as the unsung pre-modern allegiances that critiqued modern forms. While the novels’ respective Renaissance and post-Restoration settings allow them to explore different stages in the development of both London modernity and resistant forms, their juxtaposition o

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23

Campbell, Ian. "William Bruce’s Hopetoun House and the arrival of Serlio’s unpublished ‘Sixth Book on Dwellings’ in Britain, c 1700." Proceedings of the Society of Antiquaries of Scotland 152 (November 30, 2023): 261–87. http://dx.doi.org/10.9750/psas.152.1364.

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William Bruce’s Hopetoun House, begun in 1699, would have been Britain’s first centrally planned villa, had it been completed as specified in the original contract. The source of its plan has attracted much speculation but this article argues that the closest precedent is a plan in the first draft of Sebastiano Serlio’s unpublished ‘Sixth Book on Dwellings’, dating from the 1540s and preserved in an album, now belonging to the Avery Library in New York. The author demonstrated in an article published in 2022 that the album was in the ownership of the London sculptor, Francis Bird, by the early

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24

Moody, Christopher. "‘The Basilica after the Primitive Christians’: Liturgy, Architecture and Anglican Identity in the Building of the Fifty New Churches." Journal of Anglican Studies 15, no. 1 (2016): 37–57. http://dx.doi.org/10.1017/s1740355316000152.

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AbstractThe London churches built by Nicholas Hawksmoor – the architect required by the Commission for the Fifty New Churches to provide a template for the new churches according to the principles laid down in 1712 – are often regarded as the idiosyncratic creations of the architect’s individual genius. They were, however, as much the creation of the particular intellectual, theological and political context of the late Stuart period, an expression of a high church attempt to reconnect the Church of England with the early centuries of the Christian Church, particularly the great basilicas buil

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25

Panaitescu, Diana Maria. "Use of Time Reorder as a Literary Plot Device." Papers in Arts and Humanities 2, no. 2 (2022): 39–50. http://dx.doi.org/10.52885/pah.v2i2.105.

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The concept of time is deeply rooted within the field of literature; not only does it present itself in literary works in the form of theme or symbol. It can also be viewed in the reflection of the time in which the piece was written; but, most importantly in the context of this paper, it plays an essential and indispensable role as a plot device when constructing the narration. The modification of these expressions of time varies in accordance with the author’s views and purposes for their literary work. Thus, instances of toying with the base structure of time flow occur. This paper aims to

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26

Downes, Kerry. "Hawksmoor's House at Easton Neston." Architectural History 30 (1987): 50. http://dx.doi.org/10.2307/1568514.

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27

Чекмарев, В. М. "ESTABLISHMENT OF ENGLISH NEO-GOTHIC AT THE TURN OF THE 18 CENTURY. ON THE PROBLEM DEFINITION." ВОПРОСЫ ВСЕОБЩЕЙ ИСТОРИИ АРХИТЕКТУРЫ, no. 1(12) (February 17, 2020): 236–47. http://dx.doi.org/10.25995/niitiag.2019.12.1.011.

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Статья посвящена проблеме становления неоготической традиции в архитектуре Британии на рубеже XVII-XVIII вв. Вопрос о начале возрождения интереса к готическому наследию в Англии достаточно сложен. Однако само его рассмотрение приобретает особую актуальность в контексте пришедшегося на XVIII-XIX вв. общеевропейского интереса к возрождению национальных особенностей средневекового зодчества. Традиции готического строительства в Англии практически никогда не прекращали своего существования, однако следует различать их от сознательного воскрешения средневекового наследия, происходящего на рубеже эп

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28

Monger, Kathryn E., and Pierre de la Ruffiniere Du Prey. "Hawksmoor's London Churches: Architecture and Theology." Sixteenth Century Journal 33, no. 3 (2002): 899. http://dx.doi.org/10.2307/4144087.

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29

Newman, John. "Hawksmoor's London Churches: Architecture and Theology (review)." Catholic Historical Review 87, no. 1 (2001): 108–10. http://dx.doi.org/10.1353/cat.2001.0028.

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30

Prey, Pierre de la Ruffiniere du. "Hawksmoor's "Basilica after the Primitive Christians": Architecture and Theology." Journal of the Society of Architectural Historians 48, no. 1 (1989): 38–52. http://dx.doi.org/10.2307/990405.

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The purpose, operation, and theological orientation of the Commission for Building Fifty New Churches in London, established in 1711, provides the background for an understanding of Nicholas Hawksmoor's drawing for an ideal "Basilica after the Primitive Christians." Point by point his detailed specifications can be related to theological writings of the period, which in turn reflected the beliefs of certain key commissioners. These beliefs about the ecclesiastical architecture of the early Christians in the Near East suggest new interpretations for the symbolism of the commissioners' churches.

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31

Gregory, Jeremy. "Pierre de la Ruffinière du Prey, Hawksmoor's London Churches. Architecture and Theology. Chicago and London: The University of Chicago Press, 2000. xviii + 179pp. 12 colour plates. 65 figures. Bibliography. No price stated." Urban History 29, no. 2 (2002): 297–320. http://dx.doi.org/10.1017/s0963926802272107.

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32

GOLDIE, MARK. "VOLUNTARY ANGLICANS Restoration, reformation, and reform, 1660–1828: archbishops of Canterbury and their diocese. By Jeremy Gregory. Oxford: Oxford University Press, 2000. Pp. 355. ISBN 0-19-820830-8. £45.00. The church in an age of danger: parsons and parishioners, 1660–1740. By Donald A. Spaeth. Cambridge: Cambridge University Press, 2000. Pp. 279. ISBN 0-521-35313-0. £40.00. The Quakers in English society, 1655–1725. By Adrian Davies. Oxford: Oxford University Press, 2000. Pp. 262. ISBN 0-19-8280820-0. £40.00. Hawksmoor's London churches: architecture and theology. By Pierre de la Ruffinière du Prey. Chicago: University of Chicago Press, 2000. Pp. 179. ISBN 0-226-17301-1. £26.50 (hb); 2003. ISBN 0-226-17303-8. £17.50 (pb). The national church in local perspective: the Church of England and the regions, 1660–1800. Edited by Jeremy Gregory and Jeffrey S. Chamberlain. Woodbridge, Suffolk: Boydell Press, 2003. Pp. 315. ISBN 0-85115-897-8. £50.00." Historical Journal 46, no. 4 (2003): 977–90. http://dx.doi.org/10.1017/s0018246x03003388.

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The historiography of the eighteenth-century Church of England remains peculiarly preoccupied with vindicating that institution from the condemnation heaped upon it by Anglo-Catholics and Evangelicals in the nineteenth century. The chapters of Jeremy Gregory's Restoration, reformation, and reform characteristically begin with quotations from Victorians on the somnolence and negligence of the Hanoverian Establishment. The starting point is, as it were, a Hogarth cartoon of a corpulent curate and a snoozing congregation. In part this preoccupation is indicative of how little has been done on the

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33

Lipchanskaya, Irina. "DARK LONDON IN PETER ACKROYD’S HAWKSMOOR." Культурология, искусствоведение и филология: современные взгляды и научные исследования 48, no. 11 (2021). http://dx.doi.org/10.32743/25419870.2021.11.48.306966.

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34

"From the shadows: the architecture and afterlife of Nicholas Hawksmoor." Choice Reviews Online 53, no. 12 (2016): 53–5118. http://dx.doi.org/10.5860/choice.196736.

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35

Chalupský, Petr. "Mystic London." AnaChronisT 16 (January 1, 2011). http://dx.doi.org/10.53720/zadx6682.

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This article focuses on how the occult and esoteric is employed and explored in selected works of Peter Ackroyd, both as a theme and as a determining factor of their narrative structure. It aims to discuss the basic constituents of the writer’s mythology of London, namely a cyclic understanding of time, and a focus on the power of the genius loci and the city’s outstanding visionaries. It also shows how the occult aspects of these works undermine the traditional narrative principles of the historical novel and by means of pluralisation and hybridisation attempt to invigorate the genre. In orde

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36

Lefebvre, Lise. "The Figure of the Ghost: Textual and Diegetic Haunting in Chatterton, Hawksmoor and English Music by Peter Ackroyd." [sic] - a journal of literature, culture and literary translation, no. 2.14 (June 1, 2024). http://dx.doi.org/10.15291/sic/2.14.lc.3.

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37

"Hawksmoor's London churches: architecture and theology." Choice Reviews Online 38, no. 04 (2000): 38–1981. http://dx.doi.org/10.5860/choice.38-1981.

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