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Journal articles on the topic 'Heaney, Seamus'

Author: Grafiati

Published: 4 June 2021

Last updated: 31 January 2023

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1

Kennedy, John, and Helen Vendler. "Seamus Heaney." Antioch Review 57, no. 2 (1999): 246. http://dx.doi.org/10.2307/4613868.

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2

Baker. "Seamus Heaney:." Interdisciplinary Literary Studies 17, no. 3 (2015): 457. http://dx.doi.org/10.5325/intelitestud.17.3.0457.

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3

Pratt, William, and Thomas C. Foster. "Seamus Heaney." World Literature Today 64, no. 2 (1990): 314. http://dx.doi.org/10.2307/40146497.

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4

Pratt, William, and Helen Vendler. "Seamus Heaney." World Literature Today 73, no. 3 (1999): 537. http://dx.doi.org/10.2307/40154950.

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5

Ní Ríordáin, Clíona. "Seamus Heaney." Études irlandaises, no. 34.2 (September 30, 2009): 124–25. http://dx.doi.org/10.4000/etudesirlandaises.1680.

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6

Allison, Jonathan, and Helen Vendler. "Seamus Heaney." South Atlantic Review 65, no. 4 (2000): 155. http://dx.doi.org/10.2307/3201625.

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7

Rayees Ahmad. "Element of Irishness in Seamus Heaney’s poem ‘Digging’." Creative Launcher 6, no. 3 (2021): 75–78. http://dx.doi.org/10.53032/tcl.2021.6.3.15.

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Seamus Heaney is considered one of the greatest poets of the postmodern era, his name and fame travelled across the Irish borders by winning the 1995 Nobel Prize in literature. Seamus Heaney was born in Ireland; he was the only child in his family to attend the school, His family members were traditional potato farmers. Seamus Heaney broke his family tradition of farming by choosing to become a writer. While growing up to become a first graduate among his family Seamus Heaney’s mind was captured by this sense of gloom that he was unable to follow his family tradition of farming. Seamus Heaney

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8

Brodsky, Joseph, and Véronique Schiltz. "À Seamus Heaney." Po&sie 145-146, no. 3 (2013): 28. http://dx.doi.org/10.3917/poesi.145.0028.

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9

Chace, William M. "On Seamus Heaney." Common Knowledge 27, no. 2 (2021): 316–18. http://dx.doi.org/10.1215/0961754x-8906271.

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10

Quinlan, Kieran. "Tracing Seamus Heaney." World Literature Today 69, no. 1 (1995): 63. http://dx.doi.org/10.2307/40150859.

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11

Peseroff, Joyce. "Remembering Seamus Heaney." Ploughshares 39, no. 4 (2013): 6–7. http://dx.doi.org/10.1353/plo.2013.0081.

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12

Hanna, Adam. "Seamus Heaney’s Prisoners." Irish University Review 52, no. 1 (2022): 66–76. http://dx.doi.org/10.3366/iur.2022.0542.

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This article focuses on the role that prisoners play in the poems of Seamus Heaney. From the time of the introduction of internment in Northern Ireland in the early 1970s, Heaney’s poems frequently touch on prisoners, the conditions in which they are held, and how they might be conceptualized. This article discusses how these poems reflect contemporaneous political discourse regarding prisoners. It also shows how Heaney’s engagements with prisoners are refracted, characteristically, through his earliest memories, and through his knowledge of literature. In particular, Second World War POWs and

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13

Cunningham, Erin. "Hearing Heaney: the sixth Seamus Heaney lectures." Irish Studies Review 26, no. 3 (2018): 423–24. http://dx.doi.org/10.1080/09670882.2018.1482084.

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14

Harmon, Maurice. "Seamus Heaney, 1939-2013." ABEI Journal 15 (November 17, 2013): 11. http://dx.doi.org/10.37389/abei.v15i0.3585.

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15

Journal, ABEI. "Seamus Heaney in Translation." ABEI Journal 15 (November 17, 2013): 47. http://dx.doi.org/10.37389/abei.v15i0.3588.

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16

Annunciação, Viviane Carvalho da. "Heaney, Seamus. Human Chain." ABEI Journal 15 (November 17, 2013): 169. http://dx.doi.org/10.37389/abei.v15i0.3599.

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17

Greacen, Robert. "Neighbours: For Seamus Heaney." Books Ireland, no. 212 (1998): 104. http://dx.doi.org/10.2307/20623602.

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18

Ravinthiran, Vidyan. "Seamus Heaney and Contingency." Essays in Criticism 71, no. 4 (2021): 454–81. http://dx.doi.org/10.1093/escrit/cgab023.

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19

Rhee, Young Suck. "words for seamus heaney." Yeats Journal of Korea 43 (April 30, 2014): 17–18. http://dx.doi.org/10.14354/yjk.2014.43.17.

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20

Van Wyk Smith, M. "Seamus Heaney in Grahamstown." English in Africa 41, no. 1 (2015): 9. http://dx.doi.org/10.4314/eia.v41i1.1.

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21

Nordin, Irene Gilsenan. "Nihilism in Seamus Heaney." Philosophy and Literature 26, no. 2 (2002): 405–14. http://dx.doi.org/10.1353/phl.2003.0013.

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22

Parker, Michael. "Seamus Heaney, 1939–2013." Irish Studies Review 21, no. 4 (2013): 373. http://dx.doi.org/10.1080/09670882.2013.856172.

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23

Panecka, Ewa. "Seamus Heaney and the Goddess." Studia Anglica Resoviensia 14 (2017): 90–106. http://dx.doi.org/10.15584/sar.2017.14.8.

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24

Hadfifld, Andrew, Catherine Malloy, and Phyllis Carey. "Seamus Heaney: The Shaping Spirit." Modern Language Review 93, no. 1 (1998): 214. http://dx.doi.org/10.2307/3733681.

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25

Gillis, Alan. "R.F. Foster. On Seamus Heaney." Irish University Review 51, no. 1 (2021): 174–77. http://dx.doi.org/10.3366/iur.2021.0505.

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26

Artigas Albarelli, Irene María. "Reseña de Seamus Heaney. Sonetos." Anuario de Letras Modernas 15 (November 3, 2010): 304–11. http://dx.doi.org/10.22201/ffyl.01860526p.2010.15.664.

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27

Crépin, André. "Le Beowulf de Seamus Heaney." Bulletin des anglicistes médiévistes 57, no. 1 (2000): 59–64. http://dx.doi.org/10.3406/bamed.2000.2022.

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28

Kang, Min-gun. "Seamus Heaney Plays Colonial Language." Yeats Journal of Korea 27 (June 30, 2007): 5–29. http://dx.doi.org/10.14354/yjk.2007.27.5.

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29

Huh, Hyun Sook. "The Poetics of Seamus Heaney." Yeats Journal of Korea 39 (June 30, 2012): 181–203. http://dx.doi.org/10.14354/yjk.2012.39.181.

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30

O’Donoghue, Bernard. "The Boat i.m. Seamus Heaney." Yeats Journal of Korea 43 (April 30, 2014): 11–12. http://dx.doi.org/10.14354/yjk.2014.43.11.

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31

Easthope, A. "How Good is Seamus Heaney?" English 46, no. 184 (1997): 21–36. http://dx.doi.org/10.1093/english/46.184.21.

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32

WATT, R. J. C. "Seamus Heaney: Voices on Helicon." Essays in Criticism XLIV, no. 3 (1994): 213–34. http://dx.doi.org/10.1093/eic/xliv.3.213.

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33

Lavan, Rosie. "Seamus Heaney and the Audience." Essays in Criticism 66, no. 1 (2016): 54–71. http://dx.doi.org/10.1093/escrit/cgv030.

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34

Bradley, S. A. J. "Review: Beowulf * Seamus Heaney: Beowulf." Cambridge Quarterly 30, no. 1 (2001): 82–86. http://dx.doi.org/10.1093/camqtly/30.1.82.

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35

Crowder, Ashby Bland. "Christmas Greetings from Seamus Heaney." New Hibernia Review 21, no. 3 (2017): 34–58. http://dx.doi.org/10.1353/nhr.2017.0032.

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36

Donoghue, Daniel. "Seamus Heaney and Medieval Poetry." Journal of English and Germanic Philology 108, no. 3 (2009): 418–20. http://dx.doi.org/10.2307/20722766.

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37

O’Shea, Edward. "Seamus Heaney at Berkeley, 1970–71." Southern California Quarterly 98, no. 2 (2016): 157–93. http://dx.doi.org/10.1525/ucpsocal.2016.98.2.157.

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Irish poet Seamus Heaney spent the 1970–71 academic year as a visiting professor at the University of California, Berkeley. He had come from Northern Ireland in the time of the Troubles; he arrived at a campus stirred by anti-war protest. This article explores the impacts of Heaney’s time in Berkeley on his poetry.

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38

Haffenden, John. "Seamus Heaney and the Feminine Sensibility." Yearbook of English Studies 17 (1987): 89. http://dx.doi.org/10.2307/3507654.

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39

John, Brian, Henry Hart, and Desmond Fennell. "Seamus Heaney: Poet of Contrary Progressions." Canadian Journal of Irish Studies 19, no. 1 (1993): 118. http://dx.doi.org/10.2307/25512958.

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40

Anderson, Mary. "Seamus Heaney : Incertus, the Fretting Poet." Études irlandaises 17, no. 2 (1992): 79–92. http://dx.doi.org/10.3406/irlan.1992.1083.

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41

O'Brien, Peggy. "Lough Derg, Europe and Seamus Heaney." Irish Review (1986-), no. 13 (1992): 122. http://dx.doi.org/10.2307/29735685.

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42

Kim, Jonggil. "To the Memory of Seamus Heaney." Yeats Journal of Korea 43 (April 30, 2014): 13–15. http://dx.doi.org/10.14354/yjk.2014.43.13.

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43

Rhee, Young Suck. "The Round Tower (For Seamus Heaney)." Yeats Journal of Korea 43 (April 30, 2014): 19–20. http://dx.doi.org/10.14354/yjk.2014.43.19.

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44

Chandler, James. "Around 1980, Seamus Heaney in Chicago." Critical Inquiry 41, no. 2 (2015): 472–83. http://dx.doi.org/10.1086/679095.

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45

Connolly, Sally. "Two Genealogical Elegies for Seamus Heaney." Literary Imagination 18, no. 3 (2016): 221–29. http://dx.doi.org/10.1093/litimag/imw025.

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46

Quinlan, Kieran, and Henry Hart. "Seamus Heaney, Poet of Contrary Progressions." World Literature Today 67, no. 1 (1993): 185. http://dx.doi.org/10.2307/40148952.

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47

Tallis, Raymond. "Seamus Heaney—digging deep into prehistory." Lancet 377, no. 9769 (2011): 893–94. http://dx.doi.org/10.1016/s0140-6736(11)60335-8.

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48

Hicks, Patrick. "Seamus Heaney: Searches for Answers (review)." New Hibernia Review 8, no. 4 (2004): 159–60. http://dx.doi.org/10.1353/nhr.2005.0007.

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49

Nakova Katileva, Eleonora. "Identities in Seamus Heaney’s Translation of Beowulf." Grove - Working Papers on English Studies 27 (December 14, 2020): 57–70. http://dx.doi.org/10.17561/grove.v27.a4.

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The present article sets out to prove the hypothesis that the Modern English translation of Beowulf by Seamus Heaney reflects his Irish political and cultural roots. His interpretation aroused the interest of critics by its use of Hiberno-English and dealing with linguistic structural tasks in a different way for the first time. By considering specific examples from the original and the translated version of the poem, the present article analyses the linguistic choices made by Heaney in his translation of the Old English version of Beowulf taking into account its critical reception and the aut

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50

Meyers, Jeffrey. "On Seamus Heaney by R. F. Foster." Hopkins Review 14, no. 1 (2021): 150–57. http://dx.doi.org/10.1353/thr.2021.0027.

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