Relevant bibliographies by topics / Hebdige

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  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Hebdige'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "Hebdige"

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Le Guern, Philippe. "Dick Hebdige, Sous-culture. Le sens du style." Sociologie de l'Art OPuS 15, no. 1 (2010): 203. http://dx.doi.org/10.3917/soart.015.0203.

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Nowak, Raphaël. "Dick Hebdige, Sous-culture : Le sens du style." Volume !, no. 7 : 1 (May 15, 2010): 291–93. http://dx.doi.org/10.4000/volume.1124.

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Kotarba, Joseph A. "Cut 'n' Mix: Culture, Identity and Caribbean Music.Dick Hebdige." American Journal of Sociology 94, no. 6 (May 1989): 1466–67. http://dx.doi.org/10.1086/229179.

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Bonadio, Maria Claudia, Henrique Grimaldi Figueredo, and Rita Morais de Andrade. "Entrevistando Joanne Entwistle..." dObra[s] – revista da Associação Brasileira de Estudos de Pesquisas em Moda 12, no. 27 (December 19, 2019): 221–37. http://dx.doi.org/10.26563/dobras.v12i27.992.

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É uma pergunta muito boa. Meu interesse surgiu depois que terminei a minha graduação na Goldsmiths, em Comunicação e Sociologia, na qual tive a sorte de ser ensinada por Dick Hebdige, professor do Departamento de Comunicação e um dos fundadores dos Estudos Culturais na Grã-Bretanha. [...]
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Ullestad, Neal. "Cut'n'Mix: Culture, Identity and Caribbean Music. By Hebdige Dick. London & New York: Comedia/Methuen, 1987. 177 pp." Popular Music 8, no. 1 (January 1989): 117–19. http://dx.doi.org/10.1017/s0261143000003238.

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Álvarez Gandolfi, Federico Manuel. "¿Más allá de “subcultura”? Apuntes sobre el fanatismo por la animación japonesa desde los planteos de Dick Hebdige." Cuestiones de sociología, no. 17 (December 28, 2017): e044. http://dx.doi.org/10.24215/23468904e044.

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El presente texto se propone problematizar la aplicación del concepto de subcultura en el análisis de las dinámicas de construcción identitaria y producción simbólica que tienen lugar a partir del consumo fan de series animadas japonesas –anime– por parte de jóvenes habitantes de Buenos Aires. Dicho objetivo responde a que se considera que el abordaje de los grupos o colectivos de fanáticos en general, y de los otakus en particular –fans de los objetos de la cultura de masas proveniente de Japón–, en términos de subculturas, tiende a prescribirles cierta orientación de “resistencia”, influida por los estudios culturales británicos y la obra de Hebdige. A su vez, se entiende que en el campo académico de estudios sobre estos fans, aún en vías de constitución, suele predominar la utilización de dicha noción sin desarrollar una problematización teórico-conceptual al respecto. Las reflexiones que aquí se plantean, entonces, parten de una investigación propia sobre las identidades culturales que construyen y los sentidos que producen los otakus sobre sus prácticas de consumo, la cual asume una perspectiva comunicacional y socioantropológica, e implica la aplicación de técnicas de observación participante y entrevistas abiertas, tanto cara a cara como vía plataformas digitales, para reconstruir su propio punto de vista.
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Feixa Pàmpols, Carles. "Identidad, Juventud y Crisis: el concepto de crisis en las teorías sobre la juventud." Revista Española de Sociología 29, no. 3 - Sup2 (December 16, 2020): 11–26. http://dx.doi.org/10.22325/fes/res.2020.72.

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El artículo se propone reconstruir algunas narrativas teóricas sobre la juventud, articuladas en torno al concepto de crisis. Para ello, repasa las aportaciones de cinco autores del siglo XX, provenientes de distintas disciplinas, escuelas teóricas y coyunturas de crisis: Erik H. Erikson (1968) y su teoría sobre la juventud como “crisis normativa”; Stanley G. Hall (1904) y su teoría sobre la adolescencia como fase de “tempestad y estímulo”; Antonio Gramsci (1929-31) y su teoría sobre juventud, hegemonía y crisis de autoridad; Margaret Mead (1970) y su teoría sobre la capacidad prefigurativa de la crisis juvenil; Dick Hebdige (1979) y su teoría sobre el punk como metáfora de la crisis. El artículo concluye preguntándose qué elementos de estas teorías deben descartarse y cuáles pueden rescatarse, para comprender la metamorfosis de la condición juvenil tras las secuelas de la última crisis y para diseñar políticas públicas y privadas más efectivas para enfrentarla. El texto incorpora un postscriptum sobre la crisis del coronavirus.
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Iddon, Martin. "What Becomes of the Avant-Guarded? New Music as Subculture." Circuit 24, no. 3 (December 1, 2014): 51–68. http://dx.doi.org/10.7202/1027610ar.

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In a short ‘vox pop,’ written for Circuit in 2010, on the subject of the ‘future’ of new music, I proposed that new music — or the version of it tightly intertwined with what was once thought of as the international avant-garde, at any rate — might today be better thought of as a sort of subculture, akin to the spectacular subcultures of goth and punk, but radically different in that they developed from the ‘grassroots,’ as it were, while new music comes from a position of extreme cultural privilege, which is to say it has access, even now, to modes of funding and infrastructure subcultures ‘proper’ never have. This essay develops this line of enquiry, outlining theories of subculture and post-subculture — drawing on ‘classic’ and more recent research, from Hebdige and Cohen to Hodkinson, Maffesoli, and Thornton — before presenting the, here more detailed, case that new music represents a sort of subculture, before making some tentative proposals regarding what sort of subculture it is and what this might mean for contemporary understandings of new music and what it is for.
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Amico, Stephen. "‘I Want Muscles’: house music, homosexuality and masculine signification." Popular Music 20, no. 3 (October 2001): 359–78. http://dx.doi.org/10.1017/s0261143001001556.

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The examination of ‘subcultures’ and their concomitant musical practices has produced a large and varied body of work, a recent (and notable) portion of which has been concerned with what might be referred to generally as ‘dance music’ scenes (Thornton 1996; Reynolds 1998; Fikentscher 2000). Concurrent with this focus (and sometimes enmeshed with it) has been a burgeoning interest in gender/sexuality and music (Ortega 1994; Whiteley 1997, 2000; Barkin and Hamessly 1999). While recent reassessments of ‘subcultural’ formations situated within the postmodern era have suggested inherent complexities, contradictions and a fluidity of self-definition (Lipsitz 1994; Manuel 1995; Young and Craig 1997; Bennett 1999), thus problematising a strict conflation of ‘subcultural’ with ‘subversive’ (or ‘refusal’; cf. Hebdige 1979), this second term often appears as a de facto correlate when discussing ‘subcultures’ defined by homosexuality. This may be due, in part, either to the unfortunate collapsing of the terms ‘queer’, ‘gay’ and ‘homosexual’ – the first of which, despite its rather protean status, may indeed count ‘subversiveness’ as a sedimented component of its meaning – into one, undifferentiated pool of generic descriptives, and/or to the role of the researcher (the ethnographer, for example) in constructing the ‘object of study’ as somehow ‘other’ (Fabian 1983; Abu-Lughod 1991).
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Kuzovenkova, Yuliya A. "Paradigm approach in the analysis of Russian and European youth subcultures." Vestnik slavianskikh kul’tur [Bulletin of Slavic Cultures] 60 (2021): 42–54. http://dx.doi.org/10.37816/2073-9567-2021-60-42-54.

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European scientific tradition distinguishes between modern and postmodern subcultural paradigms. Contrary to that, the issue of youth subcultural paradigms in Russian research tradition is still open. The specificity of the Russian subcultures is that they trace their origin either in Europe or the USA. In view of this, it is important to identify the features of European cultural phenomena that are present in the Russian cultural space. The European paradigm approach is introduced through the works of D. Hebdige and D. Muggleton. Paradigm features of subcultural analysis offered by these scholars provide the basis for analysis of the Russian empirical material. In particular, the study takes into account such characteristics as the presence / absence of a border between subcultures, the presence / absence of the ideology of a subculture, the fixity / fluidity of subcultural identity, the presence / absence of the influence of mass media on subcultural identity, the presence / absence of capitalist values in the subculture, the presence / lack of protest potential in subcultures. Interviews with representatives of the first and second waves of the Samara graffiti subculture became the empirical material of the study. We identified paradigmatic characteristics in the first and second waves of the subculture and compared them. The results obtained allow concluding that the Russian subcultural space has its own specifics, and the subcultural paradigms of both the first and second waves are of a hybrid nature, containing features of both modern and postmodern paradigms.
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Dissertations / Theses on the topic "Hebdige"

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Řápek, Marek. "Význam tetování v hardcore subkultuře." Master's thesis, 2012. http://www.nusl.cz/ntk/nusl-327015.

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This work deals with the phenomenon of tattoo in hardcore subculture. In the theoretical part it reflects the transformation of the concept of subcultures in his historical progress, with an emphasis on the concept of style in the connection of the Center of contemporary culture Studies and post subcultural theory, especially the writing of David Muggleton. The diachronic perspective, this work also deals with the phenomenon of tattoo and its functions and meanings to it in today's society ascribed. An integral part of the theoretical part is to describe hardcore only in terms of its progress in the USA and in Czechoslovakia or Czech Republic, but also in terms of the side of music and shared ideology, which is the main key featuring to this subculture. Concepts described in the theoretical part are then used in actual research, which is conducted by using qualitative methodology. Exploration aims to describe the meanings and functions of the hardcore subculture and determine whether they are content and motivation ascribed to tattoo influenced subcultural ideologies, or whether it is primarily an expression of the contemporary individualistic discourse. In this work tattooing is examined in terms of its individual nature with regard to the subcultural, or wider, societal context, which together...
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Books on the topic "Hebdige"

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Gildart, Keith, Anna Gough-Yates, Sian Lincoln, Bill Osgerby, Lucy Robinson, John Street, Peter Webb, and Matthew Worley, eds. Hebdige and Subculture in the Twenty-First Century. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-28475-6.

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Worley, Matthew, Keith Gildart, John Street, Bill Osgerby, Sian Lincoln, Lucy Robinson, Peter Webb, and Anna Gough-Yates. Hebdige and Subculture in the Twenty-First Century: Through the Subcultural Lens. Palgrave Macmillan, 2020.

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Rudd, Philip W. The Invisible Niche of AUYL. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190657543.003.0013.

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In African cities, postcolonial ambiguity and contradiction bombard speakers, who hybridize traditional values with new urban identities and successfully bridge the old to the new with African Urban Youth Language (AUYL), a term inclusive of argot, slang, and register usage. Sheng, the AUYL from Nairobi, Kenya, exemplifies the metaphorical reversal of the old colonial order, symbolizing an invisible niche binding speakers neither to the traditional ethnic role nor to the old colonial empire and providing a sense of cosmopolitanism. African youth construct this new and modern identity, but the elites, seeing only fragmented nonstandard usage, treat the AUYL as illegitimate in order to render it nonexistent. This sociocultural chapter explores grammatical tendencies and lexical manipulations to disclose how AUYL is a “stylistic practice” (Eckert 2008) or bricolage (Hebdige 1979) that empowers speakers to construct a more complex, and meaningful, postcolonial social world.
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Book chapters on the topic "Hebdige"

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Bennett, Andy. "Hebdige, Punk and the Post-subcultural Meaning of Style." In Hebdige and Subculture in the Twenty-First Century, 11–27. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-28475-6_2.

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Webb, Peter. "Introduction." In Hebdige and Subculture in the Twenty-First Century, 1–7. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-28475-6_1.

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Guerra, Paula. "Under-Connected: Youth Subcultures, Resistance and Sociability in the Internet Age." In Hebdige and Subculture in the Twenty-First Century, 207–30. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-28475-6_10.

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Robinson, Lucy, and Chris Warne. "‘Can You Really Get Away with That at Work?’: Recent Experiences of Teaching and Learning Hebdige." In Hebdige and Subculture in the Twenty-First Century, 231–52. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-28475-6_11.

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Blackman, Shane. "Scavenger and Bricoleur: A Critical Analysis of Dick Hebdige’s Repurposing of Subculture Through the Intersection of Biography and History." In Hebdige and Subculture in the Twenty-First Century, 29–50. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-28475-6_3.

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Webb, Peter. "Resuscitating the Subcultural Corpse: A Reflection on Subculture as Lived Experience and the Importance of Class and Ethnicity!" In Hebdige and Subculture in the Twenty-First Century, 51–69. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-28475-6_4.

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Dale, Pete. "The Scholar and the Punk: Hebdige’s Master Narrative and the Deceptive Self-Knowledge of the Subaltern." In Hebdige and Subculture in the Twenty-First Century, 71–89. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-28475-6_5.

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Feldman-Barrett, Christine. "Where the (Untypical) Girls Are: Inscribing Women’s Experiences into Dick Hebdige’s Subculture: The Meaning of Style." In Hebdige and Subculture in the Twenty-First Century, 93–111. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-28475-6_6.

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Hyder, Rehan. "Syncretic Youth: The Phantom Legacy of Hebdige’s Subculture—The Meaning of Style." In Hebdige and Subculture in the Twenty-First Century, 113–31. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-28475-6_7.

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Connole, Edia. "On the Meaning of Style: Black Metal’s ‘Black’." In Hebdige and Subculture in the Twenty-First Century, 135–68. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-28475-6_8.

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Journal articles
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