Academic literature on the topic 'Hebrew poetry - History and criticism'

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Journal articles on the topic "Hebrew poetry - History and criticism"

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Muhammad Saeed Ahmad and Dr. Saeed Ahmad. "A Comprehensive Review of Abdul Aziz Khalid's Works." Tasdiqتصدیق۔ 3, no. 01 (2021): 53–71. http://dx.doi.org/10.56276/tasdiq.v3i01.58.

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Abdul Aziz Khalid is one of the most renowned Pakistani poets of Urdu literature. He adorned his poetry bouquet with multiple languages such as Arabic, Persian, Turkish, Hindi, and Hebrew. He wrote almost forty books on different types of literature, especially on Naat, Ghazal, Poem, quatrains, translation, and criticism. His knowledge & vision about Islamic history and literature of different languages is above board. The names of his books are very unique and earned immense popularity particularly Farquleet, MaazMaaz, TaabTaab, Manhamanna, Lehun-e-sareer, Abu Turab, Sani lasani, Kaf e Da
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Brann, Ross, and Arie Schippers. "Spanish-Hebrew Poetry and the Arabic Literary Tradition: Arabic Themes in Hebrew Andalusian Poetry." Jewish Quarterly Review 87, no. 3/4 (1997): 369. http://dx.doi.org/10.2307/1455193.

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Reynolds, R. Clay, and R. S. Gwynn. "New Expansive Poetry: Theory, Criticism, History." South Central Review 17, no. 3 (2000): 141. http://dx.doi.org/10.2307/3190100.

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Emerton, J. A., and Elaine R. Follis. "Directions in Biblical Hebrew Poetry." Vetus Testamentum 39, no. 2 (1989): 245. http://dx.doi.org/10.2307/1519588.

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Kozodoy. "Medieval Hebrew Medical Poetry: Uses and Contexts." Aleph 11, no. 2 (2011): 213. http://dx.doi.org/10.2979/aleph.11.2.213.

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Raz, Yosefa. "Imagining the Hebrew Ode: On Robert Lowth’s Biblical Species." Prooftexts 40, no. 1 (2023): 85–109. http://dx.doi.org/10.2979/ptx.2023.a899250.

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Abstract: The subject of this article is the reception history of biblical genres, or the metapoetics of genre-making. It argues that the seemingly fixed presentations of the genres of biblical poetry in the twentieth century—as in Robert Alter’s classic guide to biblical Hebrew poetry—emerge from an eighteenth-century encounter: the English exegete Robert Lowth’s dramatic attempt to fit Greek and Roman generic models to the Hebrew text. Lowth’s resulting genres, or what he called the “species” of biblical poetry, were shaped both by the parallels he discovered between classical and Hebrew tra
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Katsumata, Naoya. "Hebrew Hebrew Style in the Liturgical Poetry of Shemu'el HaShelishi." Journal of Jewish Studies 52, no. 2 (2001): 308–22. http://dx.doi.org/10.18647/2352/jjs-2001.

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Elliott, J. K., and Emanuel Tov. "Textual Criticism of the Hebrew Bible." Novum Testamentum 36, no. 4 (1994): 402. http://dx.doi.org/10.2307/1560964.

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سميسم, علي كاظم. "Political criticism in Al-Jawahiri's poetry." Kufa Journal of Arts 1, no. 30 (2017): 175–216. http://dx.doi.org/10.36317/kaj/2016/v1.i30.6070.

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The Poetry of Al-Jwahiri is a document and a history. Since literature is the essence of history, we can find within it events, culture, thought, struggle of modern Iraq and the Arab region and the attempts of the living peoples in its march towards justice and freedom taking the most sophisticated steps overcoming the romantic tendency during his era. The document of Al-Jwahiri was mixed with an elevated art and a perfect well-formed language. He combined objectivity and aesthetics he also mixed his blood and pains, excitement with his carelessness as well as his hopes and wishes. He recorded
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de Regt, Lénart J. "Robert Alter's New Translation of the Hebrew Bible: An Assessment for Translators." Bible Translator 73, no. 2 (2022): 157–73. http://dx.doi.org/10.1177/20516770211042273.

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In the introduction to his new translation of the Hebrew Bible, Robert Alter is quite explicit about the task he set himself: “The present translation is an experiment in re-presenting the Bible in a language that conveys with some precision the semantic nuances and the lively orchestration of literary effects of the Hebrew and at the same time has stylistic and rhythmic integrity as literary English.” Alter explains this in more detail in the introduction and in his book, The Art of Bible Translation, with explicit criticisms of other English translations. In this paper I will explore Alter's
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Dissertations / Theses on the topic "Hebrew poetry - History and criticism"

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Meir, Amira. "Medieval Jewish interpretation of pentateuchal poetry." Thesis, McGill University, 1994. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=28842.

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This dissertation studies parts of six medieval Jewish Torah commentaries in order to examine how they related to what we call Pentateuchal poetry. It examines their general approaches to Bible interpretation and their treatments of all Pentateuchal poems. It focusses on qualities we associate with poetry--parallelism, structure, metaphor, and syntax--and explores the extent to which they treated poems differently from prose.<br>The effort begins by defining Pentateuchal poetry and discussing a range of its presentations by various ancient writers. Subsequent chapters examine its treatment by
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Leatherman, Donn Walter. "An analysis of four current theories of Hebrew verse structure /." Thesis, McGill University, 1998. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=35906.

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This dissertation tests and evaluates four current theories of the verse structure of biblical Hebrew poetry. These theories are: the counting of minimal units, such as poetic feet, stresses or syllables, practiced in various forms since antiquity, and recently employed by D. N. Freedman, F. M. Cross and others, the analysis of poetic line-forms proposed by Terence Collins, the syntactic structural analysis proposed by M. O'Connor, and the semantic analysis practiced by Willow van der Meer, Johannes de Moor and a group of scholars associated with the Kampen School of Theology. All of these the
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Gillingham, Susan E. "Personal piety in the study of the psalms : a reassessment." Thesis, University of Oxford, 1987. http://ora.ox.ac.uk/objects/uuid:0267b635-59d5-4bf4-a453-6c9e054648e5.

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The thesis concludes that because the cult-centred approach has been so concerned with the cultic functions of the psalms, it has failed to appreciate the personal contributions of the psalmists, and in so doing has often misinterpreted the primary purpose of a psalm. A life-centred reading of the Psalter is therefore a vital component in correcting this imbalance in psalmic studies today.
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Choi, Junho. "Understanding the literary structures of Acrostic Psalms : an analysis of selected poems." Thesis, Stellenbosch : Stellenbosch University, 2013. http://hdl.handle.net/10019.1/85583.

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Thesis (MTh)--Stellenbosch University, 2013.<br>ENGLISH ABSTRACT: By means of literary, linguistic and comparative literary approaches, this study examines the literary structure of the alphabetical acrostic poems in the Psalms. First, a literary approach is used to analyze the form and content of each alphabetical acrostic poem to show that the literary structure of the poems is varied. Selected Psalms 9-10, 111 and 112 are translated from the Hebrew and compared to ancient Near Eastern languages especially Akkadian and Ugaritic. Second, by means of linguistic approaches, the literary st
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David, Alun Morris. "Christopher Smart and the Hebrew Bible : poetry and biblical criticism in England (1682-1771)." Thesis, University of Cambridge, 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.321555.

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HSIAO, CHING-SONG GENE. "SEMIOTIC INTERPRETATION OF CHINESE POETRY: TU MU'S POETRY AS EXAMPLE (CRITICISM)." Diss., The University of Arizona, 1985. http://hdl.handle.net/10150/188120.

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To interpret a poem is to comprehend a complete act of written communication. And to comprehend such an act, the reader must break the codes in which the communication is framed. Thus, poetic interpretation becomes the study of codes--or semiotics. Poetic codes exist at pragmatic, semantic, syntactic, and phonic levels. The decoding requires the reader's linguistic skills, literary competence, and personal experience. It involves an initial reading and a retroactive reading. At the first step, the reader attempts to supply elements missing in the text. Yet trying to interpret the text literall
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周業珍 and Yip-chun Rita Chau. "A study of Zhu Ziqing's (1898-1948) poetry and prose." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1994. http://hub.hku.hk/bib/B31212153.

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Kokotailo, Philip 1955. "Appreciating the present : Smith, Sutherland, Frye, and Pacey as historians of English-Canadian poetry." Thesis, McGill University, 1992. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=39772.

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This thesis argues that as historians of English-Canadian poetry, A. J. M. Smith, John Sutherland, Northrop Frye, and Desmond Pacey explicitly promote the value of past conflict reconciled into present harmony. They do so by claiming that such reconciliation marks the maturity of English-Canadian culture. This thesis also argues, however, that the interactive progression of their histories implicitly undermines this value. It does so because each critic appreciates a different group of poets for realizing their shared cultural ideal, thereby establishing contradictory representations of what t
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Mona, Godfrey Vulindlela. "Ideology, hegemony, and Xhosa written poetry, 1948-1990." Thesis, Rhodes University, 1994. http://hdl.handle.net/10962/d1002172.

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This interdisciplinary study locates Xhosa written poetry (1948-1990) within the framework of the socio-politico-economic scenario in South Africa. It sets out to examine the impact of the above stated factors on literature, by supporting the hypothesis that Xhosa written poetry of the Apartheid epoch is a terrain of the struggle for hegemony between the dominant ideology and the alternative ideologies.
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Ming, Yau-yau, and 明柔佑. "Qing poetry on Ming." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2010. http://hub.hku.hk/bib/B44204723.

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Books on the topic "Hebrew poetry - History and criticism"

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1939-, Richards Kent Harold, ed. Interpreting Hebrew poetry. Fortress Press, 1992.

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Schippers, Arie. Spanish Hebrew poetry and the Arab literary tradition: Arabic themes in Hebrew Andalusian poetry. E.J. Brill, 1994.

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R, Follis Elaine, ed. Directions in biblical Hebrew poetry. JSOT Press, 1987.

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Zach, Nathan. Bridled bird: The poetry of Nathan Zach and modern Hebrew poetry. Maven Mark Books, 2013.

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Dion, Paul-Eugène. Hebrew poetics. 2nd ed. Benben Publications, 1992.

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The psalms in Russian poetry: A history. Slatkine, 2001.

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Hebrew verse structure. Eisenbrauns, 1997.

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1954-, Guetta Alessandro, and Itzhaki Masha, eds. Studies in medieval Jewish poetry. Brill, 2008.

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Pagis, Dan. Hebrew poetry of the Middle Ages and the Renaissance. University of California Press, 1991.

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Mazor, Yair. Pain, pining & pine trees: Contemporary Hebrew poetry. Papyrus, 2000.

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Book chapters on the topic "Hebrew poetry - History and criticism"

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Aberbach, David. "Secular Hebrew Poetry in Muslim Spain 1031–1140." In Major Turning Points in Jewish Intellectual History. Palgrave Macmillan UK, 2003. http://dx.doi.org/10.1057/9781403937339_5.

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Hayes, John H. "Chapter Forty-two. Historical Criticism of the Old Testament Canon." In Hebrew Bible / Old Testament: The History of Its Interpretation. Vandenhoeck & Ruprecht, 2008. http://dx.doi.org/10.13109/9783666539824.985.

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Bultmann, Christoph. "Chapter Thirty-six. Early Rationalism and Biblical Criticism on the Continent." In Hebrew Bible / Old Testament: The History of Its Interpretation. Vandenhoeck & Ruprecht, 2008. http://dx.doi.org/10.13109/9783666539824.875.

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Zhao, Yiheng. "Pure Poetry, Impure Criticism, and the Power of Academia: Some Paradoxes Concerning the History of New-Wave Poetry." In The River Fans Out. Springer Singapore, 2020. http://dx.doi.org/10.1007/978-981-15-7724-6_12.

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Fuller, Russell. "Some Thoughts on How the Dead Sea Scrolls Have Changed Our Understanding of the Text of the Hebrew Bible and Its History and the Practice of Textual Criticism." In The Hebrew Bible in Light of the Dead Sea Scrolls. Vandenhoeck & Ruprecht, 2011. http://dx.doi.org/10.13109/9783666535550.23.

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"Modernism and criticism." In A Linguistic History of English Poetry. Routledge, 2005. http://dx.doi.org/10.4324/9780203978702-14.

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Kerkering, John D. "Theories of poetry." In The Cambridge History of Literary Criticism. Cambridge University Press, 2013. http://dx.doi.org/10.1017/cho9781139018456.035.

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Ferrari, G. R. F. "Plato and poetry." In The Cambridge History of Literary Criticism. Cambridge University Press, 1990. http://dx.doi.org/10.1017/chol9780521300063.004.

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Sambrook, James. "Poetry, 1660-1740." In The Cambridge History of Literary Criticism. Cambridge University Press, 1997. http://dx.doi.org/10.1017/chol9780521300094.004.

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Keach, William. "Poetry, after 1740." In The Cambridge History of Literary Criticism. Cambridge University Press, 1997. http://dx.doi.org/10.1017/chol9780521300094.005.

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Conference papers on the topic "Hebrew poetry - History and criticism"

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Liu, Chongxi. "“POETRY CARVED IN STONE”: DOCUMENTARY, LITERARY AND CULTURAL CONNOTATION IN BAI JUYI’S POETRY INSCRIPTION." In 10th International Conference "Issues of Far Eastern Literatures (IFEL 2022)". St. Petersburg State University, 2023. http://dx.doi.org/10.21638/11701/9785288063770.04.

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The poetry inscription, with Bai Juyi in the Middle Tang Era as its representative, began to express purely personal emotions in terms of content, which reflects the poet’s creative individuality. Bai takes stone as his friend, loves it, chants it, and inscribes poems on it, endowing it natural and personal qualities. Bai was the first poet to consciously combine “poetry” and “stone” with nearly 20 kinds of poetry inscriptions. Compared with book documents, Bai’s poetry inscriptions not only have the philological value of text criticism, but also have multiple functions, i. e., reproducing the
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