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Relevant bibliographies by topics / Hebrew with and humor

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Academic literature on the topic 'Hebrew with and humor'

Author: Grafiati

Published: 4 June 2021

Last updated: 3 February 2022

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Journal articles on the topic "Hebrew with and humor"

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Asscher, Omri. "A model for Hebrew translation of British humor." Target. International Journal of Translation Studies 22, no. 2 (December 31, 2010): 237–63. http://dx.doi.org/10.1075/target.22.2.04ass.

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The influence of translational norms on the translation of humor manifested in prose fiction has not been a focus of much research. This paper will try to establish the existence of an institutionalized strategy of amplification, presumably born out of a wish to bridge the cultural gap reflected in two different national traditions of literary humor. The effect of amplification, as it is implemented in the various Hebrew translations of Charles Dickens’s The Pickwick Papers and Jerome K. Jerome’s Three Men in a Boat, is analyzed on the basis of Attardo’s General Theory of Verbal Humor (Attardo 2001, 2002). The use of amplification as a model for the translation of humor from the beginning of the 20th century, and its diminishing currency from the 1980s onwards are also discussed.

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Ravid, Dorit, and Vital Geiger. "Promoting morphological awareness in Hebrew-speaking grade-schoolers: An intervention study using linguistic humor." First Language 29, no. 1 (February 2009): 81–112. http://dx.doi.org/10.1177/0142723708097483.

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Research indicates that morphological awareness contributes to success in literacy acquisition and consolidation, since morphology links together phonological and semantic facets of language. The role of morphology is especially important in Hebrew, a highly synthetic Semitic language. The current study aimed to investigate the impact of an intervention program on knowledge and awareness of morphology in Hebrew-speaking grade-schoolers. Two three-month intervention programs were conducted in two groups of 4th-grade children: a metalinguistic morphological intervention program using linguistic humor, and a parallel intervention program using nonverbal humor. A morphological awareness test was administered to the two groups prior to and following the intervention period. The results demonstrate consistent advantages to the morphological intervention group, including tasks related both directly and indirectly to content taught.

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Boxman-Shabtai, Lillian, and Limor Shifman. "Digital humor and the articulation of locality in an age of global flows." HUMOR 29, no. 1 (January 1, 2016): 1–24. http://dx.doi.org/10.1515/humor-2015-0127.

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AbstractThis paper uses the lens of internet-based humor to examine how, amidst massive global flows of content, young Israelis articulate a sense of local-national affinity. We analyzed verbal and visual comic email forwards to trace: (a) the extent to which Israelis share local versus global content and (b) the means through which national affinity is conveyed. Results show that while Israelis’ humorous diet is mainly non-local, a pervasive use of the Hebrew vernacular plays an important role in creating local affinity. Our analysis yielded five discursive frames that mark locality in humor:

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Littman-Ovadia, Hadassah, and Shiri Lavy. "Character Strengths in Israel." European Journal of Psychological Assessment 28, no. 1 (September 1, 2012): 41–50. http://dx.doi.org/10.1027/1015-5759/a000089.

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The Values in Action Inventory of Strengths (VIA-IS) has been extensively used to assess character strengths. We adapted a Hebrew translation and analyzed its psychometric properties and associations with life satisfaction, personality traits, and positive and negative affect, and examined its factorial structure in 635 Israeli adults. Results indicated the following: (1) All 24 subscales had satisfactory reliabilities (αs > .72). (2) Hope, gratitude, vitality, curiosity, and love had the highest associations with life satisfaction, whereas modesty, appreciation of beauty, fairness, humor and honesty, had the lowest. (3) Women scored higher than men on love, appreciation of beauty and gratitude, with men scoring higher on creativity. (4) A five-dimensional model best represented the factorial structure. Most findings replicated previous findings in other countries, supporting the use of the Hebrew version.

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Kynes, Will. "Beat Your Parodies into Swords, and Your Parodied Books into Spears: A New Paradigm for Parody in the Hebrew Bible." Biblical Interpretation 19, no. 3 (2011): 276–310. http://dx.doi.org/10.1163/156851511x576900.

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AbstractWhile previous works on parody in the Hebrew Bible have addressed the literary technique ad hoc in the service of the interpretation of specific texts, this article approaches the topic more broadly, attempting to understand the nature of the technique itself. Drawing on literary criticism, particularly the work of Linda Hutcheon, the commonly accepted definition of parody as a text which "ridicules" its "target" is questioned, and a broader definition of parody as "antithetical allusion," in which the earlier text may act as a "weapon" instead of a "target," and subversion and humor are only secondary features, is presented. This redefinition of the term grounds a new paradigm for parody that divides parody into four types: ridiculing, rejecting, respecting, and reaffirming. This paradigm is then applied to a series of exemplary parodies in the Hebrew Bible (Song 7:1-10, Psalm 29, Jonah, Job 7:17-18, Joel 4:10) that demonstrate the versatility of parody and the necessity of reading parodies in their wider context to determine their meaning.

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Sebba-Elran, Tsafi. "The intertextual Jewish joke at the turn of the twentieth century and the poetics of a national renewal." HUMOR 31, no. 4 (September 25, 2018): 603–21. http://dx.doi.org/10.1515/humor-2017-0043.

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Abstract The article examines the role of the intertextual Jewish joke at the turn of the twentieth century, in its historical and cultural contexts. The case studies would be Alter Druyanow’s popular anthology, Sefer Habediha Vehahiddud (The Book of Jokes and Witticisms, Frankfurt 1922), and his archived, unpublished collection of sexual jokes. The frequent use of quotations from sacred Jewish texts, characteristic of these collections, is discussed in light of the distinction between sub-genres of the intertextual joke: the allusive joke, the parodic joke, and the satiric joke. While most reflect the folklorist’s ambition to bridge the gap between Hebrew as a holy language and Yiddish as a Jewish vernacular, a deeper examination of the jokes may discover Druyanow’s subversive motivations as a national activist as well. Druyanow and his contemporaries engaged the biblical and rabbinical sources freely, as vessels capable of sanctifying the secular subject matter of the Jewish national revival. Moreover, the unpublished collection exposes satirical elements embodied in the intertextual Jewish joke of the time, potentially threatening the traditional Jewish worldview.

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Gordon, R. P., Y. T. Radday, and Athalya Brenner. "On Humour and the Comic in the Hebrew Bible." Vetus Testamentum 42, no. 1 (January 1992): 133. http://dx.doi.org/10.2307/1519136.

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Porat, Ailor. "What is a "Sebastian"?: A nonsensical look at the poetry of Yona Wallach." European Journal of Humour Research 5, no. 3 (November 21, 2017): 68. http://dx.doi.org/10.7592/ejhr2017.5.3.porat.

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This article compares the nonsense works of Lewis Carroll to the poetry of the canonical Hebrew poet Yona Wallach. Both writers present literary works which are not based on the logic of 'ordinary' reality, but rather on systems of unfamiliar, surreal and 'dreamlike' logic. However, Carroll's logical nonsense is famously comical and playful in nature. Unlike him, Yona Wallach's poetry is mostly regarded as 'serious', even tragic, with a 'doom-like' atmosphere hovering over it. Nonetheless, and precisely because of their considerable dissimilarity, the comparison between Yona Wallach and Lewis Carroll discloses their surprising similarity. In this artiel will examine two mechanisms in which they both play with the conventional meanings of words and use them incongruously, non-commonsensically.Throughout this article, Carroll reveals his serious and gloomy face whereas Wallach reveals her (hardly spoken of) logical and amused face.Thus, the contrasts between the comically playful accuracy of Carroll's work and Wallach's ambiguous and mostly "dark" poetry, sheds light on their respective mechanisms of signification and humor-making, in a manner indiscernible when each is treated in isolation.

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Steir-Livny, Liat. "Is it OK to laugh about it yet? Hitler Rants YouTube parodies in Hebrew." European Journal of Humour Research 4, no. 4 (January 29, 2017): 105. http://dx.doi.org/10.7592/ejhr2016.4.4.steir.

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The Holocaust was and remains a central trauma in Israel’s collective memory. For many years, the perception was that a humorous approach to the Holocaust might threaten the sanctity of its memory. Official agents of the Holocaust memory continue to believe in this approach, but since the 1990s, a new unofficial path of memory began taking shape in tandem with it. It is an alternative and subversive path that seeks to remember – but differently. In the last decade, YouTube has become a major cultural field including new humorous representations and images of the Holocaust. The article analyses a virtual phenomenon – “Hitler Rants” (or “Hitler Reacts”) parodies in Hebrew. These are internet memes in which surfers take a scene from the German film Downfall (Oliver Hirschbiegel 2004), showing Hitler ranting at his staff as the end of WWII approaches, and they add parodic subtitles in which Hitler rants about completely different things – current affairs and pesky little details. The incompatibilities between the visuals, the German screaming, and the subtitles turn Hitler into a ludicrous individual. The article objects to the notion that views the parodies as “cheapening” the Holocaust, and rather claims that they underscore humour’s role as a defence mechanism. Israelis, who live in a society in which the Holocaust memory is intensive and creates constant anxiety, seek to lessen reactions of tension and anxiety, even for a few minutes, and they do so through humour.

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Haxen, Ulf G. "An Artist in the Making. Yehuda Leib ben Eliyya Ha-Cohen’s Haggadah, Copenhagen, 1769." Fund og Forskning i Det Kongelige Biblioteks Samlinger 59 (January 4, 2020): 43. http://dx.doi.org/10.7146/fof.v59i0.123730.

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Ulf G. Haxen: An Artist in the Making – Yehuda Leib ben Eliyya Ha-Cohen’s Haggadah, Copenhagen, 1769 ‘Eclecticism’ as an artistic term refers to an approach rather than a style, and is generally used to describe the combination of different elements from various art-historical periods – or pejoratively to imply a lack of originality. Proponents of eclecticism argue more favourably, however, with reference to the 16th century Carracci family and their Bolognese followers, that the demands of modernity (i.e. the new Baroque style) could be met by skilful adaptation of art features from various styles of the past. The essay concerns the eighteenth century scribe and miniaturist Yehuda Leib ben Eliyah Ha-Cohen’s illustrated Haggadah liturgy of the second book of the, Old Testament Exodus, which represents a shift of paradigm away from the traditional Bohemia-Moravian school of Jewish book-painting towards a new approach. Our artist experiments freely, and to a certain extent successfully, with a range of different styles, motifs, themes, and iconographical traits, such as conversation pieces. Yehuda Leib Ha-Cohen may have abandoned his home-town, the illustrious rabbinic center Lissa/Leszno in Poland, after a fire devastated its Jewish quarter in 1767. He migrated to Denmark and lived and worked in Copenhagen for at least ten years, as indicated by two of his extant works, dated Copenhagen 1769 and 1779 respectively. He was thus a contemporary of another Danish Jewish master of the Bohemia – Moravian school, Uri Feibush ben Yitshak Segal, whose iconic miniature work The Copenhagen Haggadah (1739) is well-known by art historians in the field. Yehuda Leib Ha-Cohen drew some of his Haggadic themes from two main sources, the Icones Biblicae by Mathäus Merian and the Amsterdam Haggadot 1695 and 1712 (e.g. Pit’om and Ramses, The Meal Before the Flight). He never imitates his models, however. He adapts the standard motifs according to his own stylistic perception of symmetry and perspective, furnishing the illustrations with a muted gouache colouring. Several of his Haggadic themes are executed with inventiveness, pictorial imagination, and a subtle sense of humour, such as The Seder Table, The Four Sons, The Finding of the Infant Moses, Solomon’s Temple, and Belshazzars Feast. Yehuda Leib’s enigmatic reference to the ‘the masons’ (Hebrew הבנאים ) in the manuscript’s colophon has until now hardly been satisfactorily interpreted. Incidentally, however, another Hebrew prayer-book written and decorated by Mayer Schmalkalden in Mainz in 1745, recently acquired by Library of Congress, bears the same phrase (fi ‘inyan ha-bana’im = according to the code of the Masons). Dr. Ann Brener, a Hebrew specialist at the Oriental Department of Library of Congress, suggests in an unpublished essay, that the reference may be an allusion to ‘the Talmudic scholars who engage in building up the world of civilization’, (The Babylonian Talmud, Shabbat 114a). However that may be, Yehuda Leib Ha-Cohen’s miniatures constitute a veritable change of paradigm as far as eighteenth-century Hebrew book illustration is concerned.

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Dissertations / Theses on the topic "Hebrew with and humor"

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O'Connor, Michael Patrick. "Hebrew verse structure /." Winona Lake (Ind.) : Eisenbrauns, 1997. http://catalogue.bnf.fr/ark:/12148/cb388305198.

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Schippers, Arie. "Arabic tradition and Hebrew innovation : Arabic themes in Hebrew Andalusian poetry /." Amsterdam : Institute for modern Near Eastern studies, Department of Arabic and Islamic studies, University of Amsterdam, 1988. http://catalogue.bnf.fr/ark:/12148/cb35454451r.

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Bednarz, Terri. "Humor-neutics analyzing humor and humor functions in the Synoptic Gospels /." Fort Worth, TX : [Texas Christian University], 2009. http://etd.tcu.edu/etdfiles/available/etd-04212009-141303/unrestricted/Bednarz.pdf.

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Thesis (Ph.D.)--Brite Divinity School, Texas Christian University, 2009.
Title from dissertation title page (viewed May 5, 2009). Includes abstract. "Dissertation presented to the Faculty of the Brite Divinity School in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Biblical Interpretation." Includes bibliographical references.

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Rendsburg, Gary Alan. "Diglossia in ancient Hebrew /." New Haven (Conn.) : American oriental society, 1990. http://catalogue.bnf.fr/ark:/12148/cb388319157.

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Zeller, Andrew Scott. "Hebrew and homiletics teaching preachers to use Hebrew in Old Testament sermon preparation /." Theological Research Exchange Network (TREN), 2001. http://www.tren.com.

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Perotti, Ivane Laurete. "Uma tipologia do discurso de humor (o politico do humor e o humor politico)." Florianópolis, SC, 1995. http://repositorio.ufsc.br/xmlui/handle/123456789/76297.

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Dissertação (mestrado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão
Made available in DSpace on 2012-10-16T09:03:29Z (GMT). No. of bitstreams: 0Bitstream added on 2016-01-08T20:03:00Z : No. of bitstreams: 1 101518.pdf: 2218040 bytes, checksum: 292ba15e802a36a9cd8d08dcb702b949 (MD5)
Propõe-se uma leitura de textos humorísticos sob a ótica da Análise do Discurso, recortando-se "tipos" de humor e propondo uma leitura das características do humor político. Tematizam-se questões basilares da Análise do Discurso que estruturam teoricamente o trabalho, expondo reflexões sobre o riso e o risível, e os diferentes processos possivelmente causadores do riso. Discute-se a possibilidade de constituição dos textos de humor numa perspectiva de jogo e de colagem de "scripts" numa operação que mobiliza diversos níveis lingüísticos - com destaque ao papel da metáfora.

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Churchyard, Henry. "Topics in Tiberian Biblical Hebrew metrical phonology and prosodics /." Digital version accessible at:, 1999. http://wwwlib.umi.com/cr/utexas/main.

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Pinto, Fabiana dos Anjos. "Do humor da crônica à crônica de humor." Universidade do Estado do Rio de Janeiro, 2013. http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=6009.

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Com base no pressuposto de que o humor é um fenômeno regularmente presente em crônicas, esta tese pretende investigar as origens dessa relação. Por que motivo leitores diversos, estudiosos das Letras e do Jornalismo são categóricos nessa associação? Além disso, se o humor constitui traço marcante do gênero, como se caracterizam as estratégias que o possibilitam? Para que essas questões sejam respondidas, apresentamos a trajetória do fenômeno humorístico nas crônicas anteriores e posteriores à chegada da imprensa no Brasil. Ademais, com corpus oriundo do jornal O Globo, trabalhamos com a teoria semiolinguística do discurso, especificamente com o contrato de comunicação e com os modos de organização do texto. Nosso objetivo geral, em suma, é verificar até que ponto procedimentos discursivos vários podem explicar o funcionamento do humor em crônicas jornalísticas contemporâneas, contribuindo para que elas se tornem um ícone de sedução dos cadernos dos jornais, transmutando-se em colunas de entretenimento
Based on the presupposition that humor is a phenomenon that is usually present in chronicles, this thesis aims at investigating the origins of such relation. Why are diverse readers, language and journalism students categorical when it comes to this association? Moreover, if humor is a remarkable feature of the genre, how are the strategies that enable it characterized? In order to answer these inquiries, we present the trajectory of the humorous phenomena in chronicles prior and subsequent to the arrival of the Press in Brazil. Besides, we have worked with the semiolinguistic theory of the discourse with a corpus taken from O Globo a Brazilian newspaper. The corpus stems specifically from the communication contract and the modes of discursive-textual organization. Our main aim, in summary, is to investigate to what extent various discoursive procedures can explain the operation of humor in contemporary journalistic chronicles, contributing to their becoming of an icon of seduction in the different sections of newspapers, which eventually lead them to turn into entertainment columns

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Bergman, Sandra. "Humor som copingstrategi : Samband mellan humor och copingstrategier." Thesis, Karlstads universitet, Fakulteten för humaniora och samhällsvetenskap (from 2013), 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-27695.

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Den aktuella studien syftade till att undersöka förhållandet mellan typ av dominerande humorstil, känsla för humor och användning av olika copingstilar. Även samvarians mellan känsla för humor och copingstil undersöktes.Studien syftade även till att se om det fanns skillnader i användande av copingstrategier mellan personer med olika dominerande humorstilar.Studien är baserad på en insamling av mätinstrumenten SHQ6, HSQ och Brief COPE. Stickprovet bestod av 342 respondenter. Resultatet visade på att det fanns en samvarians mellan känsla för humor och coping, oavsett vilken typ av coping som användes. Resultatet påvisade också att personer med vänskaplig och självförstärkande humorstil skiljde sig signifikant åt i användande av emotionellt inriktad coping. Slutsatsen att dra av följande resultat är att respondenter ur stickprovet använder inslag av humor oavsett stil på coping, som att personer med en självförstärkande humorstil tenderar att använda emotionellt inriktad coping i högre grad än personer med vänskaplig humorstil. Nyckelord: Humor, humorstil, copingstil

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Bernstein, Gabrielle. "Glidevowel alternation in Biblical Hebrew." Thesis, McGill University, 1986. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=65473.

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Books on the topic "Hebrew with and humor"

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Levanon, Yitsḥaḳ. Koh amar--: 2,747 penine ḥokhmah ṿe-humor mi-raḥave ha-ʻolam. Tel-Aviv: Yaron Golan, 2003.

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Lezerovits, Ḥ̣. Śimḥaleh: Ḥokhmat ḥayim ṿe-śimḥat nefesh be-humor ṿe-imrah shenunah. Ḥatsor ha-Gelilit: Ḥ. Lezerovits, 2008.

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Yahalom, Moshe. Sleng ṿe-humor: Milon ha-sleng he-ḥadash ṿeha-shimushi le-Yiśreʾelit meduberet. Tel Aviv: Dor, 2003.

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Izhar, Cohen, ed. ʻOmdim be-ṭur. Tel-Aviv: Yediʻot aḥaronot, 2005.

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Avraham, Shevi. Mah zeh omer lekha? Bet-El: Shen Binah, 1998.

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Bahir, Yosi. ha- Pilim mi-ḥuts la-ḳaneh: [ha-entsiḳlopedyah ha-hetulit le-ʻinyene tsva u-biṭaḥon!]. [Beʾer-Shevaʻ: Hotsaʾat ha-neshamah - mi-bet "Maʻarkhot ha-safeḳ", 1995.

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Solgniḳ, Nili. Meʾafyene ha-humor be-shirat ha-yeladim shel Leʾah Goldberg. [Jerusalem?]: N. Solgniḳ, 1999.

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Solgniḳ, Nili. Meʼafyene ha-humor be-shirat ha-yeladim shel Leʼah Goldberg. [Israel]: N. Solgniḳ, 1999.

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Meiri, Gilad. Har gaʻash simpaṭi: Parodyah, humor ṿe-aṿangard be-shirat Daṿid Avidan. Tel-Aviv: ha-Ḳibuts ha-meʼuḥad, 2012.

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Ouziel, Meir. ha- Hefekh: [saṭirah lo ḥinukhit]. Ramat Gan: Oranit, 1989.

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Book chapters on the topic "Hebrew with and humor"

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Peled Cuartas, Rachel. "De las maqamat árabes hebreas hasta la Picaresca: trayectoria de humor e ironía." In Aspectos actuales del hispanismo mundial, edited by Christoph Strosetzki, 232–39. Berlin, Boston: De Gruyter, 2018. http://dx.doi.org/10.1515/9783110450828-016.

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Billig, Michael. "Humor." In Encyclopedia of Critical Psychology, 923–25. New York, NY: Springer New York, 2014. http://dx.doi.org/10.1007/978-1-4614-5583-7_143.

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Levesque, Roger J. R. "Humor." In Encyclopedia of Adolescence, 1352–53. New York, NY: Springer New York, 2011. http://dx.doi.org/10.1007/978-1-4419-1695-2_436.

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Martin, Rod A. "Humor." In Positive psychological assessment: A handbook of models and measures (2nd ed.)., 305–16. Washington: American Psychological Association, 2019. http://dx.doi.org/10.1037/0000138-019.

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Levesque, Roger J. R. "Humor." In Encyclopedia of Adolescence, 1813–16. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-33228-4_436.

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Attardo, Salvatore. "Humor." In Handbook of Pragmatics, 1–18. Amsterdam: John Benjamins Publishing Company, 1997. http://dx.doi.org/10.1075/hop.2.hum2.

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Attardo, Salvatore. "Humor." In Handbook of Pragmatics, 155–82. Amsterdam: John Benjamins Publishing Company, 2020. http://dx.doi.org/10.1075/hop.23.hum2.

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Attardo, Salvatore. "Humor." In Handbook of Pragmatics, 1–25. Amsterdam: John Benjamins Publishing Company, 2005. http://dx.doi.org/10.1075/hop.9.hum2.

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Attardo, Salvatore. "Humor." In Discursive Pragmatics, 135–55. Amsterdam: John Benjamins Publishing Company, 2011. http://dx.doi.org/10.1075/hoph.8.08att.

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Balmores-Paulino, Rozel S. "Humor." In Encyclopedia of Personality and Individual Differences, 2081–87. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-319-24612-3_677.

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Conference papers on the topic "Hebrew with and humor"

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Goldberg, Yoav, and Michael Elhadad. "Hebrew dependency parsing." In the 11th International Conference. Morristown, NJ, USA: Association for Computational Linguistics, 2009. http://dx.doi.org/10.3115/1697236.1697261.

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Shapira, Natalie, Dana Atzil-Slonim, Daniel Juravski, Moran Baruch, Dana Stolowicz-Melman, Adar Paz, Tal Alfi-Yogev, et al. "Hebrew Psychological Lexicons." In Proceedings of the Seventh Workshop on Computational Linguistics and Clinical Psychology: Improving Access. Stroudsburg, PA, USA: Association for Computational Linguistics, 2021. http://dx.doi.org/10.18653/v1/2021.clpsych-1.6.

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Purandare, Amruta, and Diane Litman. "Humor." In the 2006 Conference. Morristown, NJ, USA: Association for Computational Linguistics, 2006. http://dx.doi.org/10.3115/1610075.1610107.

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Yang, Diyi, Alon Lavie, Chris Dyer, and Eduard Hovy. "Humor Recognition and Humor Anchor Extraction." In Proceedings of the 2015 Conference on Empirical Methods in Natural Language Processing. Stroudsburg, PA, USA: Association for Computational Linguistics, 2015. http://dx.doi.org/10.18653/v1/d15-1284.

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Silber-Varod, Vered, Mária Gósy, and Robert Eklund. "Segment prolongation in Hebrew." In The 9th Workshop on Disfluency in Spontaneous Speech. ELTE Faculty of Humanities, 2019. http://dx.doi.org/10.21862/diss-09-013-silb-etal.

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Shmidman, Avi, Shaltiel Shmidman, Moshe Koppel, and Yoav Goldberg. "Nakdan: Professional Hebrew Diacritizer." In Proceedings of the 58th Annual Meeting of the Association for Computational Linguistics: System Demonstrations. Stroudsburg, PA, USA: Association for Computational Linguistics, 2020. http://dx.doi.org/10.18653/v1/2020.acl-demos.23.

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Dormann, Claire, and Max Neuvians. "Humor patterns." In the First Workshop. New York, New York, USA: ACM Press, 2012. http://dx.doi.org/10.1145/2427116.2427118.

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Nijholt, Anton. "Mischief humor." In ACE 2015: 12th International Conference on Advances in Computer Entertainment Technology. New York, NY, USA: ACM, 2015. http://dx.doi.org/10.1145/2832932.2975583.

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Uzzi, Ornan. "Innovation of Verbs in Hebrew." In Proceedings of the Joint Workshop on Social Dynamics and Personal Attributes in Social Media. Stroudsburg, PA, USA: Association for Computational Linguistics, 2014. http://dx.doi.org/10.3115/v1/w14-2713.

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Goldberg, Yoav, Meni Adler, and Michael Elhadad. "Noun phrase chunking in Hebrew." In the 21st International Conference. Morristown, NJ, USA: Association for Computational Linguistics, 2006. http://dx.doi.org/10.3115/1220175.1220262.

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Reports on the topic "Hebrew with and humor"

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Nussbacher, H., and Y. Bourvine. Hebrew Character Encoding for Internet Messages. RFC Editor, December 1993. http://dx.doi.org/10.17487/rfc1555.

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Argent, William. Humor Recognition: A Comparative Analysis. Portland State University Library, January 2000. http://dx.doi.org/10.15760/etd.6831.

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Ross, Karl. Reconstructions : humor through the use of ambiguous images and color. Portland State University Library, January 2000. http://dx.doi.org/10.15760/etd.5396.

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Bond, Nathaniel. Lessons in Immorality: Mishima's Masterpiece of Humor and Social Satire. Portland State University Library, January 2000. http://dx.doi.org/10.15760/etd.988.

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McQueen, Ann. Humor-Related Social Exchanges and Mental Health in Assisted Living Residents. Portland State University Library, January 2000. http://dx.doi.org/10.15760/etd.299.

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Ballesteros-Aguayo, L., and FJ Escobar-Borrego. El humor en la prensa de posguerra: los cuentos de Gloria Fuertes en Maravillas. Revista Latina de Comunicación Social, February 2019. http://dx.doi.org/10.4185/rlcs-2019-1343.

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Tavano, Richard. Humor creation and appreciation as an indicator of intercultural communication effectiveness : toward a theoretical model. Portland State University Library, January 2000. http://dx.doi.org/10.15760/etd.5540.

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Nicolás Ojeda, MA, E. Martínez Pastor, and C. Gaona Pisonero. El humor en la publicidad gráfica de la Dirección General de Tráfico en España (1960-2009). Revista Latina de Comunicación Social, December 2015. http://dx.doi.org/10.4185/rlcs-2015-1070.

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Martin, Daniel. The use of humor in the social construction of role relationships in a behavioral treatment setting. Portland State University Library, January 2000. http://dx.doi.org/10.15760/etd.5461.

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Castañeda Zumeta, A., and P. Pineda-Martínez. La reivindicación democrática a través de las viñetas. Las temáticas del humor gráfico en el periódico vasco Egin (1977). Revista Latina de Comunicación Social, March 2016. http://dx.doi.org/10.4185/rlcs-2016-1093.

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