Academic literature on the topic 'Hedayat'

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Journal articles on the topic "Hedayat"

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Yahyapour, Marzieh, Janolah Karimi-Motahhar, and Faezeh Mohammadnia-Hanai. "The influence of Dostoevsky's tradition on Sadegh Hedayat (“The Blind Owl” and “Notes from The Underground”)." Vestnik slavianskikh kul’tur [Bulletin of Slavic Cultures] 71 (2024): 112–24. http://dx.doi.org/10.37816/2073-9567-2024-71-112-124.

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Sadegh Hedayat, who is known as one of the intellectuals of his era, was one of the first Iranian writers who used an expressionism style in his works. Sadegh Hedayat’s mental perspective and existentialist thoughts are clearly visible in his works. Since Sadegh Hedayat was familiar with foreign literature, especially the works of Fyodor Dostoyevsky, he got influenced by him in some subjects. This study compares the two works “The Blind Owl” by Hedayat and “Notes from The Underground” by Dostoyevsky. Both works have a psychological feature – they both depicted their story’s protagonist similar
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Nozari, Jalil. "Sadeq Hedayat’s Three Drops of Blood and The Blind Owl and Nikolai Leskov’s Lady Macbeth of Mtsensk District." Studies in Theory of Literary Plot and Narratology 2 (2023): 54–60. http://dx.doi.org/10.25205/2713-3133-2023-2-54-60.

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After more than seven decades since its publication, Sadeq Hedayat’s The Blind Owl still remains a mystery to critical analysis. The appearance of Mustafa Farzane’s Rencontres avec Sadeqh Hedayat provides us with threads to finding answers to some of the ambiguities surrounding the Persian novella. According to Farzaneh, Hedayat advised him to read the story of Ledi Makbet Mtsenskogo Uezda by the Russian writer Nicholas Leskov to find clues to the love aspects of The Blind Owl. This article is an attempt to determine the bearing Farzane’s testimony may have on the study of Hedayat’s novella an
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Torshizi, Foad. "The Affective Feminism of Ghazaleh Hedayat." Comparative Studies of South Asia, Africa and the Middle East 41, no. 1 (2021): 106–21. http://dx.doi.org/10.1215/1089201x-8916960.

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Abstract This article examines the works of the Iranian contemporary artist, Ghazaleh Hedayat. It argues that her turn from figural representation to nonfigural abstraction and consequently to what Laura Marks has called “haptic visuality” demonstrates a careful and systematic aesthetic strategy that attempts to confront and at times even exit representation. It shows that Hedayat's works since the early 2010s offer an affective approach to feminism in contemporary Iranian art that doesn't hinge on representational modes of expression, which are often susceptible to assimilation into identitar
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Sadeghi Sahlabad, Zeinab. "The Poetics of Duality in the Works of Sadegh Hedayat." Vostok. Afro-aziatskie obshchestva: istoriia i sovremennost, no. 1 (2023): 185. http://dx.doi.org/10.31857/s086919080018736-6.

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The article is devoted to the study of the semantic spectrum of duality in the works of S. Hedayat. The intertextual links between works of S. Hedayat, N. Gogol and F. Dostoevsky are considered.It is noted that F. Dostoyevsky’s novel “The Double” and the story of S. Hedayat “The Blind Owl” brings together the image of the protagonist – a man of the “underground” seeking to isolation from the hostile environment. The psychological complex of the underground acquires in the creative manner of S. Hedayat both behavioral and topological certainty, being realized in the image of the tomb room. The
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Martin, Ryan, John Stufken, and Min Yang. "A Conversation with Samad Hedayat." Statistical Science 31, no. 4 (2016): 637–47. http://dx.doi.org/10.1214/16-sts579.

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Balighi, Marzieh. "Sadegh Hedayat, un écrivain francophone iranien de l'entre-deux-mondes." ALTERNATIVE FRANCOPHONE 1, no. 8 (2015): 71–85. http://dx.doi.org/10.29173/af25243.

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En Iran, Sadegh Hedayat est un auteur important qui, le premier, a pris le chemin de la francophonie. Il fustige dans ses œuvres la société à laquelle il appartient et reste un écrivain controversé. Devenu solitaire et exclu de son pays d’origine, il s’exile en France où il crée ses œuvres les plus remarquables, mais toujours dans une marginalisation absolue. Il écrit en persan et en français avec un égal talent. Partir dans un autre pays et écrire dans la langue de l’autre sont en général ressentis comme une délivrance, mais Sadegh Hedayat n’a jamais pu rompre ni de sa langue maternelle ni de
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Rahimieh, Nasrin. "The Blind Owl by Sadeq Hedayat." Middle Eastern Literatures 17, no. 1 (2014): 107–9. http://dx.doi.org/10.1080/1475262x.2014.903045.

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Ghanoonparvar, M. R. "Sadeq Hedayat, his work and his wondrous world." Iranian Studies 43, no. 4 (2010): 555–58. http://dx.doi.org/10.1080/00210862.2010.495577.

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Beard, Michael, M. F. Farzaneh, M. F. Farzaneh, and Frédéric Farzaneh. "Rencontres avec Sadegh Hedayat: Le parcours d'une initiation." World Literature Today 68, no. 4 (1994): 874. http://dx.doi.org/10.2307/40150800.

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Mohammadi Shirmahaleh, Shekoufeh. "La leyenda de la creación." Interpretatio. Revista de hermenéutica 3, no. 2 (2018): 245. http://dx.doi.org/10.19130/irh.3.2.2018.139.

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Sadegh Hedayat es una de las más influyentes figuras de la literatura persa moderna y contemporánea. Desde una mirada muy crítica, su obra dramática La leyenda de la creación, toca temas importantes de la sociedad iraní de los principios del siglo xx como el colonialismo, la religiosidad y el tradicionalismo.
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Dissertations / Theses on the topic "Hedayat"

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Zariâb, Spôjmaï. "Sadegh hedayat et la litterature francaise l'histoire d'une fascination et d'une solitude." Montpellier 3, 1996. http://www.theses.fr/1996MON30019.

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Sadegh hedayat, ecrivain iranien qui est ne en 1903 a teheran et s'est donne la mort en 1951 a paris, est surement le plus grand ecrivain de la litterature moderne de langue persane. La chouette aveugle, son oeuvre la plus discutable et remarquable est sans precedent dans la langue persane, degageant la mort et l'angoisse. La langue francaise pour hedayat, francophone et francophile lui ouvrait d'autres horizons qui satisfaisaient sa curiosite d'artiste. Sa fascination pour la litterature et les philosophies occidentales, l'ont isole de plus en plus et l'ont eloigne des cercles des hommes de l
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Balighi, Marzieh. ""La Chouette aveugle" de Sadegh Hedayat, un récit à la croisée des textes occidentaux." Thesis, Paris Est, 2011. http://www.theses.fr/2011PEST0008.

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La Chouette aveugle, un récit d’abord publié en 1936, à Bombay, en Inde, puis en 1941 en Iran, à Téhéran, et traduite en français, en 1951, par Roger Lescot,est une œuvre singulière d’un auteur iranien, Sadegh Hedayat (1903-1951). C’est une nouvelle qui se présente sous la forme d’une longue confession faite par un narrateur anonyme, victime de cauchemars et d’hallucinations. Écrite durant un séjour effectué par cet écrivain en France entre 1926 et 1930, cette œuvre est surchargée d’emprunts,de réminiscences, et d’allusions à de multiples lectures littéraires, philosophiques,métaphysiques, rel
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Kharazi, Chirine. "La rencontre de Sadeq Hedayat avec l'Occident et l'influence de celui-ci sur son œuvre." Reims, 1997. http://www.theses.fr/1997REIML003.

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Hedayat, passionné des normes occidentales réalise son souhait de libérer la littérature persane du joug du conformisme littéraire, en rencontrant les œuvres littéraires des maitres occidentaux. La pensée et l'œuvre de Hedayat ont subi l'influence occidentale durant une vaste période de sa vie. Dans notre étude ces moments de rencontre sont retraces. On a privilégié la rencontre avec Poe et découvert l'univers de la peur et de l'horreur de la mort qui s'accomplissent dans le crime et la perte d'identité. Hedayat est novateur en adoptant les nouvelles techniques littéraires. Baudelaire, Poe Ril
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Sharif, Negin. "Structures et enjeux de la répétition dans la Chouette aveugle de Sadegh Hedayat : une poétique du ressassement." Cergy-Pontoise, 2009. http://biblioweb.u-cergy.fr/theses/09CERG0402.pdf.

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La répétition, principe créateur du roman La Chouette aveugle de Sadegh Hedayat, met en valeur la structure extrêmement travaillée de l'œuvre et rend manifeste une organisation qui régit non seulement l'ensemble, mais également la moindre de ses parties. La répétition inscrite dans le retour cyclique des scènes, dans la reprise infatigable des mots, des expressions et des descriptions, dans la représentation du temps et de l’espace, est également érigée en principe esthétique. La première partie de cette thèse s’attache à analyser des répétitions qui affectent la structure d’ensemble du roman,
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Letafati, Roya. "L'iran moderne dans la nouvelle : arthur de gobineau (1816-1882), m.a. djamalzadeh (1895- ), sadegh hedayat (1903-1951)." Université Marc Bloch (Strasbourg) (1971-2008), 1993. http://www.theses.fr/1993STR20042.

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- l'etude de la presence de la societe iranienne dans la nouvelle durant un siecle de son histoire. - rapports entre la modernite et la naissance de la nouvelle en iran; la nouvelle est un genre litteraire intrinsequement lie a la modernite. - presentation des nouvelles des ecrivains iraniens m. A. Djamalzadeh et sadegh hedayat et le realisme de leurs textes; comparaison des nouvelles asiatiques de gobineau avec celles des auteurs iraniens. - l'etude de l'apport de la modernite dans la vie des iraniens decrit dans la nouvelle. - l'analyse de la crise de l'identite des ecrivains refletee dans l
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Tafreshipour, Amir Mahyar. "From virtuoso solo to ensemble opera." Thesis, Brunel University, 2016. http://bura.brunel.ac.uk/handle/2438/13552.

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Writing for solo instruments today offers composers an option to create a framework that results from the psychoacoustic interaction of composer, listener and performer. The interaction between musicians, audience and the concert environment, and the extent to which they themselves embody the material of the music presented, can be called into question and a composer's expectation of the dynamics of the concert situation is part of this examination. This understanding in turn prepares the way for one of the ultimate challenges and achievements for a composer, writing an opera. Opera combines a
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Khalsi, Khalil. "Par-delà le rêve et la veille ˸ la fin du monde. Une approche cosmologique de l'entre-deux. S. Hedayat, I. al-Koni et A. Volodine." Thesis, Sorbonne Paris Cité, 2019. http://www.theses.fr/2019USPCA036.

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Cette thèse propose d’étudier l’entre-deux du rêve et de la veille sous un angle cosmologique. Notre hypothèse est que chacun des textes du corpus véhicule une vision particulière du monde médiée par un plan interstitiel à travers lequel les protagonistes négocient leur identité ainsi que leur rapport au monde, notamment en contexte d’apocalypse culturelle. Dans le chapitre zéro, nous inscrivons notre propos dans le champ discursif contemporain s’attelant à réévaluer le concept de « grand partage » sur lequel se base l’ontologie moderne (Descola, Latour, Morin). Cette déconstruction nous amène
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Hedayati, Mehdi Keshavarz [Verfasser]. "Tunable Plasmonic Metamaterial / Mehdi Keshavarz Hedayati." Kiel : Universitätsbibliothek Kiel, 2014. http://d-nb.info/1055941444/34.

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Hossein-Zadeh, Azine. "Figuration et mise en abîme dans la littérature persane : la représentation du corps humain et le rôle de l'art et de l'artiste dans "Khosrow et Chirine" et "Les sept portraits" de Nézâmi et "La chouette aveugle" de Hedâyat"." Paris 3, 2000. http://www.theses.fr/2000PA030086.

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Depuis l'antiquite, l'occident s'interesse a l'image et cherche a lui trouver des definitions precises. Iconoclaste a ses debuts, le christianisme, comme principale religion occidentale, devient par la suite iconophile pour transmettre son heritage. Il en est tout autrement dans la culture musulmane ou la parole se supplee a l'image et ou un iconoclasme plus important freine l'essor des arts figuratifs. Or, la puissance de la parole comble ce manque, et une litterature tres imagee tente de remplacer la peinture. Au xiiieme siecle, les romans d'amour de nezami ( khosrow et chrine et les sept po
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Zadeh, Soheil Hedayat [Verfasser]. "Ein permanent-dynamisches System als modularer Hochwasserschutz : das PDH-System für befestigte Hafenbecken und befestigte Uferkanten / von: Soheil Hedayat Zadeh." 2008. http://d-nb.info/989273539/34.

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Books on the topic "Hedayat"

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Sadegh hedayat. [s.n.], 1988.

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Ishaghpour, Youssef. Le tombeau de Sadegh Hedayat. Fourbis, 1991.

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Azhar, Zahoor Ahmed. Iqbal ke Najoom-e-hedayat. Ferozsons, 1991.

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Yād-i Ṣādiq Hidāyat: Sadegh Hedayat. Nashr-i S̲ālis, 2001.

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Sadegh Hedayat et les écrivains occidentaux. Methodologica Universitas, 2013.

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Frédéric, Farzaneh, ed. Rencontres avec Sadegh Hedayat: Le parcours d'une initiation. J. Corti, 1993.

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Homa, Katouzian, ed. Sadeq Hedayat: His work and his wondrous world. Routledge, 2007.

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Katouzian, Homa. Sadeq Hedayat: The life and literature of an Iranian writer. I.B. Tauris, 1991.

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Katouzian, Homa. Sadeq Hedayat: The life and literature of an Iranian writer. I.B. Tauris, 2002.

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Gurbah-i kūchak-i Īrānī: Murūrī bar zindagī-i Ṣādiq Hidāyat = The little Persian cat : the life of Sadegh Hedayat = Le petit chat persan : la vie de Sadegh Hedayat. Nashr-i Bunyād-i Kitabhā-yi Sūkhtah-i Īrān, 2013.

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Book chapters on the topic "Hedayat"

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Bidgoli, Mehrdad. "Hedayat, Sadegh." In The Palgrave Encyclopedia of Urban Literary Studies. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-319-62592-8_169-1.

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Bidgoli, Mehrdad. "Hedayat, Sadegh." In The Palgrave Encyclopedia of Urban Literary Studies. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-319-62592-8_169-2.

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Bidgoli, Mehrdad. "Hedayat, Sadegh." In The Palgrave Encyclopedia of Urban Literary Studies. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-319-62419-8_169.

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Bidgoli, Mehrdad. "Hedayat and Isfahan." In The Palgrave Encyclopedia of Urban Literary Studies. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-319-62592-8_278-1.

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Bidgoli, Mehrdad. "Hedayat and Isfahan." In The Palgrave Encyclopedia of Urban Literary Studies. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-319-62419-8_278.

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Katouzian, Homa. "Humor in Hedayat." In Routledge Handbook of Post Classical and Contemporary Persian Literature. Routledge, 2023. http://dx.doi.org/10.4324/9781315124230-8.

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Bidgoli, Mehrdad. "Hedayat, The Blind Owl and the City." In The Palgrave Encyclopedia of Urban Literary Studies. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-319-62592-8_279-1.

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Bidgoli, Mehrdad. "Hedayat, The Blind Owl and the City." In The Palgrave Encyclopedia of Urban Literary Studies. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-319-62419-8_279.

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Eckhardt, Julia. "4. Der Kampf mit der Oberfläche: Exkurs zu Sadegh Hedayats Die blinde Eule (1936)." In Verbergen, Umschließen, Vergraben. transcript Verlag, 2023. http://dx.doi.org/10.14361/9783839465349-004.

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Azadibougar, Omid. "Persian Literature, World Literature." In World Literature and Hedayat’s Poetics of Modernity. Springer Singapore, 2020. http://dx.doi.org/10.1007/978-981-15-1691-7_1.

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Conference papers on the topic "Hedayat"

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Asadizadeh, M., A. Hedayat, L. Tunstall, M. Taboada Neira, J. A. Vega González, and J. W. Verá Alvarado. "Investigation of Mode II Fracture Behavior of Alkali-Activated Mine Tailings." In 57th U.S. Rock Mechanics/Geomechanics Symposium. ARMA, 2023. http://dx.doi.org/10.56952/arma-2023-0844.

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ABSTRACT Reuse of mine tailings (MTs) rich in aluminum oxide and silicon dioxide to produce a geopolymer using an alkali activator is a sustainable approach to reduce the MTs’ environmental hazard. The fracturing behavior of mine tailing-based alkali activated materials under mode II loading has been largely unexplored. In this study, the mode II fracture tests have been adopted to examine the double-edge notched Brazilian disk (DNBD) geopolymer specimens under diametral loading. A mixture of MTS (85% wt.), class F fly ash (FA) (15% wt.), and 10 M NaOH solution with solid/liquid ratio of 14% w
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Han, K., L. J. Pyrak-Nolte, and A. Bobet. "Monitoring of Shear Failure Along Rock Fractures in Limestone and Granite with Seismic Wave Transmission." In 57th U.S. Rock Mechanics/Geomechanics Symposium. ARMA, 2023. http://dx.doi.org/10.56952/arma-2023-0290.

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ABSTRACT A key challenge in using geophysical monitoring to assess the stability of rock fractures is the ability to identify precursory signatures to slip. Laboratory direct shear tests were conducted on induced tensile fractures in Indiana limestone and Sierra White granite under an effective normal stress of 2 MPa, to determine the geophysical signatures of slip along the fractures under both dry and saturated conditions. During the experiments, the normal load, shear load and shear displacement were recorded along with compressional (P) and shear (S) waves that were propagated across the f
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Nejatian, Hossein, and Maliheh Miri. "Investigation of Effect of Storytelling on Verbal Language of Autism Children (Mild To Moderate Spectrum)." In 3rd International Conference on Language and Education. Cihan University-Erbil, 2023. http://dx.doi.org/10.24086/iclangedu2023/paper.962.

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This study examined the effect of storytelling on verbal language in the mild to moderate autism spectrum children. Autism is the most important developmental disorder impairing social skills and language development and leads to communication inability. Twenty children aged 4-7 years with mild to moderate autism (available samples) who referred to Mashhad Nour-e-Hedayat center were selected. They were randomly divided into two groups of 10, i.e. control and experimental groups. The experimental group experienced learning to understand and produce speech through storytelling. Approximately 30
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