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Books on the topic 'Hegemonic image'

Author: Grafiati

Published: 4 June 2021

Last updated: 16 February 2022

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1

Scrase, Timothy J. Image, ideology, and inequality: Cultural domination, hegemony, and schooling in India. Sage Publications, 1993.

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2

The image trap: M.G. Ramachandran in film and politics. Sage, 1992.

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3

Gregory, Michele Rene. Face of the Firm: Corporate Hegemonic Masculinity at Work. Taylor & Francis Group, 2016.

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4

The Face of the Firm: Corporate Hegemonic Masculinity at Work. Routledge, 2016.

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5

Mollaghan, Aimee. Rebalancing the Picture-Sound Relationship. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190469894.003.0011.

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This chapter explores how experimental filmmaker Lis Rhodes subverts the hegemonic relationship between sound and image across her body of moving image work in order to highlight and address inequitable power structures and the absence of the female voice in music and society. This is achieved on a material level by translating the optical soundtrack into visual presentations in her direct animation Dresden Dynamo (1971–72) and within an expanded, performative context in her audiovisual composition Light Music (1975). Further to this, Rhodes’s later films, Light Reading (1978) and A Cold Draft

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6

Coleman, Tracy. Rādhā. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198767022.003.0007.

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Although Sītā and Rādhā might seem to represent the ideal woman as pativratā and her adulterous antithesis respectively, this essay initially argues that both paradigmatic figures reflect the same underlying androcentric ideology that values women who selflessly sacrifice their lives for men and thus represent idealized models of feminine devotion (bhakti), submission, and suffering, especially in situations of viraha, separation from their beloveds. Privileging the twelfth-century Gītagovinda, however, and its vision of Kṛṣṇa’s passionate love for Rādhā, this chapter argues that the poet Jaya

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7

Da Costa, Dia. Conclusion. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252040603.003.0010.

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The conclusion draws out main findings and contributions of a book that provides historical, spatial and ethnographic specificity to creative economy discourses and their critiques. It calls for provincializing creative economy discourses everywhere that they circulate; charting out and seeing the relational constitution of what counts as creativity in hegemonic and unrecognized creative practices; and attending to a visceral materialism that traces the complex formation of embodied knowledge produced in structures of production, rule and feeling. Ultimately, the praxis of the two troupes and

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8

Scrase, Timothy J. Image, Ideology and Inequality: Cultural Domination, Hegemony and Schooling in India. SAGE Publications, Incorporated, 1993.

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9

Gagné, Nana Okura. Reworking Japan. Cornell University Press, 2021. http://dx.doi.org/10.7591/cornell/9781501753039.001.0001.

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This book examines how the past several decades of neoliberal economic restructuring and reforms in Japan have reshaped the nation's corporate ideologies, gender ideologies, and subjectivities of individual employees. With Japan's remarkable economic growth since the 1950s, the lifestyles and life courses of “salarymen” came to embody the “New Middle Class” family ideal. As this book demonstrates, however, the nearly three decades of economic stagnation since the bursting of the economic bubble in the early 1990s has tarnished this positive image of salarymen. In a sweeping appraisal of recent

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10

Tweedie, James. The Afterlife of Art and Objects. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190873875.003.0006.

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Like the tableau vivant, the cinematic still life experienced a stunning revival and reinvention in the late twentieth century. In contrast to the stereotypically postmodern overload of images, the still life in film initiates a moment of repose and contemplation within a medium more often defined by the forward rush of moving pictures. It also involves a profound meditation on the relationship between images and objects consistent with practices as diverse as the Spanish baroque still life and the Surrealist variation on the genre. With the work of Terence Davies and Alain Cavalier’s Thérèse

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11

Image Trap: M. G. Ramachandran in Film and Politics. SAGE Publications India Pvt, Ltd., 2015.

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12

Rosario, Vanessa Pérez. Writing the Nation. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038969.003.0002.

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This chapter describes the development of Burgos's social, political, and creative consciousness during the 1930s. It focuses on her first poetry collection, Poema en veinte surcos (Poem in Twenty Furrows, 1938), where she creates images of routes, travel, and water as a way to escape containment. In Poema en veinte surcos, Burgos experimented with various styles of writing prevalent among Puerto Rican writers of the time, including telurismo and neocriollismo, the negrista poetry of Luis Palés Matos, and the eroticism of Luis Lloréns Torres. Her nomadic subject championing freedom and justice

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13

Sengupta, Saswati. Domestication of the Disorderly Devī. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198767022.003.0013.

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The Hindu goddess Caṇḍī is generally understood as a manifestation of Śakti, a phenomenon of the deification of the female principle within Hinduism. But Caṇḍī is a rush of images and epithets which are quite contradictory: virgin, wife, warrior, mother, goddess of plenty, wife of a hemp-soaked mendicant. The prolific composition of the Caṇḍī Maṅgalakāvya by male poets, overwhelmingly upper-caste, helped propagate the sanctioned caste-patriarchal framing of this polysemic goddess in Bengal from the sixteenth to the eighteenth centuries. It is a measure of the march of brahminical patriarchy th

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14

Chang, Jason Oliver. Forging a Racial Contract. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252040863.003.0006.

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This chapter documents the far-reaching consequences of the rise of antichinistas within the revolutionary state as officials and politicians fought for the hegemony of mestizo nationalism. Antichinismo became an influential ideology that shaped policy, programs, and the country’s longest running political party. The chapter illustrates that antichinismo became popular not because it rejected the Chinese, but because rejecting the Chinese created an image of benevolent intervention and citizenship practices that did not challenge the revolutionary state. The chapter turns to the 1929 president

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15

Yancy, George. The Violent Weight of Whiteness. Edited by Naomi Zack. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780190236953.013.14.

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What is the lived experience of the black male body within the context of white America in the twenty-first century? How can we describe the deep existential and psychic dimensions of black male bodies as they negotiate their lives within the context of white hegemony? How do their bodies continue to be truncated according to a distorted and racist imago in the white imaginary? The black male body, within the context of this white imaginary, constitutes a site of “contamination.” As such, then, within the white body politic, black male bodies are thereby always already targets of the state, de

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16

Domínguez, Virginia R., and Jane C. Desmond, eds. Guillermo Ibarra on Amy Spellacy. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252040832.003.0031.

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This essay is a response to Amy Spellacy’s contribution in this book, Global Perspectives on the United States. While he largely concurs with Spellacy, Ibarra wonders about the persistence of Coca Cola as an iconic symbol of “America” in this period of ever-expanding global capitalism. He offers some hypotheses, too, about new ways that Coca Cola ads may be contributing to the current form of U.S. cultural hegemony. Highlighted among these is Ibarra’s idea that Coca Cola’s current messages focusing on diversity of national and ethnic groups may well work with their globalized market interests,

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17

Fulcher, Jane F. Renegotiating French Identity. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190681500.001.0001.

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In light of the recent historiography of Vichy, which stresses its initial political concession, competing factions, and then escalating collaboration with the occupant, this book proposes new questions concerning the shifting nature of French cultural as well as political identity. As the occupation advanced, how did those responsible for cultural policies attempt to adapt their conceptions of French values to accord with the agenda of collaboration in all professional fields? How was French cultural identity and its relation to German culture gradually reconceived by both the occupant and by

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18

Harlow, Luke E. Social Reform in America. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780199683710.003.0019.

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Any discussion of nineteenth-century religious Dissent must look carefully at gender. Although distinct from one another in important respects, Nonconformist congregations were patterned on the household as the first unit of God-given society, a model which fostered questions about the relationship between male and female. Ideas of gender coalesced with theology and praxis to shape expectations central to the cultural ethos of Nonconformity. Existing historiographical interpretations of gender and religion that use the separate spheres model have argued that evangelical piety was identified wi

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19

Worthington, Ian. Athens After Empire. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190633981.001.0001.

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When we think of ancient Athens, the image invariably coming to mind is of the Classical city, with monuments beautifying everywhere; the Agora swarming with people conducting business and discussing political affairs; and a flourishing intellectual, artistic, and literary life, with life anchored in the ideals of freedom, autonomy, and democracy. But in 338 that forever changed when Philip II of Macedonia defeated a Greek army at Chaeronea to impose Macedonian hegemony over Greece. The Greeks then remained under Macedonian rule until the new power of the Mediterranean world, Rome, annexed Mac

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