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Journal articles on the topic 'Hegemonic image'

Author: Grafiati

Published: 4 June 2021

Last updated: 16 February 2022

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1

Santry, Arron. ""A Place Colled Lovely1)"." Networking Knowledge: Journal of the MeCCSA Postgraduate Network 13, no. 1 (2020): 22–27. http://dx.doi.org/10.31165/nk.2020.131.593.

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The digitisation and networked distribution of the PixelVision videos of Sadie Benning presents a challenge to aesthetico-protocological hegemonies that determine the value of digital videos. Subverting their status as ‘poor images’, the uploaded copies of Benning’s works restage their queer, counter-hegemonic resistance via the controls of a new digital context. This paper calls for a re-examination of traditional attitudes towards the digitisation of ‘analogue’ moving image artworks and proposes that compression standards and their artifacts may be recuperated as part of a queer feminist-mat

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Baumgarten, Stefan. "Translation and hegemonic knowledge under advanced capitalism." Target. International Journal of Translation Studies 29, no. 2 (2017): 244–63. http://dx.doi.org/10.1075/target.29.2.03bau.

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Translation occurs in a context of power asymmetries. Using two English translations of Adorno’s seminal Ästhetische Theorie as an example, this paper elaborates an eclectic phenomenology of power structured alongside three symbolic images: the street market, the assembly line, and a technological gadget. By aligning some key concepts of critical theory with the evolutionary stages of capitalism, it will be argued that recontextualisations of Adornian thought in English may reflect the well-known antagonism between Adorno’s philosophical thought and the dominant scientistic mindset of mid-20th

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Koenig, Sara M. "Make War Not Love." biblical interpretation 23, no. 4-5 (2015): 489–517. http://dx.doi.org/10.1163/15685152-02345p02.

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David has been held up as an ideal(ized) man, one against whom other men are to be defined: a hegemonic male. His hegemonic masculinity is clearly visible in 2 Samuel 10–12, which takes place during the Ammonite wars. But hegemony is a social construct, and it gets expressed in social relationships. David’s relationships with three other characters in this pericope – Joab, Bathsheba and Uriah – illustrate how a hegemonic man maintains his hegemony through the trifecta of violence, sex, and race. Ultimately, David’s actions in 2 Samuel 10–12 vis-à-vis these three show the limitations and perils

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Bowen, Kate. "Giving Hegemonic Masculinity a Face Lift: Masquerade in John Woo's Face/Off and the Somatechnics of Masculinity in Crisis." Somatechnics 11, no. 1 (2021): 10–26. http://dx.doi.org/10.3366/soma.2021.0337.

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In 1990s America, the question of what made a ‘real’ man was at the forefront of debates about sex and gender. During this pivotal moment in American history, hegemonic masculinity in particular was experiencing numerous threats to its ontological security. For instance, masculinity was infamously pronounced in crisis, the advent of the ‘new man’ betrayed anxieties about an image-conscious and feminine performance of masculinity, and there was mounting social pressure from civil rights, feminist, and queer groups for straight, white, masculinity to be challenged as the centre of the patriarcha

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Della Ratta, Donatella. "The Unbearable Lightness of the Image." Middle East Journal of Culture and Communication 10, no. 2-3 (2017): 109–32. http://dx.doi.org/10.1163/18739865-01002003.

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In this essay, I reflect on the aesthetic, political and material implications of filming as a continuous life activity since the beginning of the 2011 uprising in Syria. I argue that the blurry, shaky and pixelated aesthetics of Syrian user-generated videos serve to construct an ethical discourse (Ranciére 2009a; 2013) to address the genesis and the goal of the images produced, and to shape a political commitment to the evidence-image (Didi-Huberman 2008). However, while the unstable visuals of the handheld camera powerfully reconnect, both at a symbolic and aesthetic level, to the truthfulne

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Tan, Kenneth Paul. "Singapore in 2014." Asian Survey 55, no. 1 (2015): 157–64. http://dx.doi.org/10.1525/as.2015.55.1.157.

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In the “new normal” following the 2011 general election, Singapore seems poised for further development toward liberal democracy. However, the ruling People’s Action Party is attempting to reinvent itself and regain its hegemonic position, which requires finding credible solutions for very challenging problems to do with policy, communication, and public image.

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Gohar, Saddik. "Narrating the marginalized Oriental female: silencing the colonized subaltern." Acta Neophilologica 48, no. 1-2 (2015): 49–66. http://dx.doi.org/10.4312/an.48.1-2.49-66.

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A scrutinized reading of the early fiction of Naguib Mahfouz, particularly his masterpiece Midaq Alley, reveals that the author's outward tendency to offer what seems to be a neutral presentation of Egyptian-Arab women is thwarted by a hegemonic master narrative originated in local patriarchal traditions. It either marginalizes the female subaltern downsizing her role in the fictional canvas or conflates her with a status of gender inferiority by assigning her a role which conforms to her image in the patriarchal taxonomy of Oriental women. In other words, the authorial attempt to create an ob

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Bouhaben, Miguel Alfonso. "Poder, violencia y resistencia de la imagen. Batallas audiovisuales en América Latina." Calle 14 revista de investigación en el campo del arte 12, no. 2 (2017): 41. http://dx.doi.org/10.14483/21450706.12354.

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Poder, violencia y resistencia de la imagen. Batallas audiovisuales en América LatinaMiguel Alfonso BouhabenResumenEl mundo contemporáneo se ha convertido en imagen. El poder controla, por medio de imágenes –cámaras de vigilancia, películas ideológicas, nuevas tecnologías, etc.– lo que se debe pensar y sentir. El presente artículo tiene como objetivo la definición y la evaluación crítica de las relaciones entre el poder, la violencia y las formas de resistencia de las imágenes. A través del análisis de algunas secuencias de La hora de los hornos (Gettino y Solanas, 1968), Sangre de cóndor (Jor

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Morris, Christine. "Indigenising the Effects of Media Globalisation." Media International Australia 105, no. 1 (2002): 119–29. http://dx.doi.org/10.1177/1329878x0210500116.

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This article is meant to address an international Indigenous audience and has already been presented at several international forums. The intention of the article is to show the ways in which Indigenous communities in Australia are using technology to promote democratic communication and to challenge global media hegemony perpetuated not only by media moguls but also by those who claim to challenge media on behalf of the oppressed. This tyranny of Aboriginal and Torres Strait Islander voices not only emanates from the hegemonic racism of mainstream society, but Fanon's concept of the comprador

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Igaeva, Ksenia. "Transformations of Hegemonic Masculinity and Functions of Female Images in Contemporary Western Films." Logos et Praxis, no. 4 (April 2020): 78–83. http://dx.doi.org/10.15688/lp.jvolsu.2020.4.7.

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The controversy about modern transformations of consumer society typically is not related to gender studies. At the same time, the spread of mass culture in the consumer society has had a significant impact on the redistribution of gender roles. Gender studies have long been dominated by the study of women's history through criticism of hegemonic masculinity as a system for the distribution of social roles, and economic inequality was only their derivative. Moreover, starting from the first decade of the XXI century, many researchers appear (M. Kimmel, S. Bordeaux, S. Robinson) striving to mov

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Hier, Sean P. "Moral panic and the new neoliberal compromise." Current Sociology 67, no. 6 (2019): 879–97. http://dx.doi.org/10.1177/0011392119829511.

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Moral panics are conventionally explained as socially regressive overreactions to objectively minor problems. In the early 2000s, moral panics were recast as collective grievances that arise from perceived crises in the moral regulation of everyday life. Emphasizing neoliberal forms of entrepreneurial risk management, the panic-as-regulation perspective provides ways of thinking beyond some of the limitations associated with conventional perspectives. This article shows how the new neoliberal compromise, characterized by ongoing submission to the rule of capital in the absence of familiar ways

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Hashmi, Fahad. "Shaping Public Opinion and Community Mobilisation: The Role of Urdu Language Media in India." Society and Culture in South Asia 5, no. 2 (2019): 216–57. http://dx.doi.org/10.1177/2393861719845157.

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Considering the role played by Rashtria Sahara, an Urdu daily newspaper that took recourse to the democratic practice of questioning and challenging the hegemonic formation of the maligned image of Islam and the faith community vis-à-vis terrorism in the discursive arena, that is, the public sphere, this article tries to understand the role of the Urdu language media in shaping the public opinion and mobilising people from within the community. To this end, first, the article seeks to comprehend the present configuration of the Indian public sphere keeping in view its colonial origin. Moreover

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Zhu, Zheng. "“Straight” Acting: Changing Image of Queer-Masculinity in Media Representation." Journal of Arts and Humanities 5, no. 9 (2016): 23. http://dx.doi.org/10.18533/journal.v5i9.1008.

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<p align="center"><strong> </strong></p><p>In this essay, I critically examine media representation of Welsh rugby legend Gareth Thomas, with a specific focus on the construction of his masculinity as an outing gay celebrity. The existing critical scholarship has studied various forms of media representation of queer images. But they did not examine how unconventional queer representation interacts with the normative gender performance. This paper investigates mainstream media’s discursive construction of masculine gay male. The findings call our attention to the

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Gu, Chonglong. "(Re)manufacturing consent in English." Target. International Journal of Translation Studies 31, no. 3 (2019): 465–99. http://dx.doi.org/10.1075/target.18023.gu.

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Abstract Unlike the use of force or coercion, the articulation of ideological discourse constitutes a softer approach in the legitimation and hegemonic rule of dominant political actors, achieved through manufacturing consent (Gramsci 1971). As a major site of ideology, the televised premier’s press conferences in China represent such a discursive event, enabling the Chinese government to convey its discursive formations or “regime of truth” (Foucault 1984) and in doing so to manufacture consent. Benefitting from a corpus containing 20 years of China’s Premier-Meets-the-Press conference data (

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Pancani C., Dino. "Enseñanza de la imagen en la escuela: tarea pendiente." Foro Educacional, no. 16 (June 30, 2015): 143. http://dx.doi.org/10.29344/07180772.16.623.

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ResumenEn la sociedad contemporánea, la interpretación crítica de la imagen visual es una herramienta clave en la formación ciudadana de los niños/jóvenes. Sin embargo, el sistema educativo escasamente ha incorporado programas y metodologías que permitan enseñar a “leer” las imágenes de nuestro entorno. En este artículo, se analiza esta problemática educativa desde las teorías de la imagen y explora su relación y consecuencias desde una perspectiva pedagógica Freiriana. La escuela es responsable de liderar una formación que cuestione el contenido de las imágenes hegemónicas del entorno cotidia

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Capous-Desyllas, Moshoula, and Marina Johnson-Rhodes. "Collecting visual voices: Understanding identity, community, and the meaning of participation within gay rodeos." Sexualities 21, no. 3 (2017): 446–75. http://dx.doi.org/10.1177/1363460716679801.

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Rodeos have been an integral part of American cowboy culture since the 1800s, however, it wasn’t until the 1970s when gay rodeos began to form and challenge some of the assumptions about ‘cowboys,’ ‘sexuality,’ and ‘masculinity.’ The purpose of this ethnographic study was to utilize participant-driven photo-elicitation (PDPE) method to understand how individuals who participate in gay rodeos experience their identities and the meanings they attribute to their participation in this queer subculture. The diverse images shared by the participants illustrate their unique identities and the various

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Gonzalez-Cuerva, Ruben. "A Diamond or a Bear: the Spanish Court’s Practices of Gift-Giving with Extra-European Embassies." Diplomatica 2, no. 2 (2020): 201–22. http://dx.doi.org/10.1163/25891774-02020002.

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Abstract By the seventeenth century, the Spanish court had developed a well-established practice of gift-giving to foreign representatives. The richness and variety of such gifts pretended to foster the hegemonic and prestigious image of the Catholic king. However, those agents not pertaining to the medieval framework of Christendom posed several challenges: how to compare and commensurate their rank and dignity with European examples? How to adapt (and to what extent) the local system to quite different tastes and cultural backgrounds?

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Al Sharoufi, Hussain. "Ideological manipulation in mobilising Arabic political editorials." Pragmatics and Society 2, no. 1 (2011): 87–109. http://dx.doi.org/10.1075/ps.2.1.05als.

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This study presents the particular discursive strategies used by some Arabic newspapers to serve the Islamist fundamentalists’ goals and strengthen their hegemonic ideology in the Middle East. It also describes the move to create and sustain a new wave of Occidentalism, the doctrine of negatively representing the West, a counterpart to Edward Said’s Orientalism, the doctrine of negatively representing the East. Occidentalism is a retaliatory ideological strategy that rebuffs hegemonic Western ideas; it is used by some chauvinistic Arabs trying to create a distorted image of the West in the min

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Acioli Neto, Manoel de Lima, and Maria de Fátima de Souza Santos. "Alterity and Identity Refusal: The Construction of the Image of the Crack User1." Paidéia (Ribeirão Preto) 24, no. 59 (2014): 389–96. http://dx.doi.org/10.1590/1982-43272459201413.

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The discourse disseminated in the media shows the user of crack as dependent or criminal. This study’s aim was to analyze the construction of otherness around the image of crack users. We interviewed 14 crack users in different places and the data were analyzed using Thematic Content Analysis. The participants’ reports suggest that the image of crack users is established based on alterity, in which the individual in this condition does not recognize him/herself. Thus, even though users contend that their actions are not determined by the standards provided by their interactional networks, hege

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Rondini, Ashley C. "Surviving Dangerous Waters: Teaching Critical Consciousness Against a Tide of Post-truth." Humanity & Society 44, no. 2 (2019): 221–32. http://dx.doi.org/10.1177/0160597619869045.

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In an analysis based upon an original cartoon image by artist Michael Scalzo, this sociological essay proposes an allegory of critical consciousness within the context of our contemporary sociocultural landscape. Likening the role of critical consciousness to that of an oxygen tank for a fish surrounded by polluted water, I draw upon theoretical literature engaging critical epistemological and pedagogical praxis, as well as Marxist, critical race, feminist, and queer sociological theories to frame the role of critical pedagogy in elucidating the relationships between hegemonic ideology and str

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Pérez-Gil, María del Mar. "Representations of Nation and Spanish Masculinity in Popular Romance Novels: The Alpha Male as “Other”." Journal of Men’s Studies 27, no. 2 (2018): 169–82. http://dx.doi.org/10.1177/1060826518801531.

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The alpha hero embodies the hegemonic masculinity that has long dominated romance fiction. The portrayal of this male type is, however, problematized when he is an exotic foreigner, as his hyper-heterosexualized masculinity is often associated with the gender backwardness of his country. This article is concerned with popular romance novels set in Spain in the 1970s. It explores how British authors rely on gender and national clichés that construct an essentialized image of Spanish men. The primitive and instinctual masculinity attributed to them reveals these novels’ complicity with the ideol

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de Zeeuw, Daniël, and Marc Tuters. "Teh Internet Is Serious Business." Cultural Politics 16, no. 2 (2020): 214–32. http://dx.doi.org/10.1215/17432197-8233406.

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At the fringes of an increasingly hegemonic platform economy, there exists another web of anonymous forums and image boards whose unique “mask culture” the article aims to deconstruct by tracing its roots in the cyber-separationist imaginary of early internet culture, in a way that can be seen to undermine the new “face culture” of social media platforms like Facebook. The practices that characterize this “deep vernacular web” are anti- and impersonal rather than personal, ephemeral and aleatory rather than persistent and predictable, collective rather than individual, stranger-rather than fri

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Farago, Claire. "The face of the other: the particular versus the individual." Boletim do Museu Paraense Emílio Goeldi. Ciências Humanas 12, no. 2 (2017): 289–313. http://dx.doi.org/10.1590/1981.81222017000200003.

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Abstract Five interrelated case studies from the sixteenth to the twentieth centuries develop the dynamic contrast between portraiture and pictorial genres newly invented in and about Latin America that do not represent their subjects as individuals despite the descriptive focus on the particular. From Jean de Léry’s genre-defining proto-ethnographic text (1578) about the Tupinamba of Brazil to the treatment of the Creole upper class in New Spain as persons whose individuality deserves to be memorialized in contrast to the Mestizaje, African, and Indian underclass objectified as types deservin

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Singleton, John. "Plato’s Cave and the Image of the Family Home in John McGahern’s The Barracks." Review of Irish Studies in Europe 3, no. 1 (2019): 90–105. http://dx.doi.org/10.32803/rise.v3i1.2221.

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This article argues that, in The Barracks, John McGahern’s literary production of the domestic familial space charts the fractures and partitions within that supposed unified space to reveal the anaemic passivity and alienating nausea that overcomes individuals within a prescriptive and totalising hegemony. It will discuss McGahern’s decision to withdraw his first novel from publication, and the reformation of the unpublished text into The Barracks. It expressly considers McGahern’s shifting of the spatial setting from the recognisable trope of the country kitchen to a Garda barracks and the i

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Kim, Chi-Hoon. "Let Them Eat Royal Court Cuisine! Heritage Politics of Defining Global Hansik." Gastronomica 17, no. 3 (2017): 4–14. http://dx.doi.org/10.1525/gfc.2017.17.3.4.

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The recent race among nation-states to promote national cuisine as a way to counter globalization has marked food as a resource to reinforce national identity and preserve local food heritage. In 2008, South Korean president Lee Myung-bak joined this “food war” by launching the Global Hansik Campaign to reinforce Korean national identity and enhance the nation's image. The government chose royal court cuisine of the Joseon dynasty (1392–1910) as the national representative to present a unified and culturally refined image to simultaneously neutralize local differences and project its global de

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Kim, Kyung Min. "Paul’s Defense: Masculinity and Authority in 2 Corinthians 10–13." Journal for the Study of the New Testament 44, no. 1 (2021): 149–69. http://dx.doi.org/10.1177/0142064x211024849.

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In 2 Cor. 10–13, Paul tries to prove his authority as a reliable leader by using two different masculinity standards. Paul manifests his power and control over the Corinthian church members by using an image of paterfamilias (11.2-3; 12.14). Paternal control of others was an essential element of hegemonic masculinity in the Greco-Roman world. Moreover, Paul proves his manliness by revealing his endurance and submission to divine authority (11.21b–12.10) according to the Hellenistic Jewish masculinity. I argue that Paul is embedded in these different cultural assumptions regarding masculinity a

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Machado, Sandra De Souza. "QUANDO TODAS AS CORES DOS CINEMAS SÃO O AZUL, A COR MAIS FRIA: Uma Análise Sobre Produções Audiovisuais e Gênero." Revista Observatório 3, no. 1 (2017): 105. http://dx.doi.org/10.20873/uft.2447-4266.2017v3n1p105.

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RESUMO O artigo analisa, com estatísticas e por meio de crítica do filme Azul é a Cor Mais Quente (França, 2013), as características fundamentais nas produções audiovisuais eurocêntricas – hegemônicas e dominantes no panorama mundial – que instigam, perpetram, e perpetuam a anulação e/ou a negação do feminino. Bem como enraízam os estereótipos de gênero que permeiam as diversas culturas e sociedades globais. As estatísticas sobre mulheres empregadas nas produções audiovisuais, as teorias do cinema, da fotografia em movimento, e as análises críticas das teorias feministas do cinema são de

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ERTUGAY, Fatih, and Ergin ULUSOY. "REGIONAL AND HEGEMONIC IMAGE OF THE UNITED STATES: ANALYSIS OF TURKISH AND FOREIGN STUDENTS’ US PERCEPTION THROUGH TWO MOVIES." Kafkas Üniversitesi İktisadi ve İdari Bilimler Fakültesi Dergisi 11, no. 21 (2020): 521–43. http://dx.doi.org/10.36543/kauiibfd.2020.023.

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Kerscher, Mônica Maria, and Cláudia Regina Flores. "Mathematical Forms in the Look about the Human Body: Thought, Technique, Art and Education." Acta Scientiae 22, no. 1 (2020): 134–50. http://dx.doi.org/10.17648/acta.scientiae.5599.

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This article is an analytical exercise on a way of thinking in which mathematics operates in the ways of representing and speaking about human body drawing. With a problematic attitude, one asks: how and where does a technique that colonize ways of representing and looking at the body in art and math activities in the classroom come from? This means analysing a modulation of look and thinking that organizes the imagetic representation of the human body, shapes the image, and orders thought, in which mathematics operates as the agent and effect of a mode of colonization. Therefore, it takes dif

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Popp, Ashley M., and Chia-Ju Yen. "The Global Transformation of Belly Dancing: A Cross-Cultural Investigation of Counter-Hegemonic Responses." Physical Culture and Sport. Studies and Research 55, no. 1 (2012): 17–29. http://dx.doi.org/10.2478/v10141-012-0002-7.

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AbstractThe first part of this study, explored by Ashley Popp, presents an investigation into a relatively unexamined area of physical education: an analysis of a transcultural phenomenon in the history of dance. Data has been collected from primary sources and archival evidence to assess competing ideologies inherent in the transformation of a particular art form. In the analysis of the cultural migration through which belly dance was transferred from the Middle East to the United States, an adaptive reaction to the hegemonic relationships of culture, race, gender, and class has been observed

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Diamant, Cristina. "Hermia and the Dark Lady: From Perceived Others to Potential Erotic Objects." Linguaculture 2017, no. 2 (2017): 85–105. http://dx.doi.org/10.1515/lincu-2017-0020.

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Abstract The present paper is focused on the figures of the Dark Lady of the sonnets and Hermia from A Midsummer Night‟s Dream as modes of writing against the Petrarchian ideal. The former is the most explicit of Shakespeare‘s suite of “dark ladies” (which includes Anne, Kate, Hero, Phoebe, Cleopatra, and Rosaline), while the latter is arguably his least individualised character, yet one that has benefitted from more public attention than most thanks to the generous circulation, continuous adaptation and re-contextualisation of the text. Two useful concepts for the discussion I propose are wha

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Price, Michael, and Andrew Parker. "Sport, Sexuality, and the Gender Order: Amateur Rugby Union, Gay Men, and Social Exclusion." Sociology of Sport Journal 20, no. 2 (2003): 108–26. http://dx.doi.org/10.1123/ssj.20.2.108.

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This paper presents findings from an ethnographic study of a UK-based amateur rugby union club for gay and bisexual men. Positioning the club at the centre of the research, heterosexist definitions of sport are analysed with regard to their effect on the lives of players and the continued existence of the club itself. The standpoint of team members in relation to dominant hegemonic forces in sport is explored through an examination of the sexual politics of the club and the possibility for iterative challenges to gender norms within this particular sporting context. The central findings indica

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Hyams, Melissa. "‘Over There’ and ‘Back Then’: An Odyssey in National Subjectivity." Environment and Planning D: Society and Space 20, no. 4 (2002): 459–76. http://dx.doi.org/10.1068/d331.

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In this paper I explore the ways in which Latinas, young US-born Mexican-descent teenage girls, construct national belonging through difference: corporeal, spatial, and temporal difference between themselves and their Mexican contemporaries, young Mexicanas. Specifically, I analyse their representations of Mexico and Mexicanas, in narratives of their own and others' travels, and experiences of living, ‘over there’ and ‘back then’. I argue that, in and through an engagement of body image with national narratives and transnational hierarchies, the young women intervene in and reproduce hegemonic

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Drakett, Jessica, Bridgette Rickett, Katy Day, and Kate Milnes. "Old jokes, new media – Online sexism and constructions of gender in Internet memes." Feminism & Psychology 28, no. 1 (2018): 109–27. http://dx.doi.org/10.1177/0959353517727560.

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The Internet is a space where the harassment of women and marginalised groups online has attracted the attention of both academic and popular press. Feminist research has found that instances of online sexism and harassment are often reframed as “acceptable” by constructing them as a form of humour. Following this earlier research, this present paper explores a uniquely technologically-bound type of humour by adopting a feminist, social-constructionist approach to examine the content of popular Internet memes. Using thematic analysis on a sample of 240 image macro Internet memes (those featuri

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Heo, Yoon. "The Non-hegemonic Masculinities in The Female Impersonator Comedy as the Mirror Image of Hypermasculinity in 1960's South Korea." Feminism and Korean Literature 46 (April 30, 2019): 161–89. http://dx.doi.org/10.15686/fkl.46.0.6.

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Gribaldo, Alessandra. "Veline, ordinary women and male savages: Disentangling racism and heteronormativity in contemporary narratives on sexual freedom." Modern Italy 23, no. 2 (2018): 145–58. http://dx.doi.org/10.1017/mit.2018.5.

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This article takes as its starting point the so-called ‘sex scandals’ surrounding Italy’s former prime minister Silvio Berlusconi during the last years of his premiership (2009–2011), which have filled Italian newspaper columns and legal case files. Political discourses and media interpretations of women’s freedom at the time represented genders through the eroticisation of power. The deployment of postfeminist and stereotyped representations of gender relations produced a complex and ambivalent frame for female sexuality and agency which reproduced the hegemonic neoliberal rhetoric that locat

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Handau, Megan, and Evelyn M. Simien. "The Cult of First Ladyhood: Controlling Images of White Womanhood in the Role of the First Lady." Politics & Gender 15, no. 03 (2019): 484–513. http://dx.doi.org/10.1017/s1743923x19000333.

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AbstractIn recent decades, scholars have begun to analyze the role of the first lady in American society. Though the relationship between gender ideologies and this identity has been analyzed, little attention has been paid to how other aspects of the first ladies’ identities could shape the way the public and the first ladies themselves view their role. In this article, we offer an intersectional analysis that considers historical notions of hegemonic femininity in relation to race. We assert that the role of the first lady is a raced-gendered institution that produces a controlling image of

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Kuljic, Todor. "The new (changed) past as value factor of development." Sociologija 48, no. 3 (2006): 219–30. http://dx.doi.org/10.2298/soc0603219k.

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Image of the past is an active framework of reference values that indirectly gives a meaning to and influences social development. The past provides a symbolic framework to the individuals and groups by which they conceptualize their existence. Changing the image of the past is an important part of the transition of values. The past is an active framework of social action not just passively reframed ideas adapted to the needs of the present. Since 1990s the past has been radically changed, reinvented and revisioned in newly formed Balkan states in order to initiate new development towards the

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Mooney, Barbara Burlison. "The Comfortable Tasty Framed Cottage: An African American Architectural Iconography." Journal of the Society of Architectural Historians 61, no. 1 (2002): 48–67. http://dx.doi.org/10.2307/991811.

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African American architectural history is not a secondhand version of the European American white experience; evidence of African American architectural agency can be discovered by tracing the evolution of the iconography of the "comfortable, tasty, framed cottage." Arising out of aspirations of assimilation before and after emancipation, the image of an idealized African American middle-class house was understood not only as a healthful and convenient shelter, but as the measure of racial progress and as a strategy for gaining acceptance into the dominant white culture. Three institutions wit

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d'Aspremont, Jean. "A Postmodernization of Customary International Law for the First World?" AJIL Unbound 112 (2018): 293–96. http://dx.doi.org/10.1017/aju.2018.77.

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In his recent piece in the American Journal of International Law, B.S. Chimni depicts a doctrine of customary international law that has allowed the First World to impose its domination and promote its version of global capitalist justice. From Chimni's perspective, all the gimmicks and sophisticated dichotomies invented by international lawyers to refine international customary law serve a hegemonic socialization process whereby the center imposes its neoliberal ideals on an admiring periphery. But this diagnosis is certainly not the end of the story. In fact, Chimni's dismal image of the wor

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Robertson, Janice. "RISKING MASCULINITY: PLAYING FAST AND LOOSE WITH HEGEMONIC MASCULINITY IN THE HEROâ€™S GUIDE TO SAVING YOUR KINGDOM." Mousaion: South African Journal of Information Studies 32, no. 4 (2016): 128–40. http://dx.doi.org/10.25159/0027-2639/1657.

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In Christopher Healyâ€™s (2012) childrenâ€™s book, The heroâ€™s guide to saving your kingdom, the idea of hegemonic masculinity is subverted in various ways. In this reinvention of four fairy tales â€“ â€˜Cinderellaâ€™, â€˜Sleeping Beautyâ€™, â€˜Snow Whiteâ€™ and â€˜Rapunzelâ€™ â€“ the author seems consciously to subvert the prevalent stereotypes surrounding traditional representations of the idealised, yet largely uninterrogated image of â€˜Prince Charmingâ€™. All four of the princes who feature as protagonists in the book express their dissatisfaction at the prescriptive expectations that go

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Mozol, Tatiana S. "Evolution of Masculine Gender Stereotypes in Korean." Vestnik of Saint Petersburg University. Asian and African Studies 13, no. 2 (2021): 212–33. http://dx.doi.org/10.21638/spbu13.2021.206.

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The article is devoted to the study of the evolution of masculine stereotypes represented in the Korean language. Language is an integral part of culture, it reflects changes in social consciousness, while the lexis of the language is the first to react to sociocultural transformations taking place in society. The material for the study was Korean traditional paremias, modern proverbs, metaphors, and neologisms about men. Korean traditional paremias convey ideas of hegemonic masculinity and ideas about the absolute superiority of men. Men in Korean proverbs are portrayed from the positive side

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López Sanz, Hasan Germán. "Poder y agencia icónica. El negro africano como víctima en la cultura visual hegemónica Power and iconic agency. The black African as a victim in the hegemonic visual culture." Laocoonte. Revista de Estética y Teoría de las Artes, no. 5 (December 13, 2018): 142. http://dx.doi.org/10.7203/laocoonte.0.5.12181.

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El objetivo de este artículo es abordar el problema filosófico y antropológico de los sistemas hegemónicos de representación fotográfica del África subsahariana. Concretamente, se analiza la imagen del negro africano como víctima y cómo con ella se refuerza lo que Okwui Enwezor ha llamado el afropesimismo. Sin embargo, a diferencia de Enwezor, que pone el acento en la fotografía documental y periodística, mi intención es mostrar que la estrategia que consiste en poner el acento en la víctima también se utiliza en otras prácticas fotográficas más alineadas con el arte, y que sus consecuencias e

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Karagiannis, Evangelos. "Pfingsten im Kontext." Anthropos 115, no. 1 (2020): 133–50. http://dx.doi.org/10.5771/0257-9774-2020-1-133.

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The present article addresses two issues that have preoccupied anthropological research on Pentecostal churches: context-sensitivity and radical globalism/antinationalism. The article seeks to qualify this dominant image of Pentecostals in anthropology by focusing on Greece, where nationalism has strong roots and is closely linked to Orthodox Christianity, and by analysing the development of the leading Pentecostal church of the country over the last fifty years. It can be established that the church’s sensitive adaptation to dominant religious expectations in Greece did ensure its hegemonic p

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Tošić, Jelena, and Annika Lems. "Introduction." Migration and Society 2, no. 1 (2019): 1–11. http://dx.doi.org/10.3167/arms.2019.020102.

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Th is contribution introduces the collection of texts in this special section of Migration and Society exploring contemporary patterns of im/mobility between Africa and Europe. It proposes an ontological-epistemological framework for investigating present-day movements via three core dimensions: (1) a focus on im/mobility explores the intertwinement of mobility and stasis in the context of biographical and migratory pathways and thus goes beyond a binary approach to migration; (2) an existential and dialogical-ethnographic approach zooms in on individual experiences of im/mobility and shows th

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Debuysere, Loes. "‘La Femme’ Before and After the Tunisian Uprising: (Dis)continuities in the Configuration of Women in the Truth Regime of ‘Tunisianité’." Middle East Law and Governance 8, no. 2-3 (2016): 201–27. http://dx.doi.org/10.1163/18763375-00802005.

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The rights of Tunisian women have been safeguarded in the aftermath of Tunisia’s popular uprising, despite initial and widespread fears of the contrary following the democratic victory of the Islamist Ennahdha party. Article 46 of the new constitution not only reinforces ‘les droits acquis’ of Tunisian women, but also seeks to expand them. The post-uprising preservation of women’s rights can be explained by the persistent hegemony of the image of the professional, modern and emancipated ‘Femme Tunisienne’ – since independence presented as a role model for women to live up to – and its crucial

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Hjelm, Titus, Riitta-Liisa Valijärvi, Alessia Lee, Alina Linnenweber, Tímea Tárkányi, and Phoebe Troll. "Learning language, learning culture: Constructing Finnishness in adult learner textbooks." European Journal of Cultural Studies 22, no. 3 (2017): 309–26. http://dx.doi.org/10.1177/1367549417719062.

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Learning a second language can be considered a primary example of what Berger and Luckmann call ‘secondary socialisation’. Through careful decisions concerning what to include and what to omit, textbooks have the power to direct what a beginner can and should say in their target language. Additionally, textbooks have the responsibility of representing the cultures that speak the language. Much of a language learner’s initial understanding of a national culture in its own language is dependent on the constructions of that culture in their learning resources. This article examines how two widely

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Kuljić, Todor. "A Good Death – On the Evolution of Social Acceptable Ways to Die." Issues in Ethnology and Anthropology 8, no. 1 (2016): 61. http://dx.doi.org/10.21301/eap.v8i1.3.

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Socially acceptable ways to die have been historically variable. The paper gives a historical overview of what was considered a good death in Europe. The difference between the traditional, the modern and the postmodern view of a good death is highlighted. The real conditions of dying on average have undergone fundamental changes, thus the image of a normal death has shifted as well. The conditions and meaning of living have imposed a vision of its desirable ending. Earlier, a good death was prepared and one would die in the presence of a priest, afterwards dying took place in hospitals, and t

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Ayyaz, Shazia. "An Interdiscursive Analysis of Post-The Innocence of Muslims Political Discourse at UN Forum." International Journal of English Linguistics 7, no. 6 (2017): 275. http://dx.doi.org/10.5539/ijel.v7n6p275.

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This research focusses the interdiscursive analysis of political discourse to expose the hegemonic relations in the world politics. It is backgrounded in the issue of blasphemy that emerged after the release of the movie trailer The Innocence of Muslims. The researcher restricted the context of the study to the UN General Assembly meeting September 2012 where the issue was discussed in the presence of world political leaders. The data of the study contains the speech of the US president Barak Obama and is analyzed by using Fairclough’s (1992) concept of interdiscursivity and hegemony. The anal

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Gunnell, John G. "The Vocations of Political Theory. Edited by Jason A. Frank and John Tambornino. Minneapolis: University of Minnesota Press, 2000. 400p. $57.95 cloth, $22.95 paper." American Political Science Review 96, no. 1 (2002): 180–81. http://dx.doi.org/10.1017/s0003055402304313.

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A generation ago, Sheldon Wolin evoked an image of the vocation of political theory as an alternative to the behavioral program of theory and scientific inquiry that had come to dominate political science. His call also summoned those who believed that, in the midst of the political turmoil of the 1960s, the mainstream of the discipline had become politically quiescent and, at least by its inaction, even implicated in the political crises of the time. Intellectual and ideological choices were, indeed, involved, but Wolin was implicitly also giving voice to a professional identity for a large s

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