Journal articles: 'Heian literature'

1

Nam, Yi Sug. "Heian women"s literature and Hase-dera." Korean Journal of Japanese Language and Literature 75 (December 31, 2017): 185–206. http://dx.doi.org/10.18704/kjjll.2017.12.75.185.

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박경화. "Study and translation of Heian literature in Korea." Japanese Language and Literature Association of Daehan ll, no. 53 (February 2012): 247–69. http://dx.doi.org/10.18631/jalali.2012..53.014.

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윤승민. "Images of Peaches and Pears in Heian Literature." Journal of the society of Japanese Language and Literature, Japanology ll, no. 79 (November 2017): 229–48. http://dx.doi.org/10.21792/trijpn.2017..79.012.

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Ivanova, Gergana E. "Reading the Literary Canon through Manga in the Twenty-First Century." Japanese Language and Literature 55, no. 1 (April 21, 2021): 163–79. http://dx.doi.org/10.5195/jll.2021.160.

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This special section of Japanese Language and Literature, “Heian Literature in Manga,” attempts to offer tools for understanding the multiple functions that manga appropriations of literary texts written over a millennium ago perform in present-day Japan. Focusing on manga adaptations of six Heian-period (794-1185) works, the contributors examine how and why these classical writings have been rewritten for readers in the late twentieth and early twenty-first centuries. They present six international perspectives on the influence manga has had in popularizing Heian classics by exploring modern interpretations as well as which aspects of the ancient texts have been promoted for readers in Japan today.

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Lee, Bu-Yong. "The Representation of Doors in Japanese Heian-Era Literature." Journal of Japanology 42 (May 30, 2016): 67–94. http://dx.doi.org/10.21442/djs.2016.42.04.

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Yoocheon Kim. "A Study on 'Miyako' of the Heian Period's Literature." Journal of Japanese Studies ll, no. 42 (December 2009): 143–64. http://dx.doi.org/10.15733/jast.2009..42.143.

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남이숙. "Japanese Classic Love Poem of『Kokinwakashyu』and Heian Classic Literature." Journal of Japanese Culture ll, no. 66 (August 2015): 123–45. http://dx.doi.org/10.21481/jbunka..66.201508.123.

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Jongduck Kim. "A Study of Sickness and Death in the Heian Literature." Journal of Japanese Studies ll, no. 62 (December 2014): 139–58. http://dx.doi.org/10.15733/jast.2014..62.139.

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Ro, Sunsook. "Loss and consolation in Diary literature of the Heian period." Comparative Japanese Studies 43 (September 30, 2018): 227–52. http://dx.doi.org/10.31634/cjs.2018.43.227.

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류정선. "The degenerate age consciousness showen in a Heian period of literature." Journal of Japanese Language and Literature 72, no. 2 (February 2010): 25–42. http://dx.doi.org/10.17003/jllak.2010.72.2.25.

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Kim, Yoo Cheon. "A Study on “Goryeo” “Baekje” “Silla” in Japanese Heian period literature." Journal of Japanese Studies 54 (May 31, 2018): 199–222. http://dx.doi.org/10.18841/2018.54.09.

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Meshcheryakov, Alexander. "Perception of Heian era Japanese literature in the USSR and Russia." Shagi / Steps 4, no. 1 (2018): 116–33. http://dx.doi.org/10.22394/2412-9410-2018-4-1-116-133.

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Houen, Christina. "When Caged Birds Sing: The Many-folded Subject in the Baroque World of Heian Japanese Women's Writing." Deleuze Studies 5, no. 1 (March 2011): 97–117. http://dx.doi.org/10.3366/dls.2011.0010.

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In this article, the world of Heian women's literature is interpreted through Deleuzian concepts of desire and becoming and figures of the rhizome, the Baroque fold and origami, supported by Elizabeth Grosz's concept of art as originating in the impulse to seduction. Within the constraints of movement, dress and behaviour imposed by a polygamous hierarchical court society, Heian women created a rich body of literature that celebrated and subtly critiqued their world. Through aesthetic intensification of form and imagination within a labyrinthine cloistered society, they folded their fictional and autobiographical subjectivities into intricate patterns of desire. The richly described and imagined world of their fictional and confessional literature, still read, translated and transformed into other art forms, celebrates the freedom of the imagination even in confined and controlled circumstances.

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Washburn, D. "Gender and National Literature: Heian Texts in the Constructions of Japanese Modernity." Modern Language Quarterly 66, no. 4 (December 1, 2005): 545–48. http://dx.doi.org/10.1215/00267929-66-4-545.

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金裕千. "A Study on the Time in Connection with Love in Heian Period's Literature." Journal of japanese Language and Culture ll, no. 11 (October 2007): 183–204. http://dx.doi.org/10.17314/jjlc.2007..11.010.

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D’Etcheverry, Charo. "Jonathan Stockdale, Imagining Exile in Heian Japan: Banishment in Law, Literature, and Cult." Japanese Studies 37, no. 2 (May 4, 2017): 280–82. http://dx.doi.org/10.1080/10371397.2017.1335169.

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Mostow, Joshua S. "Gender and National Literature: Heian Texts in the Constructions of Japanese Modernity (review)." Monumenta Nipponica 60, no. 1 (2005): 131–34. http://dx.doi.org/10.1353/mni.2005.0011.

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Borgen, Robert. "Imagining Exile in Heian Japan: Banishment in Law, Literature, and Cult by Jonathan Stockdale." Journal of Japanese Studies 42, no. 2 (2016): 398–402. http://dx.doi.org/10.1353/jjs.2016.0065.

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Oyler, Elizabeth. "Imagining Exile in Heian Japan: Banishment in Law, Literature, and Cult by Jonathan Stockdale." Monumenta Nipponica 71, no. 1 (2016): 122–27. http://dx.doi.org/10.1353/mni.2016.0004.

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20

Gafurova, Khakima Sh. "Songwriting and functional load in the “Diary of Ephemeral Life”." RUDN Journal of Studies in Literature and Journalism 25, no. 3 (December 15, 2020): 511–20. http://dx.doi.org/10.22363/2312-9220-2020-25-3-511-520.

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In the history of Japan, the Heian era is considered the golden age, the heyday of aristocratic literature. It was then that the aristocracy became the creator of literary works, which to this day are the masterpieces of world literature. One of the unique phenomena of Japanese classical literature is recognized diary, including female diary literature of the Heian era (IX-XII centuries). Diary literature differs from other genres in terms of presentation style, artistic language, plot and composition, figurative system, presentation methods. Mitsitsuno no haha (935-996), who enriched the Japanese medieval art tradition with an original literary style, a new theme, a new poetic vision, new sensuality, is recognized as the most striking representative of womens diary literature in Japan. In the Diary of Ephemeral Life, by Mitsitsu no haha the tradition of poetic inserts is widely embodied, a special layer of poetic material (three-part, five-part) is highlighted. They serve as a necessary attribute for conveying an emotional mood, creating an image, enhancing important moments of importance. Considering the artistic features of the diary, the author of the article makes an attempt to suggest that poems are additional material in the transfer of various emotional states of the heroine. Poetic insertions enhance one or another mood, establish an emotional connection between the external and internal world of the author. Analysis of poetic inserts makes it possible to determine their functional load.

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Hirota, Akiko. "The Tale of Genji: From Heian Classic to Heisei Comic." Journal of Popular Culture 31, no. 2 (September 1997): 29–68. http://dx.doi.org/10.1111/j.0022-3840.1997.00029.x.

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22

김종덕. "A Study of Will Story in Heian Period Literature - Focusing on the Fiction of Monogatari." Journal of Japanese Language and Literature 63, no. 2 (November 2007): 39–58. http://dx.doi.org/10.17003/jllak.2007.63.2.39.

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Cavanaugh, C. "Text and Textile: Unweaving the Female Subject in Heian Writing." positions: east asia cultures critique 4, no. 3 (December 1, 1996): 595–636. http://dx.doi.org/10.1215/10679847-4-3-595.

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KAWAHARA, Taketoshi. "A Study on the Garden Life Described in the Dynastic Literature of the Heian Period (I)." Nippon Teien Gakkaishi 1993, no. 1 (1993): 6–16. http://dx.doi.org/10.5982/jgarden.1993.6.

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KAWAHARA, Taketoshi. "A Study on the Garden Life Described in the Dynastic Literature of the Heian Period (II)." Nippon Teien Gakkaishi 1994, no. 2 (1994): 8–17. http://dx.doi.org/10.5982/jgarden.1994.8.

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26

Mulhern, Chieko Irie. "Japanese Harlequin Romances as Transcultural Woman's Fiction." Journal of Asian Studies 48, no. 1 (February 1989): 50–70. http://dx.doi.org/10.2307/2057664.

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My country “is now wholly given over to a d—d mob of scribbling women,” goes one of the most frequently quoted gender-related adages. Japanologists might be tempted to attribute this uncourtly utterance to a learned nobleman of Heian Japan (794–1185) embittered by the outpouring of vernacular narratives from women's writing brushes that were eclipsing male endeavors to emulate Chinese classics, or to an exasperated modern Japanese novelist in reference to the neo-Heian phenomenon, namely, the renaissance of women's literature in postwar Japan. Actually it was Nathaniel Hawthorne (1855:141) who made the now infamous sexist remark in chagrin at American women who were churning out best-sellers in force. Thereafter, this phenomenon abated for a full century, but since the 1960s, Western women writers have made a glorious resurgence, marked by unprecedented degrees of output and worldwide market domination in a genre known as the romance fiction. The title of the first romance series and the name of its publisher, Harlequin, has become something like a generic term with multiple signification.

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Ivanova, Gergana E. "Beyond “In Spring, the Dawn”: Redeeming The Pillow Book through Manga." Japanese Language and Literature 55, no. 1 (April 21, 2021): 243–73. http://dx.doi.org/10.5195/jll.2021.158.

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This paper examines three manga adaptations of The Pillow Book (Makura no sōshi, early 11th c.) published in the past thirty years to show how popular culture challenges Japanese school education and its approaches to teaching classical literature. It argues that manga rewritings of the Heian-period text aim to increase modern interest in this ancient work and help to rectify misconceptions of it generated by national literature (kokubungaku) scholarship and traditional methods of teaching classical literature in Japan. Prioritizing the content instead of its formal features, these rewritings offer a new approach to the eleventh-century work by presenting the material in an engaging and relevant way that resonates with modern readers.

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ONO, KYOHEI. "ON THE CHARMS OF "YAMASATO" DESCRIVED IN HEIAN PERIOD LITERATURE : Study on the ideas of "Sankyo" through the Japanese Literature. Part 2." Journal of Architecture, Planning and Environmental Engineering (Transactions of AIJ) 404 (1989): 111–20. http://dx.doi.org/10.3130/aijax.404.0_111.

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29

Min, ByungHoon. "Tsukushi(筑紫), a Village of Dazaifu and Hot Spring Treatment ─ Focused on the Literature of Nara･Heian ─." Journal of Japanese Studies 57 (May 31, 2019): 127–51. http://dx.doi.org/10.18841/2019.57.06.

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30

Brink, D. "Sustaining Jouissance: Commercial and Heian Modes of Intertextuality in Tanka by Tawara Machi." positions: east asia cultures critique 16, no. 3 (December 1, 2008): 629–59. http://dx.doi.org/10.1215/10679847-2008-016.

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31

Bednarczyk, Adam. ""Dym uleciał, a otulona śniegiem równina Toribe oddaje nastrój żurawiego gaju”. O buddyjskiej idei przemijania i wątkach nekropolicznych w japońskiej literaturze wczesnego średniowiecza." Porównania 18 (November 1, 2016): 91–114. http://dx.doi.org/10.14746/p.2016.18.10587.

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Wątki nekropoliczne w japońskiej literaturze wczesnego średniowiecza są tematyką do tej pory mało badaną i opisywaną. Pomimo licznych deskrypcji śmierci różnych osób, szczegóły na temat miejsc grzebania i kremacji, a także towarzyszących im ceremoniom, pozostają w dalszym ciągu słabo omówione. Niniejszy artykuł jest próbą uchwycenia znaczenia i metaforyki Toribe, jako jednego z nielicznych miejsc nekropolicznych, które stało się wątkiem lub motywem utworów literackich począwszy od okresu Heian (794-1192). W tym celu autor skupił się z jednej strony na stricte toponimicznym ujęciu Toribe, umożliwiającym interpretację wybranych fragmentów literackich pod kątem rzeczywistego opisu tejże nekropolii. Natomiast szczegółowe zbadanie motywu Toribe, jako toposu, miało przybliżyć kilka możliwych ścieżek jego interpretacji, od rozbudowanej metafory, aż po jego funkcję zdobniczą.

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ONO, KYOHEI. "ON THE FOUNDMENTAL IMAGE AND BEAUTY OF "YAMASATO" IN THE HEIAN PERIOD LITERATURE. Study on the ideas of "Sankyo" through the Japanese Literature. Part 1." Journal of Architecture, Planning and Environmental Engineering (Transactions of AIJ) 393 (1988): 72–81. http://dx.doi.org/10.3130/aijax.393.0_72.

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33

김소영. "A Study of "tawabure たはぶれ" in Relationships between Men and Women: Concerning Interpretations from Early Heian Literature." Japanese Language and Literature Association of Daehan ll, no. 66 (May 2015): 227–46. http://dx.doi.org/10.18631/jalali.2015..66.013.

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Oda, Hirotaka, Kazuomi Ikeda, Takashi Masuda, and Toshio Nakamura. "Radiocarbon Dating of Kohitsugire (Paper Fragments) Attributed to Japanese Calligraphists in the Heian–Kamakura Period." Radiocarbon 46, no. 1 (2004): 369–75. http://dx.doi.org/10.1017/s0033822200039679.

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A kohitsugire is a paper fragment from an old manuscript written mainly in the Heian and Kamakura periods. Although they contain significant information for historical, literary, and paleographical study, because of their antique handwriting and description of historical incidents, there are many copies and counterfeits written several centuries later. In this study, radiocarbon ages of kohitsugire were measured by accelerator mass spectrometry (AMS). On the kohitsugire attributed to the famous calligraphists in the Kamakura period (Fujiwara no Sadaie and Prince Munetaka), 14C dating indicated that they were not genuine and should be excluded from the materials for study of the calligraphists. Calibrated 14C ages of the kohitsugire attributed to Fujiwara no Yukinari indicated the middle Heian period. This calligraphy was written on Tobikumogami paper, which has a billowing cloud pattern decorated with indigo-blue-dyed fiber. Although it was commonly accepted that the Tobikumogami is peculiar to the middle 11th to early 12th century, the results from 14C dating also suggested that the origin of the Tobikumogami would date back to the last of the 10th or the early 11th century, when Fujiwara no Yukinari flourished as a calligraphist. Calibrated 14C ages of the kohitsugire attributed to Nijo Tameuji and Reizei Tamesuke showed that they are fragments of old manuscripts describing lost tales and were written in the 13th–14th century. Consequently, 14C dating clarified the existence of ancient tales which had been unknown and indicated their worth as a material for the study of classical Japanese literature.

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35

Kim, Hyo-sook. "Reconsidering the Periodization of the Heian Era in the History of Japanese Literature: -In conjunction with a viewpoint on Japanese literature formed for the modern Japanese period-." East Asian Ancient Studies 38 (June 30, 2015): 333–57. http://dx.doi.org/10.17070/aeaas.2015.06.38.333.

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36

Yoda, T. "Literary History against the National Frame, or Gender and the Emergence of Heian Kana Writing." positions: east asia cultures critique 8, no. 2 (September 1, 2000): 465–97. http://dx.doi.org/10.1215/10679847-8-2-465.

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37

Kim, So-yeong. "Intelligence Behind Willingness to Burn or Destroy Writings : A Comparative Literature Review of Michizane and Tsurayuki, Literary Officials in the Heian Period." Cogito 89 (October 31, 2019): 141–80. http://dx.doi.org/10.48115/cogito.2019.10.89.141.

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LaMarre, T. "Writing Doubled Over, Broken: Provisional Names, Acrostic Poems, and the Perpetual Contest of Doubles in Heian Japan." positions: east asia cultures critique 2, no. 2 (September 1, 1994): 250–73. http://dx.doi.org/10.1215/10679847-2-2-250.

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39

Lee, Mi-suk. "Women’s Literature in the Japanese Heian Period and Male-Female Relationship Dynamics Represented in Scenes from Everyday Life -Focusing on vehicles and birdsongs." Society of Korean Literary Therapy 44 (July 30, 2017): 241–77. http://dx.doi.org/10.20907/kslt.2017.44.241.

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40

Ando, Tetsuro. "Locational Nature of the Events Mentioned in the Setsuwa Literature: A case study of the events in and around Heian-kyo." Japanese Journal of Human Geography 60, no. 1 (2008): 41–54. http://dx.doi.org/10.4200/jjhg.60.1_41.

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41

Carpenter, John T. "Gender and National Literature: Heian Texts in the Constructions of Japanese Modernity. By Tomiko Yoda. pp. 277. Durham and London, Duke University Press, 2004." Journal of the Royal Asiatic Society of Great Britain & Ireland 16, no. 1 (March 15, 2006): 119–21. http://dx.doi.org/10.1017/s1356186305385919.

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42

Kawasumi, Naomi, Hirotaka Sato, Shunpei Yamamoto, and Keiji Yano. "Digital archiving the space and memory of Kyoto across space and time using GIS." Abstracts of the ICA 1 (July 15, 2019): 1–2. http://dx.doi.org/10.5194/ica-abs-1-166-2019.

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Abstract. Digital Humanities (DH) is expected to generate new knowledge within traditional Humanities including history, literature, and the arts. DH utilizes computational media to conduct research on concepts such as consciousness and awareness, then analyzes, integrates and presents the outcomes. GIS has become widespread within DH research (Yano et al. 2011). This study aims to consider the archiving of various information concepting Kyoto using GIS. It also aims to understand landscape value in Kyoto. Since Heian-Kyo, Kyoto has existed for over 1,200 years of history. So, it is necessary to collect various information about Kyoto such as literature, art, maps, and photographs for research on the urban history of Kyoto. The digitalization and construction of a GIS database are useful to preserve and release information about Kyoto.The Digital Archive of the Historical City of Kyoto that we are aiming to produce includes content such as literary works, paintings, photographs, and intangible cultural assets like festivals including the Gion Festival, traditional arts, and memories. Them did not simply listed in a database but had released with geospatial information, such as maps, as a platform linked to place.

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윤승민. "Consideration of the Impact of the Work and Aspects of Receptor Annual Event in Heian Literature - Focusing on ‘Toka-no-sechie’(The Staming Song Event) -." Journal of the society of Japanese Language and Literature, Japanology ll, no. 68 (February 2015): 409–32. http://dx.doi.org/10.21792/trijpn.2015..68.021.

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Mohammadi, Farid. "Phenomenology, Aesthetics, and Worldbuilding in Murasaki’s The Tale of Genji and Tolkien’s The Lord of the Rings." Southeast Asian Review of English 58, no. 1 (July 12, 2021): 5–17. http://dx.doi.org/10.22452/sare.vol58no1.3.

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In this paper, I examine the theoretical aspects of worldbuilding in Murasaki’s and Tolkien’s imagined worlds and accentuate the role of aesthetic landscape creation through which spatio-temporal layers are negotiated. As a starting point, I refer to Thomas Ryba’s Husserl, Fantasy and Possible Worlds (1990), where he evaluates the believability of secondary worlds via Husserlian phenomenology. To shed light on Ryba’s statement that authors must be “adept at describing the qualities of characters and the world in which they live” (232) through the lens of engagement, I contend that critically acclaimed imagined worlds such as Heian Japan in The Tale of Genji (c.1000 A.D.) and Middle-earth in The Lord of the Rings (1954-1955) demonstrate two fundamental qualities: the physical environments possess aesthetic qualities and the emotional experience of the place is integrated into the fabric of worldbuilding, generating an aura of believability.

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Ojeda García, Francisco Miguel, and Alba Quintairos-Soliño. "El cuento más allá de la tradición literaria: el Taketori Monogatari como paradigma de la globalización de referencias culturales." Cultura, Lenguaje y Representación 25 (May 1, 2021): 265–84. http://dx.doi.org/10.6035/clr.2021.25.15.

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El Taketori Monogatari («El cuento del cortador de bambú») es considerado uno de los cuentos favoritos de los japoneses. Escrito en Japón durante la era Heian (794–1185), el cuento de Kaguya, una cautivadora princesa procedente de la luna, inspira todo tipo de obras, de películas a videojuegos. Los elementos que conforman esta historia se han convertido en referencias culturales reconocibles tanto fuera como dentro del territorio nipón. Nuestro objetivo es cartografiar las formas en que este cuento tradicional ha trascendido el mundo literario y ha pasado a formar parte de todo un repertorio de obras contemporáneas japonesas, centrándonos, concretamente, en las producciones anime (animación, manga y videojuegos). Gracias al análisis de una selección de 18 casos en los que hemos explorado el nivel de adaptación del argumento, la presencia de tropos y las reconversiones de Kaguya, hemos concluido que: a) existen varios grados de fidelidad en las formas anime de narrar el Taketori Monogatari; b) estas encuentran su lógica en la necesidad de adaptar su historia a los imponderables de la sociedad japonesa actual; y c) el anime posee una gran función pedagógica, pues, mientras vehicula transnacionalmente este cuento tradicional, también permite su aprendizaje a escala global.

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Yoshinaga, Seiko. "Gender and National Literature: Heian Texts in the Constructions of Japanese Modernity. By Tomiko Yoda. Durham, N.C.: Duke University Press, 2004. xiv, 277 pp. $84.95 (cloth); $23.95 (paper)." Journal of Asian Studies 64, no. 1 (February 2005): 208–10. http://dx.doi.org/10.1017/s0021911805000446.

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Dyakonova, Elena M. "The Саnon and the Commentary. Exegesis in Japanese Classical Poetry." Studia Litterarum 5, no. 3 (2020): 104–27. http://dx.doi.org/10.22455/2500-4247-2020-5-3-104-127.

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The study of classical religious and literary texts was the main trend of the Far Eastern traditional culture. Exegesis prompted a specific vision of philosophy, literature, and science. Examining the ties between classical texts and their commentaries is important for the better understanding of the development of the Far Eastern civilizations, including Japanese. Japanese commentaries developed, first, around central religious texts of Buddhism, Shinto, and writings by Confucius, and, second, around literary texts. This article mostly examines comments on poetic monuments of medieval Japan. These comments prompted canonization of the main literary works. Already in the early medieval time (Heian era 9–12 cc.), there appeared first comments on the classical texts of antiquity, for example, the comments to Manyōsyū (Collection of Ten Thousand Leaves, 8 c.), the first poetic anthology of Japan. These comments were an early attempt to restore the image of the Japanese recorded in the eight century in Chinese hieroglyphs. In the tenth century, the classical poetry acquired a new form, being recorded in both hieroglyphs and Japanese syllabary (hiragana). There were several genres of literary criticism in Japan: treatises on literature, commentaries on classical texts, compilations of anthologies (e.g. selection of literary texts for intricately organized collections), and poetic contests. Commentators mostly concentrated on deciphering the meaning of select words and phrases while the overall meaning of the text remained behind-the-scenes. The ordinary compilers and commentators on medieval artistic texts became elevated to the level of poets whereas comments began to form part of the canon. The canon itself appears to have been closely connected with compiling, editing, and commenting on the text.

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Коляда, М. С. "ОБЪЯСНИТЬ И ИСПРАВИТЬ: СЭЙМЭЙ, ЗНАТОК ТЕМНОГО И СВЕТЛОГО НАЧАЛ, В ПОУЧИТЕЛЬНЫХ РАССКАЗАХ СЭЦУВА." Гуманитарные исследования в Восточной Сибири и на Дальнем Востоке 54, no. 4 (2020): 5–14. http://dx.doi.org/10.24866/1997-2857/2020-4/5-14.

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Теме человеческого мастерства уделяется немало внимания в японских сборниках поучительных рассказов сэцува. Во многих произведениях есть специальные разделы, посвященные «искусствам», среди которых обыкновенно упоминается Путь Темного и Светлого начал, оммё:до:. Этот комплекс верований и практик являлся значимой частью повседневной культуры Японии эпохи Хэйан, а самым знаменитым мастером-оммё:дзи был Абэ-но Сэймэй (921‒1005), который в памяти культуры стал великим чародеем с мифологизированной биографией. Между тем записи о Сэймэе в дневниках современников свидетельствуют о его долгом и непростом пути к славе, и в рассказах сэцува Сэймэй предстает прежде всего талантливым человеком и мастером своего дела. В этих рассказах, помимо биографии знаменитого оммё:дзи, отражены история развития оммё:до:, ритуалы знатоков Темного и Светлого начал и различные аспекты бытовой культуры эпохи Хэйан. Ключевые слова: Абэ Сэймэй, сэцува, оммё:до:, Кодзидан, Дзоку кодзидан, японская литература Human mastery is an important subject matter in medieval Japanese collections of setsuwa tales. Plenty of collections contain special sections for the stories focused on different arts among which we find onmyōdō, the way of yin and yang. This set of beliefs and practices represented a significant part of the daily life in Heian Japan. Among the most celebrated onmyōji is the figure of Abe-no Seimei (921‒1005). Focusing on the tales that mention Seimei and his miracles, the author makes an attempt to show that they are able to shed light not only on Seimei’s biography and career path but also on the history, cultural scope and meaning of onmyōdō itself. Keywords: Abe Seimei, setsuwa tales, onmyōdō, Kojidan, Zoku Kojidan, Japanese literature

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Mutiarahmi, Citra Nur, Tyagita Hartady, and Ronny Lesmana. "USE OF MICE AS EXPERIMENTAL ANIMALSIN LABORATORIES THATREFER TO THE PRINCIPLES OF ANIMAL WELFARE: A LITERATURE REVIEW." Indonesia Medicus Veterinus 10, no. 1 (January 31, 2021): 134–45. http://dx.doi.org/10.19087/imv.2021.10.1.134.

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Kesejahteraan hewan coba mencakup dua masalah utama yaitu pemeliharaan umum dan penanganan selama prosedur eksperimental. Kedua masalah utama tersebut berkaitan dengan perlakuan yang diberikan oleh peneliti sejak awal hewan coba diterima hingga penelitian berakhir. Penelitian yang menggunakan hewan percobaan terutama secara etis harus menerapkan prinsip replacement, reduction, dan refinement (3R), serta prinsip lima kebebasan hewan yaitu (1) bebas dari rasa lapar dan haus, (2) bebas dari rasa tidak nyaman, (3) bebas dari rasa nyeri, luka dan penyakit, (4) bebas dari rasa takut dan stres, dan (5) bebas untuk mengekspresikan tingkah laku alamiah. Penerapan kaidah kesejahteraan hewan dalam penelitian ini bertujuan meminimalisir stres pada hewan dan diharapkan dapat memberikan hasil penelitian yang lebih akurat.

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50

Mutiarahmi, Citra Nur, Tyagita Hartady, and Ronny Lesmana. "USE OF MICE AS EXPERIMENTAL ANIMALS IN LABORATORIES THAT REFER TO THE PRINCIPLES OF ANIMAL WELFARE: A LITERATURE REVIEW." Indonesia Medicus Veterinus 10, no. 1 (January 31, 2021): 134–45. http://dx.doi.org/10.19087/imv.2020.10.1.134.

Full text

Abstract:

Kesejahteraan hewan coba mencakup dua masalah utama yaitu pemeliharaan umum dan penanganan selama prosedur eksperimental. Kedua masalah utama tersebut berkaitan dengan perlakuan yang diberikan oleh peneliti sejak awal hewan coba diterima hingga penelitian berakhir. Penelitian yang menggunakan hewan percobaan terutama secara etis harus menerapkan prinsip replacement,reduction,dan refinement(3R), serta prinsip lima kebebasan hewanyaitu (1) bebas dari rasa lapar dan haus,(2)bebas dari rasa tidak nyaman,(3)bebas dari rasa nyeri, luka dan penyakit,(4)bebas dari rasa takut dan stres, dan (5) bebas untuk mengekspresikan tingkah laku alamiah. Penerapankaidah kesejahteraan hewan dalam penelitian ini bertujuan meminimalisir stres pada hewan dandiharapkan dapat memberikan hasil penelitian yanglebih akurat.

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Journal articles on the topic 'Heian literature'

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