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Relevant bibliographies by topics / Heike monogatari

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Academic literature on the topic 'Heike monogatari'

Author: Grafiati

Published: 4 June 2021

Last updated: 30 July 2024

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Journal articles on the topic "Heike monogatari"

1

Lushchenko, Alexey Yu. "Japanese Didactic Gunsho Commentaries in the Edo Period: a Study of the 17th c. Commentary on the Heike Monogatari." Written Monuments of the Orient 6, no. 2 (2021): 93–113. http://dx.doi.org/10.17816/wmo56802.

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The Heike monogatari hyōban hidenshō is an anonymous 17thc. commentary on the medieval Heike monogatari. As a military studies text (gunsho) written for Edo-period warriors, the commentary differs substantially from the Heike monogatari in content and purpose. It consists of didactic essays that critically evaluate passages from the Heike monogatari and also includes fictional stories that expand and reinterpret the content of the Heike monogatari. The commentarys content focuses on topics of governance, strategy, and ethics. In the 17thc., such gunsho commentaries functioned as educational te

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2

Lushchenko, Alexey Yu. "The Heike Monogatari Hyōban Hidenshō Commentary in the Edo Period: Discussion, Criticism, and Education." Written Monuments of the Orient 7, no. 2 (2021): 148–71. http://dx.doi.org/10.17816/wmo80207.

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This article presents several passages from the anonymous 17th c. commentary Heike monogatari hyōban hidenshō. This understudied commentary on the medieval Tale of the Heike shows the didactic aspect of this works reception in the Edo period. Based on comparison with similar texts, such as the commentary Teikanhyō, the claim is made that didactic works of this kind have group authorship and are related to group discussions (kaidoku) by warriors interested in matters of leadership and statecraft. Commentaries such as the Heike monogatari hyōban hidenshō were linked with educational settings thr

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3

Bialock, David T. "Biwa Masters and Musical Hierophanies in the Heike monogatari and Other Medieval Texts." Journal of Religion in Japan 2, no. 2-3 (2013): 119–51. http://dx.doi.org/10.1163/22118349-12341256.

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Abstract The Heike monogatari has long been at the center of discussions about the function of medieval Japanese performing arts, linked variously to ritual placation, purification, and to Buddhist sermonizing and entertainment. The present essay complicates this view by connecting Heike and biwa playing to several musical phenomena that have received less attention. These include the accusation of bōkoku no oto (sounds of a nation going to ruin), which criticized certain kinds of music from a Confucian ethical perspective, as well as the practice of esoteric biwa initiation (biwa kanjō) along

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4

Oyler, Elizabeth. "Giō: Women and Performance in the "Heike monogatari"." Harvard Journal of Asiatic Studies 64, no. 2 (2004): 341. http://dx.doi.org/10.2307/25066745.

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5

Omar, Hebatalla. "Binary Opposition and Gender Representation in The Tale of the Heike." Asian Culture and History 14, no. 2 (2022): 57. http://dx.doi.org/10.5539/ach.v14n2p57.

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Gunki monogatari (war tales) reflected the state of Japan during medieval times. An example of such stories, The Tale of the Heike (Note 1) describes the time surrounding the destruction of the Taira clan, illustrating how those events shifted the history of Japan. Concepts central to the narrative, including &ldquo;mujōkan 無常観&rdquo; and &ldquo;hōganbiiki判官贔屓,&rdquo; remain rooted in modern Japanese society. However, gender-oriented research on The Tale of the Heike is still limited.  By applying semiotic analysis along with socio-historical approach, this study di

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6

ARAI, Yasuko. "The musical characteristics of the Heike Monogatari." Journal of Research Society of Buddhism and Cultural Heritage 2012, no. 21 (2012): 16–21. http://dx.doi.org/10.5845/bukkyobunka.2012.21_16.

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7

Yamagata, Naoko. "Young And old in Homer and in Heike Monogatari." Greece and Rome 40, no. 1 (1993): 1–10. http://dx.doi.org/10.1017/s001738350002252x.

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Homer's epics have been compared with many other epic traditions in the world, such as Sumerian, Indian, Serbo-Croatian, Medieval German, and Old French epics, from various points of view, such as narrative techniques, genesis of traditions, oral or writtern nature of texts, and motifs. If comparative studies of the existing sort have any significance, it is rather surprising that there has been no serious attempt to compare Homer's epics and Heike monogatari(translated as The Tale of the Heike, Heikefor short), the best of the medieval Japanese epics, for there are many reasons to believe tha

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8

AOKI, Atsushi. "A New Viewpoint on the Authorship of the Heike Monogatari." JOURNAL OF INDIAN AND BUDDHIST STUDIES (INDOGAKU BUKKYOGAKU KENKYU) 49, no. 2 (2001): 691–95. http://dx.doi.org/10.4259/ibk.49.691.

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9

박진현. "The appearance of Kantou Bushi in Shoumonki and Heike Monogatari." Japanese Language and Literature Association of Daehan ll, no. 78 (2018): 205–23. http://dx.doi.org/10.18631/jalali.2018..78.012.

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10

Cid Lucas, Fernando. "Taira no Atsumori o de la melancólica ahimsā como “arma blanca”." Revista de Artes Marciales Asiáticas 6, no. 2 (2012): 57. http://dx.doi.org/10.18002/rama.v6i2.8.

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In this article we will examine the personality of one of the most important characters in <em>Heike monogatari</em>, the young samurai Taira no Atsumori, and his view of the war and the trade of warrior. Likewise, we will focus on how this historic character is portrayed in some <em>Noh</em> plays, in which his tormented soul refused epics chants and honors achieved in the battlefield, in the search of its eternal rest through religious path.

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