Academic literature on the topic 'Heine, Heinrich, 1797-1856'
Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles
Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Heine, Heinrich, 1797-1856.'
Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.
You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.
Journal articles on the topic "Heine, Heinrich, 1797-1856"
1
Krisper, Mineja, and Petra Kramberger. "Die Heinrich-Heine-Rezeption in der im slowenischen ethnischen Gebiet erschienenen Presse bis 1860." Acta Neophilologica 56, no. 1-2 (December 8, 2023): 285–302. http://dx.doi.org/10.4312/an.56.1-2.285-302.
Full textAbstract:
Der deutsche Dichter Heinrich Heine (1797–1856) zählt zu den herausragendsten und gleichzeitig kontroversesten Persönlichkeiten seiner Zeit, welche später in den deutschen literarischen Kanon aufgenommen wurden. Die Rezeption Heines in der Vergangenheit zeichnet sich durch wiederholte Ablehnung aus, da sowohl die Gesellschaft als auch Kritiker seinen politischen und religiösen Ansichten eher negativ gegenüberstanden. Der vorliegende Beitrag konzentriert sich auf die Rezeption Heinrich Heines im slowenischen ethnischen Gebiet bis zum Jahr 1860 und gliedert sich in drei Kapitel. Das erste Kapitel untersucht Heines Rezeption vor dem Jahr 1856, das zweite Kapitel beleuchtet seine Rezeption im Todesjahr des Dichters 1856, während sich das dritte Kapitel der Rezeption zwischen den Jahren 1857 und 1860 widmet. Die Studie umfasst eine Analyse von Veröffentlichungen in insgesamt neun journalistischen Organen, die zu dieser Zeit auf dem slowenischen ethnischen Gebiet herausgegeben wurden. Die untersuchten Zeitungen sind die Laibacher Zeitung samt ihren Beilagen, dem Intelligenzblatt zur Laibacher Zeitung, dem Illyrischen Blatt und den Blättern aus Krain, die Carinthia, die Carniolia, die Kmetijske in rokodelske novice, die Zgodnja danica sowie die literarische Zeitschrift Slovenski glasnik. Heines Präsenz ist bis zum Jahr 1860 in nahezu allen genannten Zeitungen mindestens einmal nachweisbar, mit Ausnahme der literarischen Zeitschrift Slovenski glasnik.
2
Devine, Luke. "“I Sleep, but My Heart Waketh”: Contiguity between Heinrich Heine's Imago of the Shulamite and Amy Levy's “Borderland”." AJS Review 40, no. 2 (November 2016): 219–40. http://dx.doi.org/10.1017/s0364009416000398.
Full textAbstract:
“Borderland,” by Amy Levy (1861–89), a refiguring of the Song of Songs’ traditional allegory, reverses Song 5:2–6's climax in which the Shulamite unwittingly neglects the advances of her “beloved” while he waits at the door. In “Borderland,” the Shulamite “lover” assumes the initiative by visiting her “beloved,” while he is instead passive. The diverse ways in which “Borderland” can be read reveal contiguity with “Das Hohelied” and “Lyrisches Intermezzo” by German Jewish poet Heinrich Heine (1797–1856), texts also dependent on the Songs of Songs. Indeed, Heine was Levy's “favourite poet”; “Borderland” accordingly reflects her reading of Heine and the employment of similar poetics, though not necessarily continuity or unoriginality. This article therefore looks for what Dan Miron has labelled “literary contiguity,” a process by which “tangible contacts” between “players” in the “modern Jewish literary complex” are identified. This approach identifies “relatedness” between Heine and Levy, but also acknowledges the “differences.”
3
Kruse, Joseph A. "„In dem Dome zu Corduva“." Zeitschrift für Religions- und Geistesgeschichte 73, no. 1 (January 24, 2021): 21–38. http://dx.doi.org/10.1163/15700739-07301004.
Full textAbstract:
Heinrich Heine (born in Düsseldorf in 1797 – died in Paris in 1856) had not only many places of residence during his years in Germany, but he also made numerous journeys throughout Europe. Thus, during his time in France, he got to know the country substantially better and furthermore he would have liked to undertake a detour to Spain. Since his student days, Spain was for him as a German Jew the epitome of a Jewish- Christian-Islamic symbiosis despite many differences and difficulties. He slipped into the role of the Moors to express his own outsider role within the German Christian majority society. Heine admired the great Jewish achievements and remained critical of Christian claims, although he had become a Protestant after being baptized at the end of his law studies. His tragedy Almansor (1823), poems from the Buch der Lieder (1827), texts in prose and epic poems from the Parisian years as well as in his literary bequest and above all the last collection of poems called Romanzero (1851) with their moving “Spanish” texts, namely the stories about Jews, Christians and Muslims, are the most important poetic evidences of religious coexistence and its problems.
4
Youens, Susan. "Maskenfreiheit and Schumann's Napoleon-Ballad." Journal of Musicology 22, no. 1 (2005): 5–46. http://dx.doi.org/10.1525/jm.2005.22.1.5.
Full textAbstract:
One of the best known compositions from Robert Schumann's "song year" of 1840 is the ballad "Die beiden Grenadiere," op. 49, no. 1, to a poem by Heinrich Heine (1797-1856). Any work about Napoleon, in any genre, was inevitably politically charged, both at the time Heine wrote his poem (perhaps in 1821, after hearing the news of the former emperor's death on 5 May 1821) and the date of its most famous musical setting (at the beginning of the decade when Germany was edging towards revolutionary outbreak). What impelled this 21st-century investigation of the song was curiosity about its confusing initial gesture in the piano, a tonic six-four chord as an anacrusis, leading to unharmonized tonic pitches on the downbeat of measure 1. Speculation about Schumann's intention led to an investigation of both men's attitudes towards Napoleon, especially the aftermath of his downfall. That Heine venerated Napoleon (who emancipated the Jews) cannot be doubted, but Heine, given to paradox and contradiction, was no hagiographer. His poem is as much literary as it is political, with its borrowings from Des Knaben Wunderhorn and Herder's translation of the Scottish ballad "Edward." The First Empire, like all empires, is not merely historical fact but a confabulation of poetic legends. Heine's underlying concern, I would argue, was not Bonapartism per se but rising German nationalism of the sort he found ominous and that Schumann, to some as yet ill-defined degree, supported. But composer and poet both associated Napoleon with the ideals of the French Revolution in the days before it and the emperor succumbed to what is darkest in human nature. In my opinion, Schumann understood Heine's delineation of nationalistic fanaticism and found apt musical gestures for that understanding. Here, I trace the composer's lifelong sense of identification with Napoleon and the compositional decisions that tell of a political point of view in "Die beiden Grenadiere."
5
Tsarcova, Vera B. "INTERPRETATION IN FOREIGN LANGUAGES EDUCATION: PSYCHOLOGICAL ASPECT." Educational Psychology in Polycultural Space 54, no. 2 (2021): 121–29. http://dx.doi.org/10.24888/2073-8439-2021-54-2-121-129.
Full textAbstract:
The article is devoted to one of the problems of foreign language education – the definition of the role of interpretation in preparing students of special (language) directions to participate in the dialogue of cultures. Interpretation is considered as a phenomenon and as a way of comprehending reality, which allows the subjects of the dialogue of cultures to reach mutual understanding. The main characteristic of interpretation, which is necessary for the purposes of foreign language education, is its psychological character. It is determined by the psychology of the author, the psychology of the work, as well as the psychology of the reader-interpreter. It is proved that the interpretation of a work of art, which has universal, historical and personal plans, has huge epistemological and axiological possibilities. They activate the entire educational potential of interperetation (educational, developmental, cognitive, and educational). Russian Russian poet A. A. Fet (1820–1892) uses the poem “Wir saßen am Fischerhaus” by the famous German poet and publicist Heinrich Hein (1797–1856) and the translation of this poem into Russian to illustrate the interpretation technology. The poem is considered as a space of personal meanings of the author. They are the ones that are subject to interpretation and bring the reader-interpreter back from the poet's world to the modern real world. And the real world is full of unexpected cultural facts, closely related to the content of the work of G. Heine, with distant Lapland and the life of modern lapps. Thus, interpretation is presented as an educational strategy. Together with the strategies of contextualization, philologization and argumentation, it ensures the achievement of the main goal of foreign language education – the creation of an individual who can act as a genuine subject of the dialogue of cultures. The article also emphasizes the importance of the teacher as the organizer of the educational process and the subject of the dialogue of cultures.
6
Martínez Becerra, Pablo. "El problema del radicalismo cosmológico de Spinoza y Nietzsche: análisis desde dos lecturas nietzscheanas." Revista de Filosofia Aurora 32, no. 56 (July 17, 2020). http://dx.doi.org/10.7213/1980-5934.32.056.ds06.
Full textAbstract:
Al intentar establecer cuánto debe Nietzsche a Spinoza en la configuración de su visión radical del mundo y quién de los dos da los pasos más decisivos en la disolución de la trascendencia, encontramos diversas dificultades. La primera es que la disputa acerca del ateísmo spinociano parece que no podrá nunca dirimirse en un grado aceptable. La segunda dice relación con la imagen que Nietzsche tiene de Spinoza en tanto puede considerarse sesgada debido al conocimiento indirecto de su obra. La tercera es que para determinar, en parte, qué adeuda la interpretación de Nietzsche al filósofo holandés, se requiere hacer un análisis exhaustivo y pormenorizado de sus autores fuente. Tomando en cuenta estas complejidades, el autor del artículo defiende que para formarse una idea adecuada de la deuda del radicalismo de Nietzsche con Spinoza y para juzgar quién de ellos nos precipita con más relevancia a la pura inmanencia, es necesario ir estudiando sus lecturas sobre el filósofo judío, incluso las más descuidadas, más allá de Kuno Fischer. De acuerdo con ello, en este escrito se analizan dos lecturas de Nietzsche poco utilizadas en esta reflexión, a saber: Heinrich Heine (1797-1856) y Jean-Marie Guyau (1854-1888). Se asume así que, para alcanzar un nivel más alto de claridad en el tema estudiado, se ha de acotar el marco bibliográfico en el que se ha de realizar la hermenéutica de Nietzsche y sus fuentes. Teniendo presente estos presupuestos, se compara el panteísmo, la desantropomorfización del mundo y el conatus sese conservandi de Spinoza, con el monismo, la extramoralidad del mundo y la voluntad de poder de Nietzsche, respectivamente, para evaluar el alcance del radicalismo cosmológico de uno y otro autor.
Dissertations / Theses on the topic "Heine, Heinrich, 1797-1856"
1
Lebrave, Jean-Louis. "Le jeu de l'énonciation en allemand d'après les variantes manuscrites des brouillons de H. Heine." Paris 4, 1987. http://www.theses.fr/1987PA040463.
Full textAbstract:
Ce travail est consacré à l'étude linguistique des processus de production écrite en allemand à partir de l'ensemble des brouillons de la Lutezia de H. Heine. Après un bilan des théories de l'écriture existantes et un résumé des données factuelles disponibles sur l'écriture de Heine, le corpus est analyse selon deux axes complémentaires. D'abord, grâce à la notion de substitution orientée par la chronologie des opérations génétiques sous-jacentes, une exploitation automatisée des données structurées selon les effets paradigmatiques produits par les opérations génétiques débouche sur la constitution d'un dictionnaire des substitutions. Outre l'étonnante variabilité de la modalité et de la modalisation, ce regroupement exhaustif révèle l'existence de polarités génétiques remarquables dans les constituants des substitutions, et amène à construire l'hypothèse d'une écriture à plusieurs niveaux ou certaines formes, appelées proto-termes, sont les verbalisations provisoires d'un contenu sémantique soumis ultérieurement à une élaboration complémentaire. La portée de ce mécanisme génétique découvert à propos de Gross est vérifiée sur l'ensemble du lexique; mais les hypothèses correspondantes dépassent le cadre d'une analyse en termes de substitutions et imposent un autre angle d'approche. C'est pourquoi une dernière partie consacre au processus d'écriture lui-même plusieurs analyses (structures additives dont les proto-termes sont un cas particulier, répétitions, formes linguistiques de reprise, questions-réponses, interventions méta-linguistiques du locuteur) qui montrent l'existence de corrélations remarquables entre des faits de langue et des faits génétiques attestés par leurs traces. Pour expliquer ces corrélations, on est amené à construire, sur le modèle de la double locution linguistique nécessaire par ailleurs, une double locution génétique qui prend en compte l'ensemble des phénomènes liés aux rythmes de l'écriture, et dont les effets se font sentir dans la structure linéaire finale de l'écrit. A ce titre, les brouillons sont un document unique sur les traces que l'énonciation en acte laisse dans l'enchainement des énoncésThe processes of written text production in german are analyzed in the rough drafts of H. Heine's Lutezia. After weighing up the existing theories of writing and summarizing the facts available on Heine's handwriting, the data are analyzed from two main points of view. First, the concept of genetic substitution takes into account the paradigmatic consequences of genetic operations on text being produced and makes a computerized dictionary of substitutions possible. Besides an extraordinary variability of modality and modalization, this exhaustive collection reveals the existence of remarkable genetic polarities among the constituents of substitutions and suggests the hypothesis of a multi-level writing in which certain forms, called proto-items, appear as temporary verbalizations of semantic contents which are worked out in a later stage. The reach of this genetic mechanism - discovered in studying the adjective gross - is evaluated for the whole lexicon; but the corresponding hypotheses up beyond the scope of substitutions and suggest a different approach. Therefore, the author devotes the last part of this study to the writing process itself. Various analyses - e. G. Of additive structures, of which proto-items are only a particular case, of repetitions, of anaphoric relations, of questions and answers, of meta-linguistic interventions of the writer - show the existence of remarkable correlations between linguistic and genetic data. In order to take these correlations into account, one builds up a concept of genetic interlocution similar to linguistic interlocution, which covers all phenomena related to the empirical rhythm of writing, and the consequences of which affect the final linear structure of the written product
2
Andreani, Elisabetta. "Heinrich Heine : traductions et mises en musique en France et en Italie." Thesis, Université Paris-Saclay (ComUE), 2015. http://www.theses.fr/2015SACLE018/document.
Full textAbstract:
La thèse se propose d’illustrer le « phénomène » Heine en France et en Italie d'environ 1850 à 1950, tant du point de vue littéraire que musical. Heine a entretenu avec la France un rapport privilégié: il s'est installé à Paris en 1831, où il a élu domicile jusqu'à sa mort, en 1856. Très nombreux ont été, en France et en Italie, les traducteurs du poète, mais aussi les poètes et les écrivains qui ont été influencés par ses idées et son art poétique. Beaucoup de compositeurs ont également mis en musique la traduction de ses poèmes. La présente thèse propose d'étudier le rôle et l'impact des traducteurs et des musiciens qui ont été conquis par le génie du poète allemand. Les traducteurs commencèrent très tôt à publier les versions de Heine pour les nombreuses revues parisiennes, jusqu’à la publication de la traduction du Lyrisches Intermezzo de Gérard de Nerval dans la Revue de Deux Mondes en 1848. Les compositeurs suivirent cette tendance quelques années plus tard et mettront en musique les poèmes de Heine notamment entre 1870 et 1930The thesis intends to illustrate the Heine “phenomenon” in France and in Italy from around 1850 to 1950, from both a literary as well as a musical point of view. Heine enjoyed a privileged relationship with France. He arrived in Paris in 1831 and established the French capital as his home until his death in 1856. The poet had countless translators in both France and Italy and many were the poets and writers who were influenced by his ideas and his poetry. Many composers composed romances and melodies for his works. This thesis intends therefore to study the role and the impact of the translators and musicians who were won over by the genius of the German musician. The translators began very early to publish their own versions in the numerous Parisian revues, right up to the publication of the Lyrisches Intermezzo by Gérard de Nerval in the “Revue de Deux Mondes” in 1848. The composers would follow this tendency some years later and would set to music Heine’s poetry, especially in the years from around 1870 to 1930
3
Boyer, Sophie. "Les representations de la femme chez Heine et Baudelaire : pour une etude du langage moderne de l'amour." Thesis, McGill University, 2000. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=36877.
Full textAbstract:
Given that the role of Heinrich Heine as a precursor to Charles Baudelaire has long been recognized and examined in the critical literature, this dissertation aims to explore congruities in their respective poetic universes, by conducting a parallel reading of the image of woman in their poetry. Contrary to a feminist critique, which denounces the writers' reductive and hence misogynist use of such images, we will remove the anathema momentarily in order to allow a discourse of love to be expressed, in a complex language which reveals the fears and desires of the loving subject in the 19th century.The representation of the woman by Heine and Baudelaire points to a rupture characteristic of modern poetry. In accordance with the principle of irony, in which a strategy of evasion and detachment is employed, the various female characters presented by the two poets can never be reduced to the two-dimensionality of a pure object. The relationship to woman is marked by distance, suffering and dissonance. Occupying a liminal position between life and death, between animate and inanimate, the image of woman exercises a power of seduction which constitutes a challenge to the social order, extended from its margins.
The image of the prostitute will be analyzed in terms of its close relationship with the metropolis. Subsequently, Freudian theories will shed light on the stakes of the erotic experience which occurs in contact with the demimondaine. The symbolic exchange established with the commodified body of the prostitute ends in the transmission of illness, and ultimately, in the woman's death. In a vain attempt to control his fear of death, the modern poet displaces this fear onto an object as other: the female cadaver, whose horrible beauty emits a "disturbing uncanniness". The object of desire, put to death in this manner, returns to haunt the fetishist, even to take vengeance in the form of the vampire woman whose body resists death, but breathes it into the one she seduces. Finally, through the images of the statue and the sphinx, the poets reveal a divine and revolutionary dimension in the realm of love.
4
Kohn, Blanka. "Karl Emil Franzos : écrivain, journaliste, éditeur et critique." Paris 8, 1994. http://www.theses.fr/1994PA080911.
Full textAbstract:
Le propos de cette these est la presentation d'un auteur de langue allemande dont le patronyme traduit des liens avec la france. Ne en galicie autrichienne vers le milieu du 19e siecle, mort a berlin au debut du 20e, karl emil franzos a mene de front une intense activite litteraire et journalistique s'etendant a plusieurs domaines. Ecrivain, il a publie une trentaine d'ouvrages, journaliste, il a redige un journal viennois, une revue litteraire et fait paraitre d'inmombrables essais et articles, editeur, il a reedite des auterus disparus, critique, il a passe en revue des textes nouvellement parus. Les differents aspects de l'oeuvre franzosienne sont etudies dans cette monographie en trois tomes, chacun muni de notes bibliographiques afferentes au sujet traite. Par l'expose des facteurs preponderants dans le formation du futur ecrivain et a traversle bilan de sa carriere, la premiere partie de la these met l'accent sur le lien etroit existant entre l'homme et l'oeuvre. En analysant les caracteristiques de l'oeuvre journalistique et en exposant les deux aspects de l'oeuvre litteraire dans leur orientation et style respectifs, le seconde partie s'attache a. .The purpose of this thesis is the introduction of a german-speaking writer whose patronymic surname suggests close ties to france. Karl emil franzos, who as born in austrian galicia in the middle of the nineteenth century and who died in berlin at the beginning of the twentieth century, carried out simultaneously an intense and wideranging literary and journalistic activity. As an author, he published about thirty works of his own. As a journalist, he edited a viennese newspaper, a literary review and the published numberless essays and articles. As a publisher, he also re-printed the works of long-forgotten writers, and as a critic. He reviewed newly edited pieces of contemporary writings. The various fields of activity covered by franzos's work have been studied in this monography set our in three volumes, each of them being completed by bibliographical notes related to its particular subject. Dwelling on a study of the leading forces that combined in the making of the futur writer and on a wide survey of his literary. .
5
Bodenheimer, Nina. "Heinrich Heine et le saint-simonisme : problèmes de transferts culturels : considérations sur la réception problématique de la philosophie idéaliste au sein du mouvement saint-simonien." Paris 8, 2010. http://www.theses.fr/2010PA083272.
Full textAbstract:
A partir de l’œuvre et de la correspondance du poète Heinrich Heine et du groupe saint-simonien, il s’agira de mettre en évidence la nature et le rôle de leur rencontre à Paris en 1831 qui poussa Heine à dédicacer en 1835 sa Geschichte der Religion und Philosophie in Deutschland à Prosper Enfantin, à la tête du mouvement, qui la refusa. Ce sont en particulier les raisons de ce refus qui attireront notre attention, que nous aborderons à travers une analyse de la réception saint-simonienne de la pensée allemande, et notamment celle de Hegel et de Lessing. Il s’agira par là même de confronter une vision française de la philosophie idéaliste, basée sur les idées de Madame de Staël et de Victor Cousin, avec celle de l’Allemand exilé, voulant en transmettre l’essence – ce qu’il appela le Schulgeheimnis. Cette analyse nous permettra de constater les entraves importantes à ces transferts culturels, principalement causées par une pensée trop stéréotypée, incapable de surmonter les préjugés ancrés dans les esprits saint-simoniens dont nous essaierons de montrer les originesBased on the work and the correspondence of both, the poet Heinrich Heine and the Saint-Simonian group, this dissertation reveals the nature and the significance of their encounter in Paris in 1831 and its impact on Heine’s further work. Four years later, Heine dedicated his Geschichte der Religion und Philosophie in Deutschland to Prosper Enfantin, head of the Saint-Simonians, who declined the honor. In particular, we will examine the reasons of this disagreement through an analysis of the Saint-Simonian reception of the German thinkers Hegel and Lessing. This involves a comparison between a French vision of idealism, based on the ideas of Madame de Staël and Victor Cousin, and Heine's vision of German philosophy, the essence of which he claims to represent. Our analysis reveals some important obstacles in this cultural exchange, mainly caused by a stereotyped way of thinking incapable of tearing down the wall of prejudice made up in the Saint-Simonians minds
6
Brückner, Leslie. "A. F. Loève-Veimars (1799-1854) traducteur et diplomate : étude sur un médiateur culturel." Paris 8, 2011. http://www.theses.fr/2011PA083358.
Full text
7
Maillet, Marie-Ange. "Heinrich Heine et Munich : regards croisés sur une ville et un écrivain : le rôle du séjour munichois dans l'itinéraire heinéen et son influence sur la perception par l'écrivain de la capitale bavaroise sous le règne de Louis Ier." Paris 8, 2003. http://www.theses.fr/2003PA082262.
Full textAbstract:
A partir de l'œuvre et de la correspondance du poète Heinrich Heine, il s'agira de mettre en évidence le rôle joué par son séjour à Munich en 1827-1828 dans son itinéraire personnel et intellectuel, grâce à l'analyse du contexte politique et culturel de la capitale bavaroise à cette époque et l'étude de personnalités rencontrées lors de ce séjour. C'est en particulier la période de 1825 à 1848, celle du règne de Louis 1er, qui attirera notre attention, puisqu'il faudra s'interroger sur les raisons des réminiscences munichoises dans l'œuvre de l'écrivain. Il s'agira par-là même de confronter le regard qu'il jette sur le pays avec les réalités de l'époque, et d'étudier en quelle manière son séjour a pu modifier sa perception du royaume. Cette analyse de l'influence d'une ville sur un écrivain nous conduira enfin à brosser de la Bavière et du Munich de l'époque, méconnus en France, un tableau historique, culturel et politique aussi complet que possibleThis dissertation, which is based on the work and correspondence of the poet Heinrich Heine, underlines the significance of his stay in Munich in 1827-28 in his personal development and his intellectual career, through an analysis of the political and cultural context of the Bavarian capital and a study of the various personalities he encountered. The reign of King Ludwig I (1825-1848) receives particular attention, since it provides the background to the reminiscences of Munich in Heine's work. Examining the reasons for these reminiscences involves drawing a comparison between his personal view on the country and the realities of the time and exploring how his stay modified his perception of the kingdom. This analysis of the influence of a city on a writer eventually gives a comprehensive historical, cultural and political portrait of Bavaria and Munich in the first half of the 19th century
8
Kling, Jutta Cornelia. "On knowingness : irony and queerness in the works of Byron, Heine, Fontane, and Wilde." Thesis, University of St Andrews, 2014. http://hdl.handle.net/10023/11824.
Full textAbstract:
This thesis identifies strategies of queer/irony in the writings of Lord Byron, Heinrich Heine, Theodor Fontane, and Oscar Wilde. Key to the understanding of irony is Friedrich Schlegel's re-evaluation of the concept. The thesis establishes an approach to the multifaceted concept of irony and identify key concepts of queer theory. The focus, however, is close reading. First, Lord Byron's epic satire Don Juan is read with regards to the interplay of narrative strategies and the depiction of gender, homoeroticism and the concept of the child. Furthermore, reviews published at the time of the publication of Don Juan are examined: Why did the reviewers reject the work so violently? Second, in Heine's Buch der Lieder we find ironic strategies that Richard Rorty subsumed into the concept of 'final vocabularies.' By acknowledging the formulaic nature of language in general and Romantic tropes in particular, Heine succeeds in subverting a heteronormative discourse on love and desire. Heine's Reisebilder – 'Die Reise von München nach Genua' and 'Die Bäder von Lucca' – depict the limits of queer/irony: Where meaning is fixed, as in the case of the Platen polemic, irony loses its propensity to contain multitudes. Third, Theodor Fontane's novels of adultery are read against the background of irony as established through a Schlegelian reading of Frau Jenny Treibel and a queer reading of Ellernklipp. The novels Unwiederbringlich and Effi Briest question notions of truth and map the danger of knowledge. At the core of this chapter lies the notion of 'knowledge management,' a strategy closely related to irony. The figure of the courtier Pentz in Unwiederbringlich becomes a harbinger of dangerous, queer knowledge similar to the way Crampas' use of Heine quotations negotiates sexually suggestive knowledge in Effi Briest. In a final step, the aforementioned queer/ironic strategies are employed to read texts by Oscar Wilde. Are the strategies as inferred in the other chapters valid for Wilde's writings as well? We find that, in a time where homoerotic behaviour was heavily sanctioned, ironic writing had become a liability. Wilde's ironies are too opaque for the reader: They have become a movement where nobody is allowed to 'play along'.
9
Kouvélakis, Efstathios. "Philosophie et révolution de Kant à Marx." Paris 8, 1998. http://www.theses.fr/1998PA08A007.
Full text
10
Swellander, Michael. "Understanding the Present: The Representation of Contemporary History in Ludwig Börne, Heinrich Heine, and Georg Büchner." Thesis, 2019. https://doi.org/10.7916/d8-gknb-0f32.
Full textAbstract:
Understanding the Present examines the thematization of the historical present in nineteenth-century German literary texts. In theorizations of political literature, such as Jean-Paul Sartre’s writings on “committed literature,” an emphatic concept of the present is a given. Of course, the present is a notoriously elusive temporality. The texts discussed in this dissertation, rather than focusing on accurate sociological representations of the present or an intensive rhetorical engagement in its political discourse, interrogate how the present can be evoked in literature in the first place. Understanding the Present discusses the forms privileged by certain authors in the representation of the present – prose, periodicals, drama – as well as the paradoxes such approaches posed. Rather than discussing these texts in terms of “operative literature” or “committed literature,” which has been a trend in scholarship since the 1960s, this dissertation approaches the nineteenth century from the perspective of so-called Gegenwartsliteratur. It does not claim the successful or unsuccessful political intervention of these texts, but rather shows how their authors imagined a literary intervention in the political present could occur at all.
Chapter one shows Ludwig Börne’s popular magazine Die Wage: Eine Zeitschrift für Bürgerleben, Wissenschaft und Kunst, not only as surreptitiously carrying barbs against state-sanctioned censorship, as is most common in studies of the periodical, but as following a program of political historiography. Börne’s text is therefore subversive at a structural level and presents a poetics of representing the present. Chapter two shows how Heinrich Heine used the republication of his political journalism to reflect on the essential dynamic of understanding the present whereby one can only comprehend contemporary events with reference to the past and future. Georg Büchner’s drama, Dantons Tod, the subject of chapter three, presents a paradox similar to Heine’s, but through a little observed aspect of his citational practice, which I call “internal citation.” By showing his characters wittingly and unwittingly quoting each other in the play and repeating certain gestures, Büchner draws out ambiguities of authorship in political discourse and raises important questions about the experience of the present. Together, these three texts contribute to the study of political literature by interrogating the central notion of the emphatic present in it.
Books on the topic "Heine, Heinrich, 1797-1856"
3
Préaux, Alain. Heinrich Heine (1797-1856): Les années allemandes : biographie. Bruxelles: Le Cri, 1999.
Find full text
4
Heinrich Heine (1797-1856): Emanzipation in Zeiten des Umbruchs. Würzburg: Königshausen & Neumann, 2021.
Find full text
5
Wilamowitz-Moellendorff, Erdmann von. Heine-Bibliographie 1983-1995. Stuttgart: J.B. Metzler, 1998.
Find full text
6
Hermand, Jost. Mehr als ein Liberaler: Über Heinrich Heine. Frankfurt am Main: P. Lang, 1991.
Find full text
7
Hermand, Jost. Mehr als ein Liberaler: Über Heinrich Heine. 2nd ed. Frankfurt am Main: P. Lang, 1993.
Find full text
8
A, Kruse Joseph, Reuter Ulrike 1968-, and Hollender Martin 1965-, eds. Ich Narr des Glücks: Heinrich Heine 1797-1856 : Bilder einer Ausstellung. Stuttgart: J.B. Metzler, 1997.
Find full text
9
Heinrich Heine: Alternative perspectives 1985-2005. Würzburg: Königshausen & Neumann, 2006.
Find full text
10
Uwe, Hohendahl Peter, and Gilman Sander L, eds. Heinrich Heine and the occident: Multiple identities, multiple receptions. Lincoln: University of Nebraska Press, 1991.
Find full textBook chapters on the topic "Heine, Heinrich, 1797-1856"
1
Peters, George F. "Heine, Heinrich (1797–1856)." In Goethe Handbuch, 479–81. Stuttgart: J.B. Metzler, 1998. http://dx.doi.org/10.1007/978-3-476-03655-1_156.
Full text
2
Czezior, Patricia. "Madleen Podewski: Heinrich Heine (1797–1856). Emanzipation in Zeiten des Umbruchs. Würzburg: Königshausen & Neumann 2021 (Humanistische Porträts, Bd. 8). 94 S. € 9,80." In Heine-Jahrbuch 2022, 261–63. Berlin, Heidelberg: Springer Berlin Heidelberg, 2022. http://dx.doi.org/10.1007/978-3-662-66144-4_15.
Full text
3
"Heine, Heinrich (1797-1856)." In Handwörterbuch der deutsch-französischen Beziehungen, edited by Astrid Kufer, Isabelle Guinaudeau, and Christophe Premat, 138–41. Nomos, 2015. http://dx.doi.org/10.5771/9783845254012-138.
Full text
4
"Heine, Heinrich (1797-1856)." In Handwörterbuch der deutsch-französischen Beziehungen, edited by Astrid Kufer, Isabelle Guinaudeau, and Christophe Premat, 139–42. Nomos, 2015. http://dx.doi.org/10.5771/9783845254012-139.
Full text
5
"Heine, Heinrich (1797-1856)." In Handwörterbuch der deutsch-französischen Beziehungen, edited by Astrid Kufer, Isabelle Guinaudeau, and Christophe Premat, 100–102. Nomos, 2009. http://dx.doi.org/10.5771/9783845219899-100.
Full text
6
"Heinrich Heine (1797-1856)." In Vormärz-Handbuch, edited by Norbert Otto Eke, 790–96. Aisthesis Verlag, 2020. http://dx.doi.org/10.5771/9783849815592-790.
Full text
7
"Heinrich Heine (1797–1856; German)." In Romanticism: 100 Poems, 117–18. Cambridge University Press, 2021. http://dx.doi.org/10.1017/9781108867337.033.
Full text
8
"Heinrich Heine (1797 Düsseldorf – 1856 Paris)." In Brahms and His Poets, 188–97. Boydell and Brewer Limited, 2017. http://dx.doi.org/10.1017/9781787441552.026.
Full text