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Dissertations / Theses on the topic 'Heinrich Heine'

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Published: 4 June 2021
Last updated: 11 March 2023

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1

Hupfer, Cordula. ""Und Zuckererbsen nicht minder" die kulinarische Metaphorik im Gesamtwerk Heinrich Heines." Düsseldorf Grupello-Verl, 2005. http://deposit.ddb.de/cgi-bin/dokserv?id=2642788&prov=M&dok_var=1&dok_ext=htm.

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2

Boechat, Teske Luiza. "Hotel Heinrich Heine." Master's thesis, Hochschule für Technik und Wirtschaft Dresden, 2016. http://nbn-resolving.de/urn:nbn:de:bsz:520-qucosa-213231.

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Viele Hotels in Schierke stehen seit Ende des 19./Anfang des 20. Jahrhunderts leer. Um ein attraktives und besucherreiches Hotel zu entwerfen, besteht die Aufgabe darin, das unbewohnte Hotel „Heinrich Heine“ als Vier-Sterne-Hotel zu entwickeln. Für den Entwurf wurden zwei Analysen durchgeführt. In der ersten Analyse war eine Stadt zu wählen, die eine enge Bedeutung und Bezug zur Stadt Schierke hat, damit die touristische Infrastruktur analysiert werden kann. Das Ziel der zweiten Analyse bestand darin, ein Hotel zu finden, welches sich sehr gut in die bestehende Umgebung (entweder Alpen oder Bergort) einpasst. Außerdem wurde ein Hotel gesucht, welches sich an den Prinzipien der Nachhaltigkeit orientiert. Am Ende wurde der Grundgedanke und das Grundkonzept eines Passivhauses favorisiert. Vor Beginn des Entwurfs fand ein Workshop in Schierke statt, bei dem jede Gruppe Ideen für die Gestaltung eines Ortsentwicklungskonzepts (Masterplan) für die Stadt diskutierte und entwickelte. Aus dieser Idee heraus, ist es wichtig, das Hotelprofil und die Zielgruppe miteinander zu verbinden. Auf Grundlage der Analysen und des Masterplans für die Entwicklung der Stadt wurde ein Entwurf für das Hotel Heinrich Heine erarbeitet. Eckpunkte für die Entwicklung des Projekts waren ebenso die Analyse des Grundstücks, historische Aspekte des Hotels, die Funktionalität, Materialität, Fassade und Aspekte, wie Barrierefreiheit und Nachhaltigkeit.
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3

Bierwirth, Sabine. "Heines Dichterbilder : Stationen seines ästhetischen Selbtverständnisses /." Stuttgart : J.B. Metzler, 1995. http://catalogue.bnf.fr/ark:/12148/cb35781501w.

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4

Nickel, Jutta. "Revolutionsgedanken : zur Lektüre der Geschichte in Heinrich Heines Ludwig Börne - eine Denkschrift." Bielefeld Aisthesis-Verl, 2007. http://bvbr.bib-bvb.de:8991/F?func=service&docl̲ibrary=BVB01&docn̲umber=015984606&linen̲umber=0002&funcc̲ode=DBR̲ECORDS&servicet̲ype=MEDIA.

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5

Würffel, Stefan Bodo. "Der Produktive Widerspruch : Heinrich Heines negative Dialektik /." Bern : A. Francke, 1986. http://catalogue.bnf.fr/ark:/12148/cb34929072x.

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6

Lebrave, Jean-Louis. "Le jeu de l'énonciation en allemand d'après les variantes manuscrites des brouillons de H. Heine /." [S. l.] : [s. n.], 1987. http://catalogue.bnf.fr/ark:/12148/cb39298499r.

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7

Park, Ock Sook. "Der Tanz bei Heinrich Heine." kostenfrei, 2004. http://www.diss.fu-berlin.de/2004/154/index.html.

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8

Kusch, Maximilian. "Tageswahrheit : Heinrich Heines Bruch mit der dualistischen Denktradition der Moderne /." Würzburg : Königshausen & Neumann, 2008. http://deposit.d-nb.de/cgi-bin/dokserv?id=3074345&prov=M&dokv̲ar=1&doke̲xt=htm.

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9

Hofstaetter, Ursula. "Langeweile bei Heinrich Heine /." Heidelberg : C. Winter, 1991. http://catalogue.bnf.fr/ark:/12148/cb35501587f.

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10

Maillet, Marie-Ange. "Heinrich Heine et Munich /." Paris : CNRS éd, 2004. http://catalogue.bnf.fr/ark:/12148/cb39913912k.

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11

Montanus, Henner. "Der kranke Heine /." Stuttgart : J.B. Metzler, 1995. http://catalogue.bnf.fr/ark:/12148/cb357691061.

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12

Steegers, Robert. "Heinrich Heines "Vitzliputzli" : Sensualismus, Heilsgeschichte, Intertextualität." Stuttgart Weimar Metzler, 2006. http://deposit.ddb.de/cgi-bin/dokserv?id=2803678&prov=M&dok_var=1&dok_ext=htm.

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13

Schulz, Nils Björn. "Eine Pädagogik des Stils Überlegungen zu Heines Philosophieschrift." Würzburg Königshausen und Neumann, 2005. http://deposit.ddb.de/cgi-bin/dokserv?id=2674568&prov=M&dok_var=1&dok_ext=htm.

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14

Martin, Ralph. "Die Wiederkehr der Götter Griechenlands : zur Entstehung des "Hellenismus"-Gedankens bei Heinrich Heine /." Sigmaringen : J. Thorbecke, 1999. http://catalogue.bnf.fr/ark:/12148/cb37647525m.

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Diss.--Erlangen-Nürnberg--Friedrich-Alexander Universität, 1996. Titre de soutenance : Die "Venus Libitina" und die "Demokratie der Götter" : Aspekte des "Hellenismus" im Werk Heinrich Heines (1827-1837).
Bibliogr. p. 228-232.
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15

Landwehr, Helmut. "Der Schlüssel zu Heines "Romanzero" /." Hamburg : Dr. Kovač, 2000. http://catalogue.bnf.fr/ark:/12148/cb39041655m.

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16

Dirscherl, Margit. "Heinrich Heine's Poetik der Stadt." Thesis, Queen Mary, University of London, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.612587.

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17

Jäger, Anne Maximiliane. ""Besass auch in Spanien manch' luftiges Schloss" : Spanien in Heinrich Heines Werk /." Stuttgart : J. B. Metzler, 1999. http://catalogue.bnf.fr/ark:/12148/cb39009995s.

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18

Knuters, Petra. "Heinrich Heines Strategien der Zensurumgehung in den versifizierten Reisebildern Deutschland. Ein Wintermärchen." Thesis, Stockholms universitet, Avdelningen för tyska, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-89270.

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19

Gesse-Harm, Sonja. "Zwischen Ironie und Sentiment Heinrich Heine im Kunstlied des 19. Jahrhunderts." Stuttgart Weimar Metzler, 2005. http://deposit.ddb.de/cgi-bin/dokserv?id=2751737&prov=M&dok_var=1&dok_ext=htm.

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20

Brendel-Perpina, Ina. "Heinrich Heine und das Pariser Theater zur Zeit der Julimonarchie /." Bielefeld : Aisthesis, 2000. http://catalogue.bnf.fr/ark:/12148/cb41372870f.

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21

Gutmann, Thomas. "Im Namen Heinrich Heines : der Streit um die Benennung der Universität Düsseldorf 1965-1988 /." Düsseldorf : Droste, 1997. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=007645384&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA.

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22

Joch, Markus. "Bruderkämpfe : zum Streit um den intellektuellen Habitus in den Fällen Heinrich Heine, Heinrich Mann und Hans Magnus Enzensberger /." Heidelberg : C. Winter, 2000. http://catalogue.bnf.fr/ark:/12148/cb37686703f.

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23

Junior, Antonio Herembergue Dias. "Ironia e paródia em O Rabi de Bacherach, de Heinrich Heine." Universidade de São Paulo, 2009. http://www.teses.usp.br/teses/disponiveis/8/8144/tde-30112009-145408/.

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Heinrich Heine (1797-1856) é costumeiramente lembrado como um escritor engajado. Ora lido como um defensor do povo judeu do qual descendia ora como um intelectual livre que buscou um olhar crítico sobre as religiões e sobre o mundo burguês em formação. Sua obra O Rabi de Bacherach (1840) literaliza a saga do povo judeu em face do cristianismo na Alemanha. Eis, portanto, um vasto leque de possibilidades para análise do engajamento político de Heine, que se mostra nessa obra não de modo panfletário, senão a partir de uma visão crítica da religião. Dentro desse viés, o presente trabalho propõe-se a fazer uma leitura do seu Rabi destacando os recursos estilísticos da ironia e da paródia, acionadas frequentemente por Heine para operar com forças políticas de sua época, o que marcou profundamente sua poética ao mesmo tempo jocosa e crítica.
Heinrich Heine (1797-1856) is usually remembered as a politically engaged writer. Sometimes he is thought of as a defender of the Jewish people from whom he descended sometimes like a free thinker, who had a critical point of view about religions and the emerging bourgeoisie world. His work The Rabbi of Bacherach (1840) describes the saga of the Jewish people in view of Christianity in Germany. Thus, there is a wide range of possibilities to analyze Heines political engagement, which appears in this work not like pamphlet literature, but from a critical point of view about religion. In this context, the present work intends to point out the stylistical mechanisms of irony and parody in his Rabbi, which were often used by Heine to work with political forces of his time. Consequently his poetry was marked both in a funny and in a critical way.
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24

Lutz, Edith. "Heinrich Heine im "Verein für Cultur und Wissenschaft der Juden"." Universität Potsdam, 2006. http://opus.kobv.de/ubp/volltexte/2008/2259/.

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Behandelte Themen sind: Das sozialpolitische Umfeld des Vereins; Der "Verein für Cultur und Wissenschaft der Juden"; Heines Beitritt in den Verein; Heines Unterrichtstätigkeit; Heine und die Zeitschrift des Vereins; Weitere Verbindungen zum Verein; Der Verein und "Der Rabbi von Bacherach"
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25

Kusch, Maximilian. "Tageswahrheit Heinrich Heines Bruch mit der dualistischen Denktradition der Moderne." Würzburg Königshausen & Neumann, 2007. http://d-nb.info/987675621/04.

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26

Smykowski, Adam. "Heinrich Heines Lyrisches Intermezzo in Vertonungen von Robert Schumann und Robert Franz /." Frankfurt am Main ; Bern ; Paris : P. Lang, 2002. http://catalogue.bnf.fr/ark:/12148/cb388348041.

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27

Grözinger, Elvira. "Die Schatten des Tals von Ronceval. Sepharads Spuren bei Heinrich Heine." Universität Potsdam, 2013. http://opus.kobv.de/ubp/volltexte/2013/6709/.

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Heinrich Heine (1797–1856) als Nachfahre sephardischer Juden mütterlicherseits verfasste mehrere Werke mit spanischer Thematik, die Bezug zu seinem Judentum und den persönlichen Traumata („marranische Haltung“) haben. Die damit verbundenen Chiffren „Vertreibung“, „Verrat“, „Niederlage“, „Verwundung“ u. ä. subsumierte er unter das Symbol des Tals von Ronceval, den Todesort des legendären Roland, der zu des Dichters literarischen Alter Egos zählt.
Heinrich Heine (1797–1856), considered as a Sephardic Jew on his mother’s side, has written several works with a Spanish context connected to his Judaism and biographical traumas diagnosed as “a Marrano pose”. They impart the codes of “betrayal”, “defeat”, “displacement” and “harm” and are subsumed under the symbol of the valley of Ronceval where one of his literary alter egos, the legendary knight Roland, was betrayed and killed.
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28

Elder, Lara Frances. "Heinrich Heine in Paris : the poetics and politics of self-fashioning." Thesis, University of Oxford, 2011. http://ora.ox.ac.uk/objects/uuid:a41acb1e-84bd-4687-abc8-331bdacd30e5.

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Drawing on the concept developed in Stephen Greenblatt’s Renaissance Self-fashioning: From More to Shakespeare, this thesis presents Heinrich Heine as an extreme case of the ‘self-fashioning’ writer. I argue that his preoccupation with self-construction determines what and how he writes, how he treats his reading public and, crucially, how he perceives and evaluates his own career. Though self-fashioning occurs in his earliest works, Heine’s decision to move to Paris (1831) was the single biggest self-determining act of his life; he constructs it as a moment of rebirth. Inspired by the July Revolution, he sought a new authorial identity in harmony with the supposed new world order and his own social, political and artistic ideals. However, the reality of juste-milieu society—a continual seesawing between modernisation and restoration—cast doubt on the possibility, even the desirability, of novelty and progress, the goals of revolution. In this context, Heine cultivates the identity of a perpetually embattled writer through confrontational dialogue with contemporary ideologies and his readership alike; ever ambivalent in his attitude to the role of art in a modernising world, he is also engaged in an internal battle with the self. First I show how he establishes himself in the role of cultural correspondent in the early journalism by developing a mode of self-conscious spectatorship which enables him to negotiate between contemporary French conditions and German readership expectations. Second I investigate the strategies he uses to free himself from his Buch der Lieder legacy and redefine his identity as a poet in Paris; I show how the Neue Gedichte (1844) are assembled to record and reflect on this transitional process, making the collection a monument to his self-fashioning tendencies. Finally I explore how Heine manipulates the relationship between public and private within a concept of self to construct his authorial identity; I consider a number of self-editing and self-reconstructive practices in prefaces, letters and autobiographical writing.
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29

Andreani, Elisabetta. "Heinrich Heine : traductions et mises en musique en France et en Italie." Thesis, Université Paris-Saclay (ComUE), 2015. http://www.theses.fr/2015SACLE018/document.

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La thèse se propose d’illustrer le « phénomène » Heine en France et en Italie d'environ 1850 à 1950, tant du point de vue littéraire que musical. Heine a entretenu avec la France un rapport privilégié: il s'est installé à Paris en 1831, où il a élu domicile jusqu'à sa mort, en 1856. Très nombreux ont été, en France et en Italie, les traducteurs du poète, mais aussi les poètes et les écrivains qui ont été influencés par ses idées et son art poétique. Beaucoup de compositeurs ont également mis en musique la traduction de ses poèmes. La présente thèse propose d'étudier le rôle et l'impact des traducteurs et des musiciens qui ont été conquis par le génie du poète allemand. Les traducteurs commencèrent très tôt à publier les versions de Heine pour les nombreuses revues parisiennes, jusqu’à la publication de la traduction du Lyrisches Intermezzo de Gérard de Nerval dans la Revue de Deux Mondes en 1848. Les compositeurs suivirent cette tendance quelques années plus tard et mettront en musique les poèmes de Heine notamment entre 1870 et 1930
The thesis intends to illustrate the Heine “phenomenon” in France and in Italy from around 1850 to 1950, from both a literary as well as a musical point of view. Heine enjoyed a privileged relationship with France. He arrived in Paris in 1831 and established the French capital as his home until his death in 1856. The poet had countless translators in both France and Italy and many were the poets and writers who were influenced by his ideas and his poetry. Many composers composed romances and melodies for his works. This thesis intends therefore to study the role and the impact of the translators and musicians who were won over by the genius of the German musician. The translators began very early to publish their own versions in the numerous Parisian revues, right up to the publication of the Lyrisches Intermezzo by Gérard de Nerval in the “Revue de Deux Mondes” in 1848. The composers would follow this tendency some years later and would set to music Heine’s poetry, especially in the years from around 1870 to 1930
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30

Weber, Mirjam. "Der "wahre Poesie-Orient" : eine Untersuchung zur Orientalismus-Theorie Edward Saids am Beispiel von Goethes "West-östlichem Divan /." Weisbaden : O. Harrassowitz, 2001. http://catalogue.bnf.fr/ark:/12148/cb39247826c.

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31

Heemst, Johannes Robert van. "Berlin cobweb the late Heine: Jewish wisdom, hegelianism /." [S.l. : Amsterdam : s.n.] ; Universiteit van Amsterdam [Host], 2003. http://dare.uva.nl/document/67364.

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32

Tschorsch, Rebecca [Verfasser], Hildegard Gutachter] Graß, and Heiner [Gutachter] [Barz. "Evaluation der medizinischen Lehre der Heinrich-Heine-Universität Düsseldorf zum Thema Gender / Rebecca Tschorsch ; Gutachter: Hildegard Graß, Heiner Barz." Düsseldorf : Universitäts- und Landesbibliothek der Heinrich-Heine-Universität Düsseldorf, 2016. http://d-nb.info/1121745725/34.

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33

Tschorsch, Rebecca Verfasser], Hildegard [Gutachter] Graß, and Heiner [Gutachter] [Barz. "Evaluation der medizinischen Lehre der Heinrich-Heine-Universität Düsseldorf zum Thema Gender / Rebecca Tschorsch ; Gutachter: Hildegard Graß, Heiner Barz." Düsseldorf : Universitäts- und Landesbibliothek der Heinrich-Heine-Universität Düsseldorf, 2016. http://d-nb.info/1121745725/34.

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34

Roller, Evelyn. "Epidemiologische Studie an 202 metastasierten Melanompatienten der Hautklinik der Heinrich-Heine-Universität Düsseldorf." [S.l.] : [s.n.], 2003. http://deposit.ddb.de/cgi-bin/dokserv?idn=968801390.

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35

Grözinger, Elvira. "Im Venusberg : zu Gesundheit und Krankheit bei Heinrich Heine zwischen Eros und Thanatos." Universität Potsdam, 2006. http://opus.kobv.de/ubp/volltexte/2008/2261/.

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36

Lebrave, Jean-Louis. "Le jeu de l'énonciation en allemand d'après les variantes manuscrites des brouillons de H. Heine." Paris 4, 1987. http://www.theses.fr/1987PA040463.

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Ce travail est consacré à l'étude linguistique des processus de production écrite en allemand à partir de l'ensemble des brouillons de la Lutezia de H. Heine. Après un bilan des théories de l'écriture existantes et un résumé des données factuelles disponibles sur l'écriture de Heine, le corpus est analyse selon deux axes complémentaires. D'abord, grâce à la notion de substitution orientée par la chronologie des opérations génétiques sous-jacentes, une exploitation automatisée des données structurées selon les effets paradigmatiques produits par les opérations génétiques débouche sur la constitution d'un dictionnaire des substitutions. Outre l'étonnante variabilité de la modalité et de la modalisation, ce regroupement exhaustif révèle l'existence de polarités génétiques remarquables dans les constituants des substitutions, et amène à construire l'hypothèse d'une écriture à plusieurs niveaux ou certaines formes, appelées proto-termes, sont les verbalisations provisoires d'un contenu sémantique soumis ultérieurement à une élaboration complémentaire. La portée de ce mécanisme génétique découvert à propos de Gross est vérifiée sur l'ensemble du lexique; mais les hypothèses correspondantes dépassent le cadre d'une analyse en termes de substitutions et imposent un autre angle d'approche. C'est pourquoi une dernière partie consacre au processus d'écriture lui-même plusieurs analyses (structures additives dont les proto-termes sont un cas particulier, répétitions, formes linguistiques de reprise, questions-réponses, interventions méta-linguistiques du locuteur) qui montrent l'existence de corrélations remarquables entre des faits de langue et des faits génétiques attestés par leurs traces. Pour expliquer ces corrélations, on est amené à construire, sur le modèle de la double locution linguistique nécessaire par ailleurs, une double locution génétique qui prend en compte l'ensemble des phénomènes liés aux rythmes de l'écriture, et dont les effets se font sentir dans la structure linéaire finale de l'écrit. A ce titre, les brouillons sont un document unique sur les traces que l'énonciation en acte laisse dans l'enchainement des énoncés
The processes of written text production in german are analyzed in the rough drafts of H. Heine's Lutezia. After weighing up the existing theories of writing and summarizing the facts available on Heine's handwriting, the data are analyzed from two main points of view. First, the concept of genetic substitution takes into account the paradigmatic consequences of genetic operations on text being produced and makes a computerized dictionary of substitutions possible. Besides an extraordinary variability of modality and modalization, this exhaustive collection reveals the existence of remarkable genetic polarities among the constituents of substitutions and suggests the hypothesis of a multi-level writing in which certain forms, called proto-items, appear as temporary verbalizations of semantic contents which are worked out in a later stage. The reach of this genetic mechanism - discovered in studying the adjective gross - is evaluated for the whole lexicon; but the corresponding hypotheses up beyond the scope of substitutions and suggest a different approach. Therefore, the author devotes the last part of this study to the writing process itself. Various analyses - e. G. Of additive structures, of which proto-items are only a particular case, of repetitions, of anaphoric relations, of questions and answers, of meta-linguistic interventions of the writer - show the existence of remarkable correlations between linguistic and genetic data. In order to take these correlations into account, one builds up a concept of genetic interlocution similar to linguistic interlocution, which covers all phenomena related to the empirical rhythm of writing, and the consequences of which affect the final linear structure of the written product
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37

Aparicio, Vogl Julia. "Heine, ein Spötter von der traurigen Gestalt : die präsenz des Don Quijote und seines Autors Cervantes im Werk Heinrich Heines : Deutungsanalysen und Stilvergleiche /." Bern : P. Lang, 2005. http://catalogue.bnf.fr/ark:/12148/cb40070543k.

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38

Horch, Hans Otto. "Die unheilbar große Brüderkrankheit : zum programmatischen Zeitgedicht Das neue Israelitische Hospital zu Hamburg von Heinrich Heine." Universität Potsdam, 2006. http://opus.kobv.de/ubp/volltexte/2008/2263/.

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39

Krüger, Thomas J. A. "The conflict of Geist and Macht in the historical ballads of Ludwig Uhland and Heinrich Heine." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2002. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp05/MQ63329.pdf.

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40

Schubert, Franz, and Matthias Drude. "Am Meer: Aus dem „Schwanengesang“, Text: Heinrich Heine, Franz Schubert (1828), Männerchorsatz: Matthias Drude: Männerchor und Klavier." Concertino Musikverlag, 2011. https://slub.qucosa.de/id/qucosa%3A7856.

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'Am Meer' ist ein Lied von Franz Schubert (1797-1828) für Singstimme und Klavier aus dem Zyklus 'Schwanengesang' (Text: Heinrich Heine). Matthias Drude hat dieses für Männerchor und Klavier bearbeitet. Veröffentlichung auf Qucosa mit freundlicher Genehmigung des Concertino-Musikverlags.
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41

Boyer, Sophie. "Les representations de la femme chez Heine et Baudelaire : pour une etude du langage moderne de l'amour." Thesis, McGill University, 2000. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=36877.

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Given that the role of Heinrich Heine as a precursor to Charles Baudelaire has long been recognized and examined in the critical literature, this dissertation aims to explore congruities in their respective poetic universes, by conducting a parallel reading of the image of woman in their poetry. Contrary to a feminist critique, which denounces the writers' reductive and hence misogynist use of such images, we will remove the anathema momentarily in order to allow a discourse of love to be expressed, in a complex language which reveals the fears and desires of the loving subject in the 19th century.
The representation of the woman by Heine and Baudelaire points to a rupture characteristic of modern poetry. In accordance with the principle of irony, in which a strategy of evasion and detachment is employed, the various female characters presented by the two poets can never be reduced to the two-dimensionality of a pure object. The relationship to woman is marked by distance, suffering and dissonance. Occupying a liminal position between life and death, between animate and inanimate, the image of woman exercises a power of seduction which constitutes a challenge to the social order, extended from its margins.
The image of the prostitute will be analyzed in terms of its close relationship with the metropolis. Subsequently, Freudian theories will shed light on the stakes of the erotic experience which occurs in contact with the demimondaine. The symbolic exchange established with the commodified body of the prostitute ends in the transmission of illness, and ultimately, in the woman's death. In a vain attempt to control his fear of death, the modern poet displaces this fear onto an object as other: the female cadaver, whose horrible beauty emits a "disturbing uncanniness". The object of desire, put to death in this manner, returns to haunt the fetishist, even to take vengeance in the form of the vampire woman whose body resists death, but breathes it into the one she seduces. Finally, through the images of the statue and the sphinx, the poets reveal a divine and revolutionary dimension in the realm of love.
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42

Mokosch, Anna [Verfasser], Bernhard [Akademischer Betreuer] Homey, and Ulrich [Akademischer Betreuer] Germing. "Epidemiologische Studie an 95 Melanompatienten mit Hirnmetastasierung der Hautklinik der Heinrich-Heine-Universität / Anna Mokosch. Gutachter: Bernhard Homey ; Ulrich Germing." Düsseldorf : Universitäts- und Landesbibliothek der Heinrich-Heine-Universität Düsseldorf, 2014. http://d-nb.info/1046174223/34.

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43

Kilchmann, Esther. "Verwerfungen in der Einheit Geschichten von Nation und Familie um 1840. Heinrich Heine, Annette von Droste-Hülshoff, Jeremias Gotthelf, Georg Gottfried Gervinius, Friedrich Schlegel." Paderborn München Fink, 2007. http://d-nb.info/991691164/04.

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44

Marques, da Mota Rodrigo [Verfasser], Joachim [Gutachter] Richter, and Colin [Gutachter] Mackenzie. "Clinical epidemiological study of 2314 ill returned travelers presenting to Heinrich Heine University Düsseldorf / Rodrigo Marques da Mota. Gutachter: Joachim Richter ; Colin MacKenzie." Düsseldorf : Universitäts- und Landesbibliothek der Heinrich-Heine-Universität Düsseldorf, 2016. http://d-nb.info/1101693789/34.

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Kilchmann, Esther. "Verwerfungen in der Einheit : Geschichten von Nation und Familie um 1840 : Heinrich Heine, Annette von Droste-Hülshoff, Jeremias Gotthelf, Georg Gottfried Gervinus, Friedrich Schlegel /." [S.l.] : [s.n.], 2009. http://opac.nebis.ch/cgi-bin/showAbstract.pl?u20=9783770547616.

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46

Bodenheimer, Nina. "Heinrich Heine et le saint-simonisme : problèmes de transferts culturels : considérations sur la réception problématique de la philosophie idéaliste au sein du mouvement saint-simonien." Paris 8, 2010. http://www.theses.fr/2010PA083272.

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A partir de l’œuvre et de la correspondance du poète Heinrich Heine et du groupe saint-simonien, il s’agira de mettre en évidence la nature et le rôle de leur rencontre à Paris en 1831 qui poussa Heine à dédicacer en 1835 sa Geschichte der Religion und Philosophie in Deutschland à Prosper Enfantin, à la tête du mouvement, qui la refusa. Ce sont en particulier les raisons de ce refus qui attireront notre attention, que nous aborderons à travers une analyse de la réception saint-simonienne de la pensée allemande, et notamment celle de Hegel et de Lessing. Il s’agira par là même de confronter une vision française de la philosophie idéaliste, basée sur les idées de Madame de Staël et de Victor Cousin, avec celle de l’Allemand exilé, voulant en transmettre l’essence – ce qu’il appela le Schulgeheimnis. Cette analyse nous permettra de constater les entraves importantes à ces transferts culturels, principalement causées par une pensée trop stéréotypée, incapable de surmonter les préjugés ancrés dans les esprits saint-simoniens dont nous essaierons de montrer les origines
Based on the work and the correspondence of both, the poet Heinrich Heine and the Saint-Simonian group, this dissertation reveals the nature and the significance of their encounter in Paris in 1831 and its impact on Heine’s further work. Four years later, Heine dedicated his Geschichte der Religion und Philosophie in Deutschland to Prosper Enfantin, head of the Saint-Simonians, who declined the honor. In particular, we will examine the reasons of this disagreement through an analysis of the Saint-Simonian reception of the German thinkers Hegel and Lessing. This involves a comparison between a French vision of idealism, based on the ideas of Madame de Staël and Victor Cousin, and Heine's vision of German philosophy, the essence of which he claims to represent. Our analysis reveals some important obstacles in this cultural exchange, mainly caused by a stereotyped way of thinking incapable of tearing down the wall of prejudice made up in the Saint-Simonians minds
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Kohn, Blanka. "Karl Emil Franzos : écrivain, journaliste, éditeur et critique." Paris 8, 1994. http://www.theses.fr/1994PA080911.

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Le propos de cette these est la presentation d'un auteur de langue allemande dont le patronyme traduit des liens avec la france. Ne en galicie autrichienne vers le milieu du 19e siecle, mort a berlin au debut du 20e, karl emil franzos a mene de front une intense activite litteraire et journalistique s'etendant a plusieurs domaines. Ecrivain, il a publie une trentaine d'ouvrages, journaliste, il a redige un journal viennois, une revue litteraire et fait paraitre d'inmombrables essais et articles, editeur, il a reedite des auterus disparus, critique, il a passe en revue des textes nouvellement parus. Les differents aspects de l'oeuvre franzosienne sont etudies dans cette monographie en trois tomes, chacun muni de notes bibliographiques afferentes au sujet traite. Par l'expose des facteurs preponderants dans le formation du futur ecrivain et a traversle bilan de sa carriere, la premiere partie de la these met l'accent sur le lien etroit existant entre l'homme et l'oeuvre. En analysant les caracteristiques de l'oeuvre journalistique et en exposant les deux aspects de l'oeuvre litteraire dans leur orientation et style respectifs, le seconde partie s'attache a. .
The purpose of this thesis is the introduction of a german-speaking writer whose patronymic surname suggests close ties to france. Karl emil franzos, who as born in austrian galicia in the middle of the nineteenth century and who died in berlin at the beginning of the twentieth century, carried out simultaneously an intense and wideranging literary and journalistic activity. As an author, he published about thirty works of his own. As a journalist, he edited a viennese newspaper, a literary review and the published numberless essays and articles. As a publisher, he also re-printed the works of long-forgotten writers, and as a critic. He reviewed newly edited pieces of contemporary writings. The various fields of activity covered by franzos's work have been studied in this monography set our in three volumes, each of them being completed by bibliographical notes related to its particular subject. Dwelling on a study of the leading forces that combined in the making of the futur writer and on a wide survey of his literary. .
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48

Kling, Jutta Cornelia. "On knowingness : irony and queerness in the works of Byron, Heine, Fontane, and Wilde." Thesis, University of St Andrews, 2014. http://hdl.handle.net/10023/11824.

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This thesis identifies strategies of queer/irony in the writings of Lord Byron, Heinrich Heine, Theodor Fontane, and Oscar Wilde. Key to the understanding of irony is Friedrich Schlegel's re-evaluation of the concept. The thesis establishes an approach to the multifaceted concept of irony and identify key concepts of queer theory. The focus, however, is close reading. First, Lord Byron's epic satire Don Juan is read with regards to the interplay of narrative strategies and the depiction of gender, homoeroticism and the concept of the child. Furthermore, reviews published at the time of the publication of Don Juan are examined: Why did the reviewers reject the work so violently? Second, in Heine's Buch der Lieder we find ironic strategies that Richard Rorty subsumed into the concept of 'final vocabularies.' By acknowledging the formulaic nature of language in general and Romantic tropes in particular, Heine succeeds in subverting a heteronormative discourse on love and desire. Heine's Reisebilder – 'Die Reise von München nach Genua' and 'Die Bäder von Lucca' – depict the limits of queer/irony: Where meaning is fixed, as in the case of the Platen polemic, irony loses its propensity to contain multitudes. Third, Theodor Fontane's novels of adultery are read against the background of irony as established through a Schlegelian reading of Frau Jenny Treibel and a queer reading of Ellernklipp. The novels Unwiederbringlich and Effi Briest question notions of truth and map the danger of knowledge. At the core of this chapter lies the notion of 'knowledge management,' a strategy closely related to irony. The figure of the courtier Pentz in Unwiederbringlich becomes a harbinger of dangerous, queer knowledge similar to the way Crampas' use of Heine quotations negotiates sexually suggestive knowledge in Effi Briest. In a final step, the aforementioned queer/ironic strategies are employed to read texts by Oscar Wilde. Are the strategies as inferred in the other chapters valid for Wilde's writings as well? We find that, in a time where homoerotic behaviour was heavily sanctioned, ironic writing had become a liability. Wilde's ironies are too opaque for the reader: They have become a movement where nobody is allowed to 'play along'.
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Brückner, Leslie. "A. F. Loève-Veimars (1799-1854) traducteur et diplomate : étude sur un médiateur culturel." Paris 8, 2011. http://www.theses.fr/2011PA083358.

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Gingter, Christian Michael [Verfasser], and Heinz-Harald [Akademischer Betreuer] Abholz. "Studie zur Feststellung der Prävalenz der Chronisch Obstruktiven Lungenerkrankung (COPD) bei Rauchern ab 40 Jahren in der Hausarztpraxis am Beispiel von Lehrarztpraxen des Instituts für Allgemeinmedizin der Heinrich-Heine-Universität zu Düsseldorf / Christian Michael Gingter. Betreuer: Heinz-Harald Abholz." Düsseldorf : Universitäts- und Landesbibliothek der Heinrich-Heine-Universität Düsseldorf, 2014. http://d-nb.info/1046404490/34.

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