Academic literature on the topic 'Heinrich von Ofterdingen Novalis'

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Journal articles on the topic "Heinrich von Ofterdingen Novalis"

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Malaguti, Simone. "Die Suche nach dem Glück in der deutschen Literatur. Zur Bedeutung der blauen Blume in Novalis’ Heinrich von Ofterdingen." Pandaemonium Germanicum, no. 9 (December 17, 2005): 207. http://dx.doi.org/10.11606/1982-8837.pg.2005.73705.

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Assim como Os sofrimentos do jovem Werther e Os anos de aprendizado de Wilhelm Meister de Goethe, o romance Heinrich von Ofterdingen de Novalis é representativo para a literatura alemã. Este romance é também significativo e conhecido pela sua flor azul, um motivo usado por Novalis nesse romance. O artigo analisa a flor azul como um símbolo da busca pela felicidade na literatura alemã. Para tal, os seguintes assuntos são levados em consideração: a conexão entre o homem e a natureza, a cor azul conforme os estudos de Goethe, a flor azul como um motivo da natureza e os sonhos de Heinrich.
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Dickson, Sheila, and Dennis F. Mahoney. "The Critical Fortunes of a Romantic Novel: Novalis' 'Heinrich von Ofterdingen'." Modern Language Review 91, no. 3 (1996): 787. http://dx.doi.org/10.2307/3734178.

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Pnevmonidou, Elena. "Veiled Narratives: Novalis' Heinrich von Ofterdingen as a Staging of Orientalist Discourse." German Quarterly 84, no. 1 (2011): 21–40. http://dx.doi.org/10.1111/j.1756-1183.2011.00102.x.

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Barbosa, Maria Aparecida. "Poesia recupera Amor." Literatura e Sociedade 23, no. 28 (2018): 44–53. http://dx.doi.org/10.11606/issn.2237-1184.v0i28p44-53.

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A fim de compartilhar o fórum de reflexões literárias concernentes ao Bildungsroman, o artigo que apresento resulta da minha pesquisa sobre a literatura de Novalis, a partir da compreensão dos contextos e debates poéticos que concernem à composição de Heinrich von Ofterdingen, romance que permaneceu inconcluso e passível de interpretações dos manuscritos e da crítica dos prototextos, após a morte do escritor. A essa incompletude circunstancial soma-se a do caráter específico do gênero textual romance composto de abstrações de valores morais, religiosos e de personificações dos elementos do mun
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NEWMAN, GAIL. "Poetic Process as Intermediate Area in Novalis's Heinrich von Ofterdingen." Seminar: A Journal of Germanic Studies 26, no. 1 (1990): 16–33. http://dx.doi.org/10.3138/sem.v26.1.16.

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Markova, Anna S. "THE TRANSCULTURAL SYMBOL OF THE BLUE FLOWER IN ENGLISH DISCOURSE. THE IMAGE OF A BLUE FLOWER AS A CULTURAL PALIMPSEST." RSUH/RGGU Bulletin. "Literary Theory. Linguistics. Cultural Studies" Series, no. 3 (2022): 68–76. http://dx.doi.org/10.28995/2686-7249-2022-3-68-76.

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The article attempts to analyze the image of the blue flower in the English-language discourse as a transcultural symbol with its own semantics in the English-speaking tradition and at the same time having a stable connection with German literature (Novalis’s novel “Heinrich von Ofterdingen”). Since the image of a blue flower has a pronounced colorativ, it is impossible to deny the influence of the semantics of the lexeme “blue” on it. Consequently, an appeal to phraseological units that have such a lexeme allows revealing the peculiarities of the perception of the transcultural symbol of the
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Rauch, Angelika, Heinrich von Ofterdingen, and Dennis Mahoney. "The Critical Fortunes of a Romantic Novel: Novalis's Heinrich von Ofterdingen." German Quarterly 69, no. 3 (1996): 349. http://dx.doi.org/10.2307/407686.

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MAHONEY, DENNIS F. ""Stages of Enlightenment": Lessing's Nathan der Weise and Novalis's Heinrich von Ofterdingen." Seminar: A Journal of Germanic Studies 23, no. 3 (1987): 200–215. http://dx.doi.org/10.3138/sem.v23.3.200.

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Walker, Joyce S. "Romantic Chaos: The Dynamic Paradigm in Novalis's Heinrich von Ofterdingen and Contemporary Science." German Quarterly 66, no. 1 (1993): 43. http://dx.doi.org/10.2307/408509.

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Comellas Aguirrezábal, Mercedes. "La lámpara maravillosa de Valle-Inclán y el Heinrich von Ofterdingen de Novalis o la poética como «camino de perfección." Revista de literatura 64, no. 127 (2002): 121–50. http://dx.doi.org/10.3989/revliteratura.2002.v64.i127.193.

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Dissertations / Theses on the topic "Heinrich von Ofterdingen Novalis"

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Eikels, Kai van. "Zeitlektüren : Ansätze zu einer Kybernetik der Erzählung /." Würzburg : Königshausen & Neumann, 2002. http://www.gbv.de/dms/bs/toc/343095734.pdf.

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Samwer, Julia K. C. "Symbole der Erkenntnis zu Friedrich Schlegels Lucinde und Novalis' Heinrich von Ofterdingen." Würzburg Königshausen & Neumann, 2009. http://d-nb.info/994476035/04.

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Macé, Suzanne. "Enjeu philosophique du conte romantique : conceptions esthétiques de Novalis." Paris 8, 2002. http://www.theses.fr/2002PA082260.

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"Poème magique", considéré comme une véritable oeuvre de référence, le conte Henri d'Ofterdingen ouvre de nouvelles perspectives, en réaction contre l'Aufklärung et en contrepoint au Wilhem Meister de Goethe. Dans sa réflexion, par des dialogues à des fins éducatives ou par l'évocation de mythes susceptibles de confirmer sa vocation de poète, Novalis mène une introspection qui apporte une nouvelle dimension à l'oeuvre littéraire. Consciemment ou inconsciemment, l'auteur-narrateur-protagoniste édifie son propre Moi, par une tension voulue entièrement dirigée vers le Beau et qui l'éloigne de tou
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Pnevmonidou, Elena. ""Liebes-Töten" : zur Objektwerdung der Frau im Roman der Frühromantik : Novalisʹ Heinrich von Ofterdingen, Friedrich HÜlderlins Hyperion, Friedrich Schlegels Lucinde". Thesis, McGill University, 2004. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=84537.

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The aim of this comparative study of Novalis' Heinrich von Ofterdingen , Holderlin's Hyperion, and Schlegel's Lucinde is to develop a comprehensive overview of the role of woman in conceptions of male subjectivity in Early German Romanticism. The reading of the novels developed here examines the Early Romantic poetics with a specific view to the conceptualizations of woman contained therein. The Early Romantic 'Project' consists in the rewriting of the subject and the world in the medium of poetry. Tanscendental poetry, the fragment, allegory, and irony are intended to invoke the presen
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Remy-Lacheny, Ingrid. "Etude des « Frères de Saint-Sérapion » d'E.T.A. Hoffmann : discours esthétiques et scientifiques." Thesis, Paris 3, 2009. http://www.theses.fr/2009PA030126/document.

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S’appuyant sur les théories esthétiques des frères Schlegel, de Novalis et de Schelling, ce travail s’attache à analyser les discours esthétiques et scientifiques dans Les Frères de Saint-Sérapion d’E.T.A. Hoffmann et à étudier dans quelle mesure et jusqu’à quel point l’écrivain se réapproprie les réflexions de ces premiers romantiques et s’en distancie. Confronté au philistinisme, aux malveillances d’autrui et à ses démons intérieurs, l’artiste sérapiontique poursuit un idéal tant social que psychique. Rêveurs, fous, enfants ou encore sous influence magnétique, les personnages hoffmanniens so
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ZHANG, MIN-MIN, and 張敏敏. "Novalis' Heinrich von Ofterdingen als beispiel des romantischen lebensideals." Thesis, 1990. http://ndltd.ncl.edu.tw/handle/78232029655230081592.

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Neves, Sérgio Manuel Valadas das. "Urfaust e Heinrich von Ofterdingen : um estudo comparatista à luz do pensamento alquímico." Master's thesis, 2020. http://hdl.handle.net/10451/45945.

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O escopo deste estudo comparatista é estabelecer a relação entre Urfaust de Goethe e Heinrich von Ofterdingen de Novalis, à luz da alquimia, por meio dos tratados alquímicos e dos estudos sobre estes. A partir dos estudos já existentes, desenvolvo a ideia da conjunção de opostos e do símbolo do ouroboros, considerando-o a síntese hermenêutica de todo o pensamento hermético presente nas obras em causa. Para tal, investigo Fausto e Heinrich, encontrando-os como matéria alquímica a ser transmutada pelos respectivos pares Mefistófeles-Gretchen e Klingsohr-Mathilde. A alquimia pode ser entendida c
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Kim, Chorong. "Storytelling tricksters: a reader’s coming-of-age in young adult fantasy fiction in Germany." Thesis, 2018. https://dspace.library.uvic.ca//handle/1828/9441.

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In this thesis, I examine three works of modern German fantasy fiction for young adults, their common grounding in the Romantic aesthetic framework and in particular the Romantic notion of creativity, and the implication of their unique fantasy fiction paradigm in our modern day. The novels are Michael Ende’s The Neverending Story (1979), Inkheart (2003) by Cornelia Funke and The City of Dreaming Books (2006) by Walter Moers. They represent a Germany-specific narrative paradigm which can be seen in the protagonist readers’ transformation from mere readers into storymakers/storytellers, and in
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Books on the topic "Heinrich von Ofterdingen Novalis"

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Andrea, Neuhaus, ed. Heinrich von Ofterdingen. Suhrkamp, 2007.

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Symbole der Erkenntnis: Zu Friedrich Schlegels Lucinde und Novalis' Heinrich von Ofterdingen. Königshausen & Neumann, 2009.

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Jochimsen, Maren. Die Poetisierung der Ökonomie: Novalis' Thesen im Heinrich von Ofterdingen als Anregungen zu einer ökologieorientierten Ökonomie. Verlag Hans-Dieter Heinz, Akademischer Verlag, 1994.

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Mahoney, Dennis F. The critical fortunes of a romantic novel: Novalis's Heinrich von Ofterdingen. Camden House, 1994.

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Allegorien des Lebens: Literarisierte Anthropologie bei F. Schlegel, Novalis, Tieck und E.T.A. Hoffmann. F. Schöningh, 2008.

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Wolfgang, Frühwald, ed. Heinrich von Ofterdingen: Ein Roman. Reclam, 1987.

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Rüber, Johannes. "Ich zog mir einen Falken--": Heinrich von Ofterdingen. Nymphenburger, 1988.

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1949-, Adam Wolfgang, ed. Heinrich von Ofterdingen erzählt seine Geschichte: Lyrik und Erzählminiaturen. Igel-Verlag Literatur, 2009.

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Helfer, Martha B. The retreat of representation: The concept of Darstellung in German critical discourse. State University of New York Press, 1996.

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Schanze, Helmut. Index Zu Novalis Heinrich Von Ofterdingen. de Gruyter GmbH, Walter, 2015.

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Book chapters on the topic "Heinrich von Ofterdingen Novalis"

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Mahoney, Dennis F. "Heinrich von Ofterdingen." In Friedrich von Hardenberg (Novalis). J.B. Metzler, 2001. http://dx.doi.org/10.1007/978-3-476-05164-6_10.

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Uerlings, Herbert. "›Heinrich von Ofterdingen‹." In Friedrich von Hardenberg, genannt Novalis. J.B. Metzler, 1991. http://dx.doi.org/10.1007/978-3-476-03377-2_25.

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Henschen, Hans-Horst, and Andreas Blödorn. "Novalis: Heinrich von Ofterdingen." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_12659-1.

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Gold, Helmut. "Novalis: Heinrich von Ofterdingen-Der konstruierte Bergbau." In Erkenntnisse unter Tage. VS Verlag für Sozialwissenschaften, 1990. http://dx.doi.org/10.1007/978-3-663-09974-1_3.

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Engel, Manfred. "Novalis, ›Heinrich von Ofterdingen‹ (1802): Romantischer Figuralismus (Frühromantische Potenzierung 2)." In Der Roman der Goethezeit. J.B. Metzler, 1993. http://dx.doi.org/10.1007/978-3-476-03431-1_9.

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Richter, Rebecca. "Der Dichter als Mythos: Heinrich von Ofterdingen in mehreren Spielarten." In Armer Heinrich, reicher Heinrich - Deutscher Heinrich. Springer Berlin Heidelberg, 2021. http://dx.doi.org/10.1007/978-3-662-63548-3_4.

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Steppan, Thomas. "Die Dialektik von Himmel und Erde zwischen Klassik, Romantik und Realismus am Bespiel von den Wahlverwandtschaften, Heinrich von Ofterdingen und Immensee." In Der Himmel als transkultureller ethischer Raum. V&R unipress, 2016. http://dx.doi.org/10.14220/9783737006187.249.

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"VI. Kapitel: Die poetische Vorstellungsform des goldenen Zeitalters (,Heinrich von Ofterdingen‘)." In Die Idee des goldenen Zeitalters im Werk des Novalis. Max Niemeyer Verlag, 1994. http://dx.doi.org/10.1515/9783110916102.397.

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Kohns, Oliver. "Eine „irdische Wallfahrt“ die Semiotik der Wanderung in Novalis’ Heinrich von Ofterdingen." In Weltliche Wallfahrten. Wilhelm Fink Verlag, 2008. http://dx.doi.org/10.30965/9783846748985_018.

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Adams, Dale. "Wirksame Zufälle: Wahrscheinlichkeitstheorie als Erkenntnis und Erzähltheorie in Novalis’ Heinrich von Ofterdingen." In Limbus – Australisches Jahrbuch für germanistische Literatur- und Kulturwissenschaft Band 5/2012. Rombach Wissenschaft – ein Verlag in der Nomos Verlagsgesellschaft, 2012. http://dx.doi.org/10.5771/9783968219554-33.

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