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Journal articles on the topic 'Heinrich von Ofterdingen Novalis'

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Published: 4 June 2021
Last updated: 28 January 2023

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1

Malaguti, Simone. "Die Suche nach dem Glück in der deutschen Literatur. Zur Bedeutung der blauen Blume in Novalis’ Heinrich von Ofterdingen." Pandaemonium Germanicum, no. 9 (December 17, 2005): 207. http://dx.doi.org/10.11606/1982-8837.pg.2005.73705.

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Assim como Os sofrimentos do jovem Werther e Os anos de aprendizado de Wilhelm Meister de Goethe, o romance Heinrich von Ofterdingen de Novalis é representativo para a literatura alemã. Este romance é também significativo e conhecido pela sua flor azul, um motivo usado por Novalis nesse romance. O artigo analisa a flor azul como um símbolo da busca pela felicidade na literatura alemã. Para tal, os seguintes assuntos são levados em consideração: a conexão entre o homem e a natureza, a cor azul conforme os estudos de Goethe, a flor azul como um motivo da natureza e os sonhos de Heinrich.
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2

Dickson, Sheila, and Dennis F. Mahoney. "The Critical Fortunes of a Romantic Novel: Novalis' 'Heinrich von Ofterdingen'." Modern Language Review 91, no. 3 (1996): 787. http://dx.doi.org/10.2307/3734178.

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3

Pnevmonidou, Elena. "Veiled Narratives: Novalis' Heinrich von Ofterdingen as a Staging of Orientalist Discourse." German Quarterly 84, no. 1 (2011): 21–40. http://dx.doi.org/10.1111/j.1756-1183.2011.00102.x.

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4

Barbosa, Maria Aparecida. "Poesia recupera Amor." Literatura e Sociedade 23, no. 28 (2018): 44–53. http://dx.doi.org/10.11606/issn.2237-1184.v0i28p44-53.

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A fim de compartilhar o fórum de reflexões literárias concernentes ao Bildungsroman, o artigo que apresento resulta da minha pesquisa sobre a literatura de Novalis, a partir da compreensão dos contextos e debates poéticos que concernem à composição de Heinrich von Ofterdingen, romance que permaneceu inconcluso e passível de interpretações dos manuscritos e da crítica dos prototextos, após a morte do escritor. A essa incompletude circunstancial soma-se a do caráter específico do gênero textual romance composto de abstrações de valores morais, religiosos e de personificações dos elementos do mun
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5

NEWMAN, GAIL. "Poetic Process as Intermediate Area in Novalis's Heinrich von Ofterdingen." Seminar: A Journal of Germanic Studies 26, no. 1 (1990): 16–33. http://dx.doi.org/10.3138/sem.v26.1.16.

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6

Markova, Anna S. "THE TRANSCULTURAL SYMBOL OF THE BLUE FLOWER IN ENGLISH DISCOURSE. THE IMAGE OF A BLUE FLOWER AS A CULTURAL PALIMPSEST." RSUH/RGGU Bulletin. "Literary Theory. Linguistics. Cultural Studies" Series, no. 3 (2022): 68–76. http://dx.doi.org/10.28995/2686-7249-2022-3-68-76.

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The article attempts to analyze the image of the blue flower in the English-language discourse as a transcultural symbol with its own semantics in the English-speaking tradition and at the same time having a stable connection with German literature (Novalis’s novel “Heinrich von Ofterdingen”). Since the image of a blue flower has a pronounced colorativ, it is impossible to deny the influence of the semantics of the lexeme “blue” on it. Consequently, an appeal to phraseological units that have such a lexeme allows revealing the peculiarities of the perception of the transcultural symbol of the
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7

Rauch, Angelika, Heinrich von Ofterdingen, and Dennis Mahoney. "The Critical Fortunes of a Romantic Novel: Novalis's Heinrich von Ofterdingen." German Quarterly 69, no. 3 (1996): 349. http://dx.doi.org/10.2307/407686.

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8

MAHONEY, DENNIS F. ""Stages of Enlightenment": Lessing's Nathan der Weise and Novalis's Heinrich von Ofterdingen." Seminar: A Journal of Germanic Studies 23, no. 3 (1987): 200–215. http://dx.doi.org/10.3138/sem.v23.3.200.

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9

Walker, Joyce S. "Romantic Chaos: The Dynamic Paradigm in Novalis's Heinrich von Ofterdingen and Contemporary Science." German Quarterly 66, no. 1 (1993): 43. http://dx.doi.org/10.2307/408509.

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10

Comellas Aguirrezábal, Mercedes. "La lámpara maravillosa de Valle-Inclán y el Heinrich von Ofterdingen de Novalis o la poética como «camino de perfección." Revista de literatura 64, no. 127 (2002): 121–50. http://dx.doi.org/10.3989/revliteratura.2002.v64.i127.193.

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11

Newman, Gail. "The Status of the Subject in Novalis's Heinrich von Ofterdingen and Kleist's Die Marquise von O..." German Quarterly 62, no. 1 (1989): 59. http://dx.doi.org/10.2307/407036.

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12

Minden, Michael. "Reviews : The Critical Fortunes of a Romantic Novel. Novalis's 'Heinrich von Ofterdingen'. By Dennis F. Mahoney. Columbia, SC: Camden House, 1994. (Distributed by Boydell & Brewer, Woodbridge.) Pp. xiii + 159. £33.50." Journal of European Studies 27, no. 3 (1997): 384–85. http://dx.doi.org/10.1177/004724419702700316.

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13

Kuzniar, Alice. "Hearing Woman's Voices in Heinrich von Ofterdingen." PMLA 107, no. 5 (1992): 1196. http://dx.doi.org/10.2307/462874.

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14

MOISAN, JEAN. "La transcendance du héros et la problématique du métier dans Heinrich von Ofterdingen." Seminar: A Journal of Germanic Studies 24, no. 2 (1988): 132–50. http://dx.doi.org/10.3138/sem.v24.2.132.

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15

Rolka, Malwina. "W poszukiwaniu błękitnego kwiatu, czyli o romantycznym ideale Bildung w Henryku von Ofterdingen Novalisa." Kwartalnik Pedagogiczny 63, no. 1 (247) (2018): 9–23. http://dx.doi.org/10.5604/01.3001.0011.8222.

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The main aim of the paper is reconstruction of the concept of Bildung (considered as forming the man’s personality) in an educational novel entitled Henry von Ofterdingen written by Novalis (Friedrich von Hardenberg). Novalis’s novel – inspired by Goethe’s Wilhelm Meister Lehrejahre – is one of the most original early romantic works which prove the importance of the idea of Bildung for German culture at the beginning of the 19th century. In the first part of the text the author discusses the literary image of Bildung presented in the plot of the novel and then indicates its inner contradiction
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16

Erlin, Matt. "Products of the Imagination: Mining, Luxury, and the Romantic Artist in Heinrich von Ofterdingen." German Life and Letters 60, no. 1 (2007): 40–58. http://dx.doi.org/10.1111/j.1468-0483.2007.00372.x.

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17

Stockinger, Ludwig. "Novalis (Friedrich von Hardenberg), Heinrich von Afterdingen. Bd. 1: Textkritische Edition. Hg. von Alexander Knopf. Bd. 2: Alexander Knopf, „Begeisterung der Sprache“. Poesie und Poetik in Novalis’ ‚Heinrich von Afterdingen‘. (EditionTEXT 14) Stroemfeld, Frankfurt/M. – Basel 2015. 296, 308 S., € 58,‒." Arbitrium 37, no. 1 (2019): 88–91. http://dx.doi.org/10.1515/arb-2018-0065.

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18

Amit, Mr. "Romanticism: Characteristics, Themes and Poets." SMART MOVES JOURNAL IJELLH 9, no. 5 (2021): 66–74. http://dx.doi.org/10.24113/ijellh.v9i5.11034.

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This paper examines about Romanticism or Romantic era, themes and some famous writers, poets and poems of romantic era. Romanticism is one of the repetitive topics that are connected to either creative mind, vision, motivation, instinct, or independence.
 The subject frequently condemns the past, worries upon reasonableness, disconnection of the essayist and pays tribute to nature. Gone before by Enlightenment, Romanticism brought crisp verse as well as extraordinary books in English Literature. Begun from England and spread all through Europe including the United States, the Romantic dev
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19

"The critical fortunes of a romantic novel: Novalis's Heinrich von Ofterdingen." Choice Reviews Online 32, no. 07 (1995): 32–3781. http://dx.doi.org/10.5860/choice.32-3781.

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20

Muro Aristizabal, Beatriz. ""Heinrich von Ofterdingen": el origen de la recepción productiva del "Wartburgkrieg" en el Romanticismo." Revista de Filología Alemana 23 (July 29, 2015). http://dx.doi.org/10.5209/rev_rfal.2015.v23.48828.

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