Relevant bibliographies by topics / Heliodorus

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Heliodorus'

Author: Grafiati
Published: 4 June 2021
Last updated: 2 February 2022

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Journal articles on the topic "Heliodorus"

1

Hägg, Tomas. "Heliodorus." Classical Review 49, no. 2 (October 1999): 380–81. http://dx.doi.org/10.1093/cr/49.2.380.

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Konstan, David, and Richard Hunter. "Studies in Heliodorus." Classical World 92, no. 4 (1999): 385. http://dx.doi.org/10.2307/4352298.

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Beetham, Frank, and Richard Hunter. "Studies in Heliodorus." Classics Ireland 8 (2001): 134. http://dx.doi.org/10.2307/25528383.

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Tagliabue, Aldo. "Heliodorus’ Reading of Lucian’s Toxaris." Mnemosyne 69, no. 3 (May 7, 2016): 397–419. http://dx.doi.org/10.1163/1568525x-12341608.

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This article demonstrates that Cnemon’s story in Heliodorus’ Aethiopica intertexts with the novella of Deinias in Lucian’s Toxaris. The closeness of three textual parallels, along with a subtle use of characters’ names, proves that Heliodorus is deliberately recalling Toxaris. The focus of this intertextuality is Chariclea, the courtesan of Deinias’ story. This immoral figure is a striking counterpart to the lustful Demaenete, the main character of Cnemon’s story and the first immoral lover of the Aethiopica. At the same time, the evocation by Heliodorus of a lustful woman who has the same name as the protagonist Chariclea, paradoxically enriches the characterization of the latter as chaste. Furthermore, this subtle evocation of Chariclea seems to have metaliterary implications as well. In the Aethiopica Chariclea stands for the entire novel: Heliodorus appears to define the nature of his text in opposition to Lucian’s Toxaris and to the different kind of fiction it represents. Heliodorus’ definition of his own novel by means of establishing a contrast with other texts is an important function of his intertextuality with Imperial literature and possibly sheds new light on the status of ancient fiction as a whole.
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Black, Scott. "Reading Mistakes in Heliodorus." Eighteenth Century 52, no. 3-4 (2011): 343–60. http://dx.doi.org/10.1353/ecy.2011.0031.

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Dyck, Andrew R. "The Fragments of Heliodorus Homericus." Harvard Studies in Classical Philology 95 (1993): 1. http://dx.doi.org/10.2307/311376.

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Sijpesteijn, P. J. "Heliodorus, Aethiopica Ix 22, 3." Mnemosyne 43, no. 1-2 (1990): 156–58. http://dx.doi.org/10.1163/156852590x00126.

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Lye, Suzanne. "Gender and Ethnicity in Heliodorus’ Aithiopika." Classical World 109, no. 2 (2016): 235–62. http://dx.doi.org/10.1353/clw.2016.0014.

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Ciocani, Vichi Eugenia. "Searching for a Foil to Charicleia." Mnemosyne 71, no. 1 (January 23, 2018): 58–74. http://dx.doi.org/10.1163/1568525x-12342235.

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AbstractSet at a narratologically crucial moment of Heliodorus’ novel, the hymn to Thetis precedes and foreshadows the appearance of the protagonists, Theagenes and Charicleia, within the religious festival at Delphi. While the parallel between Neoptolemus and Theagenes is rather clear and explicit, the hymn honours Thetis in a distinctive way which does not correspond symmetrically to the depiction of Charicleia. The paper will argue that this hymn alludes to theHomeric Hymn to Demeterand contrasts the various figures of Thetis, Demeter and Persephone to Heliodorus’ heroine. This interpretation explains the meaning of the hymn to Thetis both in its immediate context and within the larger ideology of the novel.
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Scolnic, Benjamin. "Heliodorus and the Assassination of Seleucus IV according to Dan 11:20 and 2 Macc 3." Journal of Ancient Judaism 7, no. 3 (May 14, 2016): 354–84. http://dx.doi.org/10.30965/21967954-00703004.

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The impetus for the assassination of Seleucus IV in 175 B. C. E. is commonly associated with his robbing the temples and oppressing the peoples of the Seleucid kingdom in order to pay tribute to Rome according to the Treaty of Apamea. Reconsideration of the relevant evidence – especially Dan 11:20 and 2 Macc 3, with attention to a passage from Appian, inscriptions from Delos, the Heliodorus stele and the Ptolemaios dossier – suggests another explanation for these events. If Seleucus robbed the temples to finance his “royal splendor,” it is possible that Heliodorus and others tasked with taxing the kingdom may have objected to his controversial policies and taken action against him because of them.
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Dissertations / Theses on the topic "Heliodorus"

1

Reynolds, Simon. "Shakespeare and Heliodorus." Thesis, Goldsmiths College (University of London), 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.368029.

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Simpson, Breanna E. M. "A purposeful infection : lovesickness and gender in Heliodorus." Thesis, University of British Columbia, 2017. http://hdl.handle.net/2429/61334.

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This thesis is the first to undertake a detailed examination of lovesickness within Heliodorus’ Aethiopika. The ancient Greek novels share a central narrative pattern of a young, beautiful, heterosexual couple falling in love, then surviving a series of adventures, kidnappings, and separations, before ending in their reunion and marriage. This pattern is enhanced by the presence of lovesickness, which is identified as a medical ailment which afflicts many individuals within the novels. Building on the work of David Konstan, Katharine Haynes, and Peter Toohey regarding the nature of lovesickness, gender, and desire in the novels, a clear model of lovesickness emerges. This affliction is triggered by eye contact, combines physical and psychological symptoms, alters behaviours, and requires a marriage and sexual consummation to be fully resolved. This pattern is uniform across the victims of lovesickness, regardless of their age, gender, social, or ethnic background, or whether their desire is reciprocated or one-sided. Chapter one identifies and tests the proposed model of lovesickness, and chapter two discusses how lovesickness affects men, focusing on how it influences the central male protagonist’s performance of traditionally masculine behaviours like andreia and sophrosyne. The third chapter focuses on how lovesickness affects women, including the role of beauty in triggering lovesickness, and the juxtaposition of reciprocal and one-sided cases of lovesickness in the female characters in the Aethiopika. The fourth and final chapter looks at cases of lovesickness in the novels that fall outside of the central couple, including rival men, frustrated women, and cases of same-sex desire. Drawing on examples from several other Greek novels, this discussion illuminates the importance of the central couple’s romance within the narrative. This thesis concludes that lovesickness serves as a narrative device that privileges the model of a young, beautiful, heterosexual couple over other cases of lovesickness, desire, or love within the ancient Greek novel. Lovesickness is shown to influence constructions of identity and performances of particular gendered behaviours, aiding the central couple in distinguishing themselves from their rivals and antagonists as conforming to desirable norms of cultural, social, and sexual behaviour.
Arts, Faculty of
Classical, Near Eastern and Religious Studies, Department of
Graduate
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Bartley, Christina Marie. "Calasiris the Pseudo-Greek Hero: Odyssean Allusions in Heliodorus' Aethiopica." Thesis, Université d'Ottawa / University of Ottawa, 2021. http://hdl.handle.net/10393/41921.

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This thesis seeks to analyze the Homeric allusions in the Aethiopica with an inclusive definition to explore Heliodorus’ authorial motives. To approach this project, I use textual analysis to avoid arguments rooted in assumptions of the historical context of the novel, about which we know almost nothing. I explore how links to Homer’s Odyssey are visible within the structural organization of the text and the content of the text. I also explore how the content of the novel reproduces actions and compatible settings of Odyssean characters, which therefore qualifies Heliodorus’ characters in a metaliterary commentary with Homer’s archaic epic poem. The division of Odyssean actions and traits depicted in Heliodorus’ characters introduce a new addition to the heroic legacy established by Homer and distances the hero from Greek identity. I conclude that Heliodorus’ adherences to epic conventions and departures thereof inform the subtextual commentaries conveyed in the Aethiopica.
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Pletcher, James Alan. "Narrative structure and narrative texture in the 'Aithiopika' of Heliodorus." Thesis, University of St Andrews, 1997. http://hdl.handle.net/10023/15450.

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This thesis consists of four individual studies, divided into two sections; "Narrative Structure" and "Narrative Texture". The first chapter ("Heliodoros and the Conventions of Romance") addresses the issue of the essence of romance; it attempts to get behind the narrative of the Aithiopika in such a way as to reveal how Heliodoros works within the boundaries and received practice of the genre ancient romance, and how he adapts and deviates from them. The second chapter ("Hearing Voices: Incorporated Genres in the Aithiopika") deals with genre, but in a different context. This study takes a concept- incorporated genre- from the theorist M.M. Bakhtin, and applies it to Heliodoros' narrative. Here the term "genre" takes on a broader significance, meaning not the romances themselves, but types of narrative, and ways of narrating, which Heliodoros has introduced into his story. Both chapters one and two are systematic analyses of the text; they deal with how Heliodoros has structured his narrative in ways conventional and unconventional. In the final chapters the term genre encompasses specific works and literary groupings. These studies help to demonstrate how Heliodoros has fleshed out the basic structure of the Aithiopika, or, in other words, they provide a feel for some of the texture of the romance. "Heliodoros and Homer" is explicitly narratological in outlook, showing one way in which Heliodoros has provided a paradigm for reading, perhaps not just the novel itself, but specifically within the novel the references to and allusions from Homer. "Heliodoros and Tragedy" tackles the meaning of theatricality, and references to the theatre, in an author writing in the late Roman Empire. But this chapter, too, provides a glimpse at the narrative texture, especially with regard to the way in which Heliodoros co-opted yet another literary predecessor, Euripides.
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Paulsen, Thomas. "Inszenierung des Schicksals : Tragödie und Komödie im Roman des Heliodor /." Trier : WVT Wissenschaftlicher Verlag Trier, 1992. http://catalogue.bnf.fr/ark:/12148/cb410966028.

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Birchall, John William. "Heliodoros Aithiopika I : a commentary with prolegomena." Thesis, University College London (University of London), 1996. http://discovery.ucl.ac.uk/1381934/.

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The thesis comprises, in roughly equal proportions, a commentary on the first book of Heliodoros Aithiopika (a Greek novel of the third or fourth century A.D.); and prolegomena which treat issues raised by the work as a whole. A literal translation of Aithiopika I is included as an appendix. In the commentary a range of points is covered, including philological and textual points, and questions of literary interpretation, and of the historical background of the action of the novel. Some of the literary points relate to the whole corpus of extant ancient Greek novels. One particularly obscure historical point, the identity of the 'Boukoloi', is given extended consideration. The prolegomena consists of five chapters. The first is a brief survey of the textual tradition of the work. The second examines the question of its date of composition and of the identity of its author, surveying the history of this debate, and showing how the evidence of vocabulary can be used to add weight to the argument in favour of accepting the fourth century date (rather than the third century date favoured by some scholars), and the view that Heliodoros was a Christian. The third chapter disputes the current view that the use of terms for divine agencies in the text reflects a lack of a systematic theology. The fourth chapter asks whether the text bears any traces of the local cult of the author's home town of Emesa, and answers with a tentative affirmative. In the fifth chapter the author considers how his contributions to our understanding of the historical and conceptual background of the text could affect our interpretation of it as a literary work.
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Grammenidis, Evangelos. "Rhetoric in the ancient Greek novel : Chariton, Achilleus Tatios, and Heliodoros." Thesis, University College London (University of London), 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.404661.

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Privitera, Ludivine. "Le fait religieux dans les romans grecs : Un aperçu du paganisme à l’époque impériale ?" Thesis, Paris 4, 2015. http://www.theses.fr/2015PA040193.

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Cette étude s’attache à l’observation et l’analyse du fait religieux dans les romans grecs. Les romans de Chariton, Xénophon d’Éphèse, Longus, Achille Tatius et Héliodore forment un corpus étonnamment cohérent, au vu de la distance temporelle qui les sépare. Ils se refusent pourtant à toute tentative de généralisation en matière religieuse. Prenant le contre-pied des études symbolistes, ce travail présente un relevé exhaustif de la religion observable dans les romans. Sont ainsi étudiés les lieux de culte et leur personnel, ansi que les actes rituels effectués par les personnages. La mise en rapport des cultes romanesques avec l'archéologie et les conceptions religieuses des époques classique et impériale se révèle un moyen de prendre la mesure d’une reconstruction romanesque de la réalité, passée ou contemporaine. Le rapport de valeur établi dans les romans entre sacrifice et prière ainsi qu’entre cultes collectif et personnel permet d'apercevoir certains aspects de la religion propres à l'époque impériale. Mis en relation avec l'usage rhétorique et romanesque du fait religieux, il permet également de définir le projet de chacun des romanciers, en matière religieuse et politique, mais aussi esthétique
This thesis concentrates on the observation and analysis of places, people and acts of religion in Greek fiction. Charito, Xenophon Ephesius, Longus, Achilles Tatius and Heliodorus have produced suprisingly similar novels given that they were written at quite different times, although they still resist every attempt at religious generalisation. Traditionnal studies on the subject are symbolistic, on the contrary, here we will analyse the concrete aspects of religion, as they actually appear in these novels. So we will study the sacred places, the priests, and the rituals performed out by the novel's characters. The comparison of these fictionnal cults with archeological findings and religious conceptions from Imperial and Classical times will allow us to mesure the novelist's reconstruction of a reality, pertaining to their present or their past. The respective value given in these novels to sacrifice and prayer, to collective and individual cults shows some modern aspects of Greek religion in the Imperial era. If put in relation with the rhetorical and dramatic use of religion, this will also provide elements to define each novelist's religious, political but also esthetic project
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Romieux-Brun, Élodie. "Clio dans les romans grecs : l’Histoire chez Chariton et Héliodore." Thesis, Paris 4, 2014. http://www.theses.fr/2014PA040163.

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Les références à l’Histoire sont très présentes dans le Roman de Chairéas et Callirhoé de Chariton (Ier siècle ap. J.-C.) et dans les Éthiopiques d’Héliodore (IVe siècle ap. J.-C.). Elles sont exprimées selon des modalités très variées. Les intrigues se déroulent à l’époque classique. Elles font allusion à un grand nombre d’épisodes et de personnages historiques. Les jeux d’intertextualité avec Hérodote et de Thucydide sont nombreux. Ces procédés font écho à des pratiques d’écriture courantes chez les orateurs. La souplesse de la forme romanesque, qui n’est pas encore codifiée, permet de mettre en scène une représentation du passé riche et innovante. Les démarches des deux romanciers sont différentes. Le Roman de Chairéas et Callirhoé met en scène une grande diversité de références au passé, donnant à lire un condensé de l’Histoire grecque de l'époque classique à Alexandre. Les jeux d’intertextualité avec l’œuvre de Thucydide suggèrent une réflexion sur la transformation de l’Athènes classique. Les échos à différents personnages historiques reflètent l’évolution des valeurs morales de l’époque classique à l’époque impériale. Se dessine ainsi, à travers les références historiques, une réflexion sur l’exercice du pouvoir, en lien avec les écrits des orateurs. Les Éthiopiques présentent des jeux d’intertextualité très élaborés avec les Histoires d’Hérodote. À travers ces échos, le romancier affirme la profonde innovation que constitue le genre romanesque. Les références à l’Histoire dessinent les contours d'un univers romanesque original, qui trouve sa place entre Histoire et légende. Elles expriment des enjeux politiques et moraux présents chez les orateurs
References to history are frequent in the Greek novels Chaireas and Callirhoe, by Chariton (1th century AD), and Aithiopika, by Heliodorus (4th century AD.) These references take a variety of forms. The novels are set in the classical period, but they refer to a wide range of events and historical figures. They also feature rich intertextual engagement with the histories of Herodotus and Thucydides, in a way that recalls the allusive practices of contemporary orators. Thanks to the flexibility of the novel framework, which had not yet been codified, the authors represent the past in innovative, complex, and divergent ways. The Romance of Chaireas and Callirhoe, I demonstrate, exhibits a large variety of references to the past, giving a condensed summary of Greek history from the classical era to Alexander the Great. Echoes to Thucydides suggest thoughts on the transformation of Athens, while references to different historical figures reflect the change of moral values from the classical era to imperial times. The references to the past are linked to political thoughts, in connection with orators' discourses. The Aithiopika, by contrast, presents elaborate allusions to Herodotus Histories. Through these echoes, the novelist affirms the profoundly innovative capacity of the Greek novel as a genre. References to history, I conclude, draw the outlines of an original fictional universe, which finds its place between history and legend, and serve as a counterpoint to the political and moral frameworks developed in oratorical contexts
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Saussard-Colard, Dorothée-Laure. "Le visage romanesque : dans les œuvres de Chariton, de Xénophon d'Éphèse, de Longus, d'Héliodore d'Émèse et d'Achille Tatius." Thesis, Besançon, 2012. http://www.theses.fr/2012BESA1035.

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L’analyse du vocabulaire grec du visage dans l’ensemble des romans de Chariton, de Xénophon, de Longus, d’Héliodore et d’Achille Tatius a pour dessein de montrer l’intérêt certain, à la fois esthétique et sensoriel, porté à cette partie souveraine du corps. Quelle est donc l’importance accordée au visage du héros ou de l’héroïne ? Et de quelle manière le discours rend-il compte de son incarnation, de sa réalité organique ? Comment les visages des personnages interagissent-ils ? Parce que le visage se révèle une interface entre l’intime et le social, entre l’intériorité et l’expressivité, on peut se demander en quoi ce lieu privilégié du corps, à travers la description de l’aspect physique des personnages, caractérise leur éthos permanent ou communique au lecteur leurs émotions fugitives. Le visage s’offre aux regards et interpelle. Ses traits sont autant de signes à interpréter pour celui ou celle qui le regarde et dont il mobilise le système de reconnaissance et de représentation. Certes, la description physique des héroïnes comme celle des jeunes hommes ne se limite pas au visage. Mais, seul le visage, qui n’a rien d’incertain, d’irrégulier, de disharmonieux, est appelé à refléter les vertus des personnages mais aussi ses plus grandes souffrances. La mise en icônes de traits représentatifs des personnages s’inscrit dans la logique des procédures de description physique qui caractérise la culture romanesque. Le roman aime ainsi à représenter la beauté, en alliant aux manifestations physiques les émotions de l’âme. Les visages des héros romanesques grecs sont dévoilés dans une sorte de mosaïque à la fois anatomique et littéraire, évoquant les éléments fondamentaux qui les constituent. Ainsi, sans confondre visage et portrait, nous avons déconstruit le visage romanesque pour en montrer les diverses facettes, la palette des couleurs, les références littéraires intertextuelles et mythologiques mais aussi certains invariants, pour enfin mieux le reconstruire. Nous avons donc procédé à l’étude et à l’analyse du visage, non seulement comme entité mais en tant que visage morcelé, voire éclaté. L’étude approfondie des sens s’est attachée à souligner la passion, ses effets et les émotions du corps, entre plaisir et souffrance, entre affection et violence. Cette recherche a permis de souligner les éléments communs aux différents romanciers, mais aussi leur originalité d'écriture. L'importance accordée au visage et plus généralement au corps dans la narratologie laisse apparaître le reflet des valeurs de la société grecque de leur temps
The analysis of Greek vocabulary about the face in Chariton, Xenophon, Longus, Heliodorus and Achilles Tatius’s novels as a whole plans to show the definite interest, both aesthetic and sensory focused on this sovereign part of the body. So what is the importance attached to the hero or heroine’s faces? And how does the discourse explain its incarnation and organical reality? The face proves to be an interface between the private and social world, between interiority and expressiveness. So we can wonder how this privileged part of the body characterizes their permanent ethos ; we can wonder how it transmits their fleeting emotions to the reader, through the description of the physical look of the characters. The face catches attention. Its features mobilize the system of recognition and representation. Indeed the physical description of heroines as well as heroes is not limited to the face. But only the face, with nothing uncertain, irregular, disharmonious, is assigned to reflect the characters’ virtues but also their greatest suffering. « La mise en icônes »of characters’ representative features is part of the procedures of physical description that characterize the culture of the novel. Thus the novel likes to represent beauty by combining physical expressions with soul feeling. The faces of Greek novelistic heroes are revealed in a kind of mosaic at once anatomical and literary, evoking the basic elements that constitute them. Thus, without mixing up face and portrait, we have deconstructed the novelistic face to show its various facets, colour palette, intertextual literary and mythological references ; but also to show some invariants to, at last, rebuild it in a better way. We have therefore conducted a thorough study and analysis of the face not only as an entity but as a fragmented even blown up face. The detailed study of senses has endeavoured to emphasize passion and its effects, and show the emotions of the body between pleasure and suffering, affection and violence. On the one hand this research has permitted to highlight the elements common to the different novelists, their original writing and the importance granted to face and more generally to body in narratology. On the other hand it has led us to analyze the reflection of the values of the Greek society of their days
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Books on the topic "Heliodorus"

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Jerome, Saint, d. 419 or 20., ed. Consoling Heliodorus: A commentary on Jerome, Letter 60. Oxford: Clarendon Press, 1993.

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The excavations of Maresha subterranean complex 57: The 'Heliodorus' cave. Oxford: Archaeopress, 2014.

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Psellus, Michael. The essays on Euripides and George of Pisidia and on Heliodorus and Achilles Tatius. Wien: Verlag der Österreichischen Akademie der Wissenschafter, 1986.

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Decoding the ancient novel: The reader and the role of description in Heliodorus and Achilles Tatius. Princeton, N.J: Princeton University Press, 1989.

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Die Gottesvorstellung Heliodors in den Aithiopika. Frankfurt am Main: P. Lang, 1999.

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Garay, Carmen Valenzuela de. Bibliografía de Rafael Heliodoro Valle. Guatemala, Centroamérica: Universidad de San Carlos de Guatemala, Dirección General de Extensión Universitaria, 1985.

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Jaramillo, Rafael Pérez. Heliodoro Portugal: Justicia en la CIDH. Panamá: IEPI, Instituto de Estudios Políticos e Internacionales, 2008.

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María de los Ángeles Chapa Bezanilla. Rafael Heliodoro Valle, humanista de America. Mexico, D.F: Universidad Nacional Autonoma de Mexico, 2004.

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Valle, Rafael Heliodoro. Ensayos escogidos de Rafael Heliodoro Valle. Tegucigalpa, Honduras, Centroamérica: Editorial Universitaria, 1991.

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T, Claudio Roberto Perdomo. El pensamiento de Rafael Heliodoro Valle. Tegucigalpa, Honduras: Secretaría de Cultura, Artes y Deportes, Dirección General del Libro y El Documento, 1997.

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Book chapters on the topic "Heliodorus"

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Alvares, Jean. "Heliodorus' Aithiopika." In Ideal Themes in the Greek and Roman Novel, 162–204. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003036647-5.

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Futre Pinheiro, Marília P. "Heliodorus, theEthiopian Story." In A Companion to the Ancient Novel, 76–94. Oxford: John Wiley & Sons, Inc, 2014. http://dx.doi.org/10.1002/9781118350416.ch5.

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Hatch, Robert Alan. "Heliodorus of Alexandria." In Biographical Encyclopedia of Astronomers, 926–27. New York, NY: Springer New York, 2014. http://dx.doi.org/10.1007/978-1-4419-9917-7_594.

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Williams, Thomas R., François Charette, Roy H. Garstang, Katherine Bracher, Yoshihide Kozai, Jürgen Hamel, Daniel W. E. Green, et al. "Heliodorus of Alexandria." In The Biographical Encyclopedia of Astronomers, 479–80. New York, NY: Springer New York, 2007. http://dx.doi.org/10.1007/978-0-387-30400-7_594.

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Winkler, Martin M. "Achilles Tatius and Heliodorus." In A Companion to the Ancient Novel, 570–83. Oxford: John Wiley & Sons, Inc, 2014. http://dx.doi.org/10.1002/9781118350416.ch36.

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Brownlee, Marina S. "Interruption and the Fragment: Heliodorus and Persiles." In Cervantes' Persiles and the Travails of Romance, 243–60. Toronto: University of Toronto Press, 2019. http://dx.doi.org/10.3138/9781487530884-013.

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John, Hilton. "Egyptian necromancy in Heliodorus Aethiopica (6.12–15) and the Witch of Endor narrative (1 Sam 28)." In Prophets and Profits, 130–43. First [edition]. | New York: Routledge, 2017.: Routledge, 2017. http://dx.doi.org/10.4324/9781315266527-10.

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Nesselrath, Heinz-Günther. "Heliodor." In Kleines Lexikon griechischer Autoren, 71–72. Stuttgart: J.B. Metzler, 2015. http://dx.doi.org/10.1007/978-3-476-05455-5_13.

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Nesselrath, Heinz-Günther. "Heliodoros von Emesa." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_7738-1.

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10

Schmalzriedt, Egidius, and Heinz-Günther Nesselrath. "Heliodoros von Emesa." In Kindler Kompakt: Reiseliteratur, 44–46. Stuttgart: J.B. Metzler, 2017. http://dx.doi.org/10.1007/978-3-476-04508-9_4.

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Conference papers on the topic "Heliodorus"

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Dos Santos, Alyson José Gonçalves, Ana Barbara Barros, Alexandre Martins Costa Lopes, and Tadeu Gomes De Oliveira. "ETNOZOOLÓGIA E USO DE VESTÍGIOS PARA INVENTARIO E CONSERVAÇÃO DE MAMÍFEROS EM BORDAS DE FRAGMENTOS NO SUL DE MINAS GERAIS." In I Congresso Brasileiro de Biodiversidade Virtual. Revista Multidisciplinar de Educação e Meio Ambiente, 2021. http://dx.doi.org/10.51189/rema/1068.

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Abstract:
Introdução: O Brasil possui a maior biodiversidade de mamíferos do mundo, sendo 734 espécies atualmente descritas, representando cerca de 13% da fauna de mamíferos do planeta. O avanço das atividades humanas, tem afetado diretamente esta fauna, devido a caça descontrolada, diminuição de habitat e introdução de animais exóticos, que causam grande impacto para essa fauna de animais silvestres. Decorrente a isso, as atividades conservacionistas para estes fins vem sendo cada vez mais colocadas em pauta. Diante disso, o estudo etnozoológico vem se destacando, pelo fato de apresentar-se como o estudo da ciência zoológica, elaborada através de saberes e crenças da forma que o homem percebe, classifica e utiliza os animais, assim atualizando-se destes conhecimentos, para elaborar estratégias de conservação envolvendo a interação dos humanos com os animais silvestres. Objetivos: Levantamento de mamíferos através de vestígios e diagnostico etnozoológico de produtores em campo, se deu através de buscas ativas quinzenais, realizadas durante novembro de 2019 a novembro de 2020, em bordas de fragmentos no município de Heliodora-MG. Os dados etnozoológicos foram obtidos mediante a visitas, de outubro a dezembro do ano de 2020. Resultados: Em 12 meses de coleta de campo, foram registradas 16 espécies de mamíferos silvestres, pertencentes a 15 gêneros, 11 famílias e sete ordens. A ordem Carnívora foi a mais abundante, com sete espécies, seguida de Rodentia, Lagomorpha e Cingulata com dois táxons por ordem, o restante, Artiodactyla, Didelphimorphia e Primates com um táxon por ordem. Os produtores rurais, citaram todas as espécies registradas em campo, acrescentando, seis espécies a ordem Carnívora, duas a Rodentia, Artiodactyla, e Didelphimorphia, e, uma, a Primates e Pilosa. Conclusão: Os aspectos etnozoológicos abordados neste trabalho, foram de suma importância para adquirir informações presentes e históricas da riqueza de mamíferos do local. Quando se observa um acréscimo no número de espécies pré-existentes, fica evidente, a eficácia do uso do estudo etnozoológico para inventários faunísticos, que, embora se faça necessário, uma maior investigação dos dados obtidos junto a população, são extremamente necessários para elaborar estratégias conservacionistas para o local.
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