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Books on the topic 'Heliodorus'

Author: Grafiati

Published: 4 June 2021

Last updated: 2 February 2022

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1

Jerome, Saint, d. 419 or 20., ed. Consoling Heliodorus: A commentary on Jerome, Letter 60. Oxford: Clarendon Press, 1993.

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2

The excavations of Maresha subterranean complex 57: The 'Heliodorus' cave. Oxford: Archaeopress, 2014.

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3

Psellus, Michael. The essays on Euripides and George of Pisidia and on Heliodorus and Achilles Tatius. Wien: Verlag der Österreichischen Akademie der Wissenschafter, 1986.

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4

Decoding the ancient novel: The reader and the role of description in Heliodorus and Achilles Tatius. Princeton, N.J: Princeton University Press, 1989.

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5

Die Gottesvorstellung Heliodors in den Aithiopika. Frankfurt am Main: P. Lang, 1999.

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6

Garay, Carmen Valenzuela de. Bibliografía de Rafael Heliodoro Valle. Guatemala, Centroamérica: Universidad de San Carlos de Guatemala, Dirección General de Extensión Universitaria, 1985.

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7

Jaramillo, Rafael Pérez. Heliodoro Portugal: Justicia en la CIDH. Panamá: IEPI, Instituto de Estudios Políticos e Internacionales, 2008.

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8

María de los Ángeles Chapa Bezanilla. Rafael Heliodoro Valle, humanista de America. Mexico, D.F: Universidad Nacional Autonoma de Mexico, 2004.

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9

Valle, Rafael Heliodoro. Ensayos escogidos de Rafael Heliodoro Valle. Tegucigalpa, Honduras, Centroamérica: Editorial Universitaria, 1991.

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10

T, Claudio Roberto Perdomo. El pensamiento de Rafael Heliodoro Valle. Tegucigalpa, Honduras: Secretaría de Cultura, Artes y Deportes, Dirección General del Libro y El Documento, 1997.

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11

Rafael Heliodoro Valle, humanista de América. Tegucigalpa: Instituto Hondureño de Antropología e Historia, 2010.

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12

Inter-American Commission on Human Rights., ed. Heliodoro Portugal: Justicia en la CIDH. Panamá: IEPI, Instituto de Estudios Políticos e Internacionales, 2008.

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13

Moreno, Joaquín Nava. Heliodoro Castillo Castro, general zapatista guerrerense: Relato testimonial. Ajuchitlán, Gro: Ediciones El Balcón, 1995.

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14

Meissner, Roman. Rektor Wszechnicy Piastowskiej: Szkice do portretu Heliodora Święcickiego, 1854-1923. Poznań: [s.n.], 1987.

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15

Guía del archivo de la correspondencia de Rafael Heliodoro Valle. Tegucigalpa: Instituto Hondureño de Antropología e Historia, 2009.

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16

Paulsen, Thomas. Inszenierung des Schicksals: Tragödie und Komödie im Roman des Heliodor. Trier: Wissenschaftlicher Verlag, 1992.

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17

Argueta, Mario. Honduras y lo hondureño de la pluma de: Rafael Heliodoro Valle. [Honduras?: s.n.], 1992.

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18

Henry Fielding and the Heliodoran novel: Romance, epic, and Fielding's new province of writing. Rutherford [N.J.]: Fairleigh Dickinson University Press, 1986.

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19

María de los Ángeles Chapa Bezanilla. Guía bibliográfica centroamericana del fondo Rafael Heliodoro Valle de la Biblioteca Nacional (1822-1968). México, D.F: Universidad Nacional Autónoma de México, 2005.

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20

Congreso Latinoamericano sobre Rafael Heliodoro Valle (1991 Tegucigalpa, Honduras). Congreso Latinoamericano sobre Rafael Heliodoro Valle (1891-1991): Memoria : Tegucigalpa, Palacio del Valle, 3 y 4 de julio de 1991. [Tegucigalpa: El Comité], 1992.

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21

1953-, Hunter R. L., and Cambridge Philological Society, eds. Studies in Heliodorus. [Cambridge]: Cambridge Philological Society, 1998.

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22

Heliodorus. Heliodorus: An Ethiopian Romance. University of Pennsylvania Press, 1999.

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23

Hutchinson, G. O. Bewilderments of Joy (Heliodorus 10.38.3–4). Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198821717.003.0020.

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A climactic non-rhythmic passage from a novelist is analysed, to show its difference from Chariton, and more especially from the passage in the next chapter. The passage is climactic, part of the great finale of Heliodorus’ novel. The language flows without rhythmic stopping-points, and perhaps even seeks to compensate for the absence of rhythm with arresting complication of expression and thought. Thucydides is the basis for developments which are obscure in meaning and recall in stylistic balance other prose of the fifth and fourth centuries. The writing is far from the sharpness of Chariton, to which rhythm makes such a contribution.

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24

Hutchinson, G. O. A Father Struggles (Heliodorus 10.16.1–2). Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198821717.003.0023.

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Emotional conflict is elaborately and heroically portrayed in another part of Heliodorus’ finale. Contrast between the sexes, and some humour, enter in too. The king Hydaspes is torn between fatherly and patriotic urges. A wealth of imagery and bold use of language absorb the attention without rhythm—not that such means are lacking to rhythmic writers, but the impact of the whole is different: more sweeping, less sharply defined. The differences from Chariton are salient, and Chariton’s rhythm is much involved in them.

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25

Hutchinson, G. O. Some Tears in Achilles Tatius (Achilles 6.7.3–7). Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198821717.003.0024.

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Another novelist provides in some respects a point in between Chariton and Heliodorus. His elaborate expatiation on tears and the lover put rhythm at the service of an intricate treatment of the mind and body, and a shrewd depiction of amorous self-control and manipulation. The first-person narrative adds a further stratum of sophistication to this handling of the speaker’s rival and enemy. Achilles Tatius demonstrates further, in contrast with Chariton, the range of possibilities for the exploitation of rhythm seen already in the difference of Chariton and Plutarch. Comparison with Heliodorus brings out Achilles’ elegance.

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26

1968-, Dignas Beate, and Trampedach Kai, eds. Practitioners of the divine: Greek priests and religious officials from Homer to Heliodorus. Washington, DC: Center for Hellenic Studies, 2008.

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27

Bartsch, Shadi. Decoding the Ancient Novel: The Reader and the Role of Description in Heliodorus and Achilles Tatius. Princeton University Press, 2014.

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28

Bartsch, Shadi. Decoding the Ancient Novel: The Reader and the Role of Description in Heliodorus and Achilles Tatius. Princeton University Press, 2016.

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29

Bartsch, Shadi. Decoding the Ancient Novel: The Reader and the Role of Description in Heliodorus and Achilles Tatius. Princeton University Press, 2014.

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30

Bartsch, Shadi. Decoding the Ancient Novel: The Reader and the Role of Description in Heliodorus and Achilles Tatius. Princeton University Press, 1989.

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31

Hutchinson, G. O. Chaereas Lives (Chariton 5.8.1–3). Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198821717.003.0021.

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A climactic point in Chariton contrasts with the passage of Heliodorus considered in the previous chapter. The language of theatre is used in both; but Chariton orchestrates an almost operatic complication of characters with contrasting feelings. Rhythm brings out the complication with pointed ingenuity. The account culminates in wry extremity on the king of Persia: love overcomes all. Thucydides is again an important layer, but all is turned in the direction of ingenious intricacy sharply mastered. It is also seen how rhythm helps to highlight exceedingly forceful links in language which run through the novel. Thus rhythm promotes structure on a large scale as on a small one.

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32

Hutchinson, G. O. More Tears in Achilles Tatius (7.4.3–6). Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198821717.003.0025.

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A further passage shows the imagination and craft of Achilles Tatius taken to a still greater degree, as he depicts the hero Cleitophon at the terrible crisis of believing his beloved to be dead. The narrative is suspended as the writer develops, at remarkable length, a psychological and physiological observation on delayed effects. Where Heliodorus had heaped up imagery with abundance, Achilles develops with skilled organization a single line of thought and imagery, developing it and enriching it as he goes. Rhythm plays a vital part in this remarkable union of tight order and inventive imagination. The expansion and the deployment of science have a Plutarchan element; but the fantasy and the tautness create something quite different out of rhythm.

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33

Pollard, Tanya. Iphigenia in Illyria. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198793113.003.0005.

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Chapter 4, “Iphigenia in Illyria: Greek Tragic Women on Comic Stages,” argues that Greek tragic women shaped Shakespeare’s sense of comedy’s affective possibilities in plays including The Comedy of Errors and Twelfth Night. In the wake of Greek-inspired experiments with tragedy, Shakespeare turned to mediating versions of these tragic icons to explore the resources of female lament for soliciting sympathies in comic settings. Comedy of Errors departs from Plautus by invoking the romance Apollonius of Tyre to heighten its tragic backstory, expand the role of Adriana, and introduce a lost mother; Twelfth Night extends on these same revisions, while also alluding to Heliodorus’ Aethiopica to identify Viola with Greek sacrificial virgins, heightening her links with tragedy and her appeal to audiences’ sympathies.

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34

Rafael Heliodoro Valle. Tegucigalpa, Honduras, C.A: Universidad Nacional Autónoma de Honduras, Editorial Universitaria, 1988.

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35

Goldschmidt, G., and Heliodorus. Heliodori Carmina Quattuor Ad Fidem Codicis Casselani. De Gruyter, Inc., 2020.

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36

El Dia De Los Muertos: Padre Heliodoro Lucatero. Liguori Publications, 2001.

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37

Warrington, Freda. Der Turm von Heliodor. 2. Roman der Juwelenfeuer- Saga. Heyne, 2001.

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38

educator's Guide for the Physically and Mentally Challenged (Edition Heliodor). Edition Heliodor, 1994.

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39

El primer gobierno revolucionario de Oaxaca: La gestión del Lic. Heliodoro Díaz Quintas. [Oaxaca de Juárez, Mexico]: Instituto de Administración Pública de Oaxaca, 1985.

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40

Whitmarsh, Tim. How Greek Is the Greek Romance? Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199742653.003.0017.

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In the light of the findings of this book, the ‘Hellenocentric’ romances of Chariton and Xenophon look less like a point of origin for the Greek romance and more an exception against the larger backdrop of an ongoing interest in cultural blending and intermarriage. This chapter looks briefly at Achilles Tatius’s Leucippe and Clitophon (second century CE) and Heliodorus’s Charicleia and Theagenes (fourth century CE), reading them in terms of continuation of the intercultural themes found in earlier, Hellenistic ‘novels’.

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41

1891-1959, Valle Rafael Heliodoro, Infante Segisfredo T, and Universidad Nacional Autónoma de Honduras. Editorial Universitaria., eds. Homenaje a Rafael Heliodoro Valle: En los 30 años de su fallecimiento y 98 de su natalicio. Tegucigalpa, Honduras: Universidad Nacional Autónoma de Honduras, Editorial Universitaria, 1989.

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