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Relevant bibliographies by topics / Heller, Joseph. – Catch-22

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Academic literature on the topic 'Heller, Joseph. – Catch-22'

Author: Grafiati

Published: 4 June 2021

Last updated: 15 February 2022

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Journal articles on the topic "Heller, Joseph. – Catch-22"

1

JABBAR, SABAH SALIM. "Anti-Militarism in Joseph Heller's Catch-22." Al-Adab Journal, no. 114 (December 15, 2015): 1–14. http://dx.doi.org/10.31973/aj.v0i114.1368.

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The paper attempts to address Joseph Heller in his novel, Catch-22 (1961). An examination of the content of the novel in relation to antimilitaristic concepts is a major focus of the paper. The paper depicts various characters in the novel and tries to show how they reflect antimilitarism. The effects of particular behaviors and the major events that take place in the Air Force are discussed in the paper. The story mainly revolves around some airmen who were combatants in World War II. The events discussed in the paper clearly highlight the sentiments held by antimilitarists on war issues. The

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2

Thai, Anh Thu. "THE ABSURDITY OF HUMAN AND REALITY IN THE NOVEL “CATCH-22” OF JOSEPH HELLER." UED Journal of Social Sciences, Humanities and Education 10, no. 2 (2020): 22–31. http://dx.doi.org/10.47393/jshe.v10i4.884.

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“Catch-22” is considered one of the American writer Joseph Heller’s greatest novels. It was published in 1961. Joseph Heller combined the irrational sensations, the mocking and satirical tones to describe a collapsed and degenerate world in the postmodern condition. Through the living background of an American military unit of World War II, the author reflected some absurd problems such as: the distortion of justice, the influence of greed, and the issue of personal integrity. This article focuses on analyzing the absurdity of character imagery and reality that is automatically accepted and fo

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3

Svitlana, Shekhavtsova. "TECHNIQUES FOR CREATING A SITUATIVE SATIRIC EFFECT IN THE JOSEPH HELLER NOVEL “CATCH-22”." Scientific Bulletin of Kherson State University. Series Germanic Studies and Intercultural Communication, no. 1 (September 30, 2019): 269–74. http://dx.doi.org/10.32999/ksu2663-3426/2019-1-41.

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4

Hidalgo-Downing, Laura. "Negation in discourse: a text world approach to Joseph Heller’s Catch-22." Language and Literature: International Journal of Stylistics 9, no. 3 (2000): 215–39. http://dx.doi.org/10.1177/096394700000900302.

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This article presents a discourse-based approach to negation by applying text world theory to the analysis of negation in the novel Catch-22, by Joseph Heller (1986 [1961]), The model developed for the analysis of negation is based on Werth’s (1999) notion of negation as a subworld which modifies information which is present in the common ground of the discourse. By so doing, negation contributes to the general discourse function of updating information in the text world. Additionally, negation may form part of contradictory structures which, being self-contained units, do not contribute to th

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5

TAŞ, Mehmet Recep. "REREADING JOSEPH HELLER S CATCH-22 FROM THE VIEWPOINT OF EXISTENTIAL PHILOSOPHY AND CAMUS ABSURDISM." Journal of International Social Research 10, no. 49 (2017): 56–61. http://dx.doi.org/10.17719/jisr.2017.1557.

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6

Duskobil Kizi, Suyunova Maftuna. "Similarities And Differences Of War Depiction In J.Heller’s Novel “Catch 22” And Shukhrat’s Novel “Shinelli Yillar”." American Journal of Social Science and Education Innovations 2, no. 09 (2020): 620–26. http://dx.doi.org/10.37547/tajssei/volume02issue09-94.

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This article is devoted to the similarities and differences of the American writer Joseph Heller’s novel “Catch-22” and prominent Uzbek writer Shukhrat (Gulom Aminov)’s novel “Shinelli yillar”. While comparing these two novels, we can see some similar war actions at the same time it is clearly evident the differences between works. As a member of the Beat Generation and the post-World War II era, Heller developed a very satirical approach towards institutions, particularly the national government and the military. He was deeply cynical of war, which was best exemplified by the "black humor" of

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7

Knežević, Mirjana M. "Postmodern Irony and Humor in "Catch-22" by Joseph Heller and Their Parallels in Postmodern Music and Art." Belgrade English Language and Literature Studies 3 (2011): 229–47. http://dx.doi.org/10.18485/bells.2011.3.14.

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8

Berruete Rodríguez, María del Pilar. "From Horror to Humour: Tracing Parody in Joseph Heller’s Catch-22." Philologia Hispalensis 2, no. 13 (1999): 37–45. http://dx.doi.org/10.12795/ph.1999.v13.i02.04.

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9

Vallina Samperio, Francisco Javier. "Deshumanización y destino en las narrativas bélicas de Joseph Heller y Norman Mailer: Coincidencias entre Match-22 y The Nacked and the Dead." ODISEA. Revista de estudios ingleses, no. 8 (February 20, 2017). http://dx.doi.org/10.25115/odisea.v0i8.126.

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ResumenLa segunda guerra mundial y los años posteriores a la misma dieron paso a un nuevo orden mundial en el que las personas, a merced de una alienante maquinaria social, experimentaron un progresivo deterioro de sus rasgos humanos. Las dos novelas estudiadas en el presente artículo abordan esta temática desde perspectivas distintas, pero con abundantes rasgos en común. Catch-22 utiliza fórmulas humorísticas y satíricas, mientras que The Naked and the Dead emplea un tono más sobrio y solemne. En dichas obras destacan los ambientes mecanicistas que anulan al ser humano, junto a la inexorable

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10

Kaiser, Karen. "Does the Inviolability of Archives Lead to a Catch-22 Situation?" REVISTA IUS 11, no. 40 (2017). http://dx.doi.org/10.35487/rius.v11i40.2017.342.

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A diferencia de la novela de Joseph Heller ‘Trampa 22’, la situación ilógica o paradójica que surge del privilegio de inviolabilidad de los archivos dentro de la cooperación de organizaciones internacionales con autoridades nacionales en el marco de la lucha contra el fraude y la corrupción es uno de los diferentes órdenes jurídicos que no necesariamente están alineados desde el principio. Las autoridades nacionales tienen que respetar la inviolabilidad de los archivos de organizaciones internacionales y no pueden ni interpretar el privilegio de manera restrictiva, sin tomar en cuenta al mismo

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Dissertations / Theses on the topic "Heller, Joseph. – Catch-22"

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Staaby, Kirsten. "Bewilderment and illumination Catch-22 and the Dark Humor of the 1960s /." Lynchburg, Va. : Liberty University, 2009. http://digitalcommons.liberty.edu.

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2

Mäkinen, O. (Olli). "Moderni, toisto ja ironia:Søren Kierkegaardin estetiikan aspekteja ja Joseph Hellerin Catch-22." Doctoral thesis, University of Oulu, 2004. http://urn.fi/urn:isbn:9514272684.

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Abstract This thesis consists of three independent parts combined by the theory part in the beginning. The aim of the thesis is to bring into focus the connection between Søren Kierkegaard and modernism. Joseph Heller's novel Catch-22 is also interpreted in the light of Kierkegaard's philosophy. The theoretical part deals with the main concepts of the research (movement, irony, repetition). Joseph Heller's Novel Catch-22 is also brought up more closely in this part. Kierkegaard's works The Seducer's Diary, Repetition and The Mozart-essays are interpreted in the second part of the thesis. The t

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Keegan, Diana Morna Gerrard Dickson. "A study of Camus' notion of the absurd and its mythology in "Catch-22" and "Slaughterhouse-Five"." Access to citation, abstract and download form provided by ProQuest Information and Learning Company; downloadable PDF file, 139 p, 2008. http://proquest.umi.com/pqdweb?did=1460433511&sid=5&Fmt=2&clientId=8331&RQT=309&VName=PQD.

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Conklin, Robert Brian. "A fools' parade through three modern American novels : Catch-22, Slaughterhouse-five, and the World according to Garp /." Connect to resource, 1986. http://rave.ohiolink.edu/etdc/view.cgi?acc%5Fnum=osu1243521288.

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Ozias, Joseph Eugene. "Joseph Heller and the Errors of Comedy: From Heller's Catch-22 to Portrait of an Artist, as an Old Man." Ohio Dominican University Honors Theses / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=oduhonors1512648671501957.

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Books on the topic "Heller, Joseph. – Catch-22"

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Peek, Charles A. CliffsNotes on Heller's Catch-22. John Wiley & Sons, Ltd., 2002.

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2

Miles, Naomi Clare. "All they kept saying was catch-22, catch-22": A study of the lesser-known works of Joseph Heller and their relation to Catch-22. De Montfort University, 1999.

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3

Heller, Joseph. Catch-22. 5th ed. Simon & Schuster Paperbacks, 2011.

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4

Joseph, Heller. Catch-22. Knopf, 1996.

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Joseph, Heller. Catch-22. Simon & Schuster Paperbacks, 2004.

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Joseph, Heller. Catch-22. Simon & Schuster Paperbacks, 2004.

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7

Joseph, Heller. Catch-22. Vintage, 1994.

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8

Joseph, Heller. Catch-22. Knopf, 1995.

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9

Joseph, Heller. Catch-22. Black Swan, 1985.

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Heller, Joseph. Catch-22. Simon & Schuster, 1996.

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Book chapters on the topic "Heller, Joseph. – Catch-22"

1

Gebsattel, Jerôme von, and KLL. "Heller, Joseph: Catch-22." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_5456-1.

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2

Seed, David. "Catch-22." In The Fiction of Joseph Heller: Againts the Grain. Palgrave Macmillan UK, 1989. http://dx.doi.org/10.1007/978-1-349-20007-8_3.

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3

Seed, David. "The Road to Catch-22." In The Fiction of Joseph Heller: Againts the Grain. Palgrave Macmillan UK, 1989. http://dx.doi.org/10.1007/978-1-349-20007-8_2.

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4

"Joseph Heller, Catch-22, New York: Simon and Schuster, 1961." In The Twentieth-Century American Fiction Handbook. Wiley-Blackwell, 2012. http://dx.doi.org/10.1002/9781444393675.ch55.

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5

Levmore, Saul. "Lawmaking, Bilateral Rules, and a Debunking of Catch-22." In Cannons and Codes. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780197509371.003.0011.

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In “Lawmaking, Bilateral Rules, and a Debunking of Catch-22,” Levmore describes Joseph Heller’s antiwar novel Catch-22 as a “one-trick pony” that has little to say about law. The paradoxical legal rules that have made Catch-22 so famous bear little relation to actual law, Levmore argues. Whereas Catch-22’s rules have a binary, either-or structure, actual law is filled with exceptions, caveats, or additional variables that soften the law’s effects. In real life, where a rule might seem too stark, law generally utilizes a standard. Levmore observes that a novel’s ability to engender empathy or compassion likely depends on how plausible it is, and how connected with reality. On this dimension, he views Catch-22 as falling short.

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6

Goedde, Petra. "The Politics of Peace." In The Politics of Peace. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780195370836.003.0008.

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The last chapter examines the migration of a politics of peace from the margins to the centers of political power. As leading antinuclear and peace advocates became increasingly marginalized by the student and antiwar movements, their efforts were beginning to bear fruit in the arena of international politics. They were helped by a popular groundswell of sentiment that saw the arms race and the political ideology of nuclear deterrence as increasingly absurd. Absurdist writers, filmmakers, and philosophers of the 1950s and 1960s creatively underscored the absurdist nature of Cold War politics through works such as Joseph Heller’s Catch-22, Stanley Kubrick’s science fiction film Dr. Strangelove, and the fictional secret government Report from Iron Mountain. Together, they helped pave the way for political leaders, including Nixon in the United States, and Willy Brandt in West Germany, to develop a more pragmatic politics of peace.

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Chaney, Anthony. "Difficulties at the Metalevel." In Runaway. University of North Carolina Press, 2017. http://dx.doi.org/10.5149/northcarolina/9781469631738.003.0003.

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The narrative setting for chapter 2 is the Veterans Administration Hospital in Palo Alto, California, in the 1950s, where Bateson lead the double-bind research group investigating paradox and disorder in family relations. The chapter traces the early development of the double-bind theory of schizophrenia and its source in Russellian logical paradox. It discusses the double bind as a resonant and empirically rich example of similar constructs that distilled the modern predicament as an impossible dilemma. Other examples include Joseph Heller's catch-22, Reinhold Niebuhr's reformulation of original sin and his Serenity Prayer; Albert Camus's concept of the absurd and his novel The Stranger; and constructions in Kurt Vonnegut, Jr.'s Slaughterhouse Five. Double-bind equivalents as reactions to the atom bomb are described in works such as Joanna Greenberg's I Never Promised You a Rose Garden, Allen Ginsberg's Howl, and the film Rebel Without a Cause. Meanwhile, social critics such as Lewis Mumford used psychiatric and systems theory language and paradoxical constructions to talk about the failure of "pragmatic liberalism," the arms race, and policies of nuclear deterrence.

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Conference papers on the topic "Heller, Joseph. – Catch-22"

1

Xiao, Chengxiao. "Joseph Heller’s Black Humor Creation from the Perspective of Catch-22*." In Proceedings of the 6th International Conference on Education, Language, Art and Inter-cultural Communication (ICELAIC 2019). Atlantis Press, 2019. http://dx.doi.org/10.2991/assehr.k.191217.249.

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