Academic literature on the topic 'Hemingway, Ernest, 1899-1961 – Characters – Women'

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Dissertations / Theses on the topic "Hemingway, Ernest, 1899-1961 – Characters – Women"

1

Binks, Gwendolyn Dale. "Taking another look at women and gender in Hemingway's works." CSUSB ScholarWorks, 2001. https://scholarworks.lib.csusb.edu/etd-project/1969.

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This project supports the contrary argument that Hemingway provided a voice for the post-Victorian woman, a woman exercising her strength within relationships, her sexuality, her femininity, and her freedom from oppression during the twentieth century women's movement.
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Hall, Robert L. (Robert Lee) 1956. "Natural Innocence in "Adventures of Huckleberry Finn", the Nick Adams Stories, and "The Old Man and the Sea"." Thesis, University of North Texas, 1990. https://digital.library.unt.edu/ark:/67531/metadc500586/.

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Hemingway claims in Green Hills of Africa that "all modern American literature comes from one book by Mark Twain called Huckleberry Finn." If this basic idea is applied to his own work, elements of Adventures of Huckleberry Finn appear in some of Hemingway's Nick Adams stories and his novel The Old Man and the Sea. All major characters and several minor characters in these works share the quality of natural innocence, composed of their primitivism, sensibility, and active morality. Hemingway's Nick, Santiago, and Manolin, and Twain's Huck Finn and Jim reflect their authors' similar backgrounds and experiences and themselves come from similar environments. These environments are directly related to their continued possession and expression of their natural innocence.
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Moss, Margaret Loughery. "Prelude to Fame: Trauma Theory in the Early Short Fiction of Ernest Hemingway." Thesis, 2012. http://hdl.handle.net/1805/2768.

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Indiana University-Purdue University Indianapolis (IUPUI)
While it is commonly acknowledged that the primal traumatic events of Hemingway’s time as an ambulance driver in Italy during World War I had a profound influence on his works of fiction, there has been relatively little exploration of the notion that the “working through” which occurred in the recovery from his own personal trauma manifests a complex and interwoven relationship with the writing process. This is certainly not unknown territory for scholars; when Hemingway first embarked upon the earliest fiction writing of his professional career, biographical research indicates he was once again enduring a traumatic experience of sorts. Yet formal trauma theory has rarely been applied to the study of Hemingway’s most intensely autobiographical short fiction. It is my contention that the “working through” of Hemingway’s writing process demonstrated in his published and unpublished Nick Adams stories was prompted by both his defining war-time trauma experience and his later, more private hardships.
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Books on the topic "Hemingway, Ernest, 1899-1961 – Characters – Women"

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The Hemingway women. New York: W.W. Norton, 1986.

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Kert, Bernice. The Hemingway women. London: W. W. Norton, 1986.

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Hemingway's theaters of masculinity. Baton Rouge: Louisiana State University Press, 2003.

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Hemingway in love: His own story : a memoir. Thorndike, Maine: Center Point Large Print, 2016.

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1899-1961, Hemingway Ernest, Villard Henry Serrano 1900-, and Nagel James, eds. Hemingway in love and war: The lost diary of Agnes von Kurowsky, her letters and correspondence of Ernest Hemingway. Boston: Northeastern University Press, 1989.

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1899-1961, Hemingway Ernest, Villard Henry Serrano 1900-, and Nagel James, eds. Hemingway in love and war: The lost diary of Agnes von Kurowsky. New York: Hyperion, 1996.

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Kert, Bernice. The Hemingway Women. W. W. Norton & Company, 1998.

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Kert, Bernice. The Hemingway Women. W. W. Norton & Company, 1998.

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Kert, Bernice. The Hemingway Women. W. W. Norton & Company, 1992.

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(Editor), Lawrence R. Broer, and Gloria Holland (Editor), eds. Hemingway and Women: Female Critics and the Female Voice. University Alabama Press, 2004.

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