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Journal articles on the topic 'Hemingway, Ernest'

Author: Grafiati

Published: 4 June 2021

Last updated: 26 July 2025

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1

KVACHAKIDZE, Natia. "Guram Rcheulishvili: A Georgian Hemingway?" Journal in Humanities 10, no. 2 (2022): 110–14. http://dx.doi.org/10.31578/hum.v10i2.458.

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Ernest Hemingway's works are often interpreted in the context of his biography as Hemingway stressed the significance of his own experiencefor his fiction. He explained it, “In order to write about life first you must live it” (Ernest Hemingway on Writing, 2004). The same rhetoric of thenexus of “life” and fiction is used by Guram Rcheulishvili (1934-1660) who obviously followed Hemingway’s notions of literature. Rcheulishvili’sshort fiction is a reply to Hemingway’s iconic writing style creatively worked into the Georgian literary tradition. The aim of this paper is to analyzeimportant parall

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2

White, Frederick H. "EH-EH: Ernest Hemingway and Euskal Herria / the Basque Country. 20th Biennial International Hemingway Conference." Literature of the Americas, no. 17 (2024): 394–99. https://doi.org/10.22455/2541-7894-2024-17-394-399.

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Every other year, the Hemingway Society organizes a conference dedicated to its namesake Ernest Hemingway. The conference location migrates between international and domestic US cities where the writer has some connection. On 14–20 July 2024, the conference was held in two cities in Spain — Bilbao and San Sebastian. Each city has relevance for both the biographical and literary Hemingway. San Sebastian is featured prominently in The Sun Also Rises. Bilbao and the surrounding area is relevant geographically for the novel For Whom the Bell Tolls. Spain, in general, is depicted in numerous short

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3

Karjagdiu, Lirak, and Naser Mrasori. "Influences of Ernest Hemingway's Novel "For Whom the Bell Tolls" on Petro Marko's Novel "Hasta la Vista"." Journal of Educational and Social Research 12, no. 2 (2022): 175. http://dx.doi.org/10.36941/jesr-2022-0043.

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The reception of Hemingway's translated works in Albanian literature and culture had begun since the late 1950s, more precisely in 1957, and it had continued to grow in sixties, to reach a culminating and most successful reception in the last decade of the last century. In all likelihood Hemingway's works in Albanian literature and culture were received with warmth, curiosity, respect, admiration and enthusiasm both by readers and by literary critics, researchers, scholars, etc.In addition to the reception there are traces and evidences that Ernest Hemingway with his novel “For Whom the Bell T

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4

Hardiyanti, Siti Ayu. "Stylistics analysis of the short story “My Old Man” by Ernest Hemingway." English Education Journal 12, no. 4 (2021): 685–92. http://dx.doi.org/10.24815/eej.v12i4.15337.

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This study aims to explore the language style of Ernest Hemingway’s short story “The Old Man”. This research describes the stylistic used in the short story. Ernest Hemingway is one of the famous writers of prose and short story. Many people recognize his special works for short stories because Ernest Hemingway has a characteristic that makes him one of the best short story writers in Europe from a young age. My Old Man is the first work known for the lot use of stylistic styles that distinguish this story from Hemingway’s other works. The researcher limits the stylistic only to explore lingui

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5

TROGDON, ROBERT W., and Guy Hickok. "“I am constructing a legend”: Ernest Hemingway in Guy Hickok's Brooklyn “Daily Eagle” Articles." Resources for American Literary Study 37 (January 1, 2014): 181–207. http://dx.doi.org/10.5325/resoamerlitestud.37.2014.0181.

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Abstract In April of 1927, Ernest Hemingway traveled to Italy with Guy Hickok, Paris correspondent for the Brooklyn Daily Eagle. Hemingway's “Che Ti Dice La Patria?” includes Hickok as a character. What is less well known is Hickok's writing on Hemingway. Between 1925 and 1934, Hickok wrote sixteen articles that either mention Hemingway or deal wholly with his life and work. In this essay, six of these dispatches and interviews are reprinted; these include an account of Hemingway's wounding during World War I, descriptions of Hemingway in Pamplona in 1929, and an extensive interview about Hemi

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6

Ghasemnejad, Atefeh, and Alireza Anushiravani. "The Early Literary Reception of Ernest Hemingway in Iran." International Journal of Comparative Literature and Translation Studies 6, no. 1 (2018): 29. http://dx.doi.org/10.7575/aiac.ijclts.v.6n.1p.29.

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This essay investigates the dynamics that led to the literary reception of Ernest Hemingway before the Islamic Revolution in Iran. This article deploys reception studies as a branch of Comparative Literature with a focus upon conceptions of Siegbert Salomon Prawer and the practical method of George Asselineau to unearth the ideological, political, and historical milieu that embraced Hemingway’s literary fortune in Iran. This investigation, unprecedented in the study of Iranian literature, discusses how and why Hemingway was initially received in Iran. As such, the inception of literary fortune

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7

Zhang, Ying. "Ernest Hemingway’s Awareness of Sustainable Development in Green Hills of Africa." Advanced Materials Research 524-527 (May 2012): 2553–56. http://dx.doi.org/10.4028/www.scientific.net/amr.524-527.2553.

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To carry out the worldwide environmental protection, ecocritics try to popularize the campaign by examining how current environmental issues are represented in literary works. With ecocirticism as the theoretical support, this paper is to interpret Ernest Hemingway’s Green Hills of Africa, analyze the relationship between characters and nature, and reveal his attitude towards the natural world, by applying the combination of discourse analysis and documentary analysis. While hunting, Hemingway shows concern for environmental degradation, sticks to the hunting principle all the time, and is goo

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8

Burns, Tom. "Ernest Hemingway e a Guerra Civil Espanhola." Aletria: Revista de Estudos de Literatura 19, no. 2 (2009): 225–36. http://dx.doi.org/10.17851/2317-2096.19.2.225-236.

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Resumo: Este artigo discute o romance For Whom the Bell Tolls, 1940 [Por quem os sinos dobram], do escritor e jornalista americano Ernest Hemingway, uma ficção sobre a Guerra Civil Espanhola que o autor escreveu na Espanha enquanto servia como correspondente de guerra. O romance, favorável à causa legalista, parece assumir uma posição mais política que os romances e histórias anteriores de Hemingway, mas, na verdade, desenvolve mais uma variação do típico “herói de Hemingway”, celebrado em quase toda a obra do autor: o indivíduo solitário, corajoso, destinado ao fracasso, mas determinado a ext

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9

Zaytsev, Alexandr, and Nataliya Ogurechnikova. "Dovlatov’s dialogue with Hemingway." Language and Dialogue 10, no. 2 (2020): 241–70. http://dx.doi.org/10.1075/ld.00068.zay.

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Abstract This paper focuses on three chapters about captain Yegorov and Katya Lugina in Sergei Dovlatov’s novel entitled Зона (The Zone: A Prison Camp Guard’s Story). The intertext shown and discussed in the paper suggests that the three chapters may be viewed as a ‘modified version’ of Ernest Hemingway’s WWI novel A Farewell to Arms. We then use the intertext as the basis for the discussion of Dovlatov’s dialogue with Hemingway and the value of Hemingway’s personality and works for Dovlatov. We analyze two aspects of Dovlatov’s dialogue with Hemingway: (1) Dovlatov’s emotional response to Hem

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10

Pastor, Aaren. ""I'm a girl. But now I'm a boy too": Dildonics and Prosthetic Gender in Ernest Hemingway's The Garden of Eden." MFS Modern Fiction Studies 69, no. 4 (2023): 687–706. http://dx.doi.org/10.1353/mfs.2023.a915962.

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Abstract: This essay rereads Ernest Hemingway's The Garden of Eden as a dildonic text using Paul Preciado's theorization of dildonics and prosthetic gender. Catherine Bourne's (un)becoming(s) in the published and manuscript versions of the novel are a depiction of a body authoring itself, supplemented by numerous dildos or dildonic operations: fingers, hair, clothes, and visits to Hieronymus Bosch's The Garden of Earthly Delights . Rereading Hemingway in the aftermath of the nonidentitary grammar of Preciado's dildonics creates another field of play for the Hemingway industry and the Hemingway

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11

Bhai Solanki, Dr Mayurkumar Mukund. "Man’s Helplessness Against Destiny in Ernest Hemingway’s The Oldman and The Sea." SMART MOVES JOURNAL IJELLH 8, no. 6 (2020): 1. http://dx.doi.org/10.24113/ijellh.v8i6.10611.

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Ernest Hemingway, an American writer, produced considerable novels in the history of English literature. Hemingway’s The Oldman and the Sea is a story of an old man's struggle and his helplessness against destiny. Like Greek tragedians, Hemingway accepts the harshness of destiny in man’s life. It is very well said “Man proposes and God disposes" that denotes the role of destiny in man's life. The story of The Oldman and the Sea is universal because it reveals how human beings struggle to get something in life but sometimes crushed under the wheels of destiny. The old man has an indomitable spi

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12

Kim, Wook-Dong, and Michael Kim Roos. ""Gradually and Then Suddenly": Ernest Hemingway in Korea." Hemingway Review 44, no. 2 (2025): 75–95. https://doi.org/10.1353/hem.2025.a958877.

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Abstract: This paper explores the depth of Ernest Hemingway's impact on Korean literature and culture. Chronologically, it tells the story of Hemingway's reception in Korea from its beginning in the 1930s up to the present to reveal how Korean attitudes toward Hemingway have evolved over time, to the point where he is one of the most recognized and influential Western literary figures in Korea. Over the past ninety years, he has been introduced to Korean readers through translations, newspaper articles, and literary essays, along with film adaptations of his major novels. These different media

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13

Ahmed, Tho Alfaqqar Ali. "Analysis of Impact of Nick Adams on Society in the Hero and Time in E. Hemingway’s Story." Journal of Language and Linguistics in Society, no. 34 (June 9, 2023): 15–18. http://dx.doi.org/10.55529/jlls.34.15.18.

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Background: Ernest Hemingway was born in 1898. His first book, a collection of stories entitled In Our Time, was published in 1925. His last, for now, is the novel The Old Man and the Sea, which appeared in its entirety in Life magazine, corresponding to the September 1, 1952. Objective: This paper aims to analysis of impact of Nick Adams on society in Hero and Time in E. Hemingway’s story. Literature reviews: When Our Day was initially published in 1925, it received widespread acclaim for its simple and precise use of language to portray a broad variety of complicated emotions, establishing H

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14

Ohmann, Richard. "Different from Us: Teaching About the Rich After Occupy and the Great Recession." Radical Teacher 101 (February 23, 2015): 3–8. http://dx.doi.org/10.5195/rt.2015.191.

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In a famous imaginary exchange, F. Scott Fitzgerald said, "The rich are different from us." Ernest Hemingway replied, "Yes, they have more money." Most critics have thought the epigram attributed to Fitzgerald more perceptive about class in the United States than the one attributed to Hemingway. But if we're looking for a wry take on how class has been understood, in the media and among college students, Hemingway's comment is pretty good.

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15

Dr. P. Venkanna. "Politics of Gender Roles, Sexuality and Androgyne in the Early Works of Ernest Hemingway Critical Reassessment." International Journal of English and Studies 07, no. 04 (2025): 136–45. https://doi.org/10.47311/ijoes.2025.7.04.145.

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The shift in Hemingway's studies away from traditional biography, gender and textual studies has enabled new critical responses over the past thirty years to focus on several new and disparate approaches which reflect the broader evolution in literary criticism. Hemingway’s novels The Sun Also Rises (1926), A Farewell to Arms (1929) and For Whom the Bell Tolls (1939), once considered critically exhausted, are being rejuvenated by a rising generation of scholars utilizing a variety of perspectives to deal with man-woman relationship through critical and theoretical lenses. Though Hemingway died

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16

Solanki, Dr Mayur Kumar Mukund Bhai. "Ernest Hemingway’s The Sun Also Rises: An Image of Optimism and Light." SMART MOVES JOURNAL IJELLH 8, no. 3 (2020): 6. http://dx.doi.org/10.24113/ijellh.v8i3.10453.

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Ernest Heminway was interested in the delineation of characters as well as different facets of man’s life through the characters of the novels. Hemingway’s first novel, The Sun Also Rises is about ups and down of man’s life. The novel gives an image of emptiness and futility of life. As the novel progresses, Hemingway presents a light picture of man’s life in the heavy odds of life. Hemingway tries to assert the fact that there is always light after darkness and joy after sorrow. This research paper is a sincere effort to justify Hemingway’s philosophy of optimism and light.

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17

Garrigues, Lisa. "Reading the Writer’s Craft: The Hemingway Short Stories." English Journal 94, no. 1 (2004): 59–65. http://dx.doi.org/10.58680/ej20044155.

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The power of apprenticeship was realized by high school juniors who spent five weeks studying the style and craft of Ernest Hemingway. Lisa Garrigues provides details of several assignments that helped students analyze Hemingway’s work and learn from this “master craftsman.”

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18

MEYERS, JEFFREY. "ERNEST BECOMING HEMINGWAY." Yale Review 100, no. 3 (2012): 167–80. http://dx.doi.org/10.1353/tyr.2012.0051.

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19

MEYERS, JEFFREY. "ERNEST BECOMING HEMINGWAY." Yale Review 100, no. 3 (2012): 167–80. http://dx.doi.org/10.1111/j.1467-9736.2012.00825.x.

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20

Garg, Jaya. "Life Elements in the Fictions of Ernest Hemingway." IEHE | The Quest 2, no. 1 (2023): 45–53. https://doi.org/10.5281/zenodo.13885774.

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Ernest Hemingway is widely regarded as one of the greatest American writers of the 20th century. He won the Pulitzer Prize in 1952 and the Nobel Prize in literature in 1954. Despite his literary success, Hemingway remains a controversial figure, with some critics arguing that his narrow focus on violence and machismo, and his limited range of characters, make his fiction shallow and insensitive. Others see a complex and fully realized world beneath the deceptively simple surface of his writing. Hemingway's characterizations evolved over time, reflecting both his personal struggles and his chan

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21

Munshid, Hussein Mnahi, and Abdul Ghani Ahu. "The Portrayal of The Image of Love in Hemingway's Selected Novels." Malaysian Journal of Social Sciences and Humanities (MJSSH) 6, no. 5 (2021): 213–23. http://dx.doi.org/10.47405/mjssh.v6i5.802.

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The researcher tries to output a sufficient analysis for selected texts of Hemingway to reflect how his characters has demonstrate the image of love. The analysis for Hemingway's texts aims to offer a typical answer to the question, which was to what extent did Hemingway portray the image of love in his selected novels. While going through and trace Hemingway's characters, the researcher discovers that all of them have been emotional where love comes as a changing factor in their life. Love concept has been display in many portraits such as physical, spiritual and love for God. The main themes

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22

Ryan, Dennis. "Dating Hemingway's Early Style/Parsing Gertrude Stein's Modernism." Journal of American Studies 29, no. 2 (1995): 229–40. http://dx.doi.org/10.1017/s0021875800020843.

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In the relatively short history of Hemingway studies, a significant controversy has erupted as to how early and to what degree Gertrude Stein influenced Ernest Hemingway's early style. The earlier commentators (whose works date roughly from 1952 to 1973) agree that Gertrude Stein significantly influenced Hemingway's early style from 1921 to 1924. For instance, Philip Young writes that “similarities between his prose and hers suggest indeed that he learned a lot. What she had tried to do in the days when Hemingway was a boy was remarkably like what the young man was going one day to try to do,

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23

Panova, Olga Yu. "“A Philistine Writer Whining in a Swamp”: Soviet Readers’ First Acquaintance with Ernest Hemingway." Literature of the Americas, no. 16 (2024): 50–74. http://dx.doi.org/10.22455/2541-7894-2024-16-50-74.

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The paper examines early Soviet reception of Ernest Hemingway's works. The research is based on the readers’ letters to Goslitizdat (State Publishing House) from the funds of the Russian State Archive of Literature and Arts (RGALI). A small collection of letters (1935–1936) shows readers’ reaction to the first Hemingway’s Soviet book editions: a short story collection Death in the Afternoon (1934) and Fiesta (1935). The readers unanimously condemn Hemingway for his “decadent” prose and Goslitizdat for publishing such “absurd” and “harmful” books. The only exception is a short positive review o

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Wang, Yufeng. "Hemingway’s Reminiscence of Nature: An Eco-critical Study of “Fathers and Sons”." Theory and Practice in Language Studies 8, no. 9 (2018): 1176. http://dx.doi.org/10.17507/tpls.0809.10.

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“Fathers and Sons” is the final tale in Ernest Hemingway’s Winner Take Nothing and last published Nick Adams Story. This article employs ecocriticism to explore the ecological consciousness in the short story. It introduces the definition of ecocriticism and briefly describes the natural world in Hemingway’s biography, then focuses on the exploration of Hemingway’s reminiscence of the lost natural beauty in “Fathers and Sons”. The study holds that Hemingway artistically associated Nick Adams’ reminiscence of his beloved father with the loss of ecological beauty in the Michigan State. Through t

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25

Karjagdiu, Lirak, Naim Kryeziu, and Isa Spahiu. "The Reception of Ernest Hemingway’s Works in Albanian Literature and Culture." Arab World English Journal For Translation and Literary Studies 5, no. 3 (2021): 151–68. http://dx.doi.org/10.24093/awejtls/vol5no3.11.

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The main aim of this paper is to illuminate the positive reception and influence of Hemingway’s translated work in the Albanian-speaking world. On the whole, Hemingway’s reception in Albanian literature and culture has largely been overlooked and it thus requires more profound attention and consideration. Hence, this paper will attempt to fill up a large vacuum that existed so far in Ernest Hemingway’s reception in Albanian literature and culture.“Jeta e re,” one of the most reputable literary journals in Kosova, published several journalistic and literary critiques on Hemingway written by var

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Shamim, Rashda, Aalia Sabahat, Shalu Dadwal, Abida Bibi, and Nadira Khatoon. "Character Analysis of Robert Jordan and Santiago: The Sublime Parables of the Unconquerable Human Spirit against the Heavy Odds." Journal of Humanities,Music and Dance, no. 45 (August 8, 2024): 1–10. http://dx.doi.org/10.55529/jhmd.45.1.10.

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Ernest Hemingway is one of America's most distinguished novelists of the twentieth century. The protagonists of Ernest Hemingway are emblematic of resilience and fortitude, navigating through life’s physical and psychological adversities. Robert Jordan, a guerrilla fighter in the Spanish Civil War, embodies the existential struggle against a hostile universe, dealing with deep emotional scars and imminent death with unyielding courage. Santiago, the old fisherman, epitomizes the Hemingway code hero, demonstrating indomitable strength and perseverance in his relentless battle with a giant marli

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Hailian Zhang. "Analysis of Narrative Situation in The Torrents of Spring." Frontiers in Humanities and Social Research 2, no. 3 (2025): 235–41. https://doi.org/10.71465/fhsr250.

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Ernest Hemingway (1899-1961) stands as one of the most influential literary figures of the 20th century and is revered as a master of modern narrative art. In 1954, he was honored with the Nobel Prize in Literature. In 1926, Hemingway created the only parody The Torrents of Spring, which combines humor, satire, romanticism and naturalism, and uses rich narrative techniques. From the perspective of narratology, this paper studies the narrative situation: narrative person, narrative focalization and narrative manner in this novel, trying to explain Hemingway’s exceptional narrative art.

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Steinberg, Michael K. "Hemingway's Cuban Landscape." Human Geography 10, no. 3 (2017): 71–78. http://dx.doi.org/10.1177/194277861701000306.

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Hemingway tourism in Cuba represents an evocative geographical landscape of inquiry for two primary reasons. First, Hemingway tourism, and tourism in general in Cuba, exists side by side with the larger socialist economy and political system that limits local interactions with the very things and places foreigners desire and visit. Thus contrasting messages are presented in the “text” of the landscape. And second, Hemingway was an American, yet his landscape and image in Cuba is vigorously preserved and promoted, often as one of their own. The Cuban government packages Hemingway for foreign to

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PRERNA. "Effective Use of Nature Symbolism in Ernest Hemingway’s Novels." History Research Journal 5, no. 4 (2019): 227–33. http://dx.doi.org/10.26643/hrj.v5i4.7728.

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The present paper aims at the careful study of some of the novels of Ernest Hemingway with a special insistence on his way of treating nature. Nature directly or indirectly plays a significant role in his creations and is much crucial aspect in the life’s of the various characters. Hemingway’s famous ‘Iceberg theory’ is also explained through an element from the nature itself. He has beautifully described the relationship of human beings with the nature around them, the environment they are a part of, the flora and fauna they are surrounded with. At places, nature becomes a prominent symbol of

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Meister, German. "Edward Hopper and Ernest Hemingway: Problem of Creative Connections." Tyumen State University Herald. Humanities Research. Humanitates 9, no. 3 (2023): 6–24. http://dx.doi.org/10.21684/2411-197x-2023-9-3-6-24.

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This paper focuses on revealing connections between the creative work of two representatives of the US realism of the early 20th c.: the painter Edward Hopper (1882–1967) and the literary artist Ernest Hemingway (1899–1961). This problem has received studied, only if superficially. Yet Hopper and Hemingway were “key” personalities of the epoch which built them: both of the artists were expatriates, absorbed experience of “European” aesthetic trends, witnessed two world wars; that led to the existentialism concepts becoming central ideas in their creative work. Being self-made men, Hopper and H

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Gajdusek, Robert. "CONVERSATIONS WITH ERNEST HEMINGWAY." Resources for American Literary Study 16, no. 1 (1989): 176–81. http://dx.doi.org/10.2307/26366355.

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Gajdusek, Robert. "CONVERSATIONS WITH ERNEST HEMINGWAY." Resources for American Literary Study 16, no. 1 (1989): 176–81. http://dx.doi.org/10.2307/resoamerlitestud.16.1.0176.

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Wang, Yufeng. "Hemingway’s Ecological Consciousness in “An African Story”." Journal of Language Teaching and Research 11, no. 4 (2020): 599. http://dx.doi.org/10.17507/jltr.1104.10.

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Ernest Hemingway’s stories with African Safari themes play a significant role in his abundant works and they deserve an in-depth investigation. However, little academic scholarship has been devoted to these African stories compared with his other works. As eco-criticism has become an important perspective of the Hemingway studies, this article is an eco-critical interpretation and deep exploration of the ecological consciousness in “An African Story”. In this story, Hemingway revealed man’s cruelty towards the animals and presented his contemplation over the conflict between man and nature fro

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Schauder, Silke. "Papa Hemingway or the Tragic Alterity of the Work of Art." International Journal of Person Centered Medicine 7, no. 3 (2018): 182–86. http://dx.doi.org/10.5750/ijpcm.v7i3.649.

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This article examines autofiction in Ernest Hemingway's writing and the entanglement between work of art, biography and psychic conflict in order to articulate science and humanism and to enhance personalized understanding of illness and creativity in artists. Following an interpretative method, the author will analyze Ernest Hemingway’s The Old Man and the Sea after placing this short story in its bio-bibliographic context. She will explore the following hypothesis: in this novel, Hemingway's personal conflict and his posture as a writer are disclosed under the form of allegory. Finally, the

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35

Ivancich, Adriana. "I Am Hemingway's Renata." PMLA/Publications of the Modern Language Association of America 129, no. 2 (2014): 257–66. http://dx.doi.org/10.1632/pmla.2014.129.2.257.

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When Adriana Ivancich is mentioned as a figure in ernest hemingway's life, it is usually with derision, incredulity, or else a barely constrained “Did they or didn't they?” breathlessness. The idea that Ivancich, who was not even born when Hemingway wrote The Sun Also Rises (1926) and A Farewell to Arms (1929), was the inspiration behind the teenage contessa Renata, Colonel Cantwell's improbable love interest in Across the River and into the Trees (1950), has generated a sometimes hostile reaction. However, this crucial figure in Hemingway's post-World War II life and writing deserves investig

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Allen, Edward. "“On the Early Letters of Ernest Hemingway: Teasing, Typing, Editing”." Textual Cultures 9, no. 1 (2015): 95–111. http://dx.doi.org/10.14434/tc.v9i1.4252.

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Ernest Hemingway has rarely seemed a reliable pen pal, not through any fault of his own, but because the evidence for determining any such identity has been hard to assemble. In 2011, Sandra Spanier and Robert W. Trogdon published the first volume of Hemingway’s collected letters, and in doing so, prompted a reevaluation of his epistolary habit; one that requires careful editing and close textual scrutiny. Taking the first volume of the new Letters as a case study, this essay offers an interpretative approach to matters of textuality, typographic expression, and mechanical accident that lie at

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Marshall, Ian. "Constructions of Race and Revolution in Ernest Hemingway’s “The Porter”." Hemingway Review 43, no. 1 (2023): 110–24. http://dx.doi.org/10.1353/hem.2023.a913500.

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Abstract: In this essay, Ian Marshall analyzes Ernest Hemingway’s writing methodology in his short fiction, paying particular attention to constructions of labor, landscape, and African American male identity. Marshall argues that Hemingway was incapable of imagining a black working-class revolution, or a racially unified working-class revolution in the United States. This inability shapes his characters actions, particularly George, the main African American character in “The Porter,” and contributes to our understanding of revolutionary and social class consciousness in the U.S. as presented

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Mary, Siniya M. V., and S. Uma Maheswari Dr. "The Ascendancy of Ernest Hemingway's Novel "For Whom the Bell Tolls" on Petro Marko's Novels." Literary Druid 4, no. 2 (2022): 21–29. https://doi.org/10.5281/zenodo.6538616.

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<em>The recognition of Hemingway's translated works in Albanian literature and culture had begun in 1957, and it reached to peak in the last decade of the twentieth century. In all probability, Hemingway's works in Albanian literature were received with comfort, curiosity, respect, admiration, and enthusiasm both by readers and literary critics. In addition to the reception there are track down and proof that Hemingway in his novel “For Whom the Bell Tolls” had instigated Petro Marko to write the novel “Hasta la Vista”. This is anticipated to the actuality that

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Mahmood, Anser. "The Theme of Lost Generation: A study of Hemingway’s “For Whom the Bell Tolls”." Journal of English Language and Literature 2, no. 3 (2014): 186–90. http://dx.doi.org/10.17722/jell.v2i3.35.

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This paper primarily examines the theme of lost generation in Ernest Hemingway’s novel For Whom the Bell Tolls (1940) and the physical and psychological desperation faced by the protagonist, an American volunteer, Robert Jordan. This paper attempts to find the reasons behind this emotional crisis and Hemingway’s notion of describing the mental trauma of Postwar effected generation. Coming to a very close grip with harsh realities and brutalities of wars, Hemingway along with his characters adopt a strong tendency to denounce war which induces abominable sense of emptiness. The novel For Whom t

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Johnston, Rebecca. "Slovenes and Friuli as the Other in Hemingway." Acta Neophilologica 52, no. 1-2 (2019): 129–40. http://dx.doi.org/10.4312/an.52.1-2.129-140.

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Ernest Hemingway was known for writing with the “Iceberg Theory” in mind. Thus, there are deeper meanings and contexts moving beneath the surface of his works. His war novel A Farewell to Arms takes place along the Soča/Isonzo Front both before and after the Battle of Kobarid/Caporetto and in this setting, consistent with his “Iceberg Theory,” Hemingway has placed both characters and settings that deserve a reconsideration below the surface. While the Italians in the novel are on the surface of the story and thus more easily recognizable, it is the Slovenes and Friuli who run under the surface

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Herbertson, Gavin. "‘Our Creole Painter’: Derek Walcott's Early Intermediality." Comparative Critical Studies 21, no. 1 (2024): 7–27. http://dx.doi.org/10.3366/ccs.2024.0502.

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This article probes the complex interrelationship between Derek Walcott's poetry, Paul Gauguin's art, and Ernest Hemingway's prose. Following an overview of cutting-edge research into postcolonial artistic intermediality, it argues that Walcott admired Gauguin's depictions of Caribbean landscapes, but that this admiration was tempered by his awareness of the artist's racism. Having established the broad strokes of their relationship, the article hones in on the influence Gauguin exerted on Walcott's early lyric ‘Letter to a Painter in England’ (1948). Through close reading, it outlines the rol

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Yongju, Yuan. "Ernest Hemingway's Female Consciousness." IRA International Journal of Education and Multidisciplinary Studies 17, no. 2 (2021): 69. http://dx.doi.org/10.21013/jems.v17.n2.p4.

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Ernest is often stereotyped as a masculine writer as much of his work focuses on hunting, fishing, boxing, and bullfighting. With the rise of the women movement in the 1960s and feminist criticism in the department of literature, Hemingway became Enemy Number One for many critics, who accused him of perpetuating sexist stereotypes in his writing. By analyzing some female characters in his major works, this paper argues that as a skilful writer in depicting the male sphere, Hemingway has created many female characters that deserve commendation, and the mainstream of his female consciousness is

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Norris, Marcos Antonio. "Ernest Hemingway’s “The Short, Happy Life of Francis Macomber” and Death in the Afternoon." Studies in the American Short Story 3, no. 1-2 (2022): 18–34. http://dx.doi.org/10.5325/studamershorstor.3.1-2.0018.

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ABSTRACT Ernest Hemingway’s “The Short, Happy Life of Francis Macomber” should be interpreted in light of his earlier commentary on Spanish bullfighting in Death in the Afternoon. The key insights regarding both the faena (when the bull passes by the matador) and the moment of truth (when the matador kills the bull) help to illuminate the final hunting sequence of Hemingway’s story. In this final sequence, Macomber transforms into a matador figure who exercises the bullfighting techniques described by Hemingway. Reading these works together reveals Hemingway’s belief in human exceptionalism, t

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Žeželj Kocić, Aleksandra. "Ernest Hemingway: Reconceptualization of Gender." Belgrade English Language and Literature Studies 5 (2013): 211–27. http://dx.doi.org/10.18485/bells.2013.5.10.

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Halio, Jay L., and A. Robert Lee. "Ernest Hemingway: New Critical Essays." Yearbook of English Studies 17 (1987): 356. http://dx.doi.org/10.2307/3507751.

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Thomas P. Roche. "James Thurber on Ernest Hemingway." Princeton University Library Chronicle 67, no. 1 (2005): 166. http://dx.doi.org/10.25290/prinunivlibrchro.67.1.0166.

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White, Frederick H. "Ernest Hemingway and the NKVD." Rossica. Литературные связи и контакты, no. 2 (2022): 269–92. http://dx.doi.org/10.54791/27823792_2022_2_269_292.

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Busby, Mark, and J. F. Kobler. "Ernest Hemingway: Journalist and Artist." South Central Review 4, no. 2 (1987): 118. http://dx.doi.org/10.2307/3189176.

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Kvam, Wayne. "Ernest Hemingway — Some Recent Discoveries." Revue belge de philologie et d'histoire 65, no. 3 (1987): 574–80. http://dx.doi.org/10.3406/rbph.1987.3596.

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Karjagdiu, Lirak. "Ernest Hemingway in Albanian Literature." International Journal of Literature and Arts 4, no. 5 (2016): 68. http://dx.doi.org/10.11648/j.ijla.20160405.13.

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