Relevant bibliographies by topics / Henry Bernard

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Henry Bernard'

Author: Grafiati
Published: 4 June 2021
Last updated: 9 February 2022

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Journal articles on the topic "Henry Bernard"

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Boral, Leonard, Paul D. Mintz, and Charles Rouault. "John Bernard Henry, MD (1928–2009)." American Journal of Clinical Pathology 132, no. 5 (November 2009): 801. http://dx.doi.org/10.1309/ajcpz5el9yfbhfvj.

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Brighton, Trevor, and Brian Sprakes. "Medieval and Georgian Stained Glass in Oxford and Yorkshire. The Work of Thomas of Oxford (1385–1427) and William Peckitt of York (1731–95) in New College Chapel, York Minster and St James, High Melton." Antiquaries Journal 70, no. 2 (September 1990): 380–415. http://dx.doi.org/10.1017/s0003581500070840.

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In the story of the survival and revival of glass-painting in post-Reformation England, York and Oxford play a significant part. York was especially important because it supported three important artists who helped to maintain the city as a major glass-painting centre, namely Bernard Dinninckhoff (fl. 1585-c. 1620), Henry Gyles (1645–1709), and William Peckitt (1731–95). Oxford's part lay in its patronage of glass-painters. Various colleges patronized foreign and native artists, in particular Abraham and Bernard van Linge, Henry Gyles, William Price and William Peckitt.
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Weintraub, Rodelle. "Bernard Shaw's Henry Higgins: A Classic Aspergen." English Literature in Transition, 1880-1920 49, no. 4 (2006): 388–97. http://dx.doi.org/10.2487/h076-6835-013g-52r4.

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Norton, Christopher. "Bernard, Suger, and Henry I's Crown Jewels." Gesta 45, no. 1 (January 2006): 1–14. http://dx.doi.org/10.2307/25067123.

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Boral, Leonard, Paul D. Mintz, and Charles Rouault. "OBITUARY: John Bernard Henry, MD: 1928-2009." Transfusion 49, no. 12 (December 1, 2009): 2779–80. http://dx.doi.org/10.1111/j.1537-2995.2009.02506.x.

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Prickett, Stephen. "Bernard Dive, John Henry Newman and the Imagination." Theology 122, no. 3 (May 2019): 223–24. http://dx.doi.org/10.1177/0040571x19826181m.

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Magala, Slawomir. "Book Reviews : Bernard-Henry Levy: Eloge des intellectuels." Organization Studies 10, no. 3 (July 1989): 429–31. http://dx.doi.org/10.1177/017084068901000309.

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Clare, David. "Bernard Shaw, Henry Higgins, and the Irish Diaspora." New Hibernia Review 18, no. 1 (2014): 93–105. http://dx.doi.org/10.1353/nhr.2014.0002.

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Schwartzman, Jack. "Henry George and George Bernard Shaw: Comparison and Contrast." American Journal of Economics and Sociology 49, no. 1 (January 1990): 113–27. http://dx.doi.org/10.1111/j.1536-7150.1990.tb02266.x.

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Muller, Matthew. "John Henry Newman and the Imagination by Bernard Dive." Newman Studies Journal 16, no. 2 (2019): 113–15. http://dx.doi.org/10.1353/nsj.2019.0029.

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Dissertations / Theses on the topic "Henry Bernard"

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Ballard, Aude. "Genèse et rhétorique des architectures radiophoniques du XXe siècle : la ''maison ronde'' d'Henry Bernard, manifeste d'un fonctionnalisme architectural ?" Thesis, université Paris-Saclay, 2020. http://www.theses.fr/2020UPASK001.

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L’entre-deux guerre est marquée par la genèse et l’essor d’une nouvelle architecture dédiée à la radiodiffusion. La radio ne pouvant plus s’implanter dans des bâtiments existants et disséminés, elle fut contrainte de se doter d’édifices adaptés spécialement aux techniques et aux pratiques radiophoniques qui centralisent la production sur un seul site. A travers une étude historique mondiale de la création architecturale dédiée à la radiodiffusion de 1929 à 1963 et l’analyse des œuvres architecturales pionnières dans ce domaine à Berlin et à Bruxelles et eu égard à la diversité des réponses architecturales apportées aux besoins exigeants de cette création radiophonique, il s’agit de s’interroger sur le processus de genèse de cette nouvelle architecture et sur la place de l’œuvre d’Henry Bernard au sein de cette création radiophonique
The period between the two Worlds Wars is marked by the genesis and the rise of a new architecture dedicated, to broadcasting. As being not able to be implanted in the existing and disseminated buildings, the radio was compelled to be endowed with an edifice specifically adapted to the radiophonic techniques and practices, that centralize the production in a single site. This world historical study of the dedicated architectural creation in broadcasting, from 1929 to 1963, analyzes the pioneering architectural works in Berlin and Brussels. In view of the diversity of architectural responses brought to the requirements of radiophonic creation, it is a question of both accurately questioning the genesis of this new architecture and the place of the work of Henry Bernard in the context of post-WW2 France
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Winnett, Prudence J. "The expressed and the inexpressible in the theatre of Jean-Jacques Bernard and Henry Rene Lenormand between 1919 and 1945." Thesis, Durham University, 1996. http://etheses.dur.ac.uk/5102/.

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This study is concerned with the ways the Inter-War theatre of Jean-Jacques Bernard and Henry-Rene Lenormand illustrates the paradox of the relative impotence of words as instruments of communication on the one hand as compared with their potency in other respects. The first two chapters are devoted to Bernard's exploitation and demonstration of the inadequacy of words as vehicles of meaning, the complex and correspondingly confusing nature of dialogue and miscellaneous factors which generally aggravate the communication process. Chapter 4 is given over to an examination of the most important failing of verbal symbols as illustrated in Lenormand's metaphysically oriented drama, and Chapter 5 treats of the other ways in which Lenormand's theatre complements Bernard’s by highlighting the fundamental inefficiency of words as communication tools and certain factors which further undermine dialogue and personal relations. Chapters 3 and 6 review how the plays of Bernard and Lenormand also bring into relief the extraordinary and sometimes dangerous effectiveness words can have, notably as provocative triggers and psychological catalysts. A substantial Introduction puts Chapters 1-6 into a historical perspective, explains the choice of playwrights, discusses the way their work has been critically evaluated, classified and analysed in the past and accounts for this study’s particular approach to their drama between 1919 and 1945.
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Krishna, Nakul. "The morality of common sense : problems from Sidgwick." Thesis, University of Oxford, 2014. http://ora.ox.ac.uk/objects/uuid:f2ac036e-115d-4e02-b5a8-cd6ab40f0800.

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Much modern moral philosophy has conceived of its interpretative and critical aims in relation to an entity it sometimes terms 'common-sense morality'. The term was influentially used in something like its canonical sense by Henry Sidgwick in his classic work The Methods of Ethics (1874). Sidgwick conceived of common-sense morality as a more-or-less determinate body of current moral opinion, and traced his ('doxastic') conception through Kant back to Aristotle's Nicomachean Ethics and the practice of Plato's Socrates before him. The Introduction to this thesis traces the influence of Sidgwick's conception both on subsequent (mis)understandings of Socratic practice as well as on the practice of moral philosophy in the twentieth century. The first essay offers a challenge to Sidgwick's understanding of Socratic practice. I argue that Socrates' questioning of his interlocutors, far from revealing some determinate body of pre-existing beliefs, is in fact a demonstration of the dynamic and partially indeterminate quality of common-sense morality. The value for the interlocutor of engaging in such conversation with Socrates consisted primarily in its forcing him to adopt what I term a deliberative stance with respect to his own practice and dispositions, asking himself not 'what is it that I believe?' but rather, 'what am I to believe?' This understanding of Socratic practice gives us a way of reconciling the often puzzling combination of conservative and radical elements in Plato's dialogues. The second essay is a discussion of the reception of Sidgwick's conception of ethics in twentieth-century Oxford, a hegemonic centre of Anglophone philosophy. This recent tradition consists both of figures who accepted Sidgwick's picture of moral philosophy's aims and those who rejected it. Of the critics, I am centrally concerned with Bernard Williams, whose life's work, I argue, can be fruitfully understood as the elaboration of a heterodox understanding of Socratic practice, opposed to Sidgwick's. Ethics, on this conception, is a project directed at the emancipation of our moral experience from the many distortions to which it is vulnerable. Williams's writings in moral philosophy, disparate and not entirely systematic, are unified by these emancipatory aims, aims they share with strains of psychoanalysis except in that they do not scorn philosophical argument as a tool of emancipation: in this respect among others, I claim, they are fundamentally Socratic.
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Lehmann, Henry [Verfasser], Bernhard [Akademischer Betreuer] Jung, Bernhard [Gutachter] Jung, and Gerik [Gutachter] Scheuermann. "Temporal Lossy In-Situ Compression for Computational Fluid Dynamics Simulations / Henry Lehmann ; Gutachter: Bernhard Jung, Gerik Scheuermann ; Betreuer: Bernhard Jung." Freiberg : Technische Universität Bergakademie Freiberg, 2018. http://d-nb.info/1226100805/34.

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Weinberg, Alexis. "Temps de l’écriture et poétique du point aveugle : théorie et pratique (Bernard Pingaud, Henri Thomas)." Thesis, Sorbonne Paris Cité, 2017. http://www.theses.fr/2017USPCC091.

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Nous nous intéressons dans cette thèse à la relation originale et problématique qui s’est établie, dans la période qui va de l’après-guerre jusqu’à la fin des années 1970, entre, d’une part, la temporalité de l’écriture telle que vécue par l’écrivain et, d’autre part, la temporalité produite par le texte. Le schème paradoxal qui préside à cette relation pourrait se résumer ainsi : écrire pour savoir pourquoi écrire. Si la formule semble consonner avec la vulgate d’une écriture autotélique, elle nous semble plus profondément poser la question complexe du désir du scripteur, quand toute relation univoque entre le dedans et le dehors est mise en cause. Pour mener à bien cette étude, nous procédons en deux grands moments. Le premier aborde cette configuration par un bord théorique : nous suivons le fil du syntagme de « point aveugle », en ses acceptions métaphoriques et conceptuelles, dans un corpus essayistique extrait du grand moment théorique français. La seconde propose deux parcours de lecture dans les œuvres littéraires narratives fictionnelles de Bernard Pingaud et d’Henri Thomas – écrivains qui, selon des modalités distinctes, montrent deux voies d’articulation originale des registres temporels considérés. Aussi différents soient-ils, ils partagent ce principe : écrire pour savoir ce que, sans cette traversée, on ne pourrait savoir, en s’affrontant à cet irréductible point aveugle qui se donne comme condition de possibilité et d’impossibilité du sens
The focus of this thesis is the relationship - in the period between the end of World War Two and the late 1970s - between the temporality of writing as experienced by the writer, and the temporality produced by the text itself. The paradoxical structure of this relationship can be captured by the following formula: writing in order to know why one writes. Though this formula may seem to invoke the modernist received wisdom concerning autotelitic writing, this thesis takes it as the starting point in order to understand the desires of the “scriptor” (to use Roland Barthes’s term) when all unambiguous relations between the internal and the external are called into doubt. This study will proceed in two major parts. The first will apply a theoretical lens to the notion of the “blind spot” as it appears in its various metaphorical and conceptual senses in the essayistic corpus of so-called “French theory”. The second will consist of a literary analysis of the fictional narratives of Bernard Pingaud and Henri Thomas: writers who, each in their own distinct modalities, reveal an original way of articulating the forms of temporality at the center of this study. As different as they are, Pingaud and Thomas each share the aim of writing in order to understand that which, without writing, one could never understand. In pursuit of this aim, both writers come face-to-face with a blind spot that poses itself as the condition of both the possibility and the impossibility of meaning
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McCavana, N. A. "Survival Strategies of Jacques Henri Bernardin de Saint-Pierre (1760-1788)." Thesis, Queen's University Belfast, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.527845.

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Xiao, Yong [Verfasser], Henry [Gutachter] Schroeder, Bernhard [Gutachter] Rauch, and Anke [Gutachter] Fender. "Influence of ACT-209905 on glioblastoma growth in vitro / Yong Xiao ; Gutachter: Henry Schroeder, Bernhard Rauch, Anke Fender." Greifswald : Universität Greifswald, 2020. http://d-nb.info/1218686987/34.

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Mestry, Philip. "Paul et Virginie dans une perspective biblique : une allégorie de l'histoire de l'humanité." Paris 4, 1994. http://www.theses.fr/1994PA040199.

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Paul et Virginie, longtemps décrié, fait, depuis 1953, l'objet d'une tentative de réhabilitation. A cet effet, plusieurs lectures ont vu le jour, proposant des éclairages non négligeables. Cependant, à notre sens, aucune ne parvient à octroyer à ce roman sa cohérence globale, à résoudre ses dissonances. Et si la clé du texte résidait ailleurs que dans sa littéralité, c'est-à-dire dans sa structure sous-jacente, dans son symbolisme? Le structuralisme logique et le symbolisme biblique, nous ont permis d'effectuer un tel examen. Sans présomption aucune, nous pouvons désormais affirmer que Bernardin de Saint-Pierre y avait bel et bien place un fil allégorique de l'histoire de l'humanité depuis le paradis édénique initial jusqu'au paradis eschatologique avec, dans l'ordre entre les deux, l'intrusion du péché, ses conséquences désastreuses sur l'humanité, l'apprentissage du savoir et de la culture au fil des siècles, les rachats possibles culminant dans la rédemption ou christ, dont Virginie remplit les attributions dans le roman, sauve tous ceux qui adhèrent à ses principes de vertu; tout ceci, afin d'inciter ses concitoyens à suivre ce fil, cette voie du salut, à se saisir de cette belle pierre brillant d'espérances nouvelle sertie dans sa gangue d'une histoire d'amour visant à toucher les esprits. Ce fil-là rend à Paul et Virginie sa cohérence
Paul and Virginia, after having been disparaged for quite a while, is, since 1953, being reinstated. In fact, since then, several different readings of the novel have come out, bringing to light some important aspects of it. However, none of them, in our opinion, has succeeded in bestowing some overall consistency on this novel or in sorting out any of its discrepancies. What if the key to this text was to be sought elsewhere than in its literality, that is to say in its underlying structure, its symbolism? Logical structuralism and biblical symbolism have made such an analysis possible. Thus, we may legitimately assert that Bernardin de Saint-Pierre definitely weaved in his text the allegorical thread of the story of mankind, from the edenic paradise to the eschatological paradise with, in good order between the two, the intrusion of sin, its disastrous consequences on mankind, the apprenticeship of culture and knowledge throughout centuries, the different possibilities for one to be redeement culminating into the redemption of Christ, whose role is being played by Virginia in the novel, granting salvation to all those who adhere to his principles of virtue; all this in order to prompt his fellow citizens into following that thread, that path to salvation, into seizing that dazzling magnificent stone, owing to the hopes it offers, mounted in its gangue of a love story aiming at hitting the senses. Such a thread restores its consistency to Paul and Virginia
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Wernet, Valérie Marie-Jeanne. "Ecriture et philosophie dans l'oeuvre de Bernardin de Saint-Pierre." Université Marc Bloch (Strasbourg) (1971-2008), 2006. http://www.theses.fr/2006STR20013.

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Considéré comme le père de l'exotisme littéraire par la grâce d'un roman au succès fulgurant Paul et Virginie (1788), l'écrivain voyageur J. -H. Bernardin de Saint-Pierre (1737-1814) a cependant inscrit cette " espèce de pastorale " dans une vaste somme totalisante, les Etudes de la nature (1784), pierre angulaire d'une nouvelle " philosophie de la nature ", qui s'épanouit dans les Harmonies de la nature (1814). Fondée sur l'idée de Providence et d'harmonie des contraires, cette conception finaliste mais aussi vitaliste de l'univers naît d'une réaction contre le paradigme newtonien des sciences triomphant dans l'épistémè rationaliste des Lumières. Au miroir de cette crise du savoir, corrélée à celle de l'image de la Nature, apparaît le point nodal de cette étude. Il s'agit de montrer ici comment l'" épistémologie du coeur " bernardinienne, héritée de Rousseau, a permis l'émergence d'une conception mystique de la Nature, qui informe et féconde une " esthétique de l'enchantement ", où le pittoresque brillant masque une symbolique tout en correspondances, enclose dans une peinture nouvelle du monde
At the end of the French Enlightenment, Jacques-Henri Bernardin de Saint-Pierre (1737-1814), author and great traveller, especially in the Indian Ocean (Mauritius), is chiefly known for his pastoral idyll Paul et Virginie (1788), but he also was deeply versed in nature-related scientific disciplines. In two large summas, Les Etudes de la nature (1784) and Les Harmonies de la nature (1815), he developed a visionary system of interpretation of Nature, mixing knowledges as different as botany, geology or astronomy. Fighting D'Holbach's or Helvetius' materialism and the newtonian epistemology, he intended, as a Rousseau' s disciple, to renovate the representations of Nature, with the heart as a guide. Beyond his powerful sense of exoticism, his colourful descriptions of environment contain secret analogies. This essay aims to show the links between his philosophy rested on a tranfiguration of Nature into a sacred space and the emergency of an enchanted vision of univeral harmony, aesthetic and spiritual
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Bernardt, Henry [Verfasser]. "Unterschiedliche Bewertungsmöglichkeiten von Fleischsaft- und Serum-ELISA am Beispiel der Erfassung der Seroprävalenzen von Toxoplasma gondii, Yersinia enterocolitica und Salmonella in deutschen Outdoor-Schweinehaltungen / Henry Bernardt." Berlin : Freie Universität Berlin, 2017. http://d-nb.info/1132582474/34.

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Books on the topic "Henry Bernard"

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Bensaïd, Daniel. Un nouveau théologien, Bernard-Henry Lévy. Paris, France: Lignes, 2007.

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Mazaroff, Stanley. Henry Walters and Bernard Berenson: Collector and connoisseur. Baltimore: Johns Hopkins University Press, 2010.

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Henry Walters and Bernard Berenson: Collector and connoisseur. Baltimore: Johns Hopkins University Press, 2010.

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Richard, Labévière, ed. Bernard-Henry Lévy, ou la règle du je. Pantin: le Temps des CeRises, 2007.

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Labévière, Richard. Bernard-Henry Lévy ou La règle du je. Pantin: le Temps des cerises, 2007.

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1897-1977, Coster Charles Henry, Constable Giles, Beatson Elizabeth H, and Dainelli Luca d. 1985, eds. The letters between Bernard Berenson and Charles Henry Coster. Florence: L.S. Olschki, 1993.

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John Henry Bernard 1860-1927: A study of a leader of the southern Unionists. Dublin: Linden Publishing Sevices, 2008.

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MacCarthy, R. B. John Henry Bernard 1860-1927: A study of a leader of the southern Unionists. Dublin: Linden Publishing Sevices, 2008.

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MacCarthy, R. B. John Henry Bernard 1860-1927: A study of a leader of the southern Unionists. Dublin: Linden Publishing Sevices, 2008.

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Bernard-Henri Lévy: Une vie. Paris, France: Table ronde, 2005.

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Book chapters on the topic "Henry Bernard"

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Li, Kay. "Shaw and the Last Chinese Emperor, Henry Pu-yi Aisin-Gioro." In Bernard Shaw’s Bridges to Chinese Culture, 39–66. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-41003-6_3.

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Ciferni, Andrew D. "L’abbé Bernard-Henry Pennings (1861-1955), missionnaire et fondateur aux États-Unis." In Bibliotheca Victorina, 341–53. Turnhout: Brepols Publishers, 2005. http://dx.doi.org/10.1484/m.bv-eb.3.1457.

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Wild, Gerhard. "Bernardin de Saint-Pierre, Jacques Henri." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_2720-1.

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Herrmann, Kay. "Brief 50: Paul Bernays an Grete Henry(-Hermann) (19.9.1966)." In Frauen in Philosophie und Wissenschaft. Women Philosophers and Scientists, 589–91. Wiesbaden: Springer Fachmedien Wiesbaden, 2019. http://dx.doi.org/10.1007/978-3-658-16241-2_72.

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Herrmann, Kay. "Brief 48: Paul Bernays an Grete Henry(-Hermann) (26.5.1966)." In Frauen in Philosophie und Wissenschaft. Women Philosophers and Scientists, 583–84. Wiesbaden: Springer Fachmedien Wiesbaden, 2019. http://dx.doi.org/10.1007/978-3-658-16241-2_70.

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Henry, G. "Brief 49: Grete Henry(-Hermann) an Paul Bernays (12.6.1966)." In Frauen in Philosophie und Wissenschaft. Women Philosophers and Scientists, 585–88. Wiesbaden: Springer Fachmedien Wiesbaden, 2019. http://dx.doi.org/10.1007/978-3-658-16241-2_71.

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Henry, G. "Brief 51: Grete Henry(-Hermann) an Paul Bernays (6.12.1966)." In Frauen in Philosophie und Wissenschaft. Women Philosophers and Scientists, 593–98. Wiesbaden: Springer Fachmedien Wiesbaden, 2019. http://dx.doi.org/10.1007/978-3-658-16241-2_73.

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Martin, Annegret. "Bernardin de Saint-Pierre, Jacques Henri: Paul et Virginie." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_2721-1.

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Engelhardt, Klaus. "Bernardin de Saint-Pierre, Jacques Henri: Études de la nature." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_9479-1.

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Touati, Francois-Olivier. "Les traités sur la lèpre des médecins montpelliérains: Bernard de Gordon, Henri de Mondeville, Arnaud de Villeneuve, Jourdain de Turre et Guy de Chauliac." In L’Université de Médecine de Montpellier et son rayonnement (XIIIe-XVe siècles), 205–31. Turnhout: Brepols Publishers, 2004. http://dx.doi.org/10.1484/m.dda-eb.3.1602.

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Conference papers on the topic "Henry Bernard"

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BERTELI MARIO DOS SANTOS, EDUARDA, and ORNA MESSER LEVIN. "A adaptação do romance Paulo e Virginia, de Jacques-Henri Bernardin de Saint Pierre para o teatro entre as décadas de 1840 e 1890." In XXIV Congresso de Iniciação Científica da UNICAMP - 2016. Campinas - SP, Brazil: Galoa, 2016. http://dx.doi.org/10.19146/pibic-2016-51233.

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