Relevant bibliographies by topics / Henry Blake

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  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Henry Blake'

Author: Grafiati
Published: 4 June 2021
Last updated: 26 January 2023

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Journal articles on the topic "Henry Blake"

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Austin,, Oliver L. "In Memoriam: Charles Henry Blake." Auk 102, no. 1 (1985): 159–61. http://dx.doi.org/10.2307/4086832.

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SILET, CHARLES L. P. "Henry Blake Fuller: Further Additions and Corrections." Resources for American Literary Study 19, no. 1 (1993): 75–93. http://dx.doi.org/10.2307/26366965.

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SILET, CHARLES L. P. "Henry Blake Fuller: Further Additions and Corrections." Resources for American Literary Study 19, no. 1 (1993): 75–93. http://dx.doi.org/10.2307/resoamerlitestud.19.1.0075.

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MASSA, ANN. "Henry Blake Fuller and the Cliff Dwellers: Appropriations and Misappropriations." Journal of American Studies 36, no. 1 (2002): 69–84. http://dx.doi.org/10.1017/s0021875802006795.

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The relative obscurity of Chicago's Henry Blake Fuller (1857–1929), a prolific essayist, journalist, reviewer and novelist, with collections of plays, poems and short stories to his name, in part derives from the difficulty of placing him: the work resists classification. His early fiction, for instance, reflects, debates and sometimes satirises the alternating influences of Howells and James. The Cliff-Dwellers (1893) and With the Procession (1895), “American” novels, are framed by such “European” fictions as The Chevalier of Pensieri-Vani (1890) and Waldo Trench and Others: Stories of Americ
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Do Canto, Daniela Schwarcke, and Anselmo Peres Alós. "A VIDA DE WILLIAM BLAKE: A FORMAÇÃO DE UM GRAVURISTA COM POUCOS RECURSOS." DLCV - Língua, Linguística & Literatura 13, no. 1 (2018): 125. http://dx.doi.org/10.22478/ufpb.2237-0900.2017v13n1.34281.

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William Blake nasceu em 1757, e desde muito cedo demonstrou um grande interesse pelas artes. Aos dez anos foi matriculado pelo pai na escola de desenho de Henry Pars, onde foi treinado como desenhista por quase cinco anos. Aos quatorze, foi enviado para ser aprendiz do gravurista James Basire (1730-1802), com quem morou e estudou durante sete anos. Blake ainda frequentou por alguns anos na Royal Academy, saindo em 1785, sem concluir seus estudos. Em 1782 Blake casou-se com Catherine Baucher, ensinando-a a ler e a escrever. Ele também a treina na arte da gravura e da pintura, tornando-a uma imp
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Titman, Nathan. "Working the Dunes: Queer Tourism and Henry Blake Fuller's Gentlemanly Mobility." Gender & History 31, no. 1 (2019): 132–52. http://dx.doi.org/10.1111/1468-0424.12412.

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Gumery, Keith. "Repression, Inversion and Modernity: A Freudian Reading of Henry Blake Fuller'sBertram Cope's Year." Journal of Modern Literature 25, no. 3-4 (2002): 40–57. http://dx.doi.org/10.2979/jml.2002.25.3-4.40.

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Dimuro, Joseph. "The Salient Angle: Revising the Queer Case of Henry Blake Fuller'sBertram Cope's Year." Textual Cultures: Text, Contexts, Interpretation 2, no. 1 (2007): 136–54. http://dx.doi.org/10.2979/tex.2007.2.1.136.

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Gumery, Keith. "Repression, Inversion and Modernity: A Freudian Reading of Henry Blake Fuller's Bertram Cope's Year." Journal of Modern Literature 25, no. 3 (2002): 40–57. http://dx.doi.org/10.1353/jml.2003.0017.

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Ku, Chung-Hao. "“Adonis all over again”: Literary and Botanical Sexuality in Henry Blake Fuller’s Bertram Cope’s Year." Studies in American Fiction 47, no. 2 (2020): 163–89. http://dx.doi.org/10.1353/saf.2020.0008.

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Dissertations / Theses on the topic "Henry Blake"

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Lapin, Blake. "Durability of Bone." Scholarship @ Claremont, 2019. https://scholarship.claremont.edu/cmc_theses/2160.

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Blake Lapin's senior thesis, Durability of Bone, is a five-part collection of poems written, edited, and compiled under the mentorship of Henri Cole. Themes include loss, love, travel, disability, and home.
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Blaske, Susann [Verfasser], Henryk [Akademischer Betreuer] Barthel, Swen [Gutachter] Hesse, and Winfried [Gutachter] Brenner. "Weiterentwicklung und Testung einer Auswerte-Software zur Analyse von Beta-Amyloid Hirn-PET-Daten / Susann Blaske ; Gutachter: Swen Hesse, Winfried Brenner ; Betreuer: Henryk Barthel." Leipzig : Universitätsbibliothek Leipzig, 2016. http://d-nb.info/1240695489/34.

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Lupold, Eva Marie. "Literary Laboratories: A Cautious Celebration of the Child-Cyborg from Romanticism to Modernism." Bowling Green State University / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1339976082.

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Golden, Tasha L. "Push." Miami University / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=miami1345477184.

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Pasovic, Maja. ""Hold Infinity in the palm of your hand And Eternity in an hour": William Blake's Visions of Time and Space in the Light of Eastern Traditions." Thesis, 2013. http://hdl.handle.net/10012/7656.

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This thesis examines William Blake’s conceptions of time and space in the light of the philosophies of Hinduism and Islam. In order to perform this analysis, source material, often from rare and neglected texts, is utilized to examine Blake’s possible unorthodox influences. The analysis of influences takes a three-pronged track: literary, symbolic, and linguistic; Blake’s possible knowledge of Orientalist translations; the symbols in his poetry, prose, and paintings are analyzed; and his potential knowledge of major Orientalist languages is also examined. Once this has been examined in suffici
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Books on the topic "Henry Blake"

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1919-, Cleary Grace Blake. Henry Elwyn Blake and Ida Barker Blake: Stories of their lives and times, 1869-1966. G.B. Cleary and B.W. Fradenburg, 1992.

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2

A varied harvest: The life and works of Henry Blake Fuller. University of Pittsburgh Press, 1987.

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3

N, Essick Robert, ed. William Blake at the Huntington: An introduction to the William Blake Collection in the Henry E. Huntington Library and Art Gallery, San Marino, California. H.N. Abrams in association with the Henry E. Huntington Library and Art Gallery, 1994.

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Henry E. Huntington Library and Art Gallery. The works of William Blake in the Huntington collections: A complete catalogue. Huntington Library, Art Collections, Botanical Gardens, 1985.

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5

Price, Oberia. Price - Kees and allied families 1988: Lewis Family, Maxwell family, Ball family, Blake family, Benson Family, Henry Family, Jennings/McBeath families, Morris family, Moak family. Oberia G. Price,1988., 1988.

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Essick, Robert N. William Blake and his contemporaries and followers: Selected works from the collection of Robert N. Essick : an exhibition at the Henry E. Huntington Library and Art Gallery, November 1987 through February 1988. Huntington Library and Art Gallery, 1987.

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1972-, Crosby Mark Christopher, Essick Robert N, and Wark Robert R, eds. Genesis: William Blake's last illuminated work. Huntington Library, Art Collections, and Botanical Gardens, 2012.

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8

ARIZONA!: Twenty-First in a Series. Bantam, 1988.

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9

Moral economy and American realistic novels. P. Lang, 1996.

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10

Griffin, Constance M. Henry Blake Fuller: A Critical Biography. University of Pennsylvania Press, 2017.

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Book chapters on the topic "Henry Blake"

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Lemke, Siegliende. "Fuller, Henry Blake." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_5334-1.

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Bachem-Alent, Rose, and Sieglinde Lemke. "Fuller, Henry Blake: The Cliff-Dwellers." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_5335-1.

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"Henry Blake McLellan." In Coleridge the Talker. Cornell University Press, 2019. http://dx.doi.org/10.7591/9781501741067-063.

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"Henry Gahogan and Robert Blake." In Lives of the Most Remarkable Criminals - who have been condemned and executed for murder, the highway, housebreaking, street robberies, coining or other offences. Routledge, 2013. http://dx.doi.org/10.4324/9781315015651-137.

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"Henry Blake Fuller and Chicago." In Chicago and the Making of American Modernism. Bloomsbury Academic, 2019. http://dx.doi.org/10.5040/9781350018051.ch-002.

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"Henry Blake Fuller, Bertram Cope’s Year." In Lost Gay Novels. Routledge, 2013. http://dx.doi.org/10.4324/9780203057230-30.

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Hunnekuhl, Philipp. "‘matters of Religion & Morality’: Herder, Wordsworth, and Blake." In Henry Crabb Robinson. Liverpool University Press, 2020. http://dx.doi.org/10.3828/liverpool/9781789621785.003.0007.

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Chapter six aims to elucidate the decisive overall agreement, as well as the subtle nuances, that Robinson discerned in the works of Herder, Wordsworth, and Blake, and according to which he disseminated them, both among these poets and wider audiences in England and Germany. Robinson found these three poets to be advancing idiosyncratic forms of aesthetic free play that kindle the moral imagination of their readers. The chapter reads Robinson’s three articles on Herder in the Unitarian Monthly Repository (1808–09) and his German article on Blake in Friedrich Perthes’s Vaterländisches Museum (1811) against the informal critiques of Wordsworth and Coleridge’s Lyrical Ballads that Robinson elaborated in a series of letters in late 1802. These critiques are so ground-breaking since they constitute a profound, autonomous development of Kantian and post-Kantian notions of aesthetic autonomy into a distinctive conceptualization of literature’s cross-cultural ethical relevance, and thus provide the clearest definition of Robinson’s critical principle of ‘Free Moral Discourse’. According to this principle, art has a bearing on morality through their shared aspiration to disinterestedness, while the ultimate unattainability of such reciprocal disinterestedness creates a dynamic interplay between its two constituents.
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Blake, Henry. "888 From Henry Blake Faringdon, Berks., 8 July 1672." In Calendar of the Correspondence of Richard Baxter, Vol. 2: 1660–1696, edited by N. H. Keeble and Geoffrey F. Nuttall. Oxford University Press, 1991. http://dx.doi.org/10.1093/oseo/instance.00009889.

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9

Siegel, Jonah. "Matter, Form, Abstraction." In Material Inspirations. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198858003.003.0005.

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This chapter addresses the constantly shifting forms that mediated audiences’ experiences of admired antiquities from the late eighteenth century to the late nineteenth. Literary texts and reproductive prints not only diffused knowledge of ancient art, but shaped new creation in literature and the visual arts, which in turn contributed to the establishment of new aesthetic norms. Through analyses of authors ranging from Lessing to Winckelmann, from Coleridge to Blake, from George Eliot to Henry James, and culminating with Ruskin and Pater, this chapter argues that the emergence of an ever-more abstract and formalist vision of antiquity was shaped by the ongoing shifts in the cultural presence of antique objects.
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Regier, Alexander. "Crossing Channels." In Exorbitant Enlightenment. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198827122.003.0003.

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This chapter focuses on three key intellectuals of the Anglo-German exchange of ideas in the eighteenth century: Henry Fuseli, Georg Hamann, and Caspar Lavater. Henry Fuseli, the chapter shows, is not only the painter of English Gothic Romanticism but also one of the most important textual authors and translators in 1760s Enlightenment London. The second example, Hamann, appears as one of the main figures from the Anglo-German exchange of ideas who is relevant far beyond our current appreciation. The chapter closes by discussing Lavater’s role in the Anglo-German context. What it illustrates is how he not only connects Blake and Hamann in this historical way, but also through his neglected writings on language, which reveal a thinker whose ideas on the book of nature are remarkably close to Blake’s and Hamann’s. The multiple connections between Fuseli, Hamann, and Lavater, then, reveal the complexity and richness of the Anglo-German context in the eighteenth century.
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