Relevant bibliographies by topics / Henry Irving

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Henry Irving'

Author: Grafiati
Published: 4 June 2021
Last updated: 26 July 2025

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Journal articles on the topic "Henry Irving"

1

Walter, Helen. "‘Van Dyck in Action’: Dressing Charles I for the Victorian Stage." Costume 47, no. 2 (2013): 161–79. http://dx.doi.org/10.1179/0590887613z.00000000028.

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In 1872, the then relatively unproven young actor, Henry Irving, took to the stage of London’s Lyceum theatre to play the part of Charles I in a new play by William Gorman Wills. The play’s phenomenal popularity was Irving’s first major triumph as a tragedian, but what few historians have explored was that his success was largely predicated, not just upon his acting ability, but on the visual aspects of his performance, particularly his appearance as Charles I, and his costumes, which were characterized by his biographer Bram Stoker as akin to watching ‘Van Dyck in action’. This notion, that I
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Nicholson, Helen. "Henry Irving and the Staging of Spiritualism." New Theatre Quarterly 16, no. 3 (2000): 278–87. http://dx.doi.org/10.1017/s0266464x00013907.

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Spiritualism enjoys an equivocal reputation not unlike that of wrestling – for whatever their intrinsic qualities, both benefit greatly from the trappings of showmanship. Supposed spiritualist mediums first manifested themselves during the Victorian era, which seems to have been highly susceptible to such fraudsters as the American Davenport brothers – whose touring ‘seances’ were, however, greeted with rather more scepticism in the North of England than in London. While audiences seemed to enjoy the way in which such demonstrations of spiritual possession were presented in a manner resembling
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Richards, Jeffrey. "Henry Irving: The Actor-Manager as Auteur." Nineteenth Century Theatre and Film 32, no. 2 (2005): 20–35. http://dx.doi.org/10.7227/nctf.32.2.4.

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Harken, Dwight Emory. "In Memoriam: Henry Irving Russek, MD, FACC, 1911–1990." Journal of the American College of Cardiology 16, no. 5 (1990): 1326. http://dx.doi.org/10.1016/0735-1097(90)90574-9.

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HILLER, ALICE. "“An Avenue to Some Degree of Profit and Reputation”: The Sketch Book as Washington Irving's entrée and undoing." Journal of American Studies 31, no. 2 (1997): 275–93. http://dx.doi.org/10.1017/s0021875897005677.

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“I have,” confided Washington Irving to his friend and effective literary agent Henry Brevoort, “by patient & persevering labour of my most uncertain pen, & by catching the gleams of sunshine in my cloudy mind, managed to open to myself an avenue to 〈a〉 some degree of profit & reputation.” The “avenue” in question was The Sketch Book of Geoffrey Crayon, Gent. – America's first internationally acclaimed work of literature – which, by March 1821, had become a direct route to respectability and the British establishment, opening to Irving the world of stately homes and their real-life
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Rachow, Louis A. "The Development of Theatre Collections and Their Present State: An Overview." Theatre Survey 34, no. 1 (1993): 91–96. http://dx.doi.org/10.1017/s0040557400009789.

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From the days of Thespis to the knighthood of Henry Irving, society in general censured those who trod the boards, and historians frowned upon the theatre as a discipline worthy of scholarly attention. The records of performance, past and present, were neglected, ignored, and uncataloged—either tossed into cartons and relegated to attics and basements for future generations to discard, or they were filed in the nearest wastebasket. Only the drama and the literature of the stage (commentaries and criticisms, histories and reviews) were considered to be of substantial interest.
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Tetens, Kristan. "‘A Grand Informal Durbar’: Henry Irving and the Coronation of Edward VII." Journal of Victorian Culture 8, no. 2 (2003): 257–91. http://dx.doi.org/10.3366/jvc.2003.8.2.257.

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Storm, William. "Impression Henry Irving: The Performance in the Portrait by Jules Bastien-Lepage." Victorian Studies 46, no. 3 (2004): 399–423. http://dx.doi.org/10.2979/vic.2004.46.3.399.

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Storm, William. "Impression Henry Irving: The Performance in the Portrait by Jules Bastien-Lepage." Victorian Studies 46, no. 3 (2004): 399–423. http://dx.doi.org/10.1353/vic.2004.0139.

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Moura, Fernanda Korovsky. "Dion Boucicault’s Robert Emmet?: the question of authorship and the season premiere at the McVicker's Theatre, Chicago, on November 5, 1884." Ilha do Desterro A Journal of English Language, Literatures in English and Cultural Studies 73, no. 2 (2020): 127–36. http://dx.doi.org/10.5007/2175-8026.2020v73n2p127.

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The Irish playwright Dion Boucicault (1820-1890) spent most of his career in the United States, where he established himself, adapting crucial moments of Irish history to the stage. Robert Emmet (1884), a play produced at the end of his career, arouses questioning surrounding its authorship. The dramatic text was arguably written by the playwright Frank Marshall (1840-1889) at the request of the actor Henry Irving (1838-1905). This paper explores the question of Robert Emmet’s authorship and investigates the reception of the production in its unsuccessful opening season at the McVicker’s Theat
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Dissertations / Theses on the topic "Henry Irving"

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Demeulemeester, Samuel. "La proposition 100% monnaie des années 1930 : clarification conceptuelle et analyse théorique." Thesis, Lyon, 2019. http://www.theses.fr/2019LYSEN068.

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Cette thèse étudie la proposition 100% monnaie, telle qu’elle fut formulée aux États-Unis dans les années 1930 par Henry Simons (l’auteur principal du « Plan de Chicago »), Lauchlin Currie et Irving Fisher notamment. L’essence de cette proposition est de divorcer la création de monnaie des prêts de monnaie : les dépôts servant de moyens de paiement seraient soumis à 100% de réserve en monnaie légale, conférant à l’État un monopole de la création monétaire. Cette idée de réforme étant régulièrement sujette à confusion, nous entreprenons de clarifier son concept et d’étudier ses principaux argum
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Gabriel, Schenk. "A type of king : the figure of Arthur in mid-nineteenth to mid-twentieth century literature." Thesis, University of Oxford, 2014. http://ora.ox.ac.uk/objects/uuid:6c284cea-e72c-49b0-ba87-29cf7b960ba9.

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This thesis analyses the figure of Arthur, in a period spanning the mid-nineteenth to mid-twentieth centuries, when that figure became increasingly protean and multifaceted, and the audience for the Arthurian legend grew in both size and variety. It argues that many authors wrote through Arthur, as well as about Arthur, using the figure to understand and test their own ideas about ideals (e.g. of manliness, kingship, or heroism) as well as problems (such as war, despotism, or ungodliness). This thesis analyses Arthur by considering him as a 'type', using a definition of the term that highlight
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Lewis, Darcy Hudelson. "Xenotopia: Death and Displacement in the Landscape of Nineteenth-Century American Authorship." Thesis, University of North Texas, 2017. https://digital.library.unt.edu/ark:/67531/metadc1062864/.

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This dissertation is an examination of the interiority of American authorship from 1815–1866, an era of political, social, and economic instability in the United States. Without a well-defined historical narrative or an established literary lineage, writers drew upon death and the American landscape as tropes of unity and identification in an effort to define the nation and its literary future. Instead of representing nationalism or collectivism, however, the authors in this study drew on landscapes and death to mediate the crises of authorial displacement through what I term "xenotopia," stra
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Books on the topic "Henry Irving"

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Henry, Irving. Sir Henry Irving: Theatre, culture, and society : essays, addresses, and lectures. Ryburn Pub., 1994.

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Foulkes, Richard. Henry Irving. Routledge, 2016. http://dx.doi.org/10.4324/9781315621050.

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Henry Irving. Creative Media Partners, LLC, 2018.

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Henry Irving. Creative Media Partners, LLC, 2018.

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Henry Irving. Taylor & Francis Group, 2017.

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Brereton, Austin. Henry Irving. Kessinger Publishing, LLC, 2007.

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Foulkes, Richard. Henry Irving. Taylor & Francis Group, 2021.

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Winter, William. Henry Irving. Creative Media Partners, LLC, 2018.

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Brereton, Austin. Henry Irving. Kessinger Publishing, 2004.

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Menpes, Mortimer. Henry Irving. Franklin Classics Trade Press, 2018.

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Book chapters on the topic "Henry Irving"

1

McAlduff, Paul S., and John Edgar Browning. "[Stories About Henry Irving]." In Palgrave Gothic. Springer Nature Switzerland, 2025. https://doi.org/10.1007/978-3-031-83075-4_39.

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McAlduff, Paul S., and John Edgar Browning. "Sir Henry Irving: An Appreciation." In Palgrave Gothic. Springer Nature Switzerland, 2025. https://doi.org/10.1007/978-3-031-83075-4_6.

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McAlduff, Paul S., and John Edgar Browning. "Henry Irving at the Show." In Palgrave Gothic. Springer Nature Switzerland, 2025. https://doi.org/10.1007/978-3-031-83075-4_22.

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Stoker, Bram. "Lucky Escapes of Sir Henry Irving (1900)." In The Forgotten Writings of Bram Stoker. Palgrave Macmillan US, 2012. http://dx.doi.org/10.1057/9781137330840_9.

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West, Shearer. "The Photographic Portraiture of Henry Irving and Ellen Terry." In Ruskin, the Theatre and Victorian Visual Culture. Palgrave Macmillan UK, 2009. http://dx.doi.org/10.1057/9780230236790_11.

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McAlduff, Paul S., and John Edgar Browning. "Edinburgh Pen and Pencil Club and Sir Henry Irving." In Palgrave Gothic. Springer Nature Switzerland, 2025. https://doi.org/10.1007/978-3-031-83075-4_15.

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Shattock, Joanne, Joanne Wilkes, Katherine Newey, and Valerie Sanders. "Henry Irving, ‘Preface’, to Denis Diderot, Paradox of the Actor." In Literary and Cultural Criticism from the Nineteenth Century. Routledge, 2021. http://dx.doi.org/10.4324/9781003199878-55.

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Browning, John Edgar. "Sir Henry Irving: An Appreciation by Bram Stoker, His Longtime Friend (1904)." In The Forgotten Writings of Bram Stoker. Palgrave Macmillan US, 2012. http://dx.doi.org/10.1057/9781137330840_12.

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Orel, Harold. "Bram Stoker, Personal Reminiscences of Henry Irving (London: William Heinemann, 1907) pp. 161–3." In Sir Arthur Conan Doyle. Palgrave Macmillan UK, 1991. http://dx.doi.org/10.1007/978-1-349-21487-7_18.

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McAlduff, Paul S., and John Edgar Browning. "Terriss’s Murderer Sends a Letter to Sir Henry Irving, but It Contains No Threat." In Palgrave Gothic. Springer Nature Switzerland, 2025. https://doi.org/10.1007/978-3-031-83075-4_71.

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