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Journal articles on the topic 'Henry Irving'

Author: Grafiati

Published: 4 June 2021

Last updated: 26 July 2025

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1

Walter, Helen. "‘Van Dyck in Action’: Dressing Charles I for the Victorian Stage." Costume 47, no. 2 (2013): 161–79. http://dx.doi.org/10.1179/0590887613z.00000000028.

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In 1872, the then relatively unproven young actor, Henry Irving, took to the stage of London’s Lyceum theatre to play the part of Charles I in a new play by William Gorman Wills. The play’s phenomenal popularity was Irving’s first major triumph as a tragedian, but what few historians have explored was that his success was largely predicated, not just upon his acting ability, but on the visual aspects of his performance, particularly his appearance as Charles I, and his costumes, which were characterized by his biographer Bram Stoker as akin to watching ‘Van Dyck in action’. This notion, that I

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2

Nicholson, Helen. "Henry Irving and the Staging of Spiritualism." New Theatre Quarterly 16, no. 3 (2000): 278–87. http://dx.doi.org/10.1017/s0266464x00013907.

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Spiritualism enjoys an equivocal reputation not unlike that of wrestling – for whatever their intrinsic qualities, both benefit greatly from the trappings of showmanship. Supposed spiritualist mediums first manifested themselves during the Victorian era, which seems to have been highly susceptible to such fraudsters as the American Davenport brothers – whose touring ‘seances’ were, however, greeted with rather more scepticism in the North of England than in London. While audiences seemed to enjoy the way in which such demonstrations of spiritual possession were presented in a manner resembling

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3

Richards, Jeffrey. "Henry Irving: The Actor-Manager as Auteur." Nineteenth Century Theatre and Film 32, no. 2 (2005): 20–35. http://dx.doi.org/10.7227/nctf.32.2.4.

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4

Harken, Dwight Emory. "In Memoriam: Henry Irving Russek, MD, FACC, 1911–1990." Journal of the American College of Cardiology 16, no. 5 (1990): 1326. http://dx.doi.org/10.1016/0735-1097(90)90574-9.

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5

HILLER, ALICE. "“An Avenue to Some Degree of Profit and Reputation”: The Sketch Book as Washington Irving's entrée and undoing." Journal of American Studies 31, no. 2 (1997): 275–93. http://dx.doi.org/10.1017/s0021875897005677.

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“I have,” confided Washington Irving to his friend and effective literary agent Henry Brevoort, “by patient & persevering labour of my most uncertain pen, & by catching the gleams of sunshine in my cloudy mind, managed to open to myself an avenue to 〈a〉 some degree of profit & reputation.” The “avenue” in question was The Sketch Book of Geoffrey Crayon, Gent. – America's first internationally acclaimed work of literature – which, by March 1821, had become a direct route to respectability and the British establishment, opening to Irving the world of stately homes and their real-life

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6

Rachow, Louis A. "The Development of Theatre Collections and Their Present State: An Overview." Theatre Survey 34, no. 1 (1993): 91–96. http://dx.doi.org/10.1017/s0040557400009789.

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From the days of Thespis to the knighthood of Henry Irving, society in general censured those who trod the boards, and historians frowned upon the theatre as a discipline worthy of scholarly attention. The records of performance, past and present, were neglected, ignored, and uncataloged—either tossed into cartons and relegated to attics and basements for future generations to discard, or they were filed in the nearest wastebasket. Only the drama and the literature of the stage (commentaries and criticisms, histories and reviews) were considered to be of substantial interest.

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7

Tetens, Kristan. "‘A Grand Informal Durbar’: Henry Irving and the Coronation of Edward VII." Journal of Victorian Culture 8, no. 2 (2003): 257–91. http://dx.doi.org/10.3366/jvc.2003.8.2.257.

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8

Storm, William. "Impression Henry Irving: The Performance in the Portrait by Jules Bastien-Lepage." Victorian Studies 46, no. 3 (2004): 399–423. http://dx.doi.org/10.2979/vic.2004.46.3.399.

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9

Storm, William. "Impression Henry Irving: The Performance in the Portrait by Jules Bastien-Lepage." Victorian Studies 46, no. 3 (2004): 399–423. http://dx.doi.org/10.1353/vic.2004.0139.

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10

Moura, Fernanda Korovsky. "Dion Boucicault’s Robert Emmet?: the question of authorship and the season premiere at the McVicker's Theatre, Chicago, on November 5, 1884." Ilha do Desterro A Journal of English Language, Literatures in English and Cultural Studies 73, no. 2 (2020): 127–36. http://dx.doi.org/10.5007/2175-8026.2020v73n2p127.

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The Irish playwright Dion Boucicault (1820-1890) spent most of his career in the United States, where he established himself, adapting crucial moments of Irish history to the stage. Robert Emmet (1884), a play produced at the end of his career, arouses questioning surrounding its authorship. The dramatic text was arguably written by the playwright Frank Marshall (1840-1889) at the request of the actor Henry Irving (1838-1905). This paper explores the question of Robert Emmet’s authorship and investigates the reception of the production in its unsuccessful opening season at the McVicker’s Theat

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11

Glazer, Nathan. "In Memoriam: Daniel BELL (1919-2011)." Tocqueville Review 32, no. 1 (2011): 5–9. http://dx.doi.org/10.3138/ttr.32.1.5.

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Daniel Bell, the distinguished and influential American sociologist and social theorist, died at the age of 91 years in January, 2011. Bell had an amazingly wide range of interests and knowledge. While he could be called a sociologist—he had served as a professor of sociology at Columbia University, and then as Henry Ford II Professor of Sociology at Harvard University—his academic life came after a long and varied career in serious journalism, as managing editor of the socialist weekly The New Leader, as editor of Common Sense, and as an editor and writer on the American business magazine For

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12

Irving, John H. B. "SHAW SETTLES HIS QUARREL WITH SIR HENRY IRVING (Introduction, Afterword, and Notes by Margot Peters)." Shaw 29 (January 1, 2009): 79–91. http://dx.doi.org/10.2307/40691861.

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13

Irving, John H. B. "SHAW SETTLES HIS QUARREL WITH SIR HENRY IRVING (Introduction, Afterword, and Notes by Margot Peters)." Shaw 29 (January 1, 2009): 79–91. http://dx.doi.org/10.5325/shaw.29.2009.0079.

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14

Whitehead, John. "A Grain of Sand: Ellen Terry's Letters to Amey Stansfield." Theatre Research International 13, no. 3 (1988): 191–220. http://dx.doi.org/10.1017/s0307883300005782.

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Ellen Terry's letters to Amey Stansfield were written between 1892 the first and several later ones cannot be precisely dated because the envelopes are missing – and 31 August 1907, a period covering the last decade of her association with Henry Irving at the Lyceum Theatre and also the peak years of her correspondence with Bernard Shaw, who called her ‘one of the greatest letter-writers who ever lived’. There are thirtythree of them, and although sometimes a long interval elapses between letters – only one for each of the years 1902 and 1907, and none at all for 1895, 1896, 1898, 1900, 1901 a

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15

Fatyanova, Alina B. "Henry Irving: Outstanding 19th Century British Actor. Concerning the Issue of the Genre of the Stage." Music Scholarship / Problemy Muzykal'noj Nauki, no. 4 (December 2017): 122–27. http://dx.doi.org/10.17674/1997-0854.2017.4.122-127.

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16

Tavlas, George S. "A RECONSIDERATION OF THE DOCTRINAL FOUNDATIONS OF MONETARY POLICY RULES: FISHER VERSUS CHICAGO." Journal of the History of Economic Thought 43, no. 1 (2021): 55–82. http://dx.doi.org/10.1017/s1053837219000622.

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There has long been a presumption that the price-level stabilization frameworks of Irving Fisher and Chicagoans Henry Simons and Lloyd Mints were essentially equivalent. I show that there were subtle, but important, differences in the rationales underlying the policies of Fisher and the Chicagoans. Fisher’s framework involved substantial discretion in the setting of the policy instruments; for the Chicagoans the objective of a policy rule was to tie the hands of the authorities in order to reduce discretion and, thus, monetary policy uncertainty. In contrast to Fisher, the Chicagoans provided

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17

Varty. "Henry Irving: A Re-Evaluation of the Pre-Eminent Victorian Actor-Manager, edited by Richard Foulkes." Victorian Studies 52, no. 1 (2009): 162. http://dx.doi.org/10.2979/vic.2009.52.1.162.

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18

Fisher, James. "David Mayer, ed. Henry Irving and ‘The Bells’Manchester University Press, 1987. xvi, 134 p. £7.95. 0-7190-1738-6." New Theatre Quarterly 5, no. 18 (1989): 199. http://dx.doi.org/10.1017/s0266464x00003110.

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19

Carroll, Kathleen L. "The Americanization of Beatrice: Nineteenth-Century Style." Theatre Survey 31, no. 1 (1990): 67–84. http://dx.doi.org/10.1017/s0040557400000995.

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To nineteenth-century theatre managers, who believed in the play as a commercial venture rather than an aesthetic one, portrayal of the modern American woman presented a dilemma. Sophisticated theatregoers, familiar with the rhetoric of the women's suffrage movement, looked to female role models for direction on how to maintain a delicate balance between independence and subservience: to project strength of convictions without loss of femininity (traditionally measured by male desirability), and to remain dependent on the economic necessity of marriage (Ziff, 278–80). Speculative theatre manag

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20

Cumming, Valerie. "First Knight: Henry Irving, 1838–1905: The Benson Room at the Swan Theatre, Stratford-upon-Avon, 30 June–5 November 2005." Costume 40, no. 1 (2006): 67–71. http://dx.doi.org/10.1179/174963006x99466.

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21

Bennett, Irving. "The Year OHS Began." Hindsight: Journal of Optometry History 50, no. 1 (2019): 13–16. http://dx.doi.org/10.14434/hindsight.v50i1.26586.

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The year 1969 was a time of tremendous change in American society as well as in the profession of optometry. In the broader culture, academics, students and community activists organized grassroots campaigns to change institutions from the bottom up. For optometry, this movement began with the January 1968 “LaGuardia” meeting, when a small group of optometrists planned a campaign to transform the profession by agitating for the American Optometric Association (AOA) to advocate for the expansion of the scope of practice. Ripe for change, the AOA membership began to respond. In June of 1968, des

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22

Green, London. "‘The Gaiety of Meditated Success’: The Richard III of William Charles Macready." Theatre Research International 10, no. 2 (1985): 107–28. http://dx.doi.org/10.1017/s0307883300010658.

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William Charles Macready was, except for Edmund Kean, the greatest and most influential actor of his time. He was distinguished not only for the energy, design, and command of his own acting, but also for the introduction of thorough rehearsal procedures and a concern for all aspects of production: a policy which led to the carefully unified production work of his disciple Samuel Phelps and the lavish Shakespearian productions of Henry Irving at the end of the century. Macready was demanding, disciplined, outspoken, and widely admired. He in fact helped to establish the actor-manager/company r

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23

Austine Amanze Akpuda. "Jenny Marx and the Critical Reception of Shakespeare (Performances) in 19th Century London and Dublin." Creative Saplings 3, no. 11 (2024): 58–82. https://doi.org/10.56062/gtrs.2024.3.11.805.

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Despite the predominance of Karl Marx's references to William Shakespeare and the equally advertised presentation of his daughter, Eleanor Marx's promotion of Shakespeare through her literary Association, the Dogberry Club, and her writings, there is no indication that they influenced or eclipsed Jenny Marx's profile as another remarkable Shakespeare enthusiast. However, because of the tendency to downplay Jenny Marx's contribution to the Shakespeare chapter in the intellectual heritage of the Karl Marx family, not many are aware of her writings as a performance critic of Shakespeare's plays.

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24

Jiang, Hanyang. "A Babel of Nature: The English-Language Sources of Zheng Junli’s “Tan biaoyan” (On Acting, 1936)." Asian Theatre Journal 41, no. 2 (2024): 425–49. http://dx.doi.org/10.1353/atj.2024.a936944.

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Abstract: Zheng Junli (1911–1969) was a left-wing stage director, actor, and moviemaker in modern China. Known as one of the first translators of Stanislavsky’s writings into Chinese, he worked in tandem with his colleagues to produce a translation of An Actor Prepares (1936), the English-language recension of Stanislavsky’s acting manual, resulting in Yanyuan ziwo xiuyang (An Actor’s Self-Cultivation, 1943). This article examines how Zheng made of Stanislavsky’s ideas on acting before setting out to translate An Actor Prepares . It focuses on a 1936 manuscript “Tan biaoyan” (On Acting) by Zhe

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25

Boray, Joe, and Mike Irvine. "John (Jack) Henry Irvine." Australian Veterinary Journal 90, no. 9 (2012): 330. http://dx.doi.org/10.1111/j.1751-0813.2012.00980.x.

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26

Shank, Robert E. "C-Reactive Protein and the Plasma Protein Response to Tissue Injury. Edited by Irving Kushner, John E. Volankis, and Henry Gewur. 482 pp. Annals of the New York Academy of Sciences, Vol. 389. New York, 1982. $97.00." Hepatology 3, no. 1 (2007): 128–29. http://dx.doi.org/10.1002/hep.1840030127.

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27

Young, Alan R. "Henry Irving's Hamlet: Some Visual Sources." Nineteenth Century Theatre and Film 32, no. 2 (2005): 3–19. http://dx.doi.org/10.7227/nctf.32.2.3.

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28

Mathews, Don. "DID IRVING FISHER REALLY DISCOVER THE PHILLIPS CURVE?" Journal of the History of Economic Thought 41, no. 2 (2019): 255–71. http://dx.doi.org/10.1017/s1053837218000275.

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Economic lore has it that, with his 1926 article, “A Statistical Relation between Unemployment and Price Changes,” Irving Fisher “discovered the Phillips curve.” Did he? This paper argues he did not, for two reasons. One: the statistical relationship between inflation and unemployment that Fisher described in his 1926 article was contemporaneously described by Alvin Hansen, Henri Fuss, John Rotherford Bellerby, and Arthur Pigou in their own studies. Two: the statistical relationship that Fisher, Hansen, Fuss, Bellerby, and Pigou described is substantially different from the statistical relatio

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29

Tetens, Kristan. "Commemorating the French Revolution on the Victorian Stage: Henry Irving's The Dead Heart." Nineteenth Century Theatre and Film 32, no. 2 (2005): 36–69. http://dx.doi.org/10.7227/nctf.32.2.5.

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30

Atanassov, Plamen. "Electrochemical Science & Engineering Graduate Program at the University of California Irvine." ECS Meeting Abstracts MA2023-01, no. 44 (2023): 2439. http://dx.doi.org/10.1149/ma2023-01442439mtgabs.

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The initiative to create an interdisciplinary program to train PhD (and in parallel terminal ME) graduate students in electrochemistry have been in circulation at University of California Irvine (UCI) since the Fall of 2018. Several “grass-root” meetings of faculty with sustained professional interests in the general interdisciplinary area of electrochemistry and electrochemical engineering involving faculty from UCI School of Physical Sciences (Chemistry and Physics & Astronomy) and Henry Samueli School of Engineering (Chemical & Biomolecular Engineering, Materials Science & Engin

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31

Hendrickson, Ken, and W. D. King. "Henry Irving's Waterloo: Theatrical Engagements with Arthur Conan Doyle, George Bernard Shaw,...Assorted Ghosts...War, and History." Journal of Military History 59, no. 1 (1995): 160. http://dx.doi.org/10.2307/2944382.

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32

Samuels, Warren J. "Elizabeth Watkins Jorgensen and Henry Irvin Jorgensen, Thorstein Veblen: Victorian Firebrand (Armonk and London: M. E. Sharpe, 1999) pp. viii, 279, $34.95, ISBN 0-7656-9258-X." Journal of the History of Economic Thought 21, no. 4 (1999): 465–67. http://dx.doi.org/10.1017/s1053837200004582.

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33

Jeroen, Staring. "F. Matthias Alexander and Edwardian Actresses/Actors." International Journal of Case Studies 7, no. 2 (2018): 09–26. https://doi.org/10.5281/zenodo.3538835.

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This case study investigates anecdotes and claims about Alexander Technique founding father Frederick Matthias Alexander who allegedly &bdquo;treated" numerous eminent Edwardian London actresses and actors. Research shows it is advisable to question those stories and claims.

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34

Stokes, John, and W. D. King. "Henry Irving's 'Waterloo': Theatrical Engagements with Arthur Conan Doyle, George Bernard Shaw, Ellen Terry, Edward Gordon Craig. Late-Victorian Culture: Assorted Ghosts, Old Men, War, and History." Yearbook of English Studies 26 (1996): 303. http://dx.doi.org/10.2307/3508694.

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35

O'Connor, Barry. "Henry Irving's Waterloo: Theatrical Engagements with Arthur Conan Doyle, George Bernard Shaw, Ellen Terry, Edward Gordon Craig, Late-Victorian Culture, Assorted Ghosts, Old Men, War and History by W.D. King." Victorian Review 21, no. 1 (1995): 97–99. http://dx.doi.org/10.1353/vcr.1995.0026.

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36

أ. د. صبري فالح الحمدي. "السياسة البريطانية من النزاعات بين نجد والحجاز ووساطة برسي كوكس في محاولات تسويتها (1915-1923)". Journal of the College of Basic Education 23, № 97 (2022): 505–37. http://dx.doi.org/10.35950/cbej.v23i97.8121.

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بدأت بريطانيا تدرك قوة عبد العزيز بن عبد الرحمن بن فيصل السعود (1902-1953) في الجزيرة العربية قبل نشوب الحرب العالمية الاولى، فأرسلت اليه الكابتن شكسبير([i]) (Shakespear الوكيل السياسي في الكويت الذي قام برحلات([ii]) عدة الى الجزيرة العربية، لاسيما عام 1913، التي شهدت لقاءه مع ابن سعود([iii]) قبل ضمه الاحساء، بهدف التقريب بين الاخير وامراء الجزيرة العربية، لاسيما بعد قيام الحرب العالمية الأولى عام 1914 وما بعدها لدعم المجهود العسكري البريطاني في محاربة الدولة العثمانية، وحلفائها من آل الرشيد امراء حائل، واستنادا الى تقارير([iv]) كوكس([v]) المرسلة من البصرة الى حكومة الهند والمؤرخة في 16 كانون

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37

Cochrane, J., L. P. Le Quesne, J. Pendower, et al. "William Lees Price Sir Douglas Ranger Keith William Reynolds Alastair Irvine Gordon Robertson Basil Roebuck Nigel Richard Saunders Harold Schnieden Edward Theodore Shennan Alan Sopwith Simpson Kenneth Swire Southam James Maryons ("Jim") Stansfeld Edmund Louis Ward Henry Robin Watson-Baker Anthony John White." BMJ 316, no. 7144 (1998): 1613. http://dx.doi.org/10.1136/bmj.316.7144.1613.

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38

Trivedi, Meghna S., Joseph M. Unger, Dawn Hershman, et al. "Abstract PD8-06: Incidence of Acute and Persistent Clinically Meaningful Chemotherapy Induced Peripheral Neuropathy in Patients with Early-Stage Breast Cancer Receiving Taxane Therapy: SWOG S1714 (NCT# 03939481)." Cancer Research 83, no. 5_Supplement (2023): PD8–06—PD8–06. http://dx.doi.org/10.1158/1538-7445.sabcs22-pd8-06.

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Abstract Background: Taxanes play an important role in the treatment of early-stage breast cancer. Chemotherapy induced peripheral neuropathy (CIPN) is a complication of taxane therapy and can lead to treatment dose reduction or discontinuation, which may ultimately affect overall survival, and can substantially impact quality of life and functional status in survivors. The trajectory of CIPN symptoms is not well described. Methods: SWOG S1714 enrolled participants 18 years or older with Stage I-III primary non-small cell lung, primary breast, or primary ovarian/fallopian tube/peritoneal cance

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39

Hughes, Alan. "Henry Irving's Waterloo: Theatrical Engagements with Arthur Conan Doyle, George Bernard Shaw, Ellen Terry, Edward Gordon Craig, Late Victorian Culture, Assorted Ghosts, Old Men, War, and History. By W.D. King, California: U. of CA Press, 1993; pp. xxv, 303. $40.00." Theatre Survey 36, no. 2 (1995): 98–100. http://dx.doi.org/10.1017/s0040557400001253.

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40

Park, J., K. Tae Il, and C. Jae Hee. "P0492 Development and Assessment of a Novel Ulcerative Colitis–Specific Quality of Life Questionnaire: A Prospective, Multi-Institutional Study." Journal of Crohn's and Colitis 19, Supplement_1 (2025): i1028. https://doi.org/10.1093/ecco-jcc/jjae190.0666.

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Abstract Background Interest in the quality of life (QoL) of patients with inflammatory bowel disease (IBD) has recently increased. Althoughmeasurement tools have been devised for IBD in general, there is no specific tool for measuring the QoL of patients with ulcerativecolitis (UC). Therefore, we developed a QoL questionnaire specifically for patients with UC. Methods The Korean Ulcerative Colitis-Specific Questionnaire (K-UCSQ) was developed through item generation,raw-scale construction, focus group meetings, and multi-center field tests. Two hundred patients with UC were recruited for a fi

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41

KITLV, Redactie. "Book Reviews." New West Indian Guide / Nieuwe West-Indische Gids 67, no. 1-2 (1993): 109–82. http://dx.doi.org/10.1163/13822373-90002678.

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-Louis Allaire, Samuel M. Wilson, Hispaniola: Caribbean chiefdoms in the age of Columbus. Tuscaloosa: University of Alabama Press, 1990. xi + 170 pp.-Douglas Melvin Haynes, Philip D. Curtin, Death by migration: Europe's encounter with the tropical world in the nineteenth century. Cambridge: Cambridge University Press, 1989. xviii + 251 pp.-Dale Tomich, J.H. Galloway, The sugar cane industry: An historical geography from its origins to 1914. Cambridge: Cambridge University Press, 1989. xii + 266 pp.-Myriam Cottias, Dale Tomich, Slavery in the circuit of sugar: Martinique and the world economy,

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42

Hasegawa, Kohei, Rita K. Cydulka, Ashley F. Sullivan, et al. "Improved Management of Acute Asthma Among Pregnant Women Presenting to the ED * *From the Department of Emergency Medicine, Massachusetts General Hospital, Harvard Medical School, Boston, MA; the Department of Emergency Medicine, MetroHealth Medical Center, Case Western Reserve University, School of Medicine, Cleveland, OH; the Department of Emergency Medicine, University of California Irvine Medical Center, Orange, CA; the Division of Pulmonary and Critical Care Medicine, Oregon Health and Science University Hospital, Portland, OR; the Department of Emergency Medicine, Henry Ford Hospital, Detroit, MI; and the Department of Emergency Medicine, Stanford University Medical Center, Stanford, CA." Chest 147, no. 2 (2015): 406–14. http://dx.doi.org/10.1378/chest.14-1874.

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43

"A strange eventful history: the dramatic lives of Ellen Terry, Henry Irving, and their remarkable families." Choice Reviews Online 47, no. 09 (2010): 47–4911. http://dx.doi.org/10.5860/choice.47-4911.

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44

Guardenti, Renzo. "Fotografia e teatralità sulla scena europea del secondo Ottocento." Drammaturgia, April 5, 2022, 11–28. http://dx.doi.org/10.36253/dramma-13538.

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The article analyses theatre photography in the period between the second half of the Nineteenth Century and the early Twentieth Century. In this period, in parallel with the diffusion of the photographic technique, the phenomenon of the great actor establishes throughout Europe, while we are witnessing to the birth of the Stage Directing. The investigation moves from a double perspective: on the one hand, highlighting how the notion of theatricality is at the basis of the photographic device, and on the other, underlining how theatre photography is characterised by a substantial ambiguity whi

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45

Gudehus, Timm. "Notwendigkeit, Regelungen und Konsequenzen einer neuen Geldordnung." Zeitschrift für Wirtschaftspolitik 63, no. 1 (2014). http://dx.doi.org/10.1515/zfwp-2014-0108.

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AbstractFrom an analysis of the uncertainties, deficiencies and negative effects of the present monetary system the necessity and the requirements for a new monetary order are derived. These requirements are fulfilled by the presented regulations of a monetary order, which is based on the proposals of Joseph Huber (Vollgeld), Henry Simons and Irving Fisher (100 %-Money), Milton Friedman (Chicago Plan) and others (Allais, 1988; Gödde, 1985; Benes / Kumhof, 2013). The new monetary order requires another cash management, adapted payment systems and a different monetary policy of the central bank.

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46

Aydın, Atilla, and Gülgün Çiğdem. "TESTING THE FISHER HYPOTHESIS IN TÜRKİYE: EVIDENCE FROM RALS COINTEGRATION ANALYSIS." Izmir Democracy University Social Sciences Journal, December 11, 2024. https://doi.org/10.61127/idusos.1586471.

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The relationship between inflation and interest rates has been a central topic in economics since the 1700s, reflecting its importance in understanding monetary dynamics and policy implications. While Henry Thornton is credited with being the first to analyze this relationship systematically, Irving Fisher further developed its theoretical framework in 1930, which has since been widely recognized as the Fisher Hypothesis. Fisher’s work explores the connection between inflation and nominal interest rates, positing that nominal rates adjust fully to changes in inflation, leaving real interest ra

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"Stanford M. Lyman. Selected writings of Henry Hughes: Antebellum Southerner, Slavocrat, Sociologist. Jackson: University of Press of Mississippi, 1985. 235 pp. $20.00 (cloth) (Reviewed by Irving Louis Horowitz)." Journal of the History of the Behavioral Sciences 22, no. 3 (1986): 276–78. http://dx.doi.org/10.1002/1520-6696(198607)22:3<276::aid-jhbs2300220327>3.0.co;2-h.

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"Henry Irving's Waterloo: theatrical engagements ... late-Victorian culture ... and history." Choice Reviews Online 31, no. 08 (1994): 31–4294. http://dx.doi.org/10.5860/choice.31-4294.

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"The history of inguinal hernia surgery." Perspectives in Surgery 102, no. 4 (2023). http://dx.doi.org/10.33699/pis.2023.102.4.149-153.

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The article reviews the history of inguinal hernia surgery. At various times, different procedures and diverse materials were used for hernia repair. However, the effectiveness and safety of inguinal hernia repair emerged only after the anatomic features of the inguinal region had been elucidated in a monograph by Henri Fruchaud „Anatomie des hernies de l’aine” published in 1956. The Italian surgeon Edoardo Bassini began a new era in herniology. For a longtime, his classic procedure with its modifications was the most popular in surgical practice. In 1959, Lloyd M. Nyhus proposed inguinal hern

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"Acknowledgment of Abstract Graders." Circulation 124, suppl_21 (2011). https://doi.org/10.1161/circ.124.suppl_21.a401.

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We would like to thank the following abstract graders for their invaluable time and effort in reviewing abstracts for Scientific Sessions 2011. Brian Abbott Friederike K. Keating Geoffrey Abbott John Kern Evan Abel Karl Kern Benjamin S. Abella Morton Kern Theodore Abraham Amit Khera William T. Abraham Raymond J. Kim Stephan Achenbach Sue Kimm Michael A. Acker Carey D. Kimmelstiel Michael J. Ackerman Jacobo Kirsch David H. Adams Joel Kirsh M. Jacob Adams Lorrie Kirshenbaum Ted Adams Raj Kishore Philip A. Ades Masafumi Kitakaze Gail K. Adler Andre Kleber Sunil K. Agarwal Neil S. Kleiman Frank Ag

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